Chronology Woodstock Music Art Fair

Chronology Woodstock Music Art Fair


No one, not even Woodstock Ventures, knew that the Woodstock Music and Art Fair would turn out to be the historic event it did.

There was no amanuensis recording each word spoken, filing every letter and news article, or simply describing every scene during the festival’s bumpy road to Bethel, NY.

Anyone’s memory of the event, whether of the preceding months’  hectic preparations or the festival’s four long hectic days and nights in August, or the decades following must be taken with a milligram (or two) of whatever substance one uses to keep memory in perspective.

Also, some amounts are given for what Woodstock Ventures paid a band. While these numbers were found in “official” sources (well-researched books), one must again keep in mind that such numbers may not be reliable.

Chronology Woodstock Music Art Fair

Woodstock before Woodstock

from The Road to Woodstock, by Michael Lang

In 1903:  “In 1903 a trio of utopians—wealthy Englishman Ralph White-head, writer Hervey White, and artist Bolton Brown—settled in Woodstock to pursue philosopher Jun Ruskin’s stance against rampant industrialization. On 1,200 acres…they created the Byrdcliffe Arts Colony to pursue the ideas of the arts-and-crafts movement. 

In 1912: “a branch of New York City’s Art Students League set up a summer program [in Woodstock, NY], and some painters and sculptors stayed on in town.”

August 24, 1915: the first annual Maverick Festival. A flyer promised “wild sports going on” and the dancer Lada, who “illumes beautiful music like poems, and makes you feel its religion…you cry, it is so exquisite to see….All this in the wild stone-quarry theatre, in the moonlight, with the orchestra wailing in rapture, and the jealous torches flaring int eh wind! In the afternoon, there is also a concert, with a pageant, and strange doings on the stage….There will be a village that will stand but for a day, which mad artists have hung with glorious banners and blazoned in the entrance through the woods.”

In 1920s: (from The Road to Woodstock, by Michael Lang) in Woodstock, NY, “there were bacchanalian fetes, with eccentric  celebrants wearing handmade costumes for all-night revelry.”

Chronology Woodstock Music Art Fair

Michael Lang & Woodstock (the town)

June 13, 1967: a local TV news special in Miami aired “Marijuana in Miami.” The special included Michael Lang’s head shop.

Late summer 1968: Michael Lang moved to Woodstock, NY.

Chronology Woodstock Music Art Fair


February 6: Michael Lang and Artie Kornfeld met John Roberts and Joel Rosenman for the first time. Lang and Kornfeld propose a music studio retreat in Woodstock, NY that would be an ideal place for musicians to make music in a relaxed atmosphere in an area where many other young musicians live.

February 10: Michael Lang and Artie Kornfeld met with John Roberts and Joel Rosenman a second time. They discussed the idea of a concert to promote the proposed recording studio.

Chronology Woodstock Music Art Fair

The first W: Woodstock (Ventures)

February 28: Joel Rosenman, John Roberts, and Michael Lang signed the contract creating Woodstock Ventures and its plan for

1) a recording studio in Woodstock, NY and

2) a festival in Saugerties, NY.

Artie Kornfeld could not sign the contract because he was still under contract with with Capitol Records. Michael Lang agreed to hold Kornfeld’s share until the Capitol contract expired.

March 29: Lang had found a suitable site in Saugerties, NY right off the NY Thruway. John Roberts and Joel Rosenman met with a Mr Holmes, the lawyer for Mr Shaler, the site’s owner.  Holmes emphatically told Roberts and Rosenman that the site was not for rent for such a purpose.

The Saugerties site’s lack of  rustic feel Lang had hoped to have disappointed him anyway.

Chronology Woodstock Music Art Fair

The second W:  Wallkill

Howard Mills

That disappointment became moot when on March 30, after the Saugerties refusal, Roberts and Rosenman spoke to Howard Mills about a piece of land in Wallkill, NY that Mills was going to develop. Mills agreed to rent the site for the festival.

Somewhere else

In April 1969: Allan Mann met with Elliot Tibor who offered a barn for a theater from free if Mann would rent a nearby 6-room Victorian for the summer for $800. Paul Johnson, a friend of Mann, agreed to put the down payment of $200 for the house in exchange for a room there for the summer–keep in mind, this agreement predates the Wallkill eviction.

Chronology Woodstock Music Art Fair

Personnel choices

April 12: Mel Lawrence and Tom Rounds arrived in NY. They had organized rock concerts in Hawaii, the Fantasy Fair, and had organized Miami Pop in 1968.

April 13: Mel Lawrence, Tom Rounds, Tom Driscoll, Bill Hanley, Stanley Goldstein, and Michael Lang visited the Wallkill site. Mel Lawrence became the festival’s Chief-of-Operations.

Chronology Woodstock Music Art Fair


  • Creedence Clearwater Revival first act signed to perform. $10,000.
  • Michael Lang and Joel Rosenman co-sign a $10,000 check to construct offices for Woodstock Ventures at 47 W 57th Street in NYC.  Bert Cohan in charge. They also put down $4,500 as a deposit on a property in Woodstock for the recording studio (the Tapooz property). 
  • a $14,000 check given to Alexander Tapooz for deposit on Woodstock retreat studio.
Chronology Woodstock Music Art Fair

Well underway

  • April 18: the Wallkill Zoning Board of Appeals gave permission for the festival.
  • April 18: Tim Hardin signed to perform ($2,000.)
  • April 21: Canned Heat signed ($13,000)
  • Week of April 28: Johnny Winter signed ($7,500); Janis Joplin signed ($15,000); and Jefferson Airplane signed ($15,000).
Chronology Woodstock Music Art Fair

May arrives

In May: Hugh Romney and the Hog Farm commune hired to work at festival for security, free food, and free stage.

May 6: Wes Pomeroy met Stanley Goldstein about concert security. Pomeroy agreed to look at site and discuss plans.

Mid-May: Roberts, Rosenman, Kornfeld, and Lang visit the Woodstock Ventures offices. Roberts and Rosenman have never seen such a layout. Kornfeld and Lang are happy with its laid back set-up.

May 20: Michael Lang found separate office space at 513-A Avenue of the Americas in NYC so he could be away from the other organizers.

May 21: The Band signed.

May 27: Press release: the production staff for the festival was completed. Wartoke Concern is the festival’s public relations firm. [Wartoke’s press release re festival]

May 28: Mel Lawrence presented first “checklist” for the festival’s execution.

Incredible String Band and Ravi Shankar signed. $4,500 each.

Late May: newspapers began to display the first print advertisements for the festival.

Chronology Woodstock Music Art Fair

Woodstock Venture Adventures

Chronology Woodstock Music Art Fair

June 2: just after midnight Michael Lang arrived  very late for a meeting with John Roberts and Joel Rosenman. Roberts and Rosenman were upset with Lang’s lack of communication and his unfettered methods of organizing the festival. They are also upset with press releases never listing their names as primaries involved.

Lang convinced Roberts and Rosenman that it was Artie Kornfeld they should upset with.

That afternoon Joel Rosenman confronted Kornfeld with Lang’s complaints. Kornfeld stated that Lang told him that Rosenman and Roberts were the problems.

Even later that afternoon all four met. Roberts, Rosenman, and Kornfeld tried to confront Lang. Lang convinced the others that all was best if they all worked together toward the goal.

June 3: Michael Lang met Wes Pomeroy to discuss Pomeroy’s attitude toward security. Pomeroy explained that the attendees must feel that there is no threat from security. Lang agreed.

~June 6, 7, or 8:  Sweetwater and Blood, Sweat and Tears ($15,000) signed for festival.

Chronology Woodstock Music Art Fair

Wallkill blow-back begins

June 7: after the festival site received many threatening calls, Mel Lawrence called workers together to warn them about behavior, particularly drug use, as there might be a narcotic agent planted in the group.

June 9: an unnamed official visits the site and said that the group did not have permission for the festival.

June 11: in an attempt to counterbalance negative local feelings about festival, Stanley Goldstein, lawyer for Woodstock Ventures, contacted the Times Herald Record and provided information about festival.

June 12: Stanley Goldstein and Don Ganoung (minister and head of community relations) attended public meeting in Wallkill Town Hall in an attempt to allay antagonism toward festival. Town Supervisor, Jack Schlosser was against the event, but attempted to provide a fair hearing.

June 13, 1968: the Earth Light Theatre  began performances in the converted barn on Elliot Tibor’s El Monaco property.

June 14: John Roberts and Joel Rosenman received a certified letter from Wallkill Town Attorney Joseph Owen requesting submission of  fourteen divisions of production plans.

June 14 or 15: Abbie Hoffman called Michael Lang saying that he (Hoffman) needed money from Woodstock Ventures or else he (Hoffman) will shut down the festival.

June 15:

  • local residents Cliff Reynolds and Brent Rismiller (also State police) hired Jules Minker (a local lawyer who worked in NYC) to bring an injunction against festival.
  • Wes Pomeroy arrived in Wallkill. Late that night Pomeroy heard about the threats Howard Mills and his family had anonymously received. Set up security around Mills’ house.

June 16: just after midnight a meeting was held about festival security. Pomeroy insisted on a “soft” approach: the Peace Service Corps.

June 16: Woodstock Ventures issued a statement to the press defending its position in the town.

June 18: Samuel W Eager, a Middletown lawyer who had agreed to represent Woodstock Ventures (WV thinking a local lawyer would be better received than a NYC one), called Jack Scholsser (Wallkill Town Supervisor) and requested  an informal meeting between the members of the town board and the four Woodstock officers. It was set for June 19.

Chronology Woodstock Music Art Fair

Outside adventures

June 19: Michael Lang, Artie Kornfeld, and Joel Rosenman met with Abbie Hoffman. Hoffman demanded $50,000. They agree to $10,000.

