Tag Archives: Beatles

August 28 Music et al

August 28 Music et al

Wooden Heart

August 28 – September 3, 1961: based on a German folk song and made popular in the US by Elvis in the film G.I. Blues , “Wooden Heart” by Joe Dowell #1 Billboard Hot 100.

August 28 Music et al

Something for Everybody

August 28 – September 17, 1961, Elvis Presley’s Something for Everybody is Billboard #1 album. (see Dec 18)

August 28 Music et al

The Beatles

1964 summer tour

August 28, 1964: Life magazine article reported that the Beatles’ 33-day tour of 23 American cities was a sell out at every location and was expected to gross millions. Beatles pandemonium at the time was such that some hotels along the tour route refused to house the Beatles, and Los Angeles’ Lockheed Airport forbade any Beatles plane from landing there for fear of screaming fans running on to the tarmac.

Bob Dylan and the Beatles meet

August 28 Music et al

August 28, 1964: The Beatles played a concert at New York’s Forest Hills Tennis Stadium. After the concert, the group was taken back to their suite at the city’s Hotel Delmonico. Journalist Al Aronowitz had came down from Woodstock, NY with his friend Bob Dylan, and brought him up to The Beatles hotel suite. John Lennon asked Dylan what he’d like to drink, and Dylan said “cheap wine.” (see Dylan/Beatles for more; Dylan, see January 20, 1965)

August 28 Music et al

Electric Dylan booed

August 28, 1965: (from The College of Rock and Roll Facebook page): Dylan kicked off his tour at NYC’s Forest Hills Tennis Stadium. This show is legendary, and for anyone who doubts that 1965 audiences heaped great scorn on Bob Dylan and his electric crew, all they need to do is listen to a a tape of the concert to hear the audience’s point of view. There was so much hostility directed toward the stage that it’s frightening. Coming as it does after the shocking Newport appearance with members of the Paul Butterfield Blues Band, the audience for the Forest Hills show pretty much knew what to expect, and the majority showed extreme displeasure during the electric half.

The first set, which was acoustic, was very well received. The crowd was quiet and respectful for the 45 minute opening set, which followed a typical top-40 disk jockey introduction more appropriate for a Dave Clark Five concert than a Bob Dylan concert. This show featured the debut of “Desolation Row”, from the Highway 61 album which was yet to be released (only a few days away, in fact). It’s a great performance and it went over very well with the crowd, who laughed appreciatively at the lyrics. It must have been amazing to sit there and hear a brand new masterpiece like “Desolation Row”.

After the well received acoustic half came to an end with “Mr. Tambourine Man”, the band set up for the second half. No doubt the crowd was gearing up for the hostility that was to follow. The crowd is so loud and belligerent at times that it becomes extremely hard to hear the music, but what can be heard is awesome. Levon lays down a muscular beat that drives the music forward and Robbie plays tough blues licks as only he can. Al Kooper pretty much plays the way only Al Kooper can. (see Aug 30)

August 28 Music et al

Beatles failed escape

August 28, 1966: nearing the end of their final tour of America, The Beatles performed one show at Dodger Stadium, Los Angeles, California, before a crowd of 45,000. The Beatles’ attempt to escape from the stadium in an armored truck was thwarted when the main gate was found to be locked and The Beatles have to spend two hours in the back of the truck before they can leave the stadium. (see Aug 29)

August 28 Music et al

Dear Prudence

August 28, 1968: started recording a new John Lennon song ‘Dear Prudence’. They built the song instrument by instrument, utilizing the 8-track equipment at Trident. John and George played guitars, while Paul plays drums to compensate for Ringo, who had quit The Beatles on August 22. (see Sept 3)

August 28 Music et al
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January Music et al

January Music et al

The 1960s was a great decade for January music

John Coltrane’s Giant Steps

In January 1960: John Coltrane released his “Giant Steps” album, considered a classic jazz album and one that saxophonists still measure themselves by today. Linsey Planer at AllMusic.com writesHistory will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the music as well as delivering it to an increasingly mainstream audience.”

Take a listen to this amazing music!

