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Pope John XXIII Vatican II

Pope John XXIII Vatican II

October 11, 1962

Angelo Giuseppe Roncalli

Pope John XXIII Vatican II Ecumenical Council

Pope John XXIII Vatican II

The Times They Are a-Changin

When any long-established institution announces that it will convene to discuss its present and future, it is news. If there has not been such a meeting for nearly a century, the news is bigger. And if the long-established institution is nearly 2000 years old and has had only one of these convocations before, the news is huge.

Such is what happened on January 25, 1959 when Pope John XXIII announced that there would be a Concilium Oecumenicum Vaticanum Secundum, or what is commonly known as Vatican II.

The Church’s College of Cardinals had only elected John three months earlier on October 28, 1958 and deliberately elected an older person (76) more as a “caretaker” leader than one who would set the stage for change.

John

When Angelo Giuseppe Roncalli selected the name John for himself, a name, while common to previous popes, had not been selected for over 500 years, few realized the signal he sent. And when the “caretaker” of a 2000-year-old household announces that he will allow the discussion of major renovations, many within the Church’s leadership worried.

Keep in mind that Americans elected John F Kennedy president just shortly after and both these Johns, while very different in ages, presented a vision of innovation. JFK had his “New Frontier” and John Vatican II.

The Pope opened the Council on October 11, 1962 with the following words, “What is needed at the present time is a new enthusiasm, a new joy and serenity of mind in the unreserved acceptance by all of the entire Christian faith, without forfeiting that accuracy and precision in its presentation ...” (NYT article)

Catholic Boomers

When we think of the United States in the 1960s, the civil rights movement, the Vietnam War, black nationalism, drug use, hippies, assassinations, feminism, LGBTQ awareness, and other cultural changes dominate that historic landscape.

For Catholic Americans, those changes included what Vatican II brought about. In 1965, there were 46 million Catholics in the United States–23% of the total population and 71% of them attended Mass every week. When a part of any nation’s population is told that there will be changes in what they grew up thinking was unchangeable, the impact is great.

Pope John XXIII Vatican II

Ecumenical Council

In other words, for young Catholics, for those Catholic baby boomers, the notion that “the times they are ‘a changin'” was not unusual but normal, expected and acceptable.

  • Sing during the Mass? Why not.
  • Accept the Eucharist in one’s hand (after being told NEVER to touch it)?  Fine.
  • Receive wine as well during Communion? Better.
  • The priest will face the congregation at a much simpler alter?  Nice.
  • The Mass will be in English, no more Latin?  Great.
  • Face the priest during confession? Scary.
  • Extreme Unction is now called the Sacrament of the Sick.
  • Nuns not wear such extreme habits? They have hair?

The changes and discussion that the Council created and Church members continued after its close on December 8, 1965 continue to echo. Neither John XXIII nor JFK lived to see the effects of their visions. Pope John died on June 3, 1963 and President John 173 days later.

Legacy

Writer Michael Novak wrote what he sees of the genie that Vatican II let out of the bottle, much to the chagrin of many Church leaders since: … sometimes soared far beyond the actual, hard-won documents and decisions of Vatican II. … It was as though the world (or at least the history of the Church) were now to be divided into only two periods, pre-Vatican II and post-Vatican II. Everything ‘pre’ was then pretty much dismissed, so far as its authority mattered. For the most extreme, to be a Catholic now meant to believe more or less anything one wished to believe, or at least in the sense in which one personally interpreted it. One could be a Catholic ‘in spirit’. One could take Catholic to mean the ‘culture’ in which one was born, rather than to mean a creed making objective and rigorous demands. One could imagine Rome as a distant and irrelevant anachronism, embarrassment, even adversary. Rome as ‘them.’ “

Pope John XXIII Vatican II

Bruce Langhorne Tambourine Man

Bruce Langhorne Tambourine Man

Remembering Bruce with great fondness and appreciation
11 May 1938 – 14 April 2017

Bruce Langhorne Mr Tambourine Man

    Bruce Langhorne Tambourine Man

Mr Tambourine Man

I first became familiar with Bob Dylan’s “Mr Tambourine Man” when the Byrds sang it in 1965. Nothing wrong with that or their classic recording of it.

Dylan wrote the song early in 1964. Like most of life, even for the famous, there were no amanuensis following Dylan’s every move and recording for posterity what happened, why, and when. Some say he finished writing “Mr Tambourine Man” at their house; others say “No, it was mine.”

