Big Brother Holding Company Album

Big Brother Holding Company album

Big Brother Holding Company album

“Call On Me” by Big Brother  The Holding Company
Their first album released on August 12, 1967

Monterey International Pop Music Festival

Big Brother Holding Company Janis Joplin

The audiences’ applause to their performance at the Monterey International Pop Festival still echoed when Mainstream Records released Big Brother’s eponymous Big Brother and the Holding Company album.

DA Pennebaker and the festival’s organizers had to convince the band to perform twice, after it had refused to let Pennebaker’s team film their first performance.

In the end, it was Janis Joplin that Leacock-Pennebaker, the film company, put on their movie’s poster.

Big Brother Holding Company album

Big Brother and the Holding Company

The personnel on their first album was not to be the same group that played at the Woodstock Music and Art Fair two years later. By then, Joplin’s musical journey had brought her to other places with other musicians.

Personnel

This album’s band was:

  • Janis Joplin – vocals
  • Peter Albin – bass guitar
  • Sam Andrew – guitar, vocals
  • David Getz – drums
  • James Gurley – guitar, vocals
Track listing

And the songs were:

Side One

  • Bye, Bye Baby
  • Easy Rider
  • Intruder
  • Light is Faster Than Sound
  • Call On Me
Side Two

  • Women is Losers
  • Blindman
  • Down on Me
  • Catepillar
  • All is Lonliness

Band members wrote all but three of the songs which they recorded in December 1966–before Monterey Pop. The songs are AM-radio length, that is, all are under three minutes, one, Blindman, less than two minutes. A far cry from what Big Brother and most other so-called underground bands evolved into.

Big Brother Holding Company album

Future Joplin

It would be the Cheap Thrills album with its iconic R Crumb cover that put Big Brother on the musical map in terms of recordings.

If people didn’t already know of the band’s power through the Monterey film, the cover alone enticed them to purchase the album. An album with each song over four minutes, one over five, and and famous “Ball and Chain” coming in at 9:02.

Ironically, three years later to the day was Janis Joplin’s last concert performance. You will often see it listed as taking place in Boston, but it was actually in Cambridge in Harvard Stadium.

From the Boston.com siteScheafer Beer co-sponsored a summer concert series at Harvard Stadium along with the city of Boston’s “Summerthing’’ arts initiative, a program launched in 1968 to help “cool off’’ the city in the heat of the summer. The stadium could fit more than 35,000 attendees, but these events were limited to 10,000 and a $2 ticket fee per person. By 1970, the lineup was nothing to sneeze at: Highlights included The Grateful Dead, Miles Davis, Ike and Tina Turner, Van Morrison, B.B. King, and The Supremes.

The show was delayed because equipment was stolen, but to their credit, Bill Hanley and his crew regrouped and replaced and the show went on.

Big Brother Holding Company album

Almost Woodstock

Almost Woodstock

Almost Woodstock

Woodstock Ventures was on the gasping last lap of getting their festival set up whether they liked it or not Having to physically move what they could from Wallkill to Bethel and  having to redo much of what they had already done there took patience, fortitude, and good fortune.

Almost Woodstock

Monday 11 August 1969

  • John Roberts was one of the four partners of Woodstock Ventures. His family owned Block Pharmaceutical and his trust fund financed the festival.  As of that afternoon’s accounting, Woodstock Ventures had posted receipt of advance ticket sales totaling $1,107,936. Woodstock Ventures (i.e., John Roberts) had spent nearly twice that sum
  • workers bolted telephone poles into place around stage. Some poles were split or rotten.
  • Woodstock Ventures came to agreement with William Filippini for use of Filippini Pond. The agreement may have been $5000.
Almost Woodstock Music Art Fair

Tuesday 12 August 1969

Continued legal challenges
  • festival representatives met with the state supreme court justice regarding complaints by local businesses about the festival’s impact on them.  After reassurances and explanations, local businesses dropped all complaints.
  • the main concession providing food was Food for Love was not yet ready.
Almost Woodstock