January Music et al

Two Steps from the Blues Bobby “Blue” Bland


In January 1961: Bobby Blue Bland released Two Steps from the Blues album. Bland was an original member of the Beale Streeters and was sometimes referred to as the “Lion of the Blues”. Along with such artists as Sam Cooke, Ray Charles, and Junior Parker, Bland developed a sound that mixed gospel with the blues and R&B. An imitator of Frank Sinatra, he was also known as the “Sinatra of the blues”, his music being influenced by Nat King Cole. Bland was inducted into the Blues Hall of Fame in 1981, the Rock and Roll Hall of Fame in 1992, and received the Grammy Lifetime Achievement Award in 1997.


January Music et al

Bob Dylan and John Birch

In January 1962 Bob Dylan wrote  “Talkin’ John Birch Paranoid Blues

Well, I was feelin’ sad and feelin’ blue
I didn’t know what in the world I wus gonna do
Them Communists they wus comin’ around
They wus in the air
They wus on the ground
They wouldn’t gimme no peace . . . So I run down most hurriedly
And joined up with the John Birch Society
I got me a secret membership card
And started off a-walkin’ down the road
Yee-hoo, I’m a real John Bircher now!
Look out you Commies! Now we all agree with Hitler’s views
Although he killed six million Jews
It don’t matter too much that he was a Fascist
At least you can’t say he was a Communist!
That’s to say like if you got a cold you take a shot of malaria Well, I wus lookin’ everywhere for them gol-darned Reds
I got up in the mornin’ ’n’ looked under my bed
Looked in the sink, behind the door
Looked in the glove compartment of my car
Couldn’t find ’em . . . I wus lookin’ high an’ low for them Reds everywhere
I wus lookin’ in the sink an’ underneath the chair
I looked way up my chimney hole
I even looked deep down inside my toilet bowl
They got away . . .
Well, I wus sittin’ home alone an’ started to sweat
Figured they wus in my T.V. set
Peeked behind the picture frame
Got a shock from my feet, hittin’ right up in the brain
Them Reds caused it!
I know they did . . . them hard-core ones Well, I quit my job so I could work all alone
Then I changed my name to Sherlock Holmes
Followed some clues from my detective bag
And discovered they wus red stripes on the American flag!
Ol’ Betsy Ross . . . Well, I investigated all the books in the library
Ninety percent of ’em gotta be throwed away
I investigated all the people that I knowed
Ninety-eight percent of them gotta go
The other two percent are fellow Birchers . . . just like me Now Eisenhower, he’s a Russian spy
Lincoln, Jefferson and that Roosevelt guy
To my knowledge there’s just one man
That’s really a true American: George Lincoln Rockwell
I know for a fact he hates Commies cus he picketed the movie Exodus Well, I fin’ly started thinkin’ straight
When I run outa things to investigate
Couldn’t imagine doin’ anything else
So now I’m sittin’ home investigatin’ myself!
Hope I don’t find out nothing . . . good God!

January Music et al

Beatles audition

January 1, 1962: The Beatles and Brian Poole and the Tremeloes both auditioned at Decca Records, a company which has the option of signing one group only. Decca told The Beatles that “guitar groups” were on the way out and did not offer them a contract and signed The Tremeloes instead. Other record companies turned the Beatles down as well. One of the songs the Beatles sang was Hello Little Girl, the first song written by John Lennon (in 1957).


January Music et al

Beatles tour Scotland

January 1, 1963, The Beatles began a concert tour of Scotland.

Happy New Year Happy New Music

January Music et al

Albert Ayler

January Music et al

In January 1965: Albert Ayler’s Spiritual Unity album released. “Ayler was among the most primal of the free jazz musicians of the 1960s; critic John Litweiler wrote that ‘never before or since has there been such naked aggression in jazz.’ He possessed a deep blistering tone—achieved by using the stiff plastic Fibrecane no. 4 reeds on his tenor saxophone—and used a broad, pathos-filled vibrato.” (AllMusic Review by Steve Huey)

January Music et al

Sounds of Silence

January 1 – 7, 1966: “The Sounds of Silence” by Simon and Garfunkel #1 on the Billboard Hot 100. (see Wednesday Morning 3am)

January Music et al

Roots of Rock


January 1, 1967: FM stations were no longer allowed to simply simulcast their AM counterpart. Birth of “underground “ rock radio.