June 19: Stanley Goldstein was served with a summons ordering the festival’s principals to appear before the State Supreme court in Goshen, NY on July 7.

June 20 – 22: Newport ‘69 Festival held Northridge, CA. On Sunday at the festival (which attracted approximately 60,000 paid admissions) police attempted to break up a small group who had tried to rush the gates. Thousands of sympathizers started throwing bottles and rocks at the police. 165 arrested. 45 charged with assaulting an officer. 90 arrested for drug-related offenses. 402 injuries.

The Times Herald Record reported the incident as a “battle” and referred to alleged charges of “attempted  murder and assault with a deadly weapon.”

June 21: Stanley Goldstein met with Hugh Romney and the Hog Farm in New Mexico to discuss the Hog Farm’s role in the festival. Jim Grant, a friend and fellow law enforcement official of Wes Pomeroy accompanied Goldstein.

June 23: Jim Grant sent at letter stating that  “the entire affair [the Hog Farm] appeared to be completely without organization or management.”

June 26: Woodstock Ventures held a media meeting at the Village Gate on Bleeker Street to cooperatively present, discuss, and formulate “ground rules for outdoor peace and music programs.” In the end it was agreed that the festival was to emphasize music and not politics.

June 26: the Wallkill town attorney  presented Woodstock Ventures with a document outlining proposed ordinances regarding  assemblies of 5,000 people or more. Such proposals as not allowing light, sound, or odor to seep beyond the festival’s specific boundaries

Such restrictions created seemingly insurmountable barriers to the event. An application for the event covering all the details had to be presented to the town no later than July 2.

June 27: The Times-Herald editorial read in part, “We regard the proposed ordinance as an example of flagrant misuse of government power….It is, in our opinion, highly improper to prohibit one event in the guise of regulating it.”

June 29: Pomeroy met with the Tri-County Citizen Band Radio Club and they agreed to assist with the Festival. (see last week of June)

Last week of June: John Fabri spoke with NYC Chief Inspector George P McManus and McManus promised cooperation with getting NYC police officers to work at the festival.

Chronology Woodstock Music Art Fair

Hot July arrives

July 2: town meeting in Wallkill with many voicing highly critical views of festival. After the public meeting the council passed an ordinance severely curtailing public events. Woodstock Ventures would have an opportunity at a later meeting to show compliance with the various parts of the ordinance.

July 4 – 5: Atlanta International Pop Festival at the Atlanta International Raceway, Hampton, GA was a success, but a NYT article stated that the event presented “an impromptu but efficient commodities exchange in marijuana and LSD, where buyers and sellers let supply and demand establish prices.”

Such news only added to the Wallkill residents’ aggressive confrontation of the Woodstock Festival.

July 5: John Fabbri and Don Ganoung met with transportation representatives from All-State Bus Corporation to discuss transportation for festival attendees. Fabbri and Ganoung also met with NYCPD Chief Inspector McManus to help mobilize the Peace Service Corps.

July 6: more bad media news: The NYT reported, “The Newport Jazz Festival was invaded…by several hundred young people who broke down a section of the 10-foot wooden fence surrounding Festival Field and engaged in a rock throwing battle with security guards.” (see July 7)

July 7:  in Albany, Wes Pomeroy and Don Ganoung met with Harrison F Dunbrook, the director of traffic operations for the NY State Dept of Transportation. Pomeroy and Ganoung hoped to get permission for highway alterations during the festival weekend. Their request was denied.

Signage for the festival along Rt 17 would be permitted provided Woodstock Ventures went through the normal approval process. Permission to use a nearby completed but unused section of Interstate 84 was denied.

July 8:  the Middletown Fire Department unanimously turned down a proposal to supply personnel to run Nathan’s food concessions. The fire companies’ membership objected to the long hours Nathan had required.

July 8:  Wes Pomeroy and Don Ganoung  met with town fire advisory board to discuss the festival’s  fire protection needs. Instead of evaluating the festival’s requirements and coming to an informal arrangement, the advisory board decided not to act on the proposed plans unitl it was asked to do so by the town board under the new local law.

Chronology Woodstock Music Art Fair

Another Wallkill!

July 8:  Joel Rosenman received a letter from Margaret Y Tremper, the deputy town clerk from the Town of Shawangunk in upstate NY. The letter informed the festival organizers that the festival address used on advertising was misleading as Wallkill, NY (Ulster County) was not the same as the Town of Wallkill (Orange county), where the festival was. She hoped that they would correct their advertising to avoid having thousands of attendees mistakenly arriving at her location and not theirs.

Chronology Woodstock Music Art Fair

More negative festival news

July 8:  a Smoky Robinson and the Miracles concert in Boston resulted in scattered incidents of stone throwing and window breaking after the sound system has problems. (see July 8)

July 8:  Miles Lourie resigned as counsel for Woodstock Ventures because of the recent appointment of Peter Marshall as an additional counsel.

Second week of July:  Peter Goodrich continued to try to find companies for the festival’s food concession stands.

July 10:  Peter Goodrich and John Roberts met in Peter Marshall’s office with Charles Baxter, Jeffrey Joerger, and Lee Howard of Food for Love.

Because of the lack of any other companies offering their services and the late date, Roberts approved Food for Love’s application.

July 10:  the entire production staff met to go over all progress that had been made since they began. Most were pleased with the many tasks accomplished and plans in place.

July 11:  Acting State Supreme Court Justice Edwin M O’Gorman, after hearing remarks from both sides of the dispute, reserved his decision for an injunction against Woodstock Ventures since no festival application had been applied for (based on the new ordinance of July 2) and therefore no permit given.

July 13: Ulster County assemblyman Clark Bell, a Republican from Woodstock, released a statement to the press about a letter he’d just sent to Governor Rockefeller requesting the appointment of a coordinator to oversee the festival. He also recommended that the National Guard be alerted.

July 14:  THE meeting. Woodstock Ventures presented its application for the festival’s approval based on the new ordinance. The meeting lasted until 1 AM.

Chronology Woodstock Music Art Fair


July 15: in a closed session at the town hall, the Wallkill Zoning Board of Appeals passed judgment on the status of Woodstock Venture’s application for a permit. The five-member board refused to allow the festival to build anything on the 200-acre site.

July 16: an eviction notice posted on the front door of Howard Mill’s barn telling Woodstock Ventures to vacate the premises. To this point approximately 150,000 tickets had been sold and $500,000 spent on the concert.

Chronology Woodstock Music Art Fair

The third W: White Lake

July 16: while they were gone, Elliott Tieber contacted them about a place in Bethel, NY.

Tieber’s parents ran the El Monaco Motel at the intersection of Rts 17B and 55. His site was completely unsuitable. Tieber (may or may not have) contacted Morris Abraham who set up meeting with Max Yasgur.

I had originally written that on the same date “Mel Lawrence and Michael Lang helicopter over area looking for new location for concert. ”

From Ticia Agri, Lang’s assistant: “Ticia Agri No one helicoptered up. Michael and I drove up after Eliot Tiber called me to offer his property We got up and saw his property was a swamp and Michael and I drove around looking for a sight as Eliot already had a permit in place with the town. We came upon Happy Ave and I said “ Michael we have to choose a road of that name. Let’s turn on Happy Ave we are coming from Wallkill!!!”  So we took it and it turned into Hurd Ave and there in front of us was Yasgur’s farm. Elated we went back to the El Monaco to wait for Mel to arrive. We found out whose farm it belonged to from Eliot and when Mel arrived He and Michael went to find Max Yasgur and make a hand shake deal. We all moved into the El Monaco motel and went to work.

Chronology Woodstock Music Art Fair

Hero Max Yasgur

July 17: although initially expressing disinterest in renting land for the festival, Max Yasgur agreed to meet with Woodstock Ventures after hearing that it is the group just kicked out of Wallkill.

July 18: in the morning, Michael Lang and Ticia Bernuth explored Bethel area.  Happy Road appears and they follow it where they soon “discover” the site.

In the afternoon Lang, Mel Lawrence, Elliot Tieber, and Morris Abraham met with Yasgur. The property he initially offered (across from his home?) was far too flat.

Yasgur offered another site which turned out to be the same spot Lang and Bernuth had seen that morning.

July 19: John Roberts and Michael Lang discuss finances. Roberts concerned about additional costs.

Chronology Woodstock Music Art Fair

Bethel Blow-back

Chronology Woodstock Music Art Fair

July 20: someone nailed a sign “Stop Max’s Hippy Music Festival” to tree at driveway entrance. The sign angered Yasgur and convinced him his decision to allow concert on his property was the right one.

July 21: Judge Edward O’Gorman handed down decision banning the festival from the Wallkill site.

Max Yasgur spoke at a Bethel Town meeting expressing support for the festival. He said, “ “I hear you are considering changing the zoning law to prevent the festival. I hear you don’t like the look of the kids who are working at the site. I hear you don’t like their lifestyle. I hear you don’t like they are against the war and that they say so very loudly. . . I don’t particularly like the looks of some of those kids either. I don’t particularly like their lifestyle, especially the drugs and free love. And I don’t like what some of them are saying about our government. However, if I know my American history, tens of thousands of Americans in uniform gave their lives in war after war just so those kids would have the freedom to do exactly what they are doing. That’s what this country is all about and I am not going to let you throw them out of our town just because you don’t like their dress or their hair or the way they live or what they believe. This is America and they are going to have their festival.”

The Bethel council unanimously approved Woodstock Ventures request to hold the event.

July 22: Mel Lawrence brought festival workers from Wallkill to Bethel. He held a general meeting at El Monaco Motel.

Around this time, Woodstock Ventures, seeing the Earth Light Theatre on the El Monaco site, asked the the troupe would do performances at the festival. They agreed

Allan Mann, of Earth Light, offered to arrange for Sri Swami Satchidananda to open the festival on Friday 15 August.

