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John Paul Record Ballad

John Paul Record Ballad

John and Cynthia

John Lennon met Cynthia Powell when they were students at Liverpool Art College in 1957. In 1962, she became pregnant. John apparently said “There’s only one thing for it Cyn – we’ll have to get married” and on  August 23 that’s exactly what they did.  

On the verge of succeeding as a band particularly with many female teenagers, manager Brian Epstein kept the marriage low key.

On April 8, 1963 Julian Lennon was born.

John Paul Record Ballad

John meets Yoko

On November 7, 1966, John  visited the Indica Gallery in London. He met Yoko Ono displaying her art.

Ballad of John and Yoko
poster for Yoko’s exhibition

Of that meeting, John later reflected, The old gang of mine was over the moment I met her. I didn’t consciously know it at the time, but that’s what was going on. As soon as I met her, that was the end of the boys, but it so happened that the boys were well known and weren’t just the local guys at the bar.” (from All We Are Saying, by David Sheff)

On November 8, 1968 Cynthia Lennon and John divorced.  Cynthia had filed for divorce in August 1968 no longer able to ignore John and Yoko’s relationship.

Miscarriage/Marriage

On November 21, 1968,  Yoko suffered a miscarriage.

On March 20, 1969 John and Yoko married in Gibraltar.

John Paul Record Ballad

Ballad of John and Yoko

On April 14, 1969, John Lennon and Paul McCartney recorded “The Ballad of John and Yoko.” John had written the song in the days following his and Yoko’s marriage. Work on the Let It Be album had often been contentious among the then less-than-Fab Four.

A break-up was imminent, but Paul McCartney later reflected, “John was in an impatient mood so I was happy to help. It’s quite a good song; it has always surprised me how with just the two of us on it, it ended up sounding like The Beatles.” (from Many Years From Now by Barry Miles)

They recorded the song at Abbey Road’s Studio Three in a session beginning at 2:30 pm and ending at 9 pm.

It was then mixed for stereo, and was finished and ready for release by 11 pm. According to George Martin, Yoko Ono was present in the studio, although she appears to have played no part in the recording.

John Paul Record Ballad

George Martin

George Martin later said in Anthology, “I enjoyed working with John and Yoko on The Ballad Of John And Yoko. It was just the two of them with Paul. When you think about it, in a funny kind of way it was the beginning of their own label, and their own way of recording. It was hardly a Beatle track. It was a kind of thin end of the wedge, as far as they were concerned. John had already mentally left the group anyway, and I think that was just the beginning of it all.” 

In 1966, John comments regarding the Beatles and Christianity had gotten no reaction in the UK but blew up in the American press. Some radio stations refused to play Beatle music.

Aware that the Ballad line “Christ you know it ain’t easy” could re-ignite that controversy, the song was kept “secret” until its release.

Apple released it on May 30 in the UK and on June 4 in the US. True to expectations, some top-40 US stations refused to play it and some played a version with the word “Christ” reversed in an attempt to avoid criticism.

Ironically, the Spanish government had no issue with the word Christ, but did have a problem with the line “you can get married in Gibraltar near Spain” as Spain considered Gibraltar part of Spain not the UK.

Ballad of John and Yoko
cover of John and Yoko’s wedding album

 

The lyrics tell the story:

Standing in the dock at Southampton
Trying to get to Holland or France
The man in the mac said
You’ve got to go back
You know they didn’t even give us a chance(chorus) Christ you know it ain’t easy
You know how hard it can be
The way things are going
They’re going to crucify me Finally made the plane into Paris
Honeymooning down by the Seine
Peter Brown call to say
You can make it O.K.
You can get married in Gibraltar near Spain(chorus)Drove from Paris to the Amsterdam Hilton
Talking in our beds for a week
The newspapers said Say what’re you doing in bed
I said we’re only trying to get us some peace(chorus)Saving up your money for a rainy day
Giving all your clothes to charity
Last night the wife said
Oh boy when you’re dead
You don’t take nothing with you but your soul, thinkMade a lightning trip to Vienna
Eating chocolate cake in a bag
The newspapers said
She’s gone to his head
They look just like two gurus in drag(chorus)Caught the early plane back to London
Fifty acorns tied in a sack
The men from the press
Said we wish you success
It’s good to have the both of you back (chorus)

John Paul Record Ballad

Pan American Buffalo Springfield

Pan American Buffalo Springfield

April 11, 1966
Pan American Buffalo Springfield
Buffalo Springfield (photo from https://rockhallows.wordpress.com/2011/04/21/the-troubadour/) Top L – R: Stephen Stills, Bruce Palmer, and Rich Fury. Bottom L – R: Neil Young and Dewey Martin.

