Tag Archives: Festivals

Day 3 Woodstock Music Art Fair

Day 3 Woodstock Music Art Fair

Sunday 17 August 1969

Day 3 Woodstock Music Art Fair

Good morning, campers

It had been some 22 hours. We had taken off with Quill and landed with the Airplane.

We were hungry. Tired. Worried whether locals had towed our car away. Amazed that there were so many of Us.

Little did we know what would Sunday hold?

Day 3 Woodstock Music Art Fair

Max Yasgur

I don’t think we knew the name until then, but after we heard him we’d never forget it.

I’m a farmer…(interrupted by a cheer from the audience)… I don’t know how to speak to twenty people at one time, let alone a crowd like this. But I think you people have proven something to the world — not only to the Town of Bethel, or Sullivan County, or New York State; you’ve proven something to the world. This is the largest group of people ever assembled in one place. We have had no idea that there would be this size group, and because of that you’ve had quite a few inconveniences as far as water, food, and so forth. Your producers have done a mammoth job to see that you’re taken care of… they’d enjoy a vote of thanks. But above that, the important thing that you’ve proven to the world is that a half a million kids — and I call you kids because I have children that are older than you are — a half million young people can get together and have three days of fun and music and have nothing but fun and music, and I – God Bless You for it!”

Thank you Max Yasgur for giving us a place to listen to our music with our fellow travelers.

Day 3 Woodstock Music Art Fair

Joe Cocker

Joe Cocker and the Grease Band started at 2 pm; played for approx  90 minutes.

Set List:
  • Rockhouse*
  • Who Knows What Tomorrow May Bring* 
  • Dear Landlord
  • Something’s Coming On
  • Do I Still Figure in Your Life
  • Feelin’ Alright

*w/out Joe Cocker

  • Just Like a Woman
  • Let’s Go Get Stoned
  • I Don’t Need No Doctor
  • I Shall Be Released
  • Hitchcock Railway
  • Something to Say
  • With a Little Help from My Friends
Day 3 Woodstock Music Art Fair

The rain storm!

Woodstock Day Three

Country Joe and the Fish

Country Joe and the Fish, after the rain delay, started at 6.30 pm; played  a bit over an hour.

Country Joe McDonald: guitar, vocals
Barry “the Fish” Melton: guitar
Mark Kapner: keyboards
Doug Metzner: bass
Greg “Duke” Dewey: drums
Set list:
  • Rock & Soul Music
  • (Thing Called) Love
  • Not So Sweet Martha Lorraine
  • Sing, Sing, Sing
  • Summer Dresses
  • Friend, Lover, Woman, Wife
  • Silver and Gold
  • Maria
  • The Love Machine
  • Ever Since You Told Me That You Love Me (I’m a Nut)
  • Crystal Blues
  • Rock & Soul Music (Reprise)
  • “Fish” Cheer > I-Feel-Like-I’m-Fixin’-To-Die Rag
Day 3 Woodstock Music Art Fair

Ten Years After

Ten Years After started at 8.15 pm; played for approx 60 minutes.

Alvin Lee: guitar, vocals
Chick Churchill: keyboards
Leo Lyons: bass
Ric Lee: drum
Set list:
  • Spoonful
  • Good Morning Little Schoolgirl
  • Hobbit
  • I Can’t Keep from Crying Sometimes
  • Help Me
  • I’m Going Home
Day 3 Woodstock Music Art Fair

The Band

The Band started at 10 pm, played for 50 minutes

Robbie Robertson: guitar, vocals
Garth Hudson: organ, keyboard, saxophone
Richard Manuel: piano
Rick Danko: bass, vocals
Levon Helm: drums, mandolin
Set list:
  • Chest Fever
  • Don’t Do It
  • Tears of Rage
  • We Can Talk
  • Long Black Veil
  • Don’t You Tell Henry
  • Ain’t No More Cane on the Brazos
  • This Wheel’s on Fire
  • I Shall Be Released
  • The Weight
  • Loving You Is Sweeter Than Ever
Day 3 Woodstock Music Art Fair

Johnny Winter

Johnny Winter started at midnight; played for 65 minutes.

Johnny Winter: vocals, guitar
Edgar Winter: keyboards
Tommy Shannon: bass
“Uncle” John Turner: drums
Set list:
  • Mama, Talk to Your Daughter
  • Leland Mississippi Blues
  • Mean Town Blues
  • You Done Lost Your Good Thing Now > Mean Mistreater
  • I Can’t Stand It* 
  • Tobacco Road*
  • Tell the Truth*
  • Johnny B. Goode*

*w/ Edgar Winter

Day 3 Woodstock Music Art Fair

Blood, Sweat and Tears

Blood, Sweat and Tears started at 1.30 am; played for approx 60 minutes.

