Tag Archives: Grateful Dead

30 Days Dead Reminder

30 Days Dead Reminder

It continues…

It is day four of the annual (since 2010) free download offerings of live and previously unreleased Grateful Dead songs from the Grateful Dead site. Dead archivist David Lemieux selects each day’s offering.

30 Days Dead Reminder

30 Days Dead Reminder

Day 1

Day one was China Cat Sunflower > I Know You Rider [1973-09-24, Pittsburgh Civic Arena]

The site also gives a bit of the song’s history: This is from the first leg of the Fall Tour of 1973, which ran from 9/7/73 at Nassau Coliseum to 9/26/73 in Buffalo, NY

Grateful Dead 30 Days Dead Reminder
Jerry Garcia
30 Days Dead Reminder

Days 2 & 3

30 Days Dead Reminder

Day 2: Help On The Way > Slipknot! > Franklin’s Tower from April 17, 1984. The band played the Niagra Falls Convention Center that night.

The site pointed out that, “The Help > Slip > Franklin’s came back in 1983, stuck around until 1985, and then returned in 1989 until 1995.”

And yesterday’s was: Uncle John’s Band>I Need A Miracle from December 28, 1988 in Oakland at  Coliseum Arena. After just three days, we’d already received 51 minutes of live Dead. Truly a gift that keeps giving.

30 Days Dead Reminder

The Music Never Stops

Today’s offering is a great Truckin’ (that’s redundant, I know) with a Bill Graham intro, “The food that feeds us all, the Grateful Dead.

We find out tomorrow when and where this particular version was played. As the site says, “You know your Ables from your Bakers from your C’s, but can your finely tuned ears differentiate the cosmic “comeback” tour from a spacey 70’s show? Each day we’ll post a free download from one of the Dead’s coveted shows. Will it be from that magical night at Madison Square Garden in ’93 or from way back when they were just starting to warm it up at Winterland? Is that Pigpen’s harmonica we hear? Brent on keys? Step right up and try your hand all November long and win a prize while you’re at it.”

30 Days Dead Reminder
click >>> 30 Days of Dead
30 Days Dead Reminder
Grateful Dead bears
30 Days Dead Reminder
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Grateful Dead Barton Hall Cornell 1977

Grateful Dead Barton Hall Cornell 1977

Grateful Dead Barton Hall Cornell 1977

Getting the Dead

While this blog typically orbits around the Sun of the 60s, obviously there is much noteworthy beyond that famous decade centuries before and decades after.

Full disclosure:  in the beginning, I liked the Dead, but didn’t get the Dead. I bought  Workingman’s Dead and American Beauty.  All the songs seemed accessible.

Grateful Dead Barton Hall Cornell 1977

Woodstock

My first opportunity to see the Dead was in 1969 at the Woodstock Music and Art Fair. If Barton Hall 1977 is considered an apogee of live Dead, then many think of Woodstock as a nadir.

I could not tell you as I fell asleep for the Woodstock Dead. My excuse is that I’d gotten up around 6 AM Friday, went to my summer construction job, got home, drove to Monticello, slept a few hours in my friend’s car, hiked 8 miles, found no food, and simply fell asleep.

Grateful Dead Barton Hall Cornell 1977

East Rutherford

In 1991 the Dead were playing at Giant Stadium in East Rutherford, NJ. Our 15-year-old son wanted to go. So his 41-year-old parents went to their first Dead concert. Interesting and good, but no conversions.

Grateful Dead Barton Hall Cornell 1977

Internet Archives

Around 2004, George, my brother-in-law and early-60s Deadhead aficionado, told me about the Internet Archive site: free legal downloads of live music. He’d gotten a lot of Dead from there.

By the way, as of May 2018, the Grateful Dead live recordings at the IA site have been viewed nearly 131 million times!

Anyway, free has always been an attractive word and I started to listen.

Grateful Dead Barton Hall Cornell 1977

Epiphany

I finally got it. The Dead did albums contractually. The Dead did shows enthusiastically. The show was the thing. The whole show. And while there may be great songs within any one show, the way the Dead played with each song (not just played each song) was where the anticipation and wonder emanated from.

Grateful Dead Barton Hall Cornell 1977

In for a penny...

At first I selected shows based on comments and ratings by listeners. I learned the differences between AUD, SBD, BBD, and Matrix. I learned that certain audience tapers like Jerry Moore and Charlie Miller were considered gold and that the goddess Betty Cantor’s soundboard recordings were the best.

Grateful Dead Barton Hall Cornell 1977

Grateful Dead Barton Hall Cornell 1977

1977

I gradually discovered the esteem that many Deadheads held 1977 and that within that revered year, May was held high and within that sacrosanct month, May 8 was held highest.

Jay Mabrey, Cornell class of ’77,
designed this poster
for the show.
Grateful Dead Barton Hall Cornell 1977

Sauseach their own

I do love 1977 and May 8 certainly is a great show. The greatest? I’m not sure how to make that decision.

Having said that, in 2011 the  National Recording Preservation Board included the concert in its National Recording Registry as part of its mission to  demonstrate the range and diversity of American recorded sound heritage in order to increase preservation awareness.”

Grateful Dead Barton Hall Cornell 1977

Jerry Moore

It was a cassette recording by Jerry Moore that first circulated. Keep in mind, this was well before the internet era when word of mouth and who you knew meant so much in discovery.  Copied and recopied, the show began its journey to the top.

