David Clayton Thomsett Thomas

David Clayton Thomsett Thomas

David Clayton-Thomas at the 38th annual Festival of Friends at Hamilton, Ontario’s Ancaster Fairgrounds on August 11, 2013

Born September 13, 1941

David Clayton Thomsett Thomas

David Clayton Thomsett Thomas

Canadian born in England

From his site: David in wartime England, 1942

David Clayton Thomas’s father, Fred Thomsett, was a Canadian soldier serving in England during World War II. Thomas’s mother, Freda May Smith met Thomsett while playing the piano to entertain troops at a London hospital.

David Henry Thomsett was born  in Surrey, England. After the war, the family settled in Willowdale, a suburb of Toronto. David and his father had a difficult relationship and David ran away when he was 14.

He became homeless, slept in parked cars or abandoned buildings, and stole food and clothing to survive.

David Clayton Thomsett Thomas

Canadian jails

Authorities arrested him several times and Thomas lived his teen years jails and reformatories. By a fortunate chance, a released inmate left Thomas an old guitar. His love of music, perhaps remembering his mother’s love, too, kindled.

David Clayton Thomsett Thomas

Freed Canadian

Released in 1962, he found Toronto’s music scene.  Ronnie Hawkins, famous for breaking in the members of The Band, helped Thomas.

David Clayton Thomsett Thomas

David Clayton Thomas

He became David Clayton Thomas to distance himself from his former self and eventually fronted his own band: David Clayton-Thomas and The Fabulous Shays. Their 1964 successful recording of John Lee Hookers’ “Boom Boom” led to an appearance on the American TV show, Hullabaloo.

Thomas began to make blues his mainstay. His next band, The Bossmen, uniquely included jazz musicians. In 1966, the Bossman had a hit with the song “Brainwashed” written by Thomas.

David Clayton Thomsett Thomas

Blood, Sweat and Tears

The same year, Thomas traveled to NYC with John Lee Hooker and stayed there when Hooker left for Europe. Bobby Colomby, Blood, Sweat and Tears drummer, heard Thomas sing and invited him to join the re-aligned band.

The first album, Blood, Sweat and Tears, with Thomas was BS & T’s most successful. Released on December 11, 1968 it reached Billboard’s #1 album on March 29, 1969. It stayed a top album for seven weeks altogether. Five top singles came from the album, and it received a Grammy Award for Album of the Year in 1970.

The album also earned them an invitation to the Woodstock Music and Art Fair.

David Clayton Thomsett Thomas

Post BS & T

Add Thomas’s name to the long and ever-growing list of musicians who found the pace of life on the road too grueling. Despite the band’s success, he left the group in 1972.

He did not leave music.

Thomas composed for Ella Fitzgerald, James Brown, Maynard Ferguson, and others.  He has released his own albums and continues to perform today.

Albums

Year Album Title Record Label
1965 David Clayton Thomas and the Shays à Go-Go Roman
1966 David Clayton Thomas Sings Like It Is! Roman
1969 David Clayton-Thomas! Decca
1972 David Clayton-Thomas Columbia
1972 Tequila Sunrise Columbia
1973 David Clayton-Thomas (Harmony Junction) RCA
1977 Clayton ABC Music
1996 Blue Plate Special DCT
1999 Bloodlines DCT
2001 The Christmas Album Fontana North / Maplecore
2005 Aurora Justin Time
2006 In Concert: A Musical Biography Justin Time
2008 The Evergreens Fontana North / Maplecore
2009 Spectrum
2010 Soul Ballads Fuel
2013 A Blues for the New World Antoinette
2015 Combo Audio & Video Labs, Inc.
2016 Canadiana Antoinette / Ils / Universal
2018 Mobius Ils
2019 Say Somethin’ Antoinette
David Clayton Thomsett Thomas

1969 Toronto Rock Roll Revival

1969 Toronto Rock Roll Revival

September 13, 1969
Varsity Stadium, at the University of Toronto
1969 festival #41

1969 Toronto Rock Roll Revival

1969 Toronto Rock Roll Revival

Toronto Pop Festival

On June 21 and 22, 1969, John Brower and Kenny Walkeron had produced the Toronto Pop Festival in the Varsity Stadium at the  University of Toronto.  Its success encouraged them to do a larger festival in September, but like many musical enterprises, problems ensued.

Kim Fowley to the rescue

Because of poor ticket sales, Brower and Walkeron almost had to cancel the Toronto Rock and Roll Revival when their main backer pulled out.

Musician, producer, and general bon vivant Kim Fowley was going to be the MC of the show. He suggested to Brower to call Apple Records and invite John Lennon and Yoko Ono to be MCs as well. Fowley’s reasoning was Lennon’s love for roots rock and that Chuck Berry, Little Richard, and Gene Vincent were among those in the festival.

Plastic Ono to the rescue

Lennon not only accepted the suggestion, he offered to play at the festival as well. Accompanying Lennon and Ono were Klaus Voormann, Alan White, and Eric Clapton. At first no one believed Brower, but once the recorded conversation of Brower ordering tickets for Lennon et al, tickets sold out.