David Clayton-Thomas: vocals, guitar
Steve Katz: guitar, harmonica, vocals
Dick Halligan: keyboards, trombone, flute
Jerry Hyman: trombone
Fred Lipsius: alto sax, piano
Lew Soloff: trumpet, flugelhorn
Chuck Winfield: trumpet, flugelhorn
Jim Fielder: bass
Bobby Colomby: drums
Set list:
  • More and More
  • Just One Smile
  • Something’s Coming on
  • More Than You’ll Ever Know
  • Spinning Wheel
  • Sometimes in Winter
  • Smiling Phases
  • God Bless the Child
  • And When I Die
  • You’ve Made Me So Very Happy
Day 3 Woodstock Music Art Fair

Crosby, Stills, Nash, (and Young)

Crosby, Stills, Nash, and Young started at 3.00 am; played for 60 minutes.

David Crosby: guitar, vocals
Stephen Stills: guitar, vocals
Graham Nash: guitar, vocals
Neil Young: guitar, vocals (from middle of acoustic set}
Greg Reeves: bass
Dallas Taylor: drums
Set list:
Acoustic Set  

  • Suite: Judy Blue Eyes
  • Blackbird
  • Helplessly Hoping
  • Guinnevere
  • Marrakesh Express
  • 4 + 20
  • Mr. Soul
  • I’m Wonderin’
  • You Don’t Have to Cry
Electric Set  

  • Pre-Road Downs
  • Long Time Gone
  • Bluebird
  • Sea of Madness
  • Wooden Ships

Acoustic Encores  

  • Find the Cost of Freedom
  • 49 Bye-Byes
Day 3 Woodstock Music Art Fair

The Paul Butterfield Blues Band

The Paul Butterfield Blues Band started at 6 am; played for a little over an hour.

Paul Butterfield: harmonica, vocals
Buzzy Feiten: guitar
Steve Madaio: trumpet
Keith Johnson: trumpet
Gene Dinwiddie: tenor saxophone
David Sanborn: alto saxophone
Trevor Lawrence: baritone saxophone
Teddy Harris: piano
Rod Hicks: bass
Phillip Wilson: drums
Set list:
  • Born Under a Bad Sign
  • No Amount of Loving
  • Driftin’ and Driftin’
  • Morning Sunrise
  • All in a Day
  • Love March
  • Everything’s Gonna Be Alright
Day 3 Woodstock Music Art Fair

Sha Na Na

Sha Na Na started at 7:30 am; played for 30 minutes.

Donald “Donny” York: vocals
Rob Leonard: vocals
Alan Cooper: vocals
“Dennis” Greene: vocals
Dave Garrett: vocals
Richard “Richie” Joffe: vocals
Scott Powell: vocals

Joe Witkin: keyboards
Henry Gross: guitar
Elliot Cahn: rhythm guitar
Bruce Clarke III: bass guitar
Jocko Marcellino: drums

Set list:
  • Get A Job
  • Come Go With Me
  • Silhuettes
  • Teen Angel
  • Her Latest Flame
  • Wipe Out
  • (Who Wrote) The Book of Love
  • Little Darling
  • At The Hop
  • Duke Of Earl
  • Get A Job (Reprise)
Day 3 Woodstock Music Art Fair

Jimi Hendrix Gypsy Sun & Rainbows

Jimi Hendrix started at 9 am Monday 18 August; played for 130 minutes.

Jimi Hendrix: guitar, vocals
Larry Lee: rhythm guitar
Billy Cox: bass
Juma Sultan: percussion
Gerardo “Jerry” Velez: congas
Mitch Mitchell: drums
Set list:
  • Introduction
  • Message to Love
  • Hear My Train a-Comin’ (Getting My Heart Back Together Again)
  • Spanish Castle Magic
  • Red House
  • Mastermind (Larry Lee)*
  • Lover Man
  • Foxy Lady
  • Beginnings–Jam Back At The House
  • Izabella
  • Gypsy Woman/Aware of Love (Larry Lee)*
  • Fire
  • Voodoo Child (Slight Return)/Stepping Stone
  • Star Spangled Banner
  • Purple Haze
  • Woodstock Improvisation
  • Villanova Junction

Encore

  • Hey Joe
Day 3 Woodstock Music Art Fair

Day 3 Woodstock Music Art Fair

Day 3 Woodstock Music Art Fair

And the 1969 festivals continued.  Next is the Bullfrog 2 Festival (or is it 3?)