Used to play
in a rock ‘n’ roll band,
But they broke up.
We were young and we were wild,
It ate us up.

Neil Young, Buffalo Springfield Again

Singular Comet

Some bands are like comets. They streak brightly but briefly across our musical horizon, leaving behind great memories.

On April 11, 1966, the short-lived Buffalo Springfield made their live debut at The Troubadour in Hollywood, California.

They would release three albums:

  • Buffalo Springfield (1966)
  • Buffalo Springfield Again (1967)
  • Last Time Around (1968)

And then they were gone.

Pan American Buffalo Springfield

Beginnings

The first incarnation of the Buffalo Springfield was an international mix: Richie Furay (Ohio) (vocals, guitar), Dewey Martin (Texas) (drums); Bruce Palmer (Ontario) (bass); Stephen Stills (Texas) (vocals, guitar); and Neil Young  (Manitoba) (vocals, guitar)

Stills had first met Neil Young in Canada while Stills was touring there. Bruce Palmer was also from Canada and met Young there. Richie Fury and Stills met in Los Angeles. And when the four of them formed a band they added Dewey Martin.

Their first single was “Go and Say Goodbye” with “Nowadays Clancy Can’t Even Sing” as the B-side, but radio DJs preferred Clancy and that became the minor hit on the west coast.

Pan American Buffalo Springfield

Nowadays Clancy…

All Music describes Clancy, written by Neil Young, as “a kaleidoscope of emotions and feelings of rejection and alienation that touches nerves in anyone who listens. Young has written 100 other songs that are probably “better” than this, but he’s never written anything else quite like it.”

Clancy was the first song I heard by Springfield. I fell in love with it, but it haunted me because I didn’t even know who it was or the title. When WOR-FM first changed to a rock format they had DJ contract issues and it simply played songs unannounced.

Two years later when I went away to college and had to leave my girlfriend behind, I left her a note to open when she got home from leaving me at the airport. It simply read “I miss you now,” a line I’d borrowed from the Springfield’s “On the Way Home.

Pan American Buffalo Springfield

Buffalo Springfield departs

Despite its great music, the members often had poor chemistry. The government deported Bruce Palmer for drug possession. Neil Young left for artistic issues. Fill-in members came and went.

The band played its last gig at the Long Beach Arena on May 5, 1968. They played with Country Joe & Fish, Canned Heat, Smokestack Lightnin’,  and The Hook.

Pan American Buffalo Springfield

Buffalo Springfield branches out

Of course members went on to great things. Stephen Still to Crosby, Stills, and Nash (and occasionally Young). Neil Young to a still successful solo career with nearly as many variations as David Bowie. Furay and Jim Messina (a late Springfield member) were founding members of Poco.

Furay later joined J.D. Souther and Chris Hillman to form the Souther-Hillman-Furay Band, and Messina teamed with Kenny Loggins in Loggins & Messina.

In other words, the Buffalo Springfield members have  made a lot of great music beside what they first offered.

On  May 6, 1997, the Rock and Roll Hall of Fame inducted them in the first ceremony held at the Rock and Roll Museum in Cleveland.

On November 24, 2010, the Buffalo Springfield got back together at the Bridge School Benefit Concert 2010. Original members Neil Young, Richie Furay, and Steven Stills with Rick Rosas on bass and Joe Vitale on drums

NYC Bans Folk Music

NYC Bans Folk Music

Anniversary of the “Beatnik Riot”
April 9,  1961
NYC Bans Folk Music
New York Mirror headline
NYC Bans Folk Music

World Power Anomie

After World War II, many young adults, disenchanted with the horrors and atrocities of two global wars less than 25 years apart, broke away from prevailing cultural mores. They sought out an anti-conformist  life style that isolated them from what they saw as a morally corrupt society.