July 24: Bethel Supervisor reported that he’d received about twenty phone calls from residents opposed to festival, but no legal threats.

July 25 – 26 (?): screening process of police who wanted to work festival. Those approved told to report to site on August 14.

July 26: a committee of Bethel residents began circulating petition that opposed festival.

July 28:  a benefit was held at the Village Gate (NYC) to raise money for scholarship funds to enable young artists to exhibit at Woodstock.  Performers at the benefit included Marian McPartland, Les McCann, and Robert Flack.

Chronology Woodstock Music Art Fair

Bethel  businesses say “Yes”

July 28: town meeting for presentation of the all-inclusive draft of festival to NY State Health Department lasted 8-hours as many residents challenged each part of presentation, but all questions were answered.

That night the Bethel Businessman’s Association voted to support festival.

July 29: Woodstock Ventures served with papers to appear in court regarding impact of festival on local summer youth camps and local homeowners. An out-of-court settlement agreed to with camps. Judge George Cobb stated that he’d hand down his decision on August 14—the day before the festival was to begin.

Renewed preparations hectic

The abandoned Diamond Horseshoe hotel ready for workers to move in.

July 30:  Max Yasgur gave permission to Woodstock Ventures to drill on festival site for water.

Lang, Kornfeld, Roberts, and Rosenman met to discuss how to publicize the festival’s new location. Arnold Skolnick’s drawing.

Chronology Woodstock Music Art Fair

August 2, 1969: Town of Bethel Building Inspector Donald Clark sent letter to Woodstock Ventures stating that he has lifted the Stop Order against it and that all permits would be issued pending approval by the departments of health and agriculture.

Chronology Woodstock Music Art Fair

Filming decision

August 3: from Dale Bell’s book Woodstock (quoting John Roberts): “Over the course of the spring and summer we had gone to several meetings with filmmakers like Pennebaker and the Maysles Brothers, and they had all expressed interest in making our movie. But talks had languished and then died when it became clear that we would have to finance their efforts ourselves. Bob Maurice and Mike Wadleigh had been latecomers to this process. I had seen some of Wadleigh’s work and thought it to be original and clever, but noting I had seen altered my fundamental view that financing a documentary was a sane use of my vanishing resources. 

Sunday, August 3rd, 1969 was turning into another typical day at the office. …Around noon I decided to take a break and go someplace where the phones wouldn’t ring with Woodstock problems. I walked down to my dad’s apartment in midtown. …The phone rang. It was Bob Maurice. …I said “What’s on your mind?” “About 90 grand,” he said. “That’s what it will take for you to own this movie.” I lectured him patiently on the economics of documentaries, concluding with a polite but firm refusal. “You’ll have to get it somewhere else, Bob, I’m pretty much tapped.

Chronology Woodstock Music Art Fair

“…a week later…”

August 4: Don Ganoung presented the Bethel Medical Center with a check for $10,000; officers of the Peace Service Corps moved into their headquarters on Lake Street.

August 7: chartered Hog Farm flight from Santa Fe arrived at JFK Airport with 85 members who join other Hog Farm members who’d already arrived. Total festival workforce exceeded 1,500.

Chronology Woodstock Music Art Fair

Sunday 10 August 1969

  • Chris Langhart assisted by a corps of technical people he knew from summer theatres in Syracuse, began constructing a footbridge over the increasingly congested West Shore Road.
  • Howard Hirsch and Peter Leeds begin setting up the exhibition of amateur artists along the festival’s northwestern perimeter.
  • stage construction progressed to the point where builders were ready to put the deck on top.
  • (around this date) from Dale Bell’s book Woodstock (John Roberts speaking): … one of my partners (Artie Kornfeld?) made a deal with Warner Brothers for the $90,000. When the smoke cleared they owned 90% of everything, and we got 10% of the profits from the film and about one-half of 1% of the albums. Even those drastically reduced percentages were enough to bail us out of debt when the show lost $1,600,000, and 10 years later we could count ourselves slightly in the black.
Chronology Woodstock Music Art Fair

Monday 11 August 1969

  • John Roberts packed for trip to Bethel. As of that afternoon’s accounting, Woodstock Ventures had posted receipt of advance ticket sales totaling $1,107,936. Woodstock Ventures (John Roberts) had spent nearly twice that sum.
  • telephone poles bolted into place around stage, but it is discovered that many are split or rotten.
  • Woodstock Ventures came to agreement with William Filippini for use of Filippini Pond for $5,000.
Chronology Woodstock Music Art Fair

Tuesday 12 August 1969

  • festival representatives meet with the state supreme court justice regarding complaints by local businesses about the festival’s impact on them. After reassurances and explanations all complaints were dropped.
  • the Food For Love concession area remained unfinished.
Chronology Woodstock Music Art Fair

Wednesday 13 August 1969

  • early 30,000 people had already shown up for festival and are in the “bowl.” Bill Hanley pulled his sound truck into the service road behind the stage, plugged in some equipment to a portable amplifier and piped prerecorded music for the appreciative crowd.
  • staff technicians notice drop in water pressure throughout site. Audience members had accidentally stepped on and cracked plastic pipes. Repairs made.
  • John Roberts with his father and brother, arrived on site to discover that there are no ticket booths for the 30,000 people already on-site.
  • the suit against the festival withdrawn after a promise of police protection for the residents was agreed to.
  • it is discovered that the $200 an hour crane is trapped within its own construction of the pedestrian bridge over West Shore Road.
  • NYC Police Commissioner Howard Leary reminded all NYC police officers that “moonlighting” was strictly prohibited.
  • NY State Police “randomly” stop and frisk young people in cars at Harriman interchange on NY State Thruway. Drivers, passengers, and cars were checked for anything illegal.
Chronology Woodstock Music Art Fair

Thursday 14 August 1969

  • State Police continue to randomly stop and frisk young drivers at Harriman interchange. 150 arrests made.
  • Bill Handley’s sound system erected. “According to one expert’s cumulative eye, the hi-fi equipment in the bowl represented the most expensive sound system ever assembled at one time in any given location.”
  • Bill Abruzzi, doctor hired to take care of medical issues at the festival, told festival to triple his supply order.
  • although warned not to, about 270 NYC police show up but insist on being paid in cash without receipts. They work using aliases and were paid more than the agreed amount.
  • Food For Love demanded all profits after repaying the initial $75,00 fee. Woodstock Ventures agreed.
  • film deal reached: 50% split. Warner Brothers and Woodstock Ventures after negative costs. On Friday, Michael Wadleigh signed on as director.
  • the Diamond Horseshoe, where nearly 200 Woodstock staff had been staying, caught fire. The fire was extinguished by hotel staff because the fire department couldn’t get through.
  • about 5 pm Charlie Maloney left Queens N.Y. for White Lake. His attendance at the event would change his life.
Chronology Woodstock Music Art Fair

Declined invitations and missed connections

Take with an extra extra grain of salt, but for what it’s worth, From The College of Rock and Roll:

  • Bob Dylan: although in his “backyard,” Dylan was never in serious negotiation to play. In mid-July, Dylan had signed to play the Isle of Wight Festival of Music, on August 31. Dylan set sail for England on Queen Elizabeth 2 on August 15, the day the Woodstock Festival started. His son was injured by a cabin door and the family disembarked. Dylan, with his wife Sara, flew to England the following week. Dylan had been unhappy about the number of hippies piling up outside his house in the nearby town of Woodstock. 
  • The Beatles after live performances: The Beatles/John Lennon: There are two scenarios as to why The Beatles did not perform. The first is that promoters contacted John Lennon to discuss a Beatles performance at Woodstock, and Lennon said that the Beatles would not play unless there was also a spot at the festival for Yoko Ono’s Plastic Ono Band, whereupon he was turned down. The more likely explanation is that Lennon wanted to play but his entry into the United States from Canada was blocked by President Richard Nixon. The Beatles were, in any case, on the verge of disbanding. Also, they had not performed any live concerts since August 1966, three full years before the festival (not including their impromptu rooftop concert given on January 30, 1969 a few months before). 
  • The Jeff Beck Group: Jeff Beck disbanded the group prior to Woodstock. “I deliberately broke the group up before Woodstock”, Beck said. “I didn’t want it to be preserved.
  • The Doors were considered as a potential performing band but canceled at the last moment. According to guitarist Robby Krieger, they turned it down because they thought it would be a “second class repeat of Monterey Pop Festival” and later regretted that decision.
  • Led Zeppelin was asked to perform, their manager Peter Grant stated: “We were asked to do Woodstock and Atlantic were very keen, and so was our U.S. promoter, Frank Barsalona. I said no because at Woodstock we’d have just been another band on the bill.” However, the group did play the first Atlanta International Pop Festival on July 5, as one of 22 bands at the two-day event. Woodstock weekend, Zeppelin performed south of the festival at the Asbury Park Convention Hall in New Jersey.
  • The Byrds were invited, but chose not to participate, figuring Woodstock to be no different from any of the other music festivals that summer. There were also concerns about money. As bassist John York remembers: “We were flying to a gig and Roger [McGuinn] came up to us and said that a guy was putting on a festival in upstate New York. But at that point they weren’t paying all of the bands. He asked us if we wanted to do it and we said, ‘No’. We had no idea what it was going to be. We were burned out and tired of the festival scene. So all of us said, ‘No, we want a rest’ and missed the best festival of all.”
  • Chicago, at the time still known as the Chicago Transit Authority, had initially been signed on to play at Woodstock. However, they had a contract with concert promoter Bill Graham, which allowed him to move Chicago’s concerts at the Fillmore West. He rescheduled some of their dates to August 17, thus forcing the band to back out of the concert. Graham did so to ensure that Santana, which he managed at the time, would take their slot at the festival. According to singer and bassist Peter Cetera, “We were sort of peeved at him for pulling that one.”
  • Tommy James and the Shondells declined an invitation. Lead singer Tommy James stated later: “We could have just kicked ourselves. We were in Hawaii, and my secretary called and said, ‘Yeah, listen, there’s this pig farmer in upstate New York that wants you to play in his field.’ That’s how it was put to me. So we passed, and we realized what we’d missed a couple of days later.”
  • The Moody Blues were included on the original Wallkill poster as performers, but decided to back out after being booked in Paris the same weekend.
  • Frank Zappa and the Mothers of Invention, according to the Class of the 20th Century U.S. television special, is quoted as saying “A lot of mud at Woodstock … We were invited to play there, we turned it down.’
  • Arthur Lee and Love declined the invitation, but Mojo Magazine later described inner turmoil within the band which caused their absence at the Woodstock festival.
  • Free was asked to perform and declined.
  • Spirit also declined an invitation to play, as they already had shows planned and wanted to play those instead, not knowing how big Woodstock would be.
  • Joni Mitchell was originally slated to perform, but canceled at the urging of her manager to avoid missing a scheduled appearance on The Dick Cavett Show.
  • Lighthouse declined to perform at Woodstock.
  • Roy Rogers was asked by Michael Lang to close the festival with Happy Trails but he declined.
  • Procol Harum was invited but refused because Woodstock fell at the end of a long tour and also coincided with the due date of guitarist Robin Trower’s baby.
  • Jethro Tull also declined. According to frontman Ian Anderson, he knew it would be a big event but he did not want to go because he did not like hippies and other concerns including inappropriate nudity and the money being right.
  • Iron Butterfly was billed for Sunday on the poster circa Walkill, but could not perform because they were stuck at an airport.
Chronology Woodstock Music Art Fair

