Tag Archives: George Harrison

January 15 Music et al

January 15 Music et al

Motown Records


January 15, 1961: Motown Records signed The Supremes. Their first release will be “I Want A Guy.” (see Motown Records Begins)



see Los Angeles Whisky a Go Go for more

1960s January 15 Music


January 15, 1964: the Los Angeles Whiskey a Go Go opened. The club’s opening night featured Johnny Rivers as the headlining act. The club quickly became famous for its music (rock ‘n’ roll), dancing (the patrons on the floor and the go-go dancers inside elevated glass cages) and the Hollywood celebrities it attracted.


The Whisky played an important role in many musical careers, especially for bands based in southern California. The Byrds, Alice Cooper, Buffalo Springfield, Smokestack Lightning, and Love were regulars, and The Doors were the house band for a while – until the debut of the “Oedipal section” of “The End” got them fired. (see Whisky a Go Go for more) (see August 13, 1965)

Acid Test

1960s January 15 Music


January 15, 1966: Portland, Oregon Acid Test. From Searching for the Sound – Phil Lesh (pages 72-73) “There was one more out-of-town tryout for us, the Beaver Hall Test in Portland. The Test itself has receded into the mists of antiquity, except for the vague memory of playing in an upstairs warehouse with concrete pillars everywhere and bare lath and wiring on the walls. What mattered about the Portland Acid Test was the journey toward it.


It began as our first trip together on Further, Kesey’s fabled bus. Bobby and I had day-tripped on the bus to see the Beatles at the Cow Palace earlier that year, but for the majority of the band it was a first. Leaving Palo Alto as early as possible, by midafternoon or so, we were halfway up the Central Valley bound for Shasta and points north, and then: Catastrophe! The bus breaks down! Never let it be said that the show did not go on! What to do?


We rent a U-Haul truck; we strip the bus and cram all of us — the band, the Pranksters — and everything else into the truck. I jump into the shotgun seat up front, and we cruise off into the darkening storm of the worst blizzard in years: over the Siskiyou Mountains in the dead of night. Neal pressing ever onward, the rhythm of the falling snow sweeping through the headlights, sliding in and out of synch with the music piped into the cockpit by means of our patented two-way distort-o-phonic communication system, set up so that those in the back could also hear Neal’s multiple personalities conversing with one another. If ever the magic of the open road was distilled into a single experience, it was, for me, that night sitting next to Neal, hurtling into the dazzling play of light and shade on the whirling snow with his voice turning every sentence into a poem, all sensory input synched up (or sometimes not, and that’s good too) with the rhythm of the wipers and whatever music happened to randomly penetrate our awareness.


Upon our return from Portland, all the scuttlebutt was ablaze with the plans for the “Big One”; the Trips Festival, to take place in San Francisco’s Longshoreman’s Hall.”  (see Jan 17)  

1960s January 15 Music


And from Owsley “Bear” Stanley: Portland acid test was either on Dec 18 ’65, or Jan 15 ’66. There were two which I didn’t go to after my “initiation” at the Dec 11 Muir Beach event, one was in Palo Alto and the other one was in Portland. There were two before that also. Only one other one did I miss, the first one in LA in late Feb in Northridge. So I missed a total of five of the AT’s. The Dead were always the centerpiece of the Acid tests, the real reason for its existence, and it could not have taken place without them. The band at the time rated their participation above any other activity in importance.

The Rolling Stones

1960s January 15 Music


January 15, 1967: The Rolling Stones appeared on The Ed Sullivan Show. At Ed Sullivan’s request, the band changed the lyrics of “Let’s Spend the Night Together” to “Let’s spend some time together.” (more from ultimateclassicrock site)

Notorious Byrd Brothers


January 15, 1968: Byrds released Notorious Byrd Brothers album. 