Bruce Langhorne Tambourine Man

Horseshoes and hand grenades

And who was this Mr Tambourine Man? However trivial, it is of interest because Bruce Langhorne was much more than a tambourine player. His All music credit list reads like a Who’s Who of Greenwich Village’s Golden Age of Music: The Clancy Brothers, Dylan, Richard and Mimi Farina, Odetta, Joan Baez, Buffy St Marie, Richie Havens, Ramblin’ Jack Elliot, Hugh Masekela, Tom Rush, Tommy Flanders, Eric Andersen, John Sebastian, David Ackles, Mike Bloomfield, Gordon Lightfoot, and a “few” others!

I first heard the name Bruce Langhorne in 1969 while listening to my college’s radio station. The song was Tom Rush’s “Urge for Going” and the DJ pointed out the rapid triplets of notes heard throughout the song. He said the guy who did that was Bruce Langhorne. Click the link below to hear those distinctive triplets.

Bruce Langhorne Tambourine Man

Mr Tambourine Man

Despite Bruce Langhorne’s prodigious talent and lengthy credentials, he never became a household name. Perhaps with the recent revelations regarding the Wrecking Crew and Muscle Shoals’ Swampers, someone will highlight those players, who like Langhorne provided so much of the music we love.

His website reveals three recommendations that any CV would die to have:

 “If you had Bruce playing with you, that’s all you would need to do just about anything.” Bob Dylan [“Chronicles”]

If he were to walk in right now and you didn’t see Bruce, you would feel his presence. He just emanates love and kindness, in addition to being a virtuoso on like 50 string instruments.” Peter Fonda

Just occasionally you come across these geniuses. Bruce Langhorne was one; he responds instinctually to the visual image. Bruce has done some of the most beautiful scoring I have ever been involved with, or ever known.” Jonathan Demme.

And the Far Out magazine site quotes Jerry Garcia about the Bringing It All Back Home album’s influence: “I never used to like Bob Dylan until he came out with electric music,” he once explained when noting a selection of his favourite albums of all time. “And I’m not sure why I like that more. I sure liked it a lot more. Boy, when Bringing It All Back Home came out. Yeah, lovely. Very fine guitar player. [Bruce Langhorne] It just all of a sudden had something going for it.” The guitarist continued, “Beautiful, mad stuff. And that turned us all on; we couldn’t believe it.”

And all this string virtuosity for someone who, “When Bruce Langhorne was a 12-year old violin prodigy living in Harlem in the fifties, he accidentally blew several of his fingers off with a cherry bomb that he held onto for too long. In the ambulance on the way to the hospital, Bruce looked up at his distraught mom and said, ‘At least I don’t have to play violin anymore.’ “

    Bruce Langhorne Tambourine Man

Soundtracks

One of Langhorne’s most important projects was doing the soundtrack for Peter Fonda’s movie, The Hired Hand in 1971.Though The Brooklyn Rail  described the movie as “…an often frustratingly abstract film,” it also said that Langhorne’s soundtrack was a masterpiece and “a moment of clarity.”

In 2012, Dylan Golden Aycock’s Scissor Tail Records re-issued the soundtrack and now has gathered several musicians to interpret the soundtrack’s songs.

In addition to The Hired Hand, Langhorne also did soundtracks for Idaho Transfer (1973), and Outlaw Blues (1977); Bob Rafelson’s Stay Hungry (1976); and Jonathan Demme’s Fighting Mad (1976), Melvin and Howard (1980), and Swing Shift (1984).

    Bruce Langhorne Tambourine Man

Brother Bru-Bru Hot sauce

Later in life, for health reasons, Bruce had to figure out a way to curtail his love for hot sauce or figure out a way of finding a low-sodium hot sauce. He did the latter by creating Brother Bru-Bru Hot Sauce. 

I’ve tried it. It’s pretty good! This is a “dot-info” site and I don’t sell anything nor do I receive anything to support it, so my mentioning Bruce’s product is simply that. I’ve tried it. I like it.  [Bru Bru site]

Having said that, I like Bruce’s triplets even more!

Bruce Langhorne Mr Tambourine Man

    Bruce Langhorne Tambourine Man

Bruce’s death

The reason for the Aycock tribute was not just to raise Langhorne’s name onto the plinth it belongs on, but to raise money to assist Langhorne with medical bills related to his failing health.

Unfortunately, Langhorne died on April 14, 2017 at his home in Venice, Calif. He was 78. The New York Times noted his death in a well-deserved article.

With the continued loss of those musicians who were the foundation of Boomer “underground” music, it is a sad reality that we lost a hero. Fortunately, their music remains.