Chronology Woodstock Music Art Fair

Woodstock day 1

Woodstock day 2

Woodstock day 3

Chronology Woodstock Music Art Fair


August 23: the New York Times reported that, “Max Yasgur, whose 600-acre dairy farm was the site of the music festival that drew hundreds of thousands of young people to Sullivan County last weekend, said yesterday that he had “no thoughts of renting my farm” for a 1970 version of the gathering as reported by the festival’s producers.”

September 9: The New York Times reported  the likely breakup of the Woodstock Ventures partners. Michael Lang and Artie Kornfeld agree to a buyout of $31,750 each.

January 7, 1970: a neighbor of Max Yasgur sued him for $35,000 for property damage caused by the festival.

Chronology Woodstock Music Art Fair

March 26, 1970: Warner Brothers released the film documentary, Woodstock. Michael Wadleigh was the director. It received the Academy Award for Best Documentary Feature. Thelma Schoonmaker was nominated for the Academy Award for Film Editing, a rare distinction for a documentary. Dan Wallin and L. A. Johnson were nominated for the Academy Award for Best Sound.

Chronology Woodstock Music Art Fair

May 11, 1970: release of the triple soundtrack album ‘Woodstock’ in the US, going gold within two weeks.

February 9, 1973: Max Yasgur died at age 53. His New York Times obituary described Yasgur as “just another dairy farmer in Sullivan County” before the Woodstock Music and Art Fair.

December 4, 1977: Max and Miriam Yasgur’s daughter Lois Yasgur Elston died in a car accident. [Find a Grave article]

10 Year Reunions

Long Island, NY

Saturday 8 September 1979: Woodstock Reunion  concert held at Parr Meadows racetrack in the town of Brookhaven, New York. It had a reported audience of about 18,000 – 40,000  by concert promoter Richard Nader.

Performers included Paul Butterfield and Rick Danko, Canned Heat, Richie Havens, Jorma Kaukonen, Country Joe McDonald, John Sebastian, Michael Shrieve, Stephen Stills, Leslie West, and Johnny Winter

Madison Square Garden

August 24 and 25, 1979: Woodstock ’79 was took place at the Felt Forum at Madison Square Garden, New York City.

The word “Woodstock” did not appear in the advertisement for the event, it was simply billed as “Celebration: Ten Years Later.”

Some of the musicians performed at the original festival of 1969. There were jam sessions with Richie Havens, Taj Mahal, Alhaji Bai Konte, Dembo Konte, Country Joe and the Fish, Canned Heat, Jeff “Skunk” Baxter and Elliott Randall. Also appearing were Rick Danko, Jorma Kaukonen, Stephen Stills, Paul Butterfield, and Johnny Winter among others.

Chronology Woodstock Music Art Fair

Wayne Saward

Chronology Woodstock Music Art Fair

In 1984, Wayne Saward made a concrete monument dedicated to the Woodstock Music and Art Fair. He set the monument at the corner of the festival’s original field.

December 1, 1986: Miriam Yasgur sold farm to Roy Howard.

20 Year Spontaneous Reunion

Woodstock ’89

August 15, 16, & 17 1989: Woodstock ’89 or “The Forgotten Woodstock” took place on the site of the original Woodstock  as a spontaneous celebration of the event’s 20th anniversary.

The event began with a single folk guitarist, Rich Pell, who came to the site. Charles and June Gelish, who owned the property, gave permission to Pell to organize the show by.

With the help of Will Hoppey, Pell organized all aspects of the concert from ordering water trucks to working out who would perform on the stage. Rich also emceed the festival.

The whole event was spontaneous. Anyone was invited to perform regardless of skill levels, and the majority of performers were lesser-known bands. Wavy Gravy, the Woodstock All-Stars, and Al Hendrix, the father of Jimi Hendrix, appeared at the concert.

Wayne Thiel played a small set of Hendrix material shortly before Al Hendrix came onto the stage. The band was called “Head First”.

Jimi’s Guitar

April 25, 1990:  the Fender Stratocaster that Jimi Hendrix played at the Woodstock festival was auctioned off for a record $295,000.

Woodstock ’94

August 12, 13, & 14, 1994: Woodstock ’94 commemorated the 25th anniversary of Woodstock. It was promoted as “2 More Days of Peace and Music”. The poster used to promote the first concert was revised to feature two doves perched on the neck of an electric guitar, instead of the original acoustic one.

The 1994 concert was scheduled for the weekend of August 13–14,  with a third day (Friday, August 12) added later. Tickets to the festival cost $135 each. The weather was hot and dry on Friday but by early Saturday afternoon the storms rolled in. The rains turned much of the field into mud.

The event took place on Winston Farm, just west of Saugerties, New York

Chronology Woodstock Music Art Fair

Bethel Woods Center for the Arts

Following the sale of Cablevision Industries to Time Warner in 1996, Allen Gerry created the Gerry Foundation, a not-for-profit organization established to improve the quality of life and revitalize the economy in his native Sullivan County. ,

Among the Foundation’s project, it acquired the 37-acre field that was the site of the original Woodstock festival, along with hundreds of surrounding acres, and explored the idea of creating a world-class performing arts center.

On May 4, 1998 Wes Pomeroy died.  His New York Times obituary described Pomeroy as, “a law enforcement officer who viewed protesters as citizens, not criminals, and whose approach to crowd control was to coddle, even if it meant sharing police communications systems with a rally’s organizers and teaching angry counter-protesters how to set up picket lines.”

A Day In The Garden…1998

Chronology Woodstock Music Art Fair

August 14, 15, and 16, 1998: the Gerry Foundation produced the three-day “Day in the Garden” festival at the same site.

The three-day event featured Woodstock legacy acts Pete Townshend, Richie Havens, and Melanie along with Donovan, Goo Goo Dolls, Third Eye Blind, Stevie Nicks, Joan Osborne and Lou Reed. Highlights included Pete Townshend reviving “See Me, Feel Me” as the sun went down and Stevie Nicks playing an epic rendition of “Edge of Seventeen.”

The most impressive booking was Joni Mitchell, who toured very infrequently throughout the 1980s and 1990s and would essentially retire from the road in 2000. [Rolling Stone article]


Woodstock 1999

July 22–25, 1999: Woodstock ’99 (also called Woodstock 1999), held was the second large-scale music festival (after Woodstock ’94) that attempted to emulate the original Woodstock festival of 1969.

It was held in Rome, New York and the attendance was approximately 400,000 over four days.

Oppressive heat, an air base setting (much tarmac), and the 1.5 mile distance between the two stages made conditions particularly difficult for attendees.

Those conditions and questionable judgement on the part of some performers who encouraged  poor behavior resulted in violence, vandalism, and sexual assaults. [RNZ article]

John Roberts Dies

October 27, 2001: John Roberts, aged 56, died. His New York Times obituary described him as. “a businessman who nevertheless pursued fun before profit.”

In 2002, the Foundation hired architectural firm Westlake Reed Leskoskyto plan and design Bethel Woods Center for the Arts.

2004: the foundation selected Suffolk Construction as general contractor

2004: ground broke on the $150 million multi-venue project . In recognition of its historical legacy and in keeping with its core values and beautiful surroundings, the design and construction of Bethel Woods was completed using local and regional materials and renewable resources to the greatest extent possible.

Chronology Woodstock Music Art Fair

The Pavilion amphitheater at Bethel Woods opened to the public on July 4, 2006 with a performance by the New York Philharmonic.

Chronology Woodstock Music Art Fair

June 2008: the Museum opened

March 23, 2009: Wayne Saward, designer of the Woodstock monument, died. His obituary said in part, “He always dreamed of putting a monument up there. It was his dream and he never looked to make any money off of it.”

2012, Bethel Woods transitioned from a project of the Gerry Foundation to its own 501(c) (3) public charity governed by an independent board of trustees with Mr. Gerry serving as the Chairman of the Board.