Some found that isolation with those whom American society had already segregated. Some found it in the arts.

Jack Kerouac referred to himself and those like him as part of a Beat Generation. (NY Times magazine article). His use carried with it the notion of being tired, but Kerouac mixed in the ideas of “upbeat”, and “beatific.”

NYC Bans Folk Music

Cold War

On October 4, 1957, the Soviet Union successfully launched the first satellite, Sputnik. The Cold War had increasingly heated in the late 1950s. Growing up as a Boomer meant learning to hate, to distrust, and be anti-anything associated with the USSR.  Catholics prayed for its conversion after every Sunday Mass.

The arms race continued. Sputnik launched the space race, in many ways an offshoot of that arms race.

What better way to label a disenchanted group, the Beats, a group that mainstream citizens and media saw as un-American? Associate them with Communism.

NYC Bans Folk Music

Beatniks

On April 2, 1958, Herb Caen of the San Francisco Chronicle wrote, “Look magazine, preparing a picture spread on S.F.’s Beat Generation (oh, no, not AGAIN!), hosted a party in a No. Beach house for 50 Beatniks, and by the time word got around the sour grapevine, over 250 bearded cats and kits were on hand, slopping up Mike Cowles’ free booze. They’re only Beat, y’know, when it comes to work . . . “

Thus the Beats became Beatniks. It was not a compliment.

Some Beats loved jazz. Some Beats loved folk music. Both sometimes played outside with friends in NYC’s Greenwich Village, particularly Washington Square Park, busking or simply entertaining themselves.

NYC Bans Folk Music

Newbold Morris

Despite the First Amendment’s guarantee of free speech, on March 28, 1961, NYC Park Commissioner Newbold Morris notified his staff to limit permits issued for musical performances in Washington Square to “legitimate” artistic groups. He also asked the police to issue summonses to guitarists, bongo drummers, and folk singers who did not have permits.

On April 9, 1961 Greenwich Village folk song fans battled the police for two hours in Washington Square. Police arrested ten demonstrators. Several persons, including three policemen, were hurt.

From the Greenwich Village Society for Historic Preservation siteThe protest was arranged by Izzy Young, head of the Folklore Center on MacDougal Street.  A group of protestors who sat in the fountain singing “We Shall Not be Moved” was attacked by police with billy clubs.  Another group sang the Star Spangled Banner, thinking police would not attack such a display of patriotism- they were wrong.

NYC Bans Folk Music
Dan Drasin’s 1961 film, Sunday, captured the April 9, 1961, conflict between New York City folk musicians and police that came to be known as the Beatnik Riot.
NYC Bans Folk Music

Here is that film

NYC Bans Folk Music

Continued support for ban

Two days later NYC Mayor Robert F Wagner, announced his support of the ban.

On April 20, 1961 the  Community Planning Board voted to uphold Park Commissioner Newbold Morris’ ban against folk-singing in Washington Square Park.

On April 30, 1961 police arrested William French, a student, at another demonstration by folk-music fans in Washington Square Park. That arrest nearly set off a riot. It also raised charges of police brutality.

NYC Bans Folk Music

State Supreme Court

On May 4, 1961 NYC’s ban against folk singing in Washington Square Park was upheld by the State Supreme Court.

On May 7, 1961, singers marched back into Washington Square Park and sang for the first time in four weeks without hindrance from the police. They sang a capella. They had discovered that Park Department ordinances require a permit only for “minstrelsy” – singing with instruments, but not for unaccompanied song.

On May 12, 1961 NYC Mayor Wagner announced that folk singing, with instrumental accompaniment, would be permitted in Washington Square “on a controlled basis.”

On June 5, 1961 a grand jury cleared William French of charges associated with the April 30 Washington  Square demonstration.

NYC Bans Folk Music

Appellate Division decision

And on July 6, 1961, the Appellate Division of the NY State Supreme Court unanimously reversed a lower court decision that had supported the city’s former ban on folk singing in Washington Square.

Community displeasure with those seen as outsiders and disruptive was not new and continued. Eight years later in Wallkill, NY, a group of community leaders succeeded in keeping out a group that sought to play their music. That event, of course, was called the Woodstock Music and Art Fair.

Reference >>> NPR report on Washington Square folk music ban

NYC Bans Folk Music