Category Archives: Birthdays

Black Filmmaker Oscar Micheaux

Black Filmmaker Oscar Micheaux

January 2, 1884 – March 25, 1951

Oscar Micheaux, the son of former slaves, was born in Illinois and grew up in Kansas . When he was 17 he became a porter on the railway, but within a few years left the railroad and homesteaded in South Dakota.

Black Filmmaker Oscar Micheaux

Homesteader to Author

He wrote about his farm life and  self-published The Conquest: The Story of a Negro Pioneer in  1913.  In 1915 he lost the farm.

In 1917 he again self-published a book, The Homesteader.  After a film deal fell through for the story, Micheaux decided to expand his publishing company. It became Micheaux Film and Book Company in 1919.

Black Filmmaker Oscar Micheaux

Author and Filmmaker

The Homesteader film was the first film made by an African-American. It starred Evelyn Preer.

Unlike the white-controlled film industry which portrayed blacks with stereotypes, Micheaux’s films had black characters in mysteries, gangster films and westerns. His films were written, directed, produced and portrayed by predominately all black cast and crew.

In 1924 he introduced the movie-going world to Paul Robeson in the film, Body and Soul.

Black Filmmaker Oscar Micheaux

Real characters

Given the times, his accomplishments in publishing and film are extraordinary, including being the first African-American to produce a film to be shown in “white” movie theaters. In his motion pictures, he moved away from the “Negro” stereotypes being portrayed in film at the time. Additionally, in his film Within Our Gates, Micheaux attacked the racism depicted in D.W. Griffith’s film, The Birth of a Nation.

The Producers Guild of America called him “The most prolific black – if not most prolific independent – filmmaker in American cinema.”

Black Filmmaker Oscar Micheaux

Filmography

1919

* The Homesteader
* Within Our Gates

1920

* The Brute
* Symbol of the Unconquered

1922

* Gunaslaus Mystery
* Deceit
* The Dungeon
* The Virgin of the Seminole
* Son of Satan

1923

* Jasper Landry’s Will

1924

* Body and Soul

1926

* The Spider’s Web

1927

* Millionaire

1928

* When Men Betray
* Easy Street

1929

* Wages of Sin

1930

* Darktown Revue

 

1931

* The Exile

1932

* Veiled Aristocrat
* Black Magic
* Ten Minutes to Live

1933

* The Girl From Chicago
* Ten Minutes to Kill

1934

* Harlem After Midnight

1935

* Lem Hawkin’s Confession

1936

* Temptation
* Underworld

1937

* God’s Stepchildren

1938

* Swing

1939

* Birthright
* Lying Lips

1940

* The Notorious Elinor Lee

1948

* Betrayal

Black Filmmaker Oscar Micheaux

Biography

Black Filmmaker Oscar Micheaux

In 2008, Patrick McGilligan published Oscar Micheaux: The Great and Only: The Life of America’s First Black Filmmaker.  McGilligan refers to Micheaux as, “…the Jackie Robinson of American film … a Muhammad Ali decades before his time” who “deserves to be considered in the same breath as the sainted D. W. Griffith.”

In his review of the book, Phillip Lopate is critical of McGilligan’s high praise for Micheaux’s work.  He wrote, “…we do a disservice to the achievements of truly superb black auteurs, like Charles Burnett, Spike Lee and Ousmane Sembène, by pretending Micheaux was a great filmmaker. The man had his own validity, as a pathfinder and as the creator of an intriguing, curious body of work, which reveals much about America’s past social and racial contradictions, and its melodramatic conventions.”

Black Filmmaker Oscar Micheaux

Within Our Gates

Here is his “Within Our Gates” from 1919. It is the earliest known surviving feature film directed by an African American. The Library of Congress preserved it in 1993 from a single print found in Spain.

The story line is that a man abandons his fiance, an educated black woman.  She dedicates herself to helping a near bankrupt school for impoverished negro youths.

Within Our Gates was created in response to The Birth of a Nation which depicted southern whites in need of the Ku Klux Klan to protect them from blood thirsty blacks.

Micheaux showed the reality of racism, where a black man could be lynched for simply being in the wrong place at the wrong time.