Grateful Dead Barton Hall Cornell 1977

Betty Cantor

Grateful Dead Barton Hall Cornell 1977

Betty Cantor was one of the Dead’s recorders and held many of her reel-to-reel tapes until the mid-1980s when they were sold at an auction.  May 8, 1977 was among them.  Eureka!

Grateful Dead Barton Hall Cornell 1977

Millions

Grateful Dead Barton Hall Cornell 1977

How many different recordings of Barton Hall are available? Deadlists shows the following:

Grateful Dead Barton Hall Cornell 1977

How many times has the show been downloaded? Blair Jackson’s Golden Road blog states, “ I added up the numbers beside each version: 928,006 as of May 23 ! I’m guessing that adding in all the copies that were made (tape and digital) in the years when the Grateful Dead was actually around, and when collecting was at its apex, the number could easily reach 2 million. Incredible for a so-called bootleg recording!

Grateful Dead Barton Hall Cornell 1977

664,000 downloads

Fans have downloaded Rob Eaton’s creation nearly 664,000 times. I write creation because I’ve copied and pasted his notes below:

Freshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion — Master 7″ Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) — Rob Eaton DBX Decoding (Spring ’99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361’s w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion — Steve Maizner’s Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive. The excellent aud splices were normalized and patched using ProTools by Karen Hicks

Grateful Dead Barton Hall Cornell 1977

Now it’s your turn

See what I mean.

I suggest you open this Pandora’s box of golden eggs and enhance your life.

Rob Eaton’s recording.

Grateful Dead Barton Hall Cornell 1977

 

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December 18 Music et al

December 18 Music et al

Lion Sleeps Tonight

December 18, 1961 – January 12, 1962: a South African song from the 1920s, “The Lion Sleeps Tonight” by the Tokens #1 Billboard Hot 100.

December 18 Music et al

Solomon Linda, a South African singer of Zulu origin wrote the original song, “Mbube” (Zulu: lion) in the 1920s. Many, including the Weavers, Jimmy Dorsey, Miriam Makeba and the Kingston Trio, covered the song before the Tokens’ success.

December 18 Music et al

Blue Hawaii

December 18, 1961 –  May 4, 1962 – Elvis Presley’s Blue Hawaii movie soundtrack the Billboard #1 album.

Blue Hawaii was the fourteenth album by Elvis. RCA had released it on October 20, 1961. It is a soundtrack for Presley’s film of the same name. The album spent 20 weeks at the number one slot and 39 weeks in the Top 10 on Billboards Top Pop LPs chart. (see April 21, 1962)

December 18 Music et al

I Want To Hold Your Hand

December 17, 1963: radio DJ Carroll James at Washington. D.C. station WWDC, a U.K. copy of  “I Want to Hold Your Hand” on the radio after a 15-year-old girl from Silver Spring, MD wrote to him requesting Beatles music after seeing the CBS-news segment.  James Carroll became the first disc jockey to broadcast a Beatles record on American radio. He had obtained the record from his stewardess girlfriend, who brought the single back from the UK. Due to listener demand, the song was played daily, every hour.

December 18 Music et al

The next day, Capitol Records threatened to sue WWDC to stop playing song, but then reversed itself and decided to rush-release “I Want To Hold Your Hand.” Capital had previously scheduled the release for  January 13, 1964.  Capital cancelled Christmas breaks and made sure that pressing plants and staff could do an earlier release.

Capital succeeded and released the  song on December 26!  (see Dec 23)

December 18 Music et al

Another Beatles Christmas Record

December 18, 1964, The Beatles: “Another Beatles Christmas Record” issued to UK fan club members.

They sing “Jingle Bells” which is followed by individual messages to the fans. John mocks the prepared statement.

When Paul asks John about it, John responds “No it’s somebody’s bad hand-wroter.” The conversation continues and the disc finishes with them briefly singing “Oh Can You Wash Your Father’s Shirt?”

American fans did not receive Another Beatles’ Christmas Record . They got an edited version of  the 1963 Beatle Christmas message. (see Dec 26)

December 18 Music et al

LSD

Acid Test

December 18, 1965: Big Beat Acid Test, The Big Beat Club, Palo Alto. The  poster/announcement for the event came in three colors: white, red, and yellow. The artists designed it to be cut in half (look at the “dotted” line down the middle) and the top of the right half attached to the bottom of the left.

December 18 Music et al

The recently re-named Grateful Dead were there. Tom Wolfe wrote about it in Electric Kool-Aid Acid Test , Owsley Stanley introduced manager Rock Scully to the Grateful Dead, and  Hugh Romney–known today as Wavy Gravy–first joined the festivities.

The Big Beat was the San Francisco Peninsula’s first “rock” club. Yvonne Modica owned it.

Timothy Leary

In 1966: Timothy Leary founded the League of Spiritual Development with LSD as the sacrament. (see Jan 8)

December 18 Music et al

The Family Way

December 18, 1966: with music by Paul McCartney, “The Family Way” movie premiered.

John Boulting produced the film. Roy Boulting directed it. John Mills and his daughter Hayley Mills starred. (NYT review) (next Beatles, see March 18, 1967; Family Way, see Jan 6, 1967)

December 18 Music et al
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