Cuyahoga River Burns Revives

Cuyahoga River Burns Revives

June 22, 1969
Randy Newman, “Burn On”
Cuyahoga River Burns Revives

Cuyahoga River Burns Again

Now, the Lord can make you tumble,

The Lord can make you turn,

The Lord can make you overflow,

But the Lord can’t make you burn.

–Randy Newman

Cuyahoga River Burns Revives

June 22, 1969

On June 22, 1969, the oil-sodden floating debris on the Cuyahoga River near Cleveland, Ohio ignited (perhaps by sparks from a passing train) and burned with flames reported up to five stories high.

Again.

This was simply the latest of several Cuyahoga River fires during the century. Although firefighters extinguished this blaze in a half-hour or so, it caused $50,000 in damage.

For decades, the Cuyahoga (and nearly every other urban industrial river in the USA) had been an open sewer for industrial waste, through the times when factory production and easy release of raw sewage was more important than  their environmental impact.

A Smithsonian article stated, “The water was nearly always covered in oil slicks, and it bubbled like a deadly stew. Sometimes rats floated by, their corpses so bloated they were practically the size of dogs. It was disturbing, but it was also just one of the realities of the city. For more than a century, the Cuyahoga River had been prime real estate for various manufacturing companies. Everyone knew it was polluted, but pollution meant industry was thriving, the economy was booming, and everyone had jobs.

Time magazine covered the Cuyahoga story. Since Time didn’t have a picture of the June 22 fire, it used a picture from June 25, 1952. In its article, Time noted that, “The Potomac left Washington ‘stinking from the 240 million gallons of wastes that are flushed into it daily’ while “Omaha’s meatpackers fill the Missouri River with animal grease balls as big as oranges.” 

Cuyahoga River Burns Revives

Silent Springs

1962’s Silent Spring by Rachel Carson had lighted a fuse and it seemed this Cuyahoga River fire, however small and common, had tipped the balance of popular opinion. 

Like many other activist issues of the 60s, environmentalism had come to the fore.  In exactly 10 months, on April 22, 1970, Americans observed the first Earth Day. An estimated 20 million people nationwide attended events.  Senator Gaylord Nelson promoted Earth Day, calling upon students to fight for environmental causes and oppose environmental degradation with the same energy that they displayed in opposing the Vietnam War. 

Later that year, on November 20, the Nixon administration announced a halt to residential use of the pesticide DDT as part of a total phase-out.

Cuyahoga River Burns Revives

Environmental Protection Agency

On December 2, 1970,  the Environmental Protection Agency began operating under director William Ruckelshaus.

On October 18, 1972, the Clean Water Act went into effect.

 Eagles Return

On February 28, 2018, Cleveland dot com reported that, “The remarkable recovery of bald eagles in Ohio has reached a new milestone with the discovery of the first active nest in Cleveland in more than a century.

The nest is located in the Ohio & Erie Canal Reservation, a narrow stretch of green space situated in the heart of the city’s industrial valley, amid factories, highways and landfills.

Cuyahoga River Burns Revives

Toronto Pop Festival 69

Toronto Pop Festival 69

June 21 & 22, 1969

Varsity Stadium

 1969 Festival #15

Velvet Underground “Heroin”

Toronto Pop Festival 69

To say “here’s another ‘lost’ festival of the summer of 1969” gets old, but, yes, the Toronto Pop Festival (as opposed to the Toronto Rock and Roll Festival later the same year) is another of the 1969 festivals few have heard of.

The line-up was a good one. How Johnny Winter had the energy to play in Toronto on Friday and then in California on Sunday, I don’t know. I have underlined those who would appear at Woodstock:

Saturday 21 June

  1. Eric Anderson
  2. Carla Thomas & the Bar-Kays
  3. Man
  4. Al Kooper
  5. The Band
  6. Bonzo Dog Band
  7. Rotary Connection
  8. Johnny Winter
  9. Velvet Underground
  10. Sly & the Family Stone
Sunday 22 June

  1. Mother Lode
  2. Procol Harum
  3. Edwin Starr
  4. Chuck Berry
  5. Slim Harpo
  6. Tiny Tim
  7. Dr John the Night Tripper
  8. Blood, Sweat, & Tears
  9. Nucleus
  10. Robert Charlebois
  11. Steppenwolf
(See Roland Stone comment below for a more accurate listing as not all bands on the promo played and others not on the promo did)
Toronto Pop Festival 69

Diverse line-up

A legitimate criticism of Woodstock’s lineup was a lack of black performers. Yes, there was Richie Havens, Sly and the Family Stone, and Jimi Hendrix, but those three were already an accepted part of many white listeners’ collection. For Toronto, Carla Thomas, Edwin Starr, Slim Harpo, and Chuck Berry added styles that Woodstock lacked.

Tickets were $6 a day or $10 for both days.

Toronto Pop Festival 69

Jeanne Beker

Woodstock had Abbie Hoffman infamously inserting himself in the middle of The Who’s performance. In Toronto a young girl joined Ronnie Hawkins during his performance of “Bo Diddly.”

While Pete Townshend threatened Hoffman, the more genial Hawkins welcomed the yellow-bikinied Jeanne Beker. Her presence was caught on camera by a photographer for The Telegram. Hawkins is in the purple suit.