September 16, 2014: Miriam Yasgur died. [Obit]

June 23, 2016: Max and Miriam’s son “Sam” Stephen Yasgur died in Charles County, Maryland. [Legacy obituary]

August 3, 2016: Elliot Tiber died in Boca Raton, Fla. from complications of a stroke. Tiber had helped introduce Woodstock Ventures to the Bethel area when he found out that Wallkill had kicked out the festival. (NYT obituary)

Chronology Woodstock Music Art Fair

In June 2017, the site was added to the National Register of Historic Places. [NPR story]

July 8, 2017: Howard Mills died. His obituary had no reference to his part in the Woodstock Music and Art Fair.

January 8, 2022: Michael Lang died at Sloan Kettering hospital in New York. He was 77.

Chronology Woodstock Music Art Fair

Woodstock Music Art Fair Pictures

Woodstock Music Art Fair Pictures

My Woodstock Story

Cuzhero’s  cover of Joni Mitchell’s song via  Youtube

My Woodstock story is a straightforward one. High school friend Tony and I left NJ and got close to the site on Friday night, walked in on Saturday morning, and hitch-hiked back to the car on Sunday afternoon.

I had borrowed my girlfriend’s father’s 35mm camera and his binoculars. I bought one roll of Kodachrome slide film and loaded it into the camera.

As Tony and I walked toward Bethel and the site on Saturday morning I took a few pictures. On Saturday I took several more. Once during the night I took a picture. I finished the roll on Sunday before we left. A few times I experimented and put the binoculars up to the camera’s lens and improvised a telephoto lens.

Tony and I hardly moved the time we were there. We staked out our 8-foot square and only left a few times in an unsuccessful search for food and to use the porta-johns.

Here are those pictures. Click on the picture to “open” it up and see a larger size.

Woodstock Music Art Fair Pictures

It was a foggy misty Sullivan County, NY morning. It is interesting today when I show these Rt 17B pictures to friends and guest at the Bethel Woods Center for the Arts Museum, what they see. Many love looking at the cars and tell me how they had that model or how their neighbor had one like it.

Woodstock Music Art Fair Pictures

More parked cars. Traffic was literally at a standstill. The time was approximately 7 AM

My Woodstock Story

We would ask people, “How much farther?” and their answer always was, “Just up ahead.”

Woodstock Music Art Fair Pictures

We do not have one picture of ourselves that weekend other than this picture which includes the back of Tony (blue shirt carrying a sleeping bag). We were getting closer, but we didn’t realize it.

Woodstock Music Art Fair Pictures

While most locals were unhappy with the traffic and idea of a rock festival, these enterprising people set up a hot dog and soda stand. $1 a dog; $1 a soda. We decided to wait than pay such a high price.

Woodstock Music Art Fair PicturesWe found a spot a hundred yards + from the stage toward the left, spread out our sleeping bags, and sat down. This guy was in front of us. His hat and umbrella were unusual to me, so I took his picture. The umbrella was a parasol for the sunny afternoon. Saturday was a beautiful day.

Woodstock Music Art Fair Pictures

Most of my pictures, as you’ll see, were simply of the crowd.

Two lighting towers and the still unfinished artists tent in the background. Enlarge this picture and count the number of rugby (wide-striped) shirts. Now see if you can find any tie-dyed shirts.

Quill. Saturday’s opening act. This is one of the shots through my binoculars.

Woodstock Music Art Fair PicturesWhen you get tired of group shots, you take a picture of a balloon. In the distance you can see one of the large tent areas that another farmers rented space for.

I often ask people to “look for the hippies” in these pictures. You won’t see many.

Woodstock Music Art Fair Pictures

After Santana finished “Soul Sacrifice” 500,000 people stood to cheer, applaud, stomp, shout, and whistle. It was a physical event. I stood and took two pictures. This one and the next.

The pink and white tent in the background is the hospital tent. Ask people what the most common medical issue was that weekend and most will answer, “Drug-related.” While that was an issue, the fact that soda and beer cans had pop tops that came off completely and often were thrown on the ground meant that many bare-footed people cut their feet. That was the most common medical issue.

Not a crowd shot, but simple a pack of Marlboro and peace pillow on top of the typical sleeping bag many of us brought. Notice the bare feet.

Woodstock Music Art Fair Pictures

Another crowd shot. Perhaps there was a reason why, but it’s lost in my memory.Woodstock Music Art Fair PicturesWhen I try to explain who was at the festival, I sometimes half-jokingly say, “White kids getting sunburned.”

Everyone was high? Not quite, but these friendly people offered a hit to Tony and me. We politely declined.

Woodstock Music Art Fair Pictures

This lucky guy scored a can of soda. Now he has to find his way back.

Woodstock Music Art Fair Pictures

Yet another crowd shot. Check again for the rugby shirts v any tie-dyed shirts.

Evening. Hungry. We meandered to the Food for Love tents. Empty. Neither food nor love.


Woodstock Music Art Fair Pictures

The one night shot. Pretty sure it’s Mountain playing. Note the lighting on the left along the wooden walkway built for staff and musicians to get from the other side of the road to the staging area.


Woodstock Music Art Fair Pictures

The Who had finished, the misty Sunday sunrise appeared, and the Jefferson Airplane would close Saturdays 22-hour marathon of music.

Some Sunday risers while some still sleep in their blow-up tents. Striped shirt @ 1 o’clock!

Woodstock Music Art Fair Pictures

More Sunday morning risers with an abandoned tee-pee framework. And can you see the bubble? It’s why I took the picture.

Woodstock Music Art Fair Pictures

Waiting for Sunday’s music to begin. A Hare Krishna person in the middle.

Woodstock Music Art Fair Pictures

Click for sure to enlarge and read the sign of this guy who walked around with his banner–“Love Your Animal Friends, Don’t Eat Them.” His name was Moonfire.

Woodstock Music Art Fair Pictures

Sunday music began with Joe Cocker. One of those binocular shots.

Woodstock Music Art Fair Pictures

My last shot. This woman had the largest afro I’d ever seen and it was bleached white besides. Nope. I later found out it’s a wig. Note the kid (headband) sitting on his Jeep seat. I call him the smartest person at Woodstock because he was the only one with a seat!

Woodstock Music Art Fair Pictures

Woodstock Hero Max Yasgur

Woodstock Hero Max Yasgur

December 15, 1919 – February 9, 1973

Born in Brooklyn, Max Yasgur eventually found his way to Sullivan County, NY where he became the most successful dairy farmer in that county.

 1969 was another turbulent year of that turbulent decade and Woodstock Ventures hoped that their festival would provide a place in the country where young people could peacefully enjoy their music and sleep under the stars.

Woodstock Hero Max Yasgur
Happy Birthday Max Yasgur

We know the story. After the town of Wallkill realized what Woodstock Ventures was doing and “who” was going to attend, it put one legal roadblock after another in the concert’s way. Wallkill finally succeeded and Max was the man who came to the rescue.

Woodstock Hero Max Yasgur
Woodstock Ventures announces that they will have the Festival in White Lake. Advert was done by Arnold Skolnick, the artist who did the famous poster.

He showed Michael Lang a big grassy bowl at the intersection of Hurd and West Shore Roads.


Woodstock Hero Max Yasgur

Bethel hurdles

Like Wallkill, many Bethel locals were against the idea and threatened Yasgur telling others to boycott his milk. Max Yasgur stood his ground and basically told locals where they could put their protest.

At a Bethel Town Board meeting before the festival he reportedly said: “I hear you are considering changing the zoning law to prevent the festival. I hear you don’t like the look of the kids who are working at the site. I hear you don’t like their lifestyle. I hear you don’t like they are against the war and that they say so very loudly. . . I don’t particularly like the looks of some of those kids either. I don’t particularly like their lifestyle, especially the drugs and free love. And I don’t like what some of them are saying about our government. However, if I know my American history, tens of thousands of Americans in uniform gave their lives in war after war just so those kids would have the freedom to do exactly what they are doing. That’s what this country is all about and I am not going to let you throw them out of our town just because you don’t like their dress or their hair or the way they live or what they believe. This is America and they are going to have their festival.”

Woodstock Hero Max Yasgur
local paper article
Woodstock Hero Max Yasgur

On the last day of the concert, the New York Times published an article about Max: Until a few days ago Max Yasgur was just another dairy farmer in Sullivan County. Now he gets phone calls threatening to burn him out. And even more calls praising him and asking how the callers can help.

On the same day, he spoke to those young people whom he had defended:

Woodstock Hero Max Yasgur

Max Yasgur

He died less than three years later on February 9, 1973. (NYT article)

Woodstock Hero Max Yasgur

Woodstock Hero Max Yasgur

Day 2 Woodstock Music Art Fair

Day 2 Woodstock Music Art Fair

Saturday 16 August 1969

Day 2 Woodstock Music Art Fair

My piece of…

…the Woodstock Music and Art Fair was mainly day 2. My friend Tony and I had left New Jersey on Friday night after hearing about heavy traffic around the festival. Leaving 12 hours early for what we thought would be a 90 minute trip seemed a good idea.

Around the same time that Arlo Guthrie announced that authorities had closed it, we drove up the NY Thruway.

We arrived in the Monticello area within a couple of hours, but as everyone knows, Rt 17B was jammed. We crawled along for a few miles before deciding to pull off the road and park. It was dark. It was misty. And there were as many people walking toward the festival as away, the latter saying the festival was cancelled.

We slept in the car until dawn, got up, and started walking. Around noon we got to the field, put our uncollected tickets back in our pockets, and waited.

It was a beautiful day literally and figuratively. It was going to be an historic weekend. Here is the line up, their personnel, and set list for Woodstock Day Two.

Day 2 Woodstock Music Art Fair


Day 2 Woodstock Music and Art Fair

Quill started at 12.15 pm; played for 30 minutes.

Dan Cole: vocals
Jon Cole: bass, vocals
Norman Rogers: guitar, vocals
Phil Thayer: keyboard, saxophone, flute
Roger North: drums
Set list:
  • They Live the Life
  • That’s How I Eat
  • Driftin’
  • Waitin’ for You
Day 2 Woodstock Music Art Fair

Country Joe

Country Joe was not on Saturday’s schedule, but trying to keep the music going once started required some ingenuity on the part of Michael Lang et al.