Black Filmmaker Oscar Micheaux

Death

Micheaux died in Charlotte, North Carolina while on a business trip. His body was returned to Great Bend, Kansas, where he was interred in the Great Bend cemetery with other members of his family.

Black Filmmaker Oscar Micheaux
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Drummer Maury Baker

Drummer Maury Baker

Happy birthday
December 25
Drummer Maury Baker
Janis and Maury on the Dick Cavett Show

Broken wrist

Many are the paths that lead to becoming a musician. Maury Baker’s family was filled with musicians and that certainly set up his entrance, but falling and breaking his left wrist was the catalyst.

His father, Herbert (an Emmy Award winning writer with the Flip Wilson Show and the Danny Kaye Show) suggested to his son that the best way to recover his wrist’s strength was to drum.

Before he knew it, “I had my union card” is how Maury jokes.

Drummer Maury Baker

Ars Nova

In 1967, while attending the Mannes Conservatory in New York,  Electra Records signed Ars Nova, a band he played percussion as well as organ. Elektra producer Paul A. Rothchild called them “the most exciting thing since the Doors.”

Ars Nova were promoted by Life Magazine with a profile, but ironically by the time of the article, the band had broken up.

Drummer Maury Baker

Janis

He became part of Janis Joplin’s Kozmic Blues Band in 1969. He had been playing with Judy Collins and her road manager suggested the audition to Baker. He wasn’t a part of the whole album being recorded (I Got Dem Ol’ Kozmic Blues Again Mama!), but was part of the single Try from the album.

One of his fondest memories of playing with Janis was performing Try with her on the Dick Cavett Show in July 1969

He went on the road and that road led to Bethel, NY and the Woodstock Music and Art Fair. His biggest memory of the event is flying in a Sikorsky helicopter over the field. He said that the size of the crowd worried Janis, but he reassured her that it would not matter. That once she got up on the stage,  she’d just do her thing.

Drummer Maury Baker

Others

Being part of Janis’s inner circle gave Maury the opportunity to play with other names of those times, perhaps the most famous being Jimi Hendrix, who stopped by one night to jam with Zoot Money’s band.

Of course there are a “few” others listed at his site: Frank Zappa, Carlos Santana, George Duke, Ron Carter, David Benoit, Jimmy Haslip, Bunny Bunel, Johnny and Edgar Winter, Tom Jones, Jackson Browne, Steve Stills, Van Morrison, Seals & Croft, Judy Collins, Phil Ochs, Bobbie Gentry, Trini Lopez, R. B. Greaves, Albert Lee, Big Brother & The Holding Company, Robert E. Luna, Booker T. Jones, Tom Paxton, Bobbie Gentry, Theodore Bikel, Zoot Money, Dr. John, Scott LaFaro, Pepper Adams, David Amram, Lee Michaels, Miroslav Vitous, Henry Franklin, Theo Saunders, Nick Mancini, Michael Saucier, Otmaro Ruiz, Leslie King, Barbara Morrison, Leddie Garcia, Austin Peralta, Zane Musa, and many others.

He also composed music for film, TV, video games, and the Internet.

Drummer Maury Baker

Nowadays

Recently, Baker has worked with Opera NEO. It’s Facebook page states that, “Opera NEO strives to unlock the full potential of young singers while nurturing each individual’s artistic qualities and personality to help them develop into independent artists. We encourage individual thinking and creative decision making that will lead to professional and personal fulfillment.”

There are pictures of him working with NEO at his own Facebook page.

Drummer Maury Baker
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Nat Turner Slave Revolt 1831

Nat Turner Slave Revolt 1831

From 1831–1862: The Underground Railroad Approximately 75,000 slaves escape to the North and to freedom via the Underground Railroad, a system in which free African American and white “conductors,” abolitionists and sympathizers help guide and shelter the escapees.

Birth and education

October 2, 1800: Nat Turner was born  on the plantation of Benjamin Turner in Southampton County, Virginia, the week before Gabriel  Prosser (see Aug 30) was hanged after a failed slave insurrection in Richmond, Virginia.

Nat Turner’s mother was enslaved woman named Nancy, who was captured from West Africa. His father, presumed to be a slave named Abraham, ran away from the Southampton, Virginia, plantation when Nat was about ten years old

Benjamin Turner allowed Nat Turner to be instructed in reading, writing, and religion.