1968 Newport Pop Festival

1968 Newport Pop Festival

August 3 & 4, 1968
Orange County Fairgrounds,  Costa Mesa, California

1968 Newport Pop Festival

While…

..we wait for the Woodstock Music and Art Fair’s anniversary to roll around, I figured we could visit a non-1969 festival.

1968 Newport Pop Festival

Pre-Woodstock

The Newport Pop Festival can cause some confusion because of its name.  Newport, in this case, refers to California’s Newport, not Rhode Island’s. And the event was not held in Newport, California anyway.

Then, neither was Woodstock held in Woodstock!

So this is the 1968 Newport Pop Festival held at the Orange County Fairgrounds in Costa Mesa, California

1968 Newport Pop Festival

First site

The promoters, Wesco Productions (West Coast Productions), first selected an outdoor pavilion at the Orange County Fairgrounds. Advanced tickets sales were so successful that Wesco decided to move the site to nearby parking lots.

Woodstock Ventures had three weeks to move their festival 40 miles from Wallkill to Bethel. Wesco had three days to move several hundred yards. Neither completely succeeded.

As with any large event facing such challenges, Newport’s problems included having to bring water to the new site using hoses and then attendees had to bring their own containers to fill up.

Food concessions ran out before the first day ended. Lack of shade in southern California’s August sun made the site unbearable for some.

1968 Newport Pop Festival

Line up

The line up was a good one with no folk as such, but plenty of blues and rock. Sonny & Cher, though popular for many, did not fit into the mix, though and fans reportedly did not accept them well.

Saturday 3 August

  • Alice Cooper
  • Canned Heat
  • Chambers Brothers
  • Charles Lloyd Quartet

Sunday 4 August

  • Illinois Speed Press
  • Iron Butterfly
  • Jefferson Airplane
  • Quicksilver Messenger Service
  • The Byrds
  • Things to Come

There are no good recordings of any performances. Surprisingly, as ubiquitous as Grateful Dead tapes are, neither they nor any known audience recordings apparently exist, but YouTube does have some silent footage of the Dead with a different date playing over it:

1968 Newport Pop Festival

Future Woodstockers

Woodstock Ventures scheduled six of the Newport bands to their little party in Bethel a year later. Five of them got there.

  • Canned Heat
  • Country Joe & the Fish
  • Paul Butterfield Blues Band
  • Grateful Dead
  • Jefferson Airplane
  • Iron Butterfly (scheduled but didn’t perform; perhaps still waiting for the promised helicopter flight from LaGuardia Airport?)
1968 Newport Pop Festival

Primary Criticism

It is always interesting to read an article about an event written at the time of the event. Decades can deglaze  the bit and pieces that others saw firsthand.

Here are a few observations that Digby Diehl of the Los Angeles Times made.

  1. “the Newport Pop Festival was an outpouring of post-Beatles rock. And as the Blue Cheer pushed heavy amplifier-speaker equipment offstage into the crowd, Eric Burdon thrashed around, falling off the stage, as Country Joe and the Fish led the crowd in an obscenity cheer and the Jefferson Airplane fostered a spirit of riot.”
  2. “Arthur Brown set(s) his headdress on fire, the Asylum Choir takes nude advertisements, and some rock performers have become sideshow freaks…”
  3. …when a young singer like John Kay of Steppenwolf wears tight leather pants and ruffled shirts, rocks back on his heels and gestures exaggeratedly while singing, he is indulging in the sensational.”
  4. Regarding Country Joe’s “Fish Cheer” : “It was as cheap a way for Country Joe to win the Festival audience as for Wayne Newton singing “Danny Boy” is to win a Vegas audience.”
  5. Rock has to follow the trail blazed by Lennon-McCartney or Bog Dylan by speaking to the point, not shocking. “
1968 Newport Pop Festival
1968 Newport Pop Festival

Atlantic City Pop Festival

Atlantic City Pop Festival

August 1, 2, & 3, 1969
Atlantic City Racetrack

1969 festival #30

1969 Atlantic City Pop Festival

Atlantic City Pop Festival

Atlantic City

The Atlantic City Pop Festival of 1969. The penultimate festival. This was 1969’s 30th festival, the first occurring back in May with the Aquarian Family Festival. On my list of festivals for that summer, Atlantic City’s was the last before THE Woodstock Music and Art Fair in mid-August.