They recruited a guitar-less Joe with a strapless guitar and a found piece of rope. Joe’s solo performance has become part of the Woodstock legacy.

He  started at 1 pm; played for 30 minutes,

Set list:
  • Janis
  • Donovan’s Reef
  • Heartaches by the Number
  • Ring of Fire
  • Tennessee Stud
  • Rockin’ Round the World
  • Flying All the Way
  • Seen a Rocket
  • “Fish” Cheer > I-Feel-Like-I’m-Fixin’-To-Die Rag
Day 2 Woodstock Music Art Fair


Santana started at 2 pm; played for 45 minutes.

Set list:
  • Waiting
  • Evil Ways
  • You Just Don’t Care
  • Savor
  • Jingo
  • Persuasion
  • Soul Sacrifice
  • Fried Neckbones And Some Home Fries
Day 2 Woodstock Music Art Fair

John Sebastian

Like Country Joe, Woodstock Ventures drafted the unscheduled John Sebastian to perform to buy time for setting up the next group. The solo Sebastian started at 3.30 pm and played for 25 minutes.

Set list:
  • How Have You Been
  • Rainbows All Over Your Blues
  • I Had A Dream
  • Darlin’ Be Home Soon
  • Younger Generation
Day 2 Woodstock Music Art Fair

Keef Hartley Band

Keef Hartley Band started at 4.45 pm; played for approx 45 minutes

Keef Hartley: drums
Miller Anderson: guitar, vocals
Jimmy Jewell: saxophone
Henry Lowther: trumpet, violin
Gary Thain: bass
Set list:
  • Spanish Fly
  • She’s Gone
  • Too Much Thinkin’
  • Believe In You
Halfbreed Medley: Sinnin’ For You (Intro) >Leaving Trunk > Just to Cry > Sinnin’ for You
Day 2 Woodstock Music Art Fair

The Incredible String Band

The Incredible String Band were scheduled for Friday’s folk lineup, but travel issues prevented that. They started at 6 pm; played for 30 minutes.

Mike Heron: multi-instrumentals
Robin Williamson: vocals, multi-instrumentals
Christina “Licorice” McKechnie: organ, vocals, multi-instrumentals
Rose Simpson: bass, vocals, multi-instrumentals
Set list:
  • Invocation (spoken word)
  • The Letter
  • Gather ‘Round
  • This Moment
  • Come with Me
  • When You Find Out Who You Are
Day 2 Woodstock Music Art Fair

Canned Heat

Canned Heat started at 7.30 pm; played for 60 minutes.

Alan “Blind Owl” Wilson: guitar, harmonica, vocals
Bob “The Bear” Hite: vocals, harmonica
Harvey “The Snake” Mandel: guitar
Larry “The Mole” Taylor: bass
Adolpho “Fito” de la Parra: drums
Set list:
  • I’m Her Man
  • Going Up the Country
  • A Change Is Gonna Come / Leaving This Town
  • Too Many Drivers at the Wheel
  • I Know My Baby
  • Woodstock Boogie
  • On the Road Again
Day 2 Woodstock Music Art Fair

MountainDay 2 Woodstock Music and Art Fair

Mountain started at 9 pm; played for 60 minutes.

Leslie West: guitar, vocals
Felix Pappalardi: bass
Steve Knight: keyboards
Norman “N.D.” Smart: drums
Set list:
  • Blood of the Sun
  • Stormy Monday
  • Theme for an Imaginary Western
  • Long Red
  • For Yasgur’s Farm
  • Beside the Sea
  • Waiting to Take You Away
  • Dreams of Milk and Honey
  • Southbound Train
Day 2 Woodstock Music Art Fair

Grateful Dead

Grateful Dead started at 10:30 pm; on stage for 95 minutes (with extended sound issue stretches during set).

Jerry Garcia: guitar, vocals
Bob Weir: guitar
Ron “Pig Pen” McKernan: keyboards, vocals
Tom Constanten: keyboards, vocals
Phil Lesh: bass
Bill Kreutzmann: drums
Mickey Hart: drums
Set list:
  • St Stephen
  • Mama Tried
  • Dark Star
  • High Time
  • Turn on Your Lovelight
Day 2 Woodstock Music Art Fair

Creedence Clearwater Revival

Creedence Clearwater Revival started at 12:30 am; played for 50 minutes.

John Fogerty: vocals, guitar, harmonica, piano
Tom Fogerty: rhythm guitar, vocals
Stu Cook: bass
Doug “Cosmo” Clifford: drums
Set list:
  • Born on the Bayou
  • Green River
  • Ninty-Nine-and-a-Half (Won’t Do)
  • Bootleg
  • Commotion
  • Bad Moon Rising
  • Proud Mary
  • I Put a Spell on You
  • The Night Time is the Right Time
  • Keep on Chooglin’
  • Susie Q
Day 2 Woodstock Music Art Fair

Janis Joplin

Janis Joplin started at 2 am; played for 60 minutes.

Janis Joplin: vocals
Terry Clements: tenor saxophone
Cornelius “Snooky” Flowers: baritone saxophone
Luis Gasca: trumpet
John Till: guitar
Richard Kermode: keyboards
Brad Campbell: bass
Maury Baker: drums
Set list:
  • Raise Your Hand
  • As Good As You’ve Been to This World
  • To Love Somebody
  • Summertime
  • Try (Just a Little Bit Harder)
  • Cozmic Blues
  • I Can’t Turn You Loose
  • Work Me, Lord
  • Piece of My Heart
  • Ball and Chain
Day 2 Woodstock Music Art Fair

Sly and the Family Stone

Sly and the Family Stone started at 3.30 am; played for 50 minutes.

Sly Stone: vocals, keyboard
Freddie Stone: guitar, vocals
Jerry Martini: saxophone
Cynthia Robinson: trumpet
Rosie Stone: keyboard, vocals
Larry Graham: bass
Greg Errico: drums
Set list:
  • M’Lady
  • Sing A Simple Song
  • You Can Make It If You Try
  • Medley: Everyday People > Dance To The Music > Music Lover > I Want To Take You Higher

  • Love City
  • Stand!
Day 2 Woodstock Music Art Fair

The Who

The Who started at 5 am; played for 65 minutes.

Roger Daltrey: vocals
Pete Townshend: guitar
John Entwistle: bass
Keith Moon: drums
Set list:
  • Heaven and Hell
  • I Can’t Explain
  • It’s a Boy
  • 1921
  • Amazing Journey
  • Sparks
  • Eyesight to the Blind
  • Christmas
  • Acid Queen
  • Pinball Wizard
  • Abbie Hoffman incident
  • Do You Think It’s Alright?
  • Fiddle About
  • There’s a Doctor
  • Go to the Mirror
  • Smash the Mirror
  • I’m Free
  • Tommy’s Holiday Camp
  • We’re Not Gonna Take It
  • See Me, Feel Me
  • Listening to You
  • Summertime Blues
  • Shakin’ All Over
  • My Generation
  • Naked Eye
Day 2 Woodstock Music Art Fair

Jefferson Airplane

Day 2 Woodstock Music and Art Fair

The sun rose and the Jefferson Airplane started at 8 am; played for 100 minutes.

Set list:
  • The Other Side of This Life
  • Somebody to Love
  • 3/5 of a Mile in 10 Seconds
  • Won’t You Try/Saturday Afternoon
  • Eskimo Blue Day
  • Plastic Fantastic Lover
  • Wooden Ships
  • Uncle Sam Blues
  • Volunteers
  • The Ballad of You & Me & Pooneil
  • Come Back Baby
  • White Rabbit
  • The House at Pooneil Corner
Day 2 Woodstock Music and Art Fair



Day 1 Woodstock Music Art Fair

Day 1 Woodstock Music Art Fair

Friday 15 August 1969

A little more time would have been nice

Whether Woodstock Ventures was ready or not, the first day arrived. As I’ve indicated, there were thousands of people already on the field by Wednesday and the organizers realized that without booths that selling or collecting tickets was unlikely.

They would dance with who brung them.

Rolling Stone magazine had this to say afterwards: “Chicago was only the labor pains. With a joyous three-day shriek, the inheritors of the earth came to life in an alfalfa field outside the village of Bethel, New York. Slapping the spark of life into the newborn was American rock and roll music provided by the Woodstock Music and Art Fair.”

Day 1

The following is a listing of who played that first day, what they played, and how long they played. Keep in mind that while the organizers were well-organized (despite the myths), keeping track of times and players was not high on anyone’s list (insert joke here). The following seems to be accurate, but not definitive.

Day 1 Woodstock Music Art Fair

Richie Havens 

Richie Havens started at 5:15 pm; played for 45 minutes

Set list

  • From the Prison > Get Together > From the Prison
  • I’m a Stranger Here
  • High Flyin’ Bird
  • I Can’t Make It Anymore
  • With A Little Help from my Friends
  • Handsome Johnny
  • Strawberry Fields For Ever
  • Motherless Child/Freedom
Day 1 Woodstock Music Art Fair

Sri Swami Satchidananda

Swami Satchidananda addressed the audience and spoke about peace (6 PM).

Day 1 Woodstock Music Art Fair


Sweetwater started at 6.30 pm;  they were on stage about an hour.

Nanci Nevins: guitar, vocals
Albert Moore: flute, vocals
August Burns: cello
Alex Del Zoppo: keyboards
Fred Herrera: bass
Elpidio Cobain: conga drums
Alan Malarowitz: drums
Set list
  • Motherless Child
  • Look Out
  • For Pete’s Sake
  • Day Song
  • What’s Wrong
  • My Crystal Spider
  • Two Worlds
  • Why Oh Why
  • Let the Sunshine In
  • Oh Happy Day
Day 1 Woodstock Music Art Fair

Bert Sommer

Bert Sommer started at 7:30 pm; played for approx 40 minutes.