Nat Turner Slave Revolt 1831

First vision

While still a young child, Nat was overheard describing events that had happened before he was born. This, along with his keen intelligence, and other signs marked him in the eyes of his people as a prophet.

Nat was given as a gift, along with his mother and grandmother, to Benjamin’s son Samuel around 1809, and formally willed in 1810.

In 1821, Turner ran away from Samuel, but returned  after thirty days because of a vision in which the Spirit had told him to “return to the service of my earthly master.”

Nat Turner Slave Revolt 1831

Second Vision

By 1822, Samuel had died, and his widow, Elizabeth Turner, oversaw Nat until she married Thomas Moore, who took formal ownership of Nat in 1823.

According to a National Geographic article, “After Elizabeth’s death, Moore married Sally Francis, who became a widow and then married Joseph Travis, Nat’s last master, although Sally’s 10-year-old son, Putnam, was legally Nat’s owner.”

In 1825: Nat Turner had a second vision. He saw lights in the sky and prayed to find out what they meant. Then “… while laboring in the field, I discovered drops of blood on the corn, as though it were dew from heaven, and I communicated it to many, both white and black, in the neighborhood; and then I found on the leaves in the woods hieroglyphic characters and numbers, with the forms of men in different attitudes, portrayed in blood, and representing the figures I had seen before in the heavens.

Nat Turner Slave Revolt 1831

Third Vision

May 12, 1828: Turner “…heard a loud noise in the heavens, and the Spirit instantly appeared to me and said the Serpent was loosened, and Christ had laid down the yoke he had borne for the sins of men, and that I should take it on and fight against the Serpent, for the time was fast approaching when the first should be last and the last should be first… And by signs in the heavens that it would make known to me when I should commence the great work, and until the first sign appeared I should conceal it from the knowledge of men; and on the appearance of the sign… I should arise and prepare myself and slay my enemies with their own weapons.

By 1830, Southampton County was home to 6,573 whites, 1,745 free blacks, and 7,756 enslaved African Americans.

It was in 1830 that Turner was moved to the home of Joseph Travis with his official owner being the young child Putnum Moore. Turner described Travis as a kind master, against whom he had no complaints. The Travis plantation was lived 411 acres and had 17 slaves working his property in 1830.

Records show that Nat married an enslaved woman named Cherry who lived on a neighboring plantation, and they had at least one child, a son named Reddick. Nat would have to obtain a pass from his masters to visit his family.

Records show that he was outspoken in his beliefs that blacks should be free, and that freedom would be theirs one day; an opinion for which he was whipped in 1828.

Nat Turner preaches religion. “”Knowing the influence I had obtained over the minds of my fellow-servants…by the communion of the Spirit, whose revelations I often communicated to them… I now began to prepare them for my purpose.” (Image Credit: The Granger Collection, New York)
Nat Turner Slave Revolt 1831

Signs from the heavens

February 1831: there was an eclipse of the sun. Turner took this to be the sign he had been promised and confided his plan to the four men he trusted the most, Hark Moore, Henry Porter, Nelson Edwards, Sam Francis, Will Francis, and Jack Reese . They decided to hold an  insurrection on July 4 and began planning a strategy. However, they had to postpone action because Turner became ill.

August 13, 1831: there was an atmospheric disturbance in which the sun appeared bluish-green. Turner interpreted this as the final sign.

Nat Turner Slave Revolt 1831

Revolt

Nat Turner Slave Revolt 1831

August 21, 1831: Turner, Moore, Porter, Edwards,  Sam Francis, Will Francis, and Reese  met in the woods to eat a dinner and make their plans.

At 2:00 AM they launched the rebellion by entering the Travis household, where they killed the entire family as they lay sleeping, save for a small infant. They moved from one farm to the next, killing all slave-owning whites they found. As they progressed through Southampton county, other slaves joined in the rebellion.

They continued on, from house to house, killing all of the white people they encountered. Turner’s force eventually consisted of more than 40 slaves, most on horseback.