Richie Unterberger from AllMusic dot com writes: The recording sessions for the Byrds’ fifth album, The Notorious Byrd Brothers, were conducted in the midst of internal turmoil that found them reduced to a duo by the time the record was completed. That wasn’t evident from listening to the results, which showed the group continuing to expand the parameters of their eclecticism while retaining their hallmark guitar jangle and harmonies. With assistance from producer Gary Usher, they took more chances in the studio, enhancing the spacy quality of tracks like “Natural Harmony” and Goffin & King’s “Wasn’t Born to Follow” with electronic phasing. Washes of Moog synthesizer formed the eerie backdrop for “Space Odyssey,” and the songs were craftily and unobtrusively linked with segues and fades. But the Byrds did not bury the essential strengths of their tunes in effects: “Goin’ Back” (also written by Goffin & King) was a magnificent and melodic cover with the expected tasteful 12-string guitar runs that should have been a big hit. “Tribal Gathering” has some of the band’s most effervescent harmonies; “Draft Morning” is a subtle and effective reflection of the horrors of the Vietnam War; and “Old John Robertson” looks forward to the country-rock that would soon dominate their repertoire.


January 15 Music et al



January 15, 1969: with George Harrison still not with the band, all four Beatles met to discuss their future, Harrison was in a commanding position, following a series of dismal sessions at Twickenham Film Studios, and was able to set down his terms for returning to the group. During the five-hour meeting he made it clear that he would leave the group unless the idea of a live show before an audience was dropped. (see Jan 30)

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John Lennon George Harrison David Frost

John Lennon George Harrison David Frost

September 29, 1967

George Harrison Sitar

The path that led the Beatles to transcendental meditation was mainly through George Harrison's use of the sitar, the Indian instrument he used on Rubber Soul's "Norwegian Wood." Harrison used the sitar simply because he liked its sound, but he wanted to learn more. 

Harrison first met master sitarist Ravi Shankar in June 1966 in the UK and Shankar gave a couple of lessons to Harrison. 

On September 14, 1966, a Mr and Mrs Sam Wells, aka George and Pattie Harrison, flew to Mumbai.  The main reason was to take sitar lessons from Shankar. Because the sitting position was so difficult for Harrison, Shankar had a yoga instructor help him.

The following year Pattie attended a lecture on Transcendental Meditation at Caxton Hall, London, where she received her mantra. 

see Beatles meet Maharishi Mahesh Yogi for more

Encouraged by Pattie Harrison's interest and enthusiasm, on August 24, 1967  the Beatles met Maharishi Mahesh Yogi at a lecture in London. All except Ringo and his wife Maureen (she had just given birth to to their son) attended. While there, they found out that he was giving a series of classes. They all decided to attend.

Of course if the Beatles found something interesting, fans followed suit. Ravi Shankar became part of the Monterey Pop Festival in 1967 and famously played in the rain at the Woodstock Music and Art Fair.

John Lennon George Harrison David Frost

On September 29, 1967 John Lennon and George Harrison were guests on David Frost's The Frost Programme. 

Among the comments were:

Lennon: "Buddha was a groove, Jesus was all right."

Harrison: "I believe in reincarnation. Life and death are still only relative to thought. I believe in rebirth. You keep coming back until you have got it straight. The ultimate thing is to manifest divinity, and become one with The Creator."

Because viewers found that  program so interesting, John and George returned for another interview a week later. 

Again, the subject of the 45-minute show was Transcendental Meditation. Lennon and Harrison answered questions that Frost and studio guests asked as well as from letters sent in. There was also a pro- and con- discussion about meditation. 

No Mas Maharishi

The interest continued and on February 16, 1968 John and Cynthia Lennon, and George and Pattie Harrison flew to India for further study with the Maharishi. Paul McCartney, Jane Asher, Ringo and Maureen Starr followed on the 20th. The plan was to stay at least six weeks.

Ringo found the food there too difficult and he and Maureen returned to England less than two weeks after their arrival. Paul and Jane returned on March 20.

