John Paul Record Ballad

John Paul Record Ballad

John and Cynthia

John Lennon met Cynthia Powell when they were students at Liverpool Art College in 1957. In 1962, she became pregnant. John apparently said “There’s only one thing for it Cyn – we’ll have to get married” and on  August 23 that’s exactly what they did.  

On the verge of succeeding as a band particularly with many female teenagers, manager Brian Epstein kept the marriage low key.

On April 8, 1963 Julian Lennon was born.

John Paul Record Ballad

John meets Yoko

On November 7, 1966, John  visited the Indica Gallery in London. He met Yoko Ono displaying her art.

Ballad of John and Yoko
poster for Yoko’s exhibition

Of that meeting, John later reflected, The old gang of mine was over the moment I met her. I didn’t consciously know it at the time, but that’s what was going on. As soon as I met her, that was the end of the boys, but it so happened that the boys were well known and weren’t just the local guys at the bar.” (from All We Are Saying, by David Sheff)

On November 8, 1968 Cynthia Lennon and John divorced.  Cynthia had filed for divorce in August 1968 no longer able to ignore John and Yoko’s relationship.

Miscarriage/Marriage

On November 21, 1968,  Yoko suffered a miscarriage.

On March 20, 1969 John and Yoko married in Gibraltar.

John Paul Record Ballad

Ballad of John and Yoko

On April 14, 1969, John Lennon and Paul McCartney recorded “The Ballad of John and Yoko.” John had written the song in the days following his and Yoko’s marriage. Work on the Let It Be album had often been contentious among the then less-than-Fab Four.

A break-up was imminent, but Paul McCartney later reflected, “John was in an impatient mood so I was happy to help. It’s quite a good song; it has always surprised me how with just the two of us on it, it ended up sounding like The Beatles.” (from Many Years From Now by Barry Miles)

They recorded the song at Abbey Road’s Studio Three in a session beginning at 2:30 pm and ending at 9 pm.

It was then mixed for stereo, and was finished and ready for release by 11 pm. According to George Martin, Yoko Ono was present in the studio, although she appears to have played no part in the recording.

John Paul Record Ballad

George Martin

George Martin later said in Anthology, “I enjoyed working with John and Yoko on The Ballad Of John And Yoko. It was just the two of them with Paul. When you think about it, in a funny kind of way it was the beginning of their own label, and their own way of recording. It was hardly a Beatle track. It was a kind of thin end of the wedge, as far as they were concerned. John had already mentally left the group anyway, and I think that was just the beginning of it all.” 

In 1966, John comments regarding the Beatles and Christianity had gotten no reaction in the UK but blew up in the American press. Some radio stations refused to play Beatle music.

Aware that the Ballad line “Christ you know it ain’t easy” could re-ignite that controversy, the song was kept “secret” until its release.

Apple released it on May 30 in the UK and on June 4 in the US. True to expectations, some top-40 US stations refused to play it and some played a version with the word “Christ” reversed in an attempt to avoid criticism.

Ironically, the Spanish government had no issue with the word Christ, but did have a problem with the line “you can get married in Gibraltar near Spain” as Spain considered Gibraltar part of Spain not the UK.

Ballad of John and Yoko
cover of John and Yoko’s wedding album

 

The lyrics tell the story:

Standing in the dock at Southampton
Trying to get to Holland or France
The man in the mac said
You’ve got to go back
You know they didn’t even give us a chance(chorus) Christ you know it ain’t easy
You know how hard it can be
The way things are going
They’re going to crucify me Finally made the plane into Paris
Honeymooning down by the Seine
Peter Brown call to say
You can make it O.K.
You can get married in Gibraltar near Spain(chorus)Drove from Paris to the Amsterdam Hilton
Talking in our beds for a week
The newspapers said Say what’re you doing in bed
I said we’re only trying to get us some peace(chorus)Saving up your money for a rainy day
Giving all your clothes to charity
Last night the wife said
Oh boy when you’re dead
You don’t take nothing with you but your soul, thinkMade a lightning trip to Vienna
Eating chocolate cake in a bag
The newspapers said
She’s gone to his head
They look just like two gurus in drag(chorus)Caught the early plane back to London
Fifty acorns tied in a sack
The men from the press
Said we wish you success
It’s good to have the both of you back (chorus)

John Paul Record Ballad

Percussionist Juma Sultan

Percussionist Juma Sultan

April 13, 1942

Birthday greetings and kudos to Juma Sultan for his presence in our musical history and his dedication to preserving it.