Set list:
  • Jennifer
  • The Road To Travel
  • I Wondered Where You Be
  • She’s Gone
  • Things Are Going My Way
  • And When It’s Over
  • Jeanette
  • America (Paul Simon)
  • A Note That Read
  • Smile
Day 1 Woodstock Music Art Fair

Tim Hardin

Tim Hardin started at 9 pm; played for a bit over an hour.

Set list:
  • (How Can We) Hang on to a Dream
  • Once-Touched By a Flame
  • If I Were a Carpenter
  • Reason to Believe
  • You Upset the Grace of Living When You Lie
  • Speak Like a Child
  • Snow White Lady
  • Blue on My Ceiling
  • Simple Song of Freedom
  • Misty Roses
Day 1 Woodstock Music Art Fair

 Ravi Shankar

Ravi Shankar started at 10 pm; played for 40 minutes.

Ravi Shankar: sitar Maya Kulkarni: tamboura
Ustad Alla Rakha: tabla
Set list:
  • Raga Puriya-Dhanashri/Gat in Sawarital
  • Tabla Solo In Jhaptal
  • Raga Manj Kmahaj
Day 1 Woodstock Music Art Fair


Melanie played instead of Incredible String Band. She started at 11 pm; played for approx 20 minutes.

Melanie Safka: vocals, guitar

Set list:
  • Close to It All
  • Momma Momma
  • Beautiful People
  • Animal Crackers
  • Mr. Tambourine Man
  • Tuning My Guitar
  • Birthday of the Sun
Day 1 Woodstock Music Art Fair

Arlo Guthrie

Arlo Guthrie started at 12 midnight; played for approx 40 minutes.

Set list:
  • Coming into Los Angeles
  • Wheel of Fortune
  • Walking Down the Line
  • Arlo Speech: Exodus
  • Oh Mary, Don’t You Weep
  • Every Hand in the Land
  • Amazing Grace
Day 1 Woodstock Music Art Fair

Joan Baez

Joan Baez started at 1 am; played for approx 60 minutes.

Joan Baez: vocals, guitar Richard Festinger: guitar
Jeffrey Shurtleff: vocals, guitar
Set list:
  • Oh Happy Day
  • The Last Thing On My Mind
  • I Shall Be Released
  • Story about how the Federal Marshalls came to take David Harris into custody  
  • No Expectations
  • Joe Hill
  • Sweet Sir Galahad
  • Hickory Wind
  • Drug Store Truck Driving Man
  • I Live One Day at a Time
  • Take Me Back to the Sweet Sunny South
  • Let Me Wrap You in My Warm and Tender Love
  • Swing Low, Sweet Chariot
  • We Shall Overcome
Day 1 Woodstock Music Art Fair

Day 3 Woodstock Music Art Fair

Day 3 Woodstock Music Art Fair

Sunday 17 August 1969

Day 3 Woodstock Music Art Fair

Good morning, campers

It had been some 22 hours. We had taken off with Quill and landed with the Airplane.

We were hungry. Tired. Worried whether locals had towed our car away. Amazed that there were so many of Us.

Little did we know what would Sunday hold?

Day 3 Woodstock Music Art Fair

Max Yasgur

I don’t think we knew the name until then, but after we heard him we’d never forget it.

I’m a farmer…(interrupted by a cheer from the audience)… I don’t know how to speak to twenty people at one time, let alone a crowd like this. But I think you people have proven something to the world — not only to the Town of Bethel, or Sullivan County, or New York State; you’ve proven something to the world. This is the largest group of people ever assembled in one place. We have had no idea that there would be this size group, and because of that you’ve had quite a few inconveniences as far as water, food, and so forth. Your producers have done a mammoth job to see that you’re taken care of… they’d enjoy a vote of thanks. But above that, the important thing that you’ve proven to the world is that a half a million kids — and I call you kids because I have children that are older than you are — a half million young people can get together and have three days of fun and music and have nothing but fun and music, and I – God Bless You for it!”

Thank you Max Yasgur for giving us a place to listen to our music with our fellow travelers.

Day 3 Woodstock Music Art Fair

Joe Cocker

Joe Cocker and the Grease Band started at 2 pm; played for approx  90 minutes.

Set List:
  • Rockhouse*
  • Who Knows What Tomorrow May Bring* 
  • Dear Landlord
  • Something’s Coming On
  • Do I Still Figure in Your Life
  • Feelin’ Alright

*w/out Joe Cocker

  • Just Like a Woman
  • Let’s Go Get Stoned
  • I Don’t Need No Doctor
  • I Shall Be Released
  • Hitchcock Railway
  • Something to Say
  • With a Little Help from My Friends
Day 3 Woodstock Music Art Fair

The rain storm!

Woodstock Day Three

Country Joe and the Fish

Country Joe and the Fish, after the rain delay, started at 6.30 pm; played  a bit over an hour.

Country Joe McDonald: guitar, vocals
Barry “the Fish” Melton: guitar
Mark Kapner: keyboards
Doug Metzner: bass
Greg “Duke” Dewey: drums
Set list:
  • Rock & Soul Music
  • (Thing Called) Love
  • Not So Sweet Martha Lorraine
  • Sing, Sing, Sing
  • Summer Dresses
  • Friend, Lover, Woman, Wife
  • Silver and Gold
  • Maria
  • The Love Machine
  • Ever Since You Told Me That You Love Me (I’m a Nut)
  • Crystal Blues
  • Rock & Soul Music (Reprise)
  • “Fish” Cheer > I-Feel-Like-I’m-Fixin’-To-Die Rag
Day 3 Woodstock Music Art Fair

Ten Years After

Ten Years After started at 8.15 pm; played for approx 60 minutes.

Alvin Lee: guitar, vocals
Chick Churchill: http://Leo Lyonskeyboards
Leo Lyons: bass
Ric Lee: drum
Set list:
  • Spoonful
  • Good Morning Little Schoolgirl
  • Hobbit
  • I Can’t Keep from Crying Sometimes
  • Help Me
  • I’m Going Home
Day 3 Woodstock Music Art Fair

The Band

The Band started at 10 pm, played for 50 minutes

Robbie Robertson: guitar, vocals
Garth Hudson: organ, keyboard, saxophone
Richard Manuel: piano
Rick Danko: bass, vocals
Levon Helm: drums, mandolin
Set list:
  • Chest Fever
  • Don’t Do It
  • Tears of Rage
  • We Can Talk
  • Long Black Veil
  • Don’t You Tell Henry
  • Ain’t No More Cane on the Brazos
  • This Wheel’s on Fire
  • I Shall Be Released
  • The Weight
  • Loving You Is Sweeter Than Ever
Day 3 Woodstock Music Art Fair

Johnny Winter

Johnny Winter started at midnight; played for 65 minutes.

Johnny Winter: vocals, guitar
Edgar Winter: keyboards
Tommy Shannon: bass
“Uncle” John Turner: drums
Set list:
  • Mama, Talk to Your Daughter
  • Leland Mississippi Blues
  • Mean Town Blues
  • You Done Lost Your Good Thing Now > Mean Mistreater
  • I Can’t Stand It* 
  • Tobacco Road*
  • Tell the Truth*
  • Johnny B. Goode*

*w/ Edgar Winter

Day 3 Woodstock Music Art Fair

 Blood, Sweat and Tears

Blood, Sweat and Tears started at 1.30 am; played for approx 60 minutes.

David Clayton-Thomas: vocals, guitar
Steve Katz: guitar, harmonica, vocals
Dick Halligan: keyboards, trombone, flute
Jerry Hyman: trombone
Fred Lipsius: alto sax, piano
Lew Soloff: trumpet, flugelhorn
Chuck Winfield: trumpet, flugelhorn
Jim Fielder: bass
Bobby Colomby: drums
Set list:
  • More and More
  • Just One Smile
  • Something’s Coming on
  • More Than You’ll Ever Know
  • Spinning Wheel
  • Sometimes in Winter
  • Smiling Phases
  • God Bless the Child
  • And When I Die
  • You’ve Made Me So Very Happy
Day 3 Woodstock Music Art Fair

Crosby, Stills, Nash, (and Young)

Crosby, Stills, Nash, and Young started at 3.00 am; played for 60 minutes.

David Crosby: guitar, vocals
Stephen Stills: guitar, vocals
Graham Nash: guitar, vocals
Neil Young: guitar, vocals (from middle of acoustic set}
Greg Reeves: bass
Dallas Taylor: drums
Set list:
Acoustic Set  

  • Suite: Judy Blue Eyes
  • Blackbird
  • Helplessly Hoping
  • Guinnevere
  • Marrakesh Express
  • 4 + 20
  • Mr. Soul
  • I’m Wonderin’
  • You Don’t Have to Cry
Electric Set  

  • Pre-Road Downs
  • Long Time Gone
  • Bluebird
  • Sea of Madness
  • Wooden Ships

Acoustic Encores  

  • Find the Cost of Freedom
  • 49 Bye-Byes
Day 3 Woodstock Music Art Fair

The Paul Butterfield Blues Band

The Paul Butterfield Blues Band started at 6 am; played for a little over an hour.

Paul Butterfield: harmonica, vocals
Buzzy Feiten: guitar
Steve Madaio: trumpet
Keith Johnson: trumpet
Gene Dinwiddie: tenor saxophone
David Sanborn: alto saxophone
Trevor Lawrence: baritone saxophone
Teddy Harris: piano
Rod Hicks: bass
Phillip Wilson: drums
Set list:
  • Born Under a Bad Sign
  • No Amount of Loving
  • Driftin’ and Driftin’
  • Morning Sunrise
  • All in a Day
  • Love March
  • Everything’s Gonna Be Alright
Day 3 Woodstock Music Art Fair

Sha Na Na

Sha Na Na started at 7:30 am; played for 30 minutes.