Line up

As mentioned above and as the event’s name implies, this festival (though just one day) had a basic rock line up:

  • Whiskey Howl
  • Bo Diddley
  • Chicago
  • Junior Walker and the All Stars
  • Tony Joe White
  • Alice Cooper
  • Chuck Berry
  • Cat Mother and the All Night News Boys
  • Jerry Lee Lewis
  • Gene Vincent
  • Little Richard
  • Doug Kershaw
  • The Doors
  • John Lennon and Plastic Ono Band

80 members of the Vagabonds motorcycle club rode escort, 40 in front and 40 in back, for John and Yoko’s limousine from the Toronto airport to the university stadium.

1969 Toronto Rock Roll Revival

1969 Toronto Rock Roll Revival

D.A. Pennebaker

Luckily for history and us today the organizers filmed the event. D.A. Pennebaker, maker of Bob Dylan’s Don’t Look Back and Monterey Pop again did a great job. There are many pieces of the film, Sweet Toronto on YouTube. The more you watch the better an already great concert gets. Great great rock and roll!

1969 Toronto Rock Roll Revival

Lights on…

It is a sad commentary that the show’s great stars needed the light of John Lennon to bring a sold out mostly young white audience to listen, but that’s what happened. Ironically, the story is that John Lennon, performing for the first time without Paul McCartney since their 1950s meeting, needed encouragement.

The hitherto imaginary band consisted of Eric Clapton on guitar, Klaus Voormann on bass, and session musician Alan White on drums. [see Beatles Bible article]

Before introducing the Plastic Ono Band, Kim Fowley had everyone get their matches ready to greet Lennon , Ono, and friends. Whether this was the first time an audience used matches to greet a performer is unknown. It is likely one of the first times.

The band’s set list mostly reflected the festival’s revival theme:

  1. Blue Suede Shoes
  2. Money (That’s What I Want)
  3. Dizzy Miss Lizzy
  4. Yer Blues
  5. Cold Turkey
  6. Give Peace a Chance
  7. Don’t Worry Kyoko
  8. John John (Let’s Hope for Peace)

For more coverage, see a noisey article.

1969 Toronto Rock Roll Revival

Next 1969 festival: Sixth Big Sur Folk Festival

1966 Monkees Premiere

1966 Monkees Premiere

September 12, 1966

Monkees Premiere

Beatlemania

The American Beatlemania that began in 1964 affected American businesses in many ways. The British Invasion, though initially referring to the dozens of British performers and bands that followed on the heels of John, Paul, George, and Ringo, spread commercially into clothing and other media, too.

1966 Monkees Premiere

1966

By 1966, Bob Dylan had gone electric. The Beatles had gone herbal. Brian Wilson was petting sounds. And NBC decided that a faux Beatle TV show was a good idea.

It was.

1966 Monkees Premiere

1965

The idea to “create” a band was not new. Al Grossman created the Peter, Paul, and Mary trio, but the idea to create a band based more on acting than musical ability was new.

The first person to become a Monkee was 20-year-old Davy Jones. Jones had been a child actor and actually had an odd Beatle connection. He had played the Artful Dodger in the 1962  Broadway show Oliver!.  He performed a scene from that play on The Ed Sullivan Show the same night as the Beatles’ first appearance on that show, February 9, 1964.

An ad for the other three spots attracted 437 applicants. Chosen were Michael Nesmith, Micky Dolenz, and Peter Tork.

Nesmith had actually worked as a musician.  Micky Dolenz was an actor who had starred in the TV series Circus Boy as a child.

1966 Monkees Premiere

The network selected Peter Tork last.  Stephen Stills had tried out but did not get the gig. Stills was the one who had told Peter Tork about the call.

1966 Monkees Premiere

Monkees Premiere

Like any TV project, many people were involved. Don Kirshner was head of music and he selected Tommy Boyce and Bobby Hart to write music for the show and album. The Monkees themselves had limited roles musically, particularly at first. All these contradictions upset many in the band, particularly Michael Nesmith.

Eventually the four had much more control.

But…

As an opening salvo, Colgems released the The Monkees’ first single, “Last Train to Clarksville” on August 16, 1966, The first broadcast of the television show was on September 12, 1966 on NBC.

Colgems released the album, The Monkees, on October 1. It reached Billboard’s #1 album on November 12 and was there for 13 weeks; it charted for 78 weeks.

1966 Monkees Premiere

Duchess of Harmonica

In the first episode, “The Royal Flush,” the Monkees foil a plot to assassinate princess Bettina, the Duchess of Harmonica. The show had two seasons with a total of 58 episodes.

  • Davy Jones died on February 29, 2012 (NYT obit).
  • Peter Tork died on February 21, 2019 (NYT obit)
  • Mike Nesmith died on December 10, 2021  (NYT obit)
1966 Monkees Premiere