Percussionist Juma Sultan

Audio is from the drum circle on the Woodstock Music and Art Fair’s field after Richie Haven’s memorial celebration at Bethel Woods Center for the Arts. August 15, 2013.

 

Percussionist Juma Sultan

Musician’s Musician

Juma Sultan is a musician’s musician. By that I mean that the typical listener and music lover might not know the name or know who Juma is associated with, but he has had a great impact on other musicians. That association is with Jimi Hendrix and being in Gypsy Sun and Rainbows at the Woodstock Music and Art Fair.

Percussionist Juma Sultan

Archivist 

He is a percussionist whose career spans more than 50 years. Its best known point may have been with Jimi Hendrix, but his importance today is with his video and audio preservation  of loft jazz during the 1960s and 1970s.

The following video is an interview with Juma Sultan about many things, but he discusses the Woodstock Music and Art Fair and his memories about the event as part of Jimi Hendrix’s Gypsy Sun and Rainbows. Slide up to the 8 minute part of the video for the Woodstock comments.

Percussionist Juma Sultan

New York Musicians Organization

And according to the Underground Producers Society,In 1972, Juma formed the New York Musicians Organization (“NYMO”) which organized concerts to protest unfair programming at the Newport Jazz Festival, and also started Studio We, with friend James DuBois, which became an integral part of the Loft Jazz scene – giving musicians a place to perform and develop.”

Percussionist Juma Sultan

Recorded Loft Jazz

According to Wikipedia,Loft jazz was a continuation of the free jazz and avant-garde jazz traditions inaugurated by John Coltrane, Ornette Coleman, Albert Ayler, Pharoah Sanders, and Sun Ra. However, it didn’t follow any one particular style or idiom of jazz. Few loft jazz musicians played continuously atonal or arhythmic music in the style of Coltrane’s legendary albums Ascension and Om. They often combined conventional melodic elements with free jazz; used instruments less familiar to jazz, such as the bass saxophone, oboe and cello; and combined instruments in untraditional formats, like the World Saxophone Quartet, whose changing members used a variety of saxophones and flutes, usually without any rhythm section.”

Percussionist Juma Sultan

Preservationist

Juma Sultan was there and part of recording it. In 2006 he received a grant from the National Endowment for the Arts to preserve those rare and invaluable recordings.

Today they are available through Juma Sultan’s Aboriginal Music Society. (NYT article on the Aboriginal Music Society)

Percussionist Juma Sultan

Tenacity

From the Porter Records site: While musicians recording their own music is not uncommon, it would be hard to imagine anyone matching the recording tenacity of Juma Sultan, who has recorded thousands of hours of material from the late 1960’s through the 1970’s.  And not recordings of any old song but material that is historically important in regards to the evolution of (for the lack of better word) “Jazz”.  What we have here now is a collection of handpicked tracks from the vast collection of Juma Sultan and in particular is his Aboriginal Music Society, comprised of like-minded musicians. The dates and personnel vary from track to track as the Aboriginal Music Society was consistently evolving as musicians came and went over the years. This ever changing line-up lead to a diversity of emotions that let the band explore a multitude of styles that included elements of, African music, jazz, spiritual-jazz, free-jazz and even soul music.  Fortunately, some thirty years after the music was recorded, it is now reaching an eager and appreciative audience.”

From the Juma’s archive siteJuma began recording in the 1960′s and continued this work for over twenty years. Here you will find samples from recordings of rehearsals and concert dates from 1968 through 1974.