August 22, 1831: Turner decided to march toward Jerusalem, the closest town. By then word of the rebellion had gotten out to the whites; confronted by a group of militia, the rebels scattered, and Turner’s force became disorganized. After spending the night near some slave cabins, Turner and his men attempted to attack another house, but were repulsed. One slave was killed and many escaped, including Turner.

Nat Turner Slave Revolt 1831

Escape

In the end, the rebels had stabbed, shot and clubbed at least 55 white people to death.Turner escaped and remained free for nearly two months.

In those two months though, the militia and white vigilantes instituted a reign of terror over slaves in the region. Hundreds of blacks were killed. White Virginians panicked over fears of a larger slave revolt and soon instituted more restrictive laws regulating slave life.

Nat Turner Slave Revolt 1831

Capture

Nat Turner Slave Revolt 1831

August 30, 1831: The Richmond Enquirer published a description of the rebels’ “murderous career” that likened them to “a parcel of blood-thirsty wolves rushing down from the Alps; or rather like a former incursion of the Indians upon the white settlements.” The lesson gleaned by the writer of the article from the case of Turner, “who had been taught to read and write, and permitted to go about preaching,” was that “No black man ought to be permitted to turn a Preacher through the country.”

Credit was given to “many of the slaves whom gratitude had bound to their masters, that thy had manifested the grestest alacrity in detecting and apprehending many of the brigands.”

According to the article, General Broadnax, the militia commander of Greensville County, was “convinced, from various sources” of the “entire ignorance on the subject of all the slaves in the counties around Southampton, among whom he has never known more pefect order and quiet to prevail.” [full text of article]

Nat Turner Slave Revolt 1831

Harriet Ann Jacobs

Harriet Ann Jacobs, born into slavery in North Carolina in 1813, eventually escaped to the North, where she wrote a narrative about her ordeal of slavery.

In Chapter Twelve of Incidents in the Life of a Slave Girl, Written by Herself, Jacobs describes the harassment of blacks in Edenton, North Carolina, following the rebellion.

Her “Fear of Insurrection” begins with a statement that captured the irony of white society’s fear: NOT far from this time Nat Turner’s insurrection broke out; and the news threw our town into great commotion. Strange that they should be alarmed when their slaves were so “contented and happy”! But so it was. [full text]

October 30, 1831: Turner captured and imprisoned in the Southampton County Jail, where he was interviewed by Thomas R. Gray, a Southern physician. Out of that interview came his now famous “Confession.

Convinced that “the great day of judgement was at hand,” and that he “should commence the great work,” Turner took the eclipse of the sun to mean that “I should arise and prepare myself, and slay my enemies with their own weapons.”

Gray described Turner as being extremely intelligent but a fanatic. He went on to say: “The calm, deliberate composure with which he spoke of his late deeds and intentions, the expression of his fiend-like face when excited by enthusiasm; still bearing the stains of the blood of helpless innocence about him; clothed with rags and covered with chains, yet daring to raise his manacled hands to heaven; with a spirit soaring above the attributes of man, I looked on him and my blood curdled in my veins.”

Nat Turner Slave Revolt 1831

Trial and execution

November 5, 1831: Nat Turner was tried in the Southampton County Court and sentenced to execution. (BH, NT, & SR, see Nov 10)

November 10, 1831: Nat Turner hung. He was buried the following day.

No grave marker exists for Nat Turner, nor for his fellow soldiers. The rebels were caught, tried, and executed in different places, and their scattered remains lie under unmarked soil.

The November 14, 1831, Norfolk Herald reported that: “He betrayed no emotion, but appeared to be utterly reckless in the awful fate that awaited him and even hurried his executioner in the performance of his duty! Precisely at 12 o’clock he was launched into eternity.”

In total, the state executed 55 people, banished many more, and acquitted a few. The state reimbursed the slaveholders for their slaves. But in the hysterical climate that followed the rebellion, close to 200 black people, many of whom had nothing to do with the rebellion, were murdered by white mobs. In addition, slaves as far away as North Carolina were accused of having a connection with the insurrection, and were subsequently tried and executed.
The state legislature of Virginia considered abolishing slavery, but in a close vote decided to retain slavery and to support a repressive policy against black people, slave and free.

The basic information for this blog entry came from Brotherly Love, a PBS article.

Nat Turner Slave Revolt 1831
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