    Bruce Langhorne Tambourine Man

Invisible Legend film

Cynthia Riddle has made a film about Langhorne called The Invisible Legend. It will premiere at the Bob Dylan Center in Tulsa in July 2025. If interested, be sure to follow Bruce Langhorne: Invisible Legend Film to stay up to date.

Here is the trailer:

Bruce Langhorne Tambourine Man

John Paul Record Ballad

John Paul Record Ballad

John and Cynthia

John Lennon met Cynthia Powell when they were students at Liverpool Art College in 1957. In 1962, she became pregnant. John apparently said “There’s only one thing for it Cyn – we’ll have to get married” and on  August 23 that’s exactly what they did.  

On the verge of succeeding as a band particularly with many female teenagers, manager Brian Epstein kept the marriage low key.

On April 8, 1963 Julian Lennon was born.

John Paul Record Ballad

John meets Yoko

On November 7, 1966, John  visited the Indica Gallery in London. He met Yoko Ono displaying her art.

Ballad of John and Yoko
poster for Yoko’s exhibition

Of that meeting, John later reflected, The old gang of mine was over the moment I met her. I didn’t consciously know it at the time, but that’s what was going on. As soon as I met her, that was the end of the boys, but it so happened that the boys were well known and weren’t just the local guys at the bar.” (from All We Are Saying, by David Sheff)

On November 8, 1968 Cynthia Lennon and John divorced.  Cynthia had filed for divorce in August 1968 no longer able to ignore John and Yoko’s relationship.

Miscarriage/Marriage

On November 21, 1968,  Yoko suffered a miscarriage.

On March 20, 1969 John and Yoko married in Gibraltar.

John Paul Record Ballad

Ballad of John and Yoko

On April 14, 1969, John Lennon and Paul McCartney recorded “The Ballad of John and Yoko.” John had written the song in the days following his and Yoko’s marriage. Work on the Let It Be album had often been contentious among the then less-than-Fab Four.

A break-up was imminent, but Paul McCartney later reflected, “John was in an impatient mood so I was happy to help. It’s quite a good song; it has always surprised me how with just the two of us on it, it ended up sounding like The Beatles.” (from Many Years From Now by Barry Miles)

They recorded the song at Abbey Road’s Studio Three in a session beginning at 2:30 pm and ending at 9 pm.

It was then mixed for stereo, and was finished and ready for release by 11 pm. According to George Martin, Yoko Ono was present in the studio, although she appears to have played no part in the recording.

John Paul Record Ballad

George Martin

George Martin later said in Anthology, “I enjoyed working with John and Yoko on The Ballad Of John And Yoko. It was just the two of them with Paul. When you think about it, in a funny kind of way it was the beginning of their own label, and their own way of recording. It was hardly a Beatle track. It was a kind of thin end of the wedge, as far as they were concerned. John had already mentally left the group anyway, and I think that was just the beginning of it all.” 

In 1966, John comments regarding the Beatles and Christianity had gotten no reaction in the UK but blew up in the American press. Some radio stations refused to play Beatle music.

Aware that the Ballad line “Christ you know it ain’t easy” could re-ignite that controversy, the song was kept “secret” until its release.

Apple released it on May 30 in the UK and on June 4 in the US. True to expectations, some top-40 US stations refused to play it and some played a version with the word “Christ” reversed in an attempt to avoid criticism.

Ironically, the Spanish government had no issue with the word Christ, but did have a problem with the line “you can get married in Gibraltar near Spain” as Spain considered Gibraltar part of Spain not the UK.

Ballad of John and Yoko
cover of John and Yoko’s wedding album

 

The lyrics tell the story:

Standing in the dock at Southampton
Trying to get to Holland or France
The man in the mac said
You’ve got to go back
You know they didn’t even give us a chance(chorus) Christ you know it ain’t easy
You know how hard it can be
The way things are going
They’re going to crucify me Finally made the plane into Paris
Honeymooning down by the Seine
Peter Brown call to say
You can make it O.K.
You can get married in Gibraltar near Spain(chorus)Drove from Paris to the Amsterdam Hilton
Talking in our beds for a week
The newspapers said Say what’re you doing in bed
I said we’re only trying to get us some peace(chorus)Saving up your money for a rainy day
Giving all your clothes to charity
Last night the wife said
Oh boy when you’re dead
You don’t take nothing with you but your soul, thinkMade a lightning trip to Vienna
Eating chocolate cake in a bag
The newspapers said
She’s gone to his head
They look just like two gurus in drag(chorus)Caught the early plane back to London
Fifty acorns tied in a sack
The men from the press
Said we wish you success
It’s good to have the both of you back (chorus)

John Paul Record Ballad