Percussionist Juma Sultan

Airplane Tuna Jack Casady

Airplane Tuna Jack Casady

Happy birthday to you
April 13, 1944
Airplane Hot Tuna Bassist Jack Casady
Jack Casady with the Jefferson Airplane
Airplane Tuna Jack Casady

Washington, D.C. Kid

Jack Casady grew up in Washington, DC. He found an old guitar in his parents’ attic.  Jack was 12. The guitar had four stings. For Christmas, his parents gave him a certificate to take guitar lessons.

Jack used money from part-time neighborhood jobs to buy his first electric guitar, a ’58 Fender Telecaster, He and his dad built an amp from a kit.

His brother Chick’s high school friend visited one afternoon. The brother’s friend was Jorma Kaukonen. The two boys quickly realized that they shared a love of blues and records (echoes the story of Bob “The Bear” Hite and Alan “Owl” Wilson). They briefly formed The Triumphs.

Kaukonen left for Antioch College (Ohio) and Jack continued playing local gigs. One gig needed a bassist. Jack filled in and realized he loved the instrument.

1964 and Beatlemania struck and left blues-oriented bassists on the sidelines.

Airplane Tuna Jack Casady

Jorma calls

Jorma left Antioch. He was out in San Francisco and had joined a band. Jefferson Airplane. Jorma heard Jack played bass he told Jack that the Airplane needed a bassist. Jack laughed at the name, but flew out to San Francisco.

Jorma picked up Jack at the airport in his Sunbeam convertible. Jorma worriedly greeting Jack with a, “You better be able to play.”

Airplane Tuna Jack Casady

Artistic Freedom

October 1965. According to Casady, “What was great for me was the opportunity of coming to San Francisco in that environment in the mid ’60s where you had a tremendous number of middle class white kids trying desperately to do anything their parents didn’t. And all these kids were suddenly out there playing instruments, making up songs. And that whole coming together aspect created some different music, most of it not keeping up to professional polish of other areas of the country, but still, people wanted to make their own statement. And so I found myself in this band that I thought was the craziest band I had ever seen.”

The Airplane became one one of the hallmark bands of the era and whose story is too long to include here. Suffice to say, the music of that time would not be the same without them. From a personal viewpoint, their Woodstock performance was one of highlights of my long concert-attending life.

Airplane Hot Tuna Bassist Jack Casady
1969-08-17 Sunday sunrise just before the Airplane began (photo by J Shelley)
Airplane Tuna Jack Casady

Roadie Roomies

While touring, Jack and Jorma were often roommates and between gigs, in a motel room with a broken-TV, they’d play stuff together. Jorma on an acoustic guitar, Jack on an electric base. 

They had never lost their love of the blues and in 1970 they formed their Hot Tuna duo. For Airplane fans used to its psychedelic sounds, Tuna was a revelation.

51 years later, Tuna continues. Here’s a show from November 29, 2019.

Airplane Tuna Jack Casady

Fur Peace Ranch Guitar Camp

Today Jack Casady regularly joins Jorma at Jorma’s Fur Peace Ranch Guitar Camp to teach bass.

With the engineers at Epiphone Guitars, Jack has developed the Jack Casady Signature Bass.

According to Casady, “Epiphone and I designed this bass to my exact specifications, certainly a dream come true. I feel we really created a comfortable bass that carries a great, warm tone, and is a lot of fun to play! And it also looks great.”

The  Beginner Guitar HQ site reviewed  what they call Gibson’s little sister the Epiphone Les Paul Special II electric guitar because: “What we need to see is if this is really a Les Paul guitar at a price anyone can pay. Because, instead of a budget Les Paul alternative, this model could be the evidence of too many corners cut.” You can find out here.

Casady has played on dozens of albums. Here is a the AllMusic link to that very long list.

In 1996, Jack Casady was inducted into the Rock and Roll Hall of Fame as a member of the Jefferson Airplane.

As venues begin to reopen, Hot Tuna is a bit back on the road.

Airplane Tuna Jack Casady