This person’s date of death was easier to determine than the date a war began.
Richard B Fitzgibbon Jr fought in World War II in the Navy. After the war he joined the Air Force and was eventually promoted to Technical Sargent. He served in Vietnam as part of the Military Assistance Advisory Group (MAAG), the advisors to the South Vietnamese army.
Fitzgibbon died on June 8, 1956 after S/Sgt Edward Clarke had shot him. On June 20, 1956, an Associated Press article in the New York Times reported the deaths:
When the Vietnam Memorial was in its planning stages, one of the obvious decisions was “Who was the first American killed in Vietnam?” It would seem obvious that Fitzgibbon would at least have been one of the first if not the first.
Chronologically, he was as no other American military person had been killed in Vietnam since the US Government had begun sending MAAG personnel on September 3, 1950.
The first date used for the “beginning” of the war was January 1, 1961 because President Johnson had stated that Spec/4 James T. Davis, who died in a Viet Cong ambush on 22 December 1961, was “The first American to fall in defense of our freedom in Vietnam.”
For years, the Fitzgibbon family argued that Richard should be included. Finally the Department of Defense decided to use the start date November 1, 1955, thus qualifying Fitzgibbon.
Richard B Fitzgibbon Jr
Fitzgibbon’s son, Lance Cpl. Richard B Fitzgibbon III, joined the Marines because he wanted to connect to the place where his father had died.
Fitzgibbon III was killed in combat on Sept. 7, 1965, in Quang Tin, Vietnam, at the age of 21. The Fitzgibbon father-son deaths in Vietnam were one of three pairs: Leo Hester Sr. and his son Leo Hester Jr and Fred C. Jenkins and his son Bert M. Jenkins were the other two.
The podcast 99% Invisible inspired this blog entry. I strongly suggest you listen to the well-told story as well as read my brief bio about this person who many have seen but few know. [99% Invisible…producer Avery Trufelman]
Civic Fame” atop the New York Municipal Building, 1913
Visible Invisible Audrey Marie Munson
Rochester, NY
Audrey Marie Munson was born in Rochester, NY in 1891, but moved with her mother to New York City after her parents divorced. It was there that photographer Ralph Draper saw 15-year-old Audrey. Her beauty inspired him to ask Audrey’s mother, Katherine, if he could introduce Audrey to sculptor Isidore Konti. Konti was equally enchanted.
Visible Invisible Audrey Marie Munson
Audrey’s visage blooms
In short order, Audrey’s visage blossomed in scores of New York City locations. From the Keith New York City blog: When wealthy patrons needed an angel for their mausoleum, Audrey sprouted wings. When the Hotel Astor on Times Square wanted a statue of The Three Graces for their lobby, Audrey danced as a trio. When Wisconsin built a new capitol building, Audrey stood atop its dome. When a monument to the USS Maine was commissioned, Audrey graced its base in stone and its top in gold. And when the Municipal Building was constructed in 1913 to house Greater New York’s city government, a 25-foot-tall Audrey was perched 580 feet above the city streets.”
Visible Invisible Audrey Marie Munson
San Francisco
She was also the Muse for the sculptures of the Panama Pacific International Exhibition in San Francisco. It invited her to pose and soon Audrey was everywhere.
While in California, she became part of the nascent film industry. Munson’s relaxed attitude toward nudity, though contrary to norms of the day, allowed her to became the first woman to appear fully nude in a non-pornographic moving picture, Inspiration. Her limited acting ability (sometime they used a stunt actress for non-nude scenes) ended her movie career and she and her mother moved back to NYC.
Dr Walter Wilkins
In 1919 Katherine and Audrey Munson rented a room in the home of a Dr. Walter Wilkins. Wilkins became infatuated with the model, but Audrey did not reciprocate and before the doctor could act on his infatuation, Audrey and Katherine moved.
Shortly afterwards, Wilkins killed his wife. Though he initially claimed that burglars had killed her, investigations, included speaking with Munson and her mother, revealed his guilt.
from the March 25, 1919 edition of the New York Times
Wilkins was sentenced to death, but hung himself in jail.
Victims of scandal
The scandal destroyed Audrey Munson’s career and she and her mother moved back to upstate New York. They barely could earn livings and life in the small town for the nationally famous model was difficult. It didn’t have the city life that Audrey had become accustomed, nor did its rural citizens have the relaxed attitude toward such modeling the Munsons had.
On May 27, 1922, depressed, Audrey tried to kill herself by ingesting mercury bichloride. Emergency medical treatment saved her, but soon after her mother committed her to Saint Lawrence Psychiatric Center in Ogdensburg, New York.
Committed
Though briefly released many years later to live in an old folks home, her continued contrary behavior forced authorities to send her back to Saint Lawrence.
She died there on February 20, 1996. 105 years old.
The Most Visible Person You Have Never Seen. Short film on Munson. Directed by Leslie Napoles.
“Come On” is a straight-forward tune written by the straightforward rock n’ roll icon Chuck Berry. The Rolling Stones were searching for the “right” first song to release as a single and “Come On” met the criteria.
Chuck Berry, one of their favorite composers and one of British youths favorites as well. It’s about frustrated love, broken cars, and wrong numbers. A fine recipe.
Stones Come On Chuck Berry
June 7, 1963
The Stones released their inaugural song on June 7, 1963, nine months after their friends, The Beatles, had released their inaugural single, “Love Me Do,” on October 5 , 1962 [a song without cars, phone calls, or by Chuck Berry, but it did have frustrated love].
Stones Come On Chuck Berry
Not quite Chuck
According to an All Music review, the Stones’s song differs from Berry original in several ways:
the Rolling Stones quickened the tempo
they put more emphasis on off-beat guitar chording and wailing harmonica
the rhythm came close to reggae
on the chorus, Mick Jagger was backed up by high harmonies
they changed one of the lyrics substituting “some stupid guy” for the “some stupid jerk”
an upward key change was thrown in for the last verse.
I would have never noticed, but some do and find the differences important. You can listen and decide for yourself.
Stones Come On Chuck Berry
Can you tell the difference?
Willie Dixon
The Stones’ B-side of “Come On” was “I Want to Be Loved” by Willie Dixon. It was written in 1955 and reflects the Rolling Stones’s love of American blues roots.
Here’s their version:
This song’s theme has frustrated love, frustrated dancing, and frustrated attention.
The single did well, but did not catapult them into stardom.
1963 touring
In July, they played their first gig away from London in Middlesbrough, England. They shared the bill with The Hollies.
In the autumn of 1963, they toured the United Kingdom and opened for Little Richard, Bo Diddley and The Everly Brothers.
Second single
They also released their second single, “I Wanna Be Your Man.” The title may sound familiar and it should. The song was written by those upcoming Beatles, John Lennon and Paul McCartney. The single reached #12 on the UK singles chart.
Stones Come On Chuck Berry
What's so funny about peace, love, art, and activism?