January Music et al

John Lennon/FBI

Happy New Year Happy New Music

In January 1972: the Federal Bureau of Investigation opened a file on John Lennon and Yoko Ono fearing they would organize the youth vote and prevent a second term for President Richard Nixon. (see Feb 4)

January Music et al

John and Yoko

Happy New Year Happy New Music

In January 1975: John and Yoko reunited after 18 month separation—the so-called “Lost Weekend.” (see Jan 9)

January Music et al

New Year New Music, New Year New Music, New Year New Music, 

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John Yoko Two Virgins

John Yoko Two Virgins

Released November 11, 1968

John Yoko Two Virgins

Two Virgins

Whenever musicians release a record album, whatever the format, it is the album’s content that critics use to determine their review. Vinyl record collectors bemoan the passing of the Vinyl Age both because they feel the sound quality digital formats fall below that of vinyl and album art needs more than the 5″ x 5″ that a CD allows or no album art at all when streaming.

John Yoko Two Virgins

Not the Beatles

John Lennon and Yoko Ono’s Two Virgins album  was the exception. Most fans found the recording unlistenable, but had even more to say about the cover art: a black and white photo of John and Yoko standing casually naked against a plain white background.

John Yoko Two Virgins

John and Yoko had recorded the album on May 19, 1968 at Kenwood, Lennon’s former home in Weybridge. It featured the following tracks: Two Virgins No. 1; Together; Two Virgins (numbers 2-6); Two Virgins; Hushabye Hushabye; Two Virgins (numbers 7-10).

John Yoko Two Virgins

Album cover controversy

Capitol Records refused to release it not because of the avant garde sound, but the company feared negative reaction to the cover.

Tetragrammaton released Two Virgins in a brown paper sleeve on November 11, 1968.  The sleeve had a small opening through which Lennon and Ono’s faces peeked.

Quantities of the album were seized in several US jurisdictions, including 30,000 copies in New Jersey. Nonetheless, it managed to reach number 124 on the US charts.

John Yoko Two Virgins

Lennon’s views

Lennon described the picture of Ono and him as “two slightly overweight ex-junkies.” He spoke of the album’s recording in Jann S Wenner’s Rolling Stone magazine 1970 interview, Lennon Remembers:

When we got back from India, we were talking to each other on the phone. I called her [Ono] over, it was the middle of the night and Cyn  [Cynthia Lennon} was away, and I thought, ‘Well, now’s the time if I’m going to get to know her any more.’ She came to the house and I didn’t know what to do; so we went upstairs to my studio and I played her all the tapes that I’d made, all this far-out stuff, some comedy stuff, and some electronic music. There were very few people I could play those tapes to. She was suitably impressed, and then she said, ‘Well, let’s make one ourselves,’ so we made Two Virgins. It was midnight when we finished, and then we made love at dawn. It was very beautiful.

They took the self-portrait later in the year at Ringo Starr’s basement apartment in London, where Lennon and Ono were temporarily living. In the notes that came with the Anthology collection, Lennon said:

We were both a bit embarrassed when we peeled off for the picture, so I took it myself with a delayed-action shutter. The picture was to prove that we are not a couple of demented freaks, that we are not deformed in any way and that our minds are healthy. If we can make society accept these kind of things without offence, without sniggering, then we shall be achieving our purpose.

What we did purposely is not have a pretty photograph; not have it lighted so as we looked sexy or good. There were a couple of other takes from that session where we looked rather nice, hid the little bits that aren’t that beautiful; we looked good. We used the straightest, most unflattering picture just to show that we were human.

John Yoko Two Virgins

Yoko vs Beatle fans

It is a shibboleth among many Beatle fans to excoriate Yoko Ono as the cause of the Beatles demise. In my view, John was a powder keg looking for a liaght. Yoko was that spark.

If it wasn’t Yoko, it would have been someone else. Yoko brought forth even more artistic freedom than Bob Dylan had three years earlier.

Here is side one of Two Virgins. I suppose many of you are familiar with the first minute because that’s all you could get through the first (and last) time you listened.

It certainly is a long way from “Love Me Do” to “Two Virgins.” Those of us who stuck it out for at least the first side may have kept waiting for the song to start. Compared to side 1, the white album’s “Number 9” seems pop.

And perhaps that’s what it’s all about. Stretch the boundaries of familiarity so that what is unapproachable today becomes familiar tomorrow…or next year.

John Yoko Two Virgins
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