Wednesday 13 August 1969

More issues
  • nearly 30,000 people had shown up for festival and were in the “bowl.” Bill Hanley,  sound-man extraordinaire [see also Last Seat],  pulled his sound truck into the service road behind the stage, plugged in some equipment to a portable amplifier, and piped prerecorded music for the crowd.
  • staff technicians noticed a drop in water pressure throughout site. Audience members had accidentally stepped on and cracked plastic pipes. Staff made repairs.
  • John Roberts, with his father and brother, arrived on site to discover that there were no ticket booths for the 30,000 people already on-site.
  • the suit against the festival was withdrawn after a promise of police protection for the residents was agreed to.
  • construction of the pedestrian bridge over West Shore Road trapped the $200 an hour crane. 
  • NYC Police Commissioner Howard Leary reminded all NYC police officers: no  “moonlighting.”
  • NY State Police “randomly” stopped and frisked young people in cars at the Harriman interchange on NY State Thruway. Drivers, passengers, and cars were checked for anything illegal.
Almost Woodstock

Thursday 14 August 1969

The day before
  • NY State Police continue to randomly stop and frisk young drivers at the Harriman interchange. 150 arrests made.
  • Bill Hanley’s sound system erected. “According to one expert’s eye, the hi-fi equipment in the bowl represented the most expensive sound system ever assembled at one time in any given location.”
  • Bill Abruzzi, doctor hired to take care of medical issues at the festival, told festival to triple his supply order.
  • although warned not to, about 270 NYC police arrived but insisted Woodstock Ventures pay cash. They worked using aliases.
  • Food For Love demanded all profits after repaying the initial $75,00 fee. Woodstock Ventures agreed.
  • film deal reached: 50% split. Warner Brothers and Woodstock Ventures after negative costs. On Friday, Michael Wadleigh signed on as director.
  • the Diamond Horseshoe, where nearly 200 Woodstock staff had been staying, caught fire.  Hotel staff extinguished the fire because the fire department couldn’t get through.

Is there gas in the car?

Yes there’s gas in the car!

You are still an outlaw in their eyes

Almost Woodstock

Rickenbacker Electro String Instrument

Rickenbacker Electro String Instrument

Patented August 10, 1937
Tom Morillo demonstrating some electric guitar techniques
Rickenbacker Electro String Instrument
Rickenbacker Frying Pan
Rickenbacker Electro String Instrument

Acoustic guitar fine, but…

An acoustic guitar has many advantages. It is lightweight. It is portable. Manufacturers can make them inexpensively.

For centuries string-instruments held a high place among musicians.

Big bands…

In the early 20th century, big brass band became more popular and its powerful sound simply overpowered the acoustic guitar.

Enter electricity

As electricity increasingly became more accessible and a part of everyday life, inventors increasingly designed devices to use that power.

Electro String Instrument

On August 10, 1937, the United States Patent Office awarded Patent #2,089.171 to G.D. Beauchamp for an instrument known as the Rickenbacker Frying Pan.

Rickenbacker Electro String Instrument

Inventor G.D. Beauchamp, partnered with Adolph Rickenbacher in the Electro String Instrument Corporation of Los Angeles, California. They had spent more than five years pursuing his patent on the Frying Pan.

A telephone or a guitar?

The idea was a simple one. Simple to understand. Complicated to design. An electro-magnet placed near a vibrating string will pick up and amplify that vibration.

A problem that Beauchamp and Rickenbacker faced was the telephone worked in a very similar manner. They had to revise the guitar’s design several times before the Patent Office accepted their guitar as a guitar and not a telephone.

Their design resembled a circular magnet that surrounded the strings. That design is no longer used.

The same, but different

All the things that a guitarist could do with an acoustic guitar to vary its sound could, of course, be done with an electric guitar, such as bending the strings.

What an acoustic guitar could not do (at least not at first and not without magnetic pickups) was color the sound.

The simple current set up by the vibrating string within the magnetic field is not enough to make a loud sound. An amplifier is necessary. Put some other electronics between the guitar and the amp and a rainbow of sounds is produced.

Here is additional information about the earliest days of the electric guitar.

Rickenbacker Electro String Instrument