Toronto Pop Festival 69
Beker on stage with Hawkins

Jeanne Beker is now a well-known Canadian television personality, fashion designer, author and newspaper columnist.

The audience recording of the Velvet Underground is the only recording of the festival I could find.

Here is a link to images from Norm Horner taken on Saturday afternoon. And another link to images from http://theband.hiof.no/

Toronto Pop Festival 69

Next 1969 festival: Denver Pop Festival

Newport 69 Pop Festival

Newport 69 Pop Festival

June 20, 21, & 22, 1969
Devonshire Downs in Northridge, CA
1969 Festival #14

Newport 69 Pop Festival

Newport 69 Pop Festival

Great line-up

The Newport 69 Pop Festival was held on the Devonshire Downs fairgrounds and racetrack in Northridge, California. 24-year-old Mark Robinson organized it . Headlined by Jimi Hendrix, the line-up for the three-day event was impressive. One could easily argue that the line-up was as good as the famed Woodstock would be in less than two months. I have underlined those who would be there as well.

And as I have frequently mentioned, Johnny Winter played at yet another summer 69 festival. Jimi Hendrix appeared twice because of a disappointing Friday performance.

Friday 20 June

  1. Ike & Tina Turner
  2. Albert King
  3. Edwin Hawkins Singers
  4. Jimi Hendrix Experience
  5. Joe Cocker
  6. Southwind
  7. Spirit
  8. Taj Mahal
Saturday 21 June

  1. Albert Collins
  2. Brenton Wood
  3. Buffy Ste. Marie
  4. Charity
  5. Creedence Clearwater Revival
  6. Eric Burdon
  7. Friends of Distinction
  8. Jethro Tull
  9. Lee Michaels
  10. Love
  11. Steppenwolf
  12. Sweetwater
Sunday 22 June

  1. Booker T & the MGs
  2. Chambers Brothers
  3. Flock
  4. The Grass Roots
  5. Johnny Winter
  6. Marvin Gaye
  7. Mother Earth
  8. Jimi Hendrix Experience
  9. Buddy Miles
  10. Eric Burdon
  11. Mother Earth
  12. Poco
  13. Rascals
Newport 69 Pop Festival

Lined up to play

According to an article from laobserved.com, Robinson, “had so many commitments, he had to turn some down, including a legendary band. ‘Grateful Dead wanted to get in, but I didn’t have room. They called several times. I felt bad. I just couldn’t squeeze them in. They made it big after that.'” 

Why isn’t this festival as well-known then? Again Robinson, ““Woodstock was a free music festival where people camped out on a New York farm for days. It rained, and people stayed, and that aspect of it became a national news story,”

Newport 69 Pop Festival

Crashes and Cops

Rolling Stone magazine told a different story a week after the event. The headline read: Crashers, Cops, Producers Spoil Newport 69. Part of it’s review read: Because of this violence, and perhaps as much as $50,000 in damage done to neighborhood homes and businesses, the Los Angeles police commission has launched a full investigation. It could result in new city policies on the granting of concert permits and certainly means there will never be another rock festival held here.

The violence referred to was what happened outside the enclosed concert area on the event’s third day. Here’s the article’s description:

The kids threw bottles and rocks and the police randomly slashed out with batons, causing blood to stream freely. (Those injured were as young as 14.) Teenagers swarmed across a nearby shopping center, causing nearly $10,000 in damage to two gas stations, an equal amount of damage to apartment houses, another $1,500 worth of vandalism at a grocery store. While police demonstrated a sure-fire way of halting a kid – approach him at a dead run, grabbing him by the back of the neck, slamming him head first into a parked car; then club him when he’s down.

Inside on site, things were too tight. Rolling Stone describe those inside: They were not aware of the bloody violence erupting outside the gates. For them there was only the last logjam of humanity that made the festival like attending a high school reunion in a closet. 

Newport 69 Pop Festival

More Bad Press

The New York Times had a similar take on the event:

NYT article

On June 19, Woodstock Ventures had met with Wallkill, NY officials regarding the upcoming festival. The officials laid out their three main concerns:  1. traffic control,   2. sanitation, and 3. water supply.

One imagines that security was added after reading about Newport 69.

Newport 69 Pop Festival
Glenn Archambault sent these observations to me: There was a huge number of cameras and press at Devonshire downs, but little got saved of pictures and the  music. What were we thinking! Janis Joplin was on stage, but wasn’t on the list to play. She said Hi to the crowd but no one snapped a picture? 
Woodstock and Devonshire Downs had a lot in common, many of the same bands. Some of the people on the stage  at Devonshire went to Woodstock. Most of the crowd was well behaved, not nearly as bad as the press said. 
A big memory, I had worked on stage for other companies, Pinnacle Productions Shrine auditorium downtown LA, but when we got going first up Ike and Tina Turner revue, I looked out at the vast crowd, never seen so many people, and  no one had ever tried to play something this big, sound system was short of tens of thousands of people in the back. 
All the bands, management, stage crew, we worked like mad to pull that off, still can’t believe we did it!   
Thanks! 
Newport 69 Pop Festival

Next 1969 festival: Toronto Pop Festival