The stay for the others came to an abrupt end when one of the members of the Beatle party told John and George that the Maharishi was sexually inappropriate with one of the female guests.

John and George confronted the Yogi, but he didn't take the accusation seriously which convinced John, George, and the others that he was guilty.

John left, but George, rather than return straightaway to England, went to visit Ravi Shankar and didn't return until April 28.

The accusations were likely untrue.

John Lennon George Harrison David Frost, John Lennon George Harrison David Frost, John Lennon George Harrison David Frost, John Lennon George Harrison David Frost, John Lennon George Harrison David Frost, 

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1964 Bob Dylan Introduced Beatles

1964 Bob Dylan Introduced Beatles

The narrator above refers to August 30, but it was…

August 28, 1964

1964 Bob Dylan Introduced Beatles

1964 Bob Dylan Introduced Beatles

She Loves You

The Beatles initial successes were great pop songs that many youth fell in love with at the same time they themselves were looking to fall in love. She Loves You, I Want to Hold Your Hand, Please Please Me, I Feel Fine, She’s a Woman, and We Can Work It Out are all loves songs. Some happier than others.

Someone once told me, if it’s a happy Beatle song, Paul wrote it; a sad one, John. While a generalization, it’s more often true than not.

1964 Bob Dylan Introduced Beatles

Maggie’s Farm

When I first heard Bob Dylan’s “I Ain’t Gonna’ Work on Maggie’s Farm No More” I was only a touch less confused about its lyrics than “Gates of Eden,” a song I had no idea what was happening other than Dylan was trying to harmonize with songs the lonesome sparrow sang.

Maggie’s Farm? Well there’s a guy obviously praying for rain, getting terribly underpaid, and whose boss is putting out his cigar on the guy’s face. I’d quit too.

Of course, that’s not what Dylan was saying. He was saying he wasn’t going to be the acoustic-folk-protest song-singer too many expected him to permanently be. Quitting. He was going  electric. And on July 25, 1965 he did just that at the Newport Folk Festival.

Many were displeased.

1964 Bob Dylan Introduced Beatles

August 28, 1964

The Beatles had begun their first full American tour on August 18 at the San Francisco Cow Palace. Ten days later they played for 16,000 fans at the Forest Hills Stadium in Queens, New York City. They would do the same the next night.

It was what happened in between that changed history.

1964 Bob Dylan Introduced Beatles

Al Aronowitz

Al Aronowitz was a writer who knew Bob Dylan and arranged for him to meet the Beatles at their hotel the night after that first concert.

Aronowitz later wrote: “The Beatles’ magic was in their sound,…Bob’s magic was in his words. After they met, the Beatles’ words got grittier, and Bob invented folk-rock.”

Cannabis may have been the source of all that musical cross pollination at that meeting. Beatles supposed unfamiliarity with the herb apparently surprised the already familiar Mr Dylan. [The four had tried it in Germany, but it did not impress them.]

Evidently, Ringo was unfamiliar with the not-Bogarting-that-joint protocol and kept things to himself. John, Paul, and George soon learned the etiquette.

1964 Bob Dylan Introduced Beatles

1965

  • March 27,  Dylan released Bringing It All Back Home on which “Maggie’s Farm” appears.
  • The Byrds’ covering of Dylan, particularly “Mr Tambourine Man” opened the door for folk-rock.
  • July 25, 1965 Dylan played Newport Folk Festival. Many in audience booed his performance for playing electric set with The Paul Butterfield Blues Band.
  • August 30, 1965,  Dylan released Highway 61 Revisited. More electric.
  • August 28, 1965 Dylan played at NYC’s Forest Hills Tennis Stadium. More boos during his electric set.
  • December 3, 1965 the Beatles released Rubber Soul. The course of pop music changed.
1964 Bob Dylan Introduced Beatles
1964 Bob Dylan Introduced Beatles
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