Herb, Allen and Jerry Spivak, Shelley Kaplan and Larry Magid produced the event and not unlike Woodstock Ventures, they envisioned an event that featured top-flight entertainment along with about 70 craft and food booths in a relaxed, outdoor atmosphere.

According to a 2011 Atlantic City Weekly article, “The festival was a sellout with 40,000 in attendance each day…. 
In the end, the musicians were the glue that kept the festival together with their performances. Procul Harum’s show on the first was a highlight, spotlighting the guitar work of guitarist Robin Trower and organist Matthew Fisher.”

Atlantic City Pop Festival

Nice mixed line-up

There are not many criticisms about the Woodstock line-up. The typical statement both from those who were there and those not  is that it was the greatest lineup ever. Of course, that’s not true. And greatness is in the ear of the listener.

For all the great acts that appeared at Woodstock, it did not have the mix that the Atlantic City Pop Festival had.

Friday 1 August

  • Biff Rose*
  • Aum
  • Lothar and the Hand People
  • Booker T. & The M.G.s
  • Chicago Transit Authority
  • Crosby, Stills & Nash
  • Iron Butterfly
  • Johnny Winter
  • Joni Mitchell
  • Procol Harum
  • Santana Blues Band
  • The Chambers Brothers*
  • Tracy Nelson & Mother Earth

Saturday 2 August

  • The Crazy World Of Arthur Brown
  • Creedence Clearwater Revival
  • Hugh Masekela
  • Jefferson Airplane
  • Lighthouse
  • Cass Elliot
  • Tim Buckley.

Sunday 3 August

Atlantic City Pop Festival

No Shows and walk offs

The reason a few band’s names are crossed out is that although scheduled, they did not appear. Crosby, Stills, and Nash because of Nash’s illness; Johnny Winter because his equipment didn’t arrive on time; and though Joni Mitchell did sing a few songs, the audience was not as receptive as she wanted and she walked off. Biff Rose, the festival’s MC, filled in and so became part of the list.

Joni was certainly not going to compose an ode to Atlantic City after that experience!

Notice the names like Buddy Rich, the Mothers of Invention, BB King, Hugh Masekela, and Procol Harum. Great choices and there were no equivalents at Woodstock.

The differences

The differences between the two events are even fewer than the differences between it and other similar festivals that summer. Most had great line ups. Most were multiple days. And AC was in the NY media’s circle of coverage: a great advantage that Woodstock also had.

The Atlantic City Pop Festival was in a race-track. No camping as at Woodstock, thus much less an opportunity for attendee to bond and become part of a whole weekend.

Though, in the comments below, a Norman Gaines writes: “No camping as at Woodstock”. Wrong, bad research. We camped ON THE GREENS  at Atlantic City Friday and Saturday nights at the invitation of the racetrack owners and it was announced over the PA system. We had running water, real restrooms and were able to get cleaned up each morning before the show started on Saturday and Sunday. We had real food available. Also, we had direct bus shuttles from the AC bus terminal to the track when the festival ended. And shaded seats. I was at Woodstock and AC. AC was the better of the two because it wasn’t a disaster, like we all know Woodstock was. And respectfully, it had a much more eclectic lineup.”

I’ll defend my research by saying that

  • the organizers did not provide the camping (as Woodstock Ventures had), but were invited by the racetrack owners.
  • Woodstock had running water. It was an amazing system of pipes and faucets surrounding the area.
  • While Mr Gaines Woodstock experience may have been a “disaster,” mine certainly wasn’t. Discomfort and disaster are two different things.
  • And re the AC lineup, see above, but I’ll repeat: “For all the great acts that appeared at Woodstock, it did not have the mix that the Atlantic City Pop Festival had.”

And as far as other differences, I’ll mention two more:

  1. Estimates are about 100,000 people attended each day. A great number, but far less than the “astronomic” half-million in Bethel.
  2. Finally, like nearly every other festival that summer, there is no official audio or visual record of the event. Over the years, various people have written their impressions, but the organizers did not do more than create a great weekend.

There is this brief home movie and sound of Janis:

A March 8, 2020 article from NJ.com relates a bit more about the concert including a few photos by Peter Stupar who hitchhiked to the concert from Potomac, MD.  Stupar’s site has many more of his pictures from that weekend.

Woodstock

Woodstock Ventures did not set out to create a legacy by filming and recording their event, but in my opinion, their festival would simply be another one on that summer’s long list of festivals had they not done those things.

Atlantic City Pop Festival

Next 1969 festival: Ann Arbor Blues Festival