Donald “Donny” York: vocals
Rob Leonard: vocals
Alan Cooper: vocals
“Dennis” Greene: vocals
Dave Garrett: vocals
Richard “Richie” Joffe: vocals
Scott Powell: vocals

Joe Witkin: keyboards
Henry Gross: guitar
Elliot Cahn: rhythm guitar
Bruce Clarke III: bass guitar
Jocko Marcellino: drums

Set list:
  • Get A Job
  • Come Go With Me
  • Silhuettes
  • Teen Angel
  • Her Latest Flame
  • Wipe Out
  • (Who Wrote) The Book of Love
  • Little Darling
  • At The Hop
  • Duke Of Earl
  • Get A Job (Reprise)
Day 3 Woodstock Music Art Fair

Jimi Hendrix Gypsy Sun & Rainbows

Jimi Hendrix started at 9 am Monday 18 August; played for 130 minutes.

Jimi Hendrix: guitar, vocals
Larry Lee: rhythm guitar
Billy Cox: bass
Juma Sultan: percussion
Gerardo “Jerry” Velez: congas
Mitch Mitchell: drums
Set list:
  • Introduction
  • Message to Love
  • Hear My Train a-Comin’ (Getting My Heart Back Together Again)
  • Spanish Castle Magic
  • Red House
  • Mastermind (Larry Lee)*
  • Foxy Lady
  • Izabella
  • Gypsy Woman/Aware of Love (Larry Lee)*
  • Fire
  • Lover Man
  • Voodoo Child (Slight Return)/Stepping Stone
  • Star Spangled Banner
  • Purple Haze
  • Woodstock Improvisation
  • Villanova Junction


  • Hey Joe
Day 3 Woodstock Music Art Fair

Day 3 Woodstock Music Art Fair

Day 3 Woodstock Music Art Fair

And the 1969 festivals continued.  Next is the Bullfrog 2 Festival (or is it 3?)

Eugene Pop Festival

Eugene Pop Festival

Held at the University of Oregon’s  Hayward Field on July 26, 1969

Cost: $5;  attendance: 5,000

1969 festival # 26

Most pictures from this link   and information from Eugene Musicians dot com

F.A.M.E. stood for Film, Art, & Music in Eugene.

Unfortunately, the event did not go as planned and several scheduled acts,  including The Byrds and The Youngbloods, didnot perform.

Bands that did perform: The Doors, Them, Alice Cooper, Rockin’ Foo, J Geils Band, Peter, River, Truth, The Bumps, and Zu.

Eugene Pop Festival
Newspaper: Eugene Register-Guard Author: Unknown Publish Date: July 18th – 1969

The Doors arrived only minutes before taking the stage and played an extended set (70 minutes instead of 45 minutes) to make up for the missing bands.


As you will be able to read from the newspaper articles below, the announcement that the Byrds and Youngbloods, two of the biggest names on the bill,  drew an angry reaction from many in the crowd some of whom demanded their money back.

Boyd Grafmyre
Former Seattle concert producer Boyd Grafmyre, pictured here in Seattle in 1970. (Courtesy of Damien Grafmyre)
Former Seattle concert producer Boyd Grafmyre, pictured here in Seattle in 1970. (Courtesy of Damien Grafmyre)

Boyd Grafmyre promoted the event. He was becoming one of the biggest names in rock music production in the northwest.

FAME Expo - Agreement

Here is his obituary from the Seattle-Times dated December 13, 2019If you saw some of the biggest bands perform in Seattle back in the ’60s  — The Doors, Led Zeppelin or Jimi Hendrix at the Eagles Auditorium, or the Seattle Pop Festival in Woodinville — you can thank Boyd Grafmyre.

“He really was responsible for bringing the music scene to Seattle in the late 1960s,” said Joseph “Lightnin’ Joe” Meyering, a musician and the owner of the JAM PRO NW recording studio in Port Townsend. “It was all him, or those bands probably wouldn’t have made it up here. Boyd got those acts to Seattle.”

Mr. Grafmyre, who was still dreaming of producing the next big act, died Monday, Dec. 9, in Port Townsend. He was 79.

“He would always tell me, ‘I have this deal, it’s going to work, it’s going to happen next month,’ ” remembered his son, Damien. “Sometimes I think he was living for what he had.

“But he had a creative mind, and he had an ear for music. He knew what was good, and what was not good.”

Born in Bellingham and raised in Seattle, Mr. Grafmyre graduated from Queen Anne High School and had dreams of becoming an actor. At 19, he moved to Los Angeles and studied at the Pasadena Playhouse, then went to New York for a spell before he returned to Seattle. He was drafted and spent six months as a reservist in the civil affairs unit of the Army.

He spent a year at Seattle Repertory Theatre, where he met his future wife, Jana Thurner. They had two sons, Dylan, now 51, and Damien, 48. The couple later divorced.

In 1963, Mr. Grafmyre was asked to be the tour manager for a combination gospel and pantomime show. One day, he pulled the bus over next to a cornfield and watched the performers stream out and dance around in the stalks.

“I took one look and decided I was through with actors and that kind of temperament,” he told The Seattle Times in 1969. He returned to Seattle and joined a promotional agency called Trips-Lansing that was putting on a festival at the Eagles Auditorium at Seventh Avenue and Union Street, where the ACT Theatre now operates.

Mr. Grafmyre saw the crowds, rented the space on his own and started booking talent for weekend shows — but he barely broke even. That problem was solved in the spring of 1967, when he booked The Doors — the band had just released “Light My Fire” — and had to turn away 4,000 people.

Other acts followed: Steve Miller, Eric Clapton, Led Zeppelin, who famously stayed at the Edgewater Hotel during their booking at the Green Lake Aqua Theater. Joe Cocker said he gave one of his best performances at the Eagles Auditorium, which Mr. Grafmyre took pains to ensure had good acoustics, sound system and lights.

In 1969, Mr. Grafmyre booked a property in Woodinville for the three-day Seattle Pop Festival, which drew more than 50,000 people to see artists such as Chuck Berry, Santana, the Byrds, Ike & Tina Turner, Ten Years After and The Doors.

Damien Grafmyre and his brother were raised in Hawaii after their mother remarried, to a minister. (“I have a rock ‘n’ roll father and a minister father,” he said).

Despite the distance and their father’s musical aspirations, they were connected.

Former Seattle concert producer Boyd Grafmyre, pictured here in Austin, TX in 2012. (Courtesy of Damien Grafmyre)
Boyd Grafmyre, pictured here in Austin, TX in 2012. (Courtesy of Damien Grafmyre)

“He never mistreated us and always loved us,” Damien Grafmyre said. “He wasn’t there, physically. His lifestyle was music, and that’s probably why he and my mom got divorced. But he was always a loving person.”

Mr. Grafmyre was still hoping to get back into the music business, “but I don’t think he knew how to do it,” his son said.

Mr. Grafmyre spent the last years of his life in a small apartment in Port Townsend, where he walked four miles a day, greeting everyone in his path.

Two years ago, Mr. Grafmyre was diagnosed with throat cancer, which was treated, but recently affected his ability to swallow. He went to the hospital for tests and went into cardiac arrest. He never regained consciousness.

In the days before he died, Mr. Grafmyre’s family sat in his room, talking and playing the music of Led Zeppelin, Neil Diamond and Hendrix. Meyering came in and played his harmonica.

Meyering’s fondest memories of Mr. Grafmyer are seeing him sitting with his feet hanging out the window of his top-floor place, looking out at the water, a glass of wine in one hand, the other waving hello.

“It was always good to see him,” Meyering said. “Boyd always had good energy and a smile. And he was always working on the next big thing, the next big artist he was thinking about promoting.”

Mr. Grafmyre is survived by his sons and three grandchildren: Jacob, Sebastian and Rose Elane.

No services are planned. Mr. Grafmyre will be cremated and his ashes spread in places he loved: Port Townsend, Bainbridge Island and in Seattle, where his mother and sister were laid to rest.


The next 1969 festival is the Seattle Pop Festival.

Related articles

Eugene Pop Festival
Newspaper: Eugene Register-Guard Author: Mike Stahlberg Publish Date: July 27th – 1969


Eugene Pop Festival
Newspaper: Eugene Register-Guard Author: Unknown Publish Date: July 28th – 1969

Ronald Leis Woodstock

Ronald Leis Woodstock

May 22, 1936 – June 18, 2016
Ronald Leis Woodstock
From the Nugget News, June 21, 2016 (

When we think of the Woodstock Music and Art Fair, we typically think of the great bands that played. And rightly so, but Woodstock Ventures had a larger vision in mind when their little party turned into the most famous festival of all time.

Nearly every festival before Woodstock, during 1969 itself, and ever since, was held over a series of days that one attended, left, and returned to.

Woodstock was a festival that one went to and could live there. Why would one stick around for the hours between music? Remember the name of this festival: Woodstock Music and Art Fair. It was intended from the beginning to be much more than music. It was intended to be like a fair with many attractions like rides and merchandise. And art.

Ronald Leis…Art

Malcolm X

Malcolm X

This post on Malcolm X is not intended to be a biography, but only something to highlight several important dates in this American hero and civil rights paragon.

Malcolm Little

Malcolm Little was born on May 18, 1925.

His father,  Earl Little, was a Baptist lay speaker and his mother, Louise, were both active members of Marcus Garvey‘s Universal Negro Improvement Association.

Being Black and quiet in the American white world could still be dangerous. Being Black and outspoken in that world could be lethal. Their home was burned and later Earl was killed in questionable trolley car accident in 1931.


What's so funny about peace, love, art, and activism?