Category Archives: Music et al

Freewheelin Bob Dylan

Freewheelin Bob Dylan

Released May 27, 1963
Freewheelin Bob Dylan
photo by Don Hunstein
“I’ll let you be in my dream, if you let me be in yours.”

Now we all know Bob Dylan. We have heard the songs on his first album, Bob Dylan. We may know that he only wrote two of that album’s 13 songs: “Talkin’ New York” and “Song to Woody.”  His premier album an iconic moment in American history

We didn’t realize it at the time. We probably didn’t buy it either. The album sold about 2,500 copies its first year.

Freewheelin Bob Dylan

Times Changed

The Freewheelin’ Bob Dylan changed that story. Other than “Corina Corina,” Dylan wrote all its songs and as funny as “Talkin’ New York” may have been and as touching “Song to Woody” was,  Freewheelin’  showed Dylan’s genius blooming.

The album, produced by John H Hammond, has a minimalist sound that concentrates our listening to Dylan’s lyrics. To note the personnel is important nonetheless:

  • Bob Dylan – guitar, harmonica, keyboards, vocals
  • Howie Collins – guitar
  • Leonard Gaskin – bass guitar
  • Bruce Langhorne – guitar
  • Herb Lovelle – drums
  • Dick Wellstood – piano

Each of these musicians deserve separate recognition. A personal favorite is Bruce Langhorne, the inspiration for Dylan’s “Mr Tambourine Man.”  (follow above link)

Freewheelin Bob Dylan

Tracks

Side One

  1. Blowin’ In the Wind
  2. Girl from the North Country
  3. Masters of War
  4. Down the Highway
  5. Bob Dyan’s Blues
  6. A Hard Rain’s a-Gonna Fall
Side 2

  1. Don’t Think Twice, It’s All Right
  2. Bob Dylan’s Dream
  3. Oxford Town
  4. Talkin’ World War III Blues
  5. Corrina, Corrina
  6. Honey, Just Allow Me One More Chance
  7. I Shall Be Free
Freewheelin Bob Dylan

Don Hunstein

As memorable as each of the album’s songs is, Don Hunstein‘s cover photo is equally so. Hunstein first began as an amateur photographer while in the Air Force and stationed in Europe. His interest became a hobby and after returning to the US and living in New York City, his hobby became a profession. As with so much in life, his timing was serendipitous.

Rock and roll was in a growth spurt and Hunstein landed a job at Columbia Records. Also lucky for Hunstein, Columbia recognized Hunstein’s talent and had him take pictures not just for albums, but of artists while recording. In their casual most human moments.

That is what he re-created for The Freewheelin’ Bob Dylan. Though posed, the photo presents Dylan and Suze Rotolo, his then girlfriend, as if in a candid moment.

Freewheelin Bob Dylan
another photo that same day also by Don Hunstein
Freewheelin Bob Dylan

Suze’s Take

In a 2008 NY Times article, Rotolo said of the photo, “He wore a very thin jacket, because image was all. Our apartment was always cold, so I had a sweater on, plus I borrowed one of his big, bulky sweaters. On top of that I put a coat. So I felt like an Italian sausage. Every time I look at that picture, I think I look fat.”

Freewheelin Bob Dylan
photos by Don Hunstein
Freewheelin Bob Dylan

Temporary change

Freewheelin’ was more than a moment. It was a prediction. Dylan would record two more albums in its style before going rogue in 1965 and quitting work on Maggie’s farm. That choice changed the American music scene as much as any single event in the history of American music and in many cases, 20th century Western civilization.

Though Dylan may have been referring to the human tendency toward violence when he sang…

How many roads must a man walk down
Before you call him a man?

Freewheelin Bob Dylan
Pro and Con

The words turned out to be a prediction of Dylan’s change of artistic direction. Many fans hated 1965 because of that change.

Decades later, we can list dozens of songs we’d not have with us if it weren’t for that change and Dylan’s freewheelin’ attitude.

As Stephen Thomas Eriwine writes in his All Music reviewIt’s hard to overestimate the importance of The Freewheelin’ Bob Dylan, the record that firmly established Dylan as an unparalleled songwriter, one of considerable skill, imagination, and vision. 

Freewheelin Bob Dylan

Mark Lavon Levon Helm

Mark Lavon Levon Helm

Happy Birthday
Remembering and Appreciating
May 26, 1940 — April 19, 2012

Mark Lavon Levon Helm

Mark Lavon Levon Helm

Who?

My memory is vague concerning how I first heard about the Band. I certainly did not know that they were Bob Dylan’s back up band. I just as certainly did not know they were mostly Canadian musicians, except one guy.

Mark Lavon Levon Helm

Music From Big Pink

I presume  I first heard about Music From Big Pink from Rolling Stone magazine.  If I did,  then I did read about the Dylan and Canadian connections. I definitely would have noticed that Al Kooper wrote the review. that “You can believe every line in this album and if you choose to, it can only elevate your listening pleasure immeasurably,  and that he said it was his album of the year.

Mark Lavon Levon Helm

Staten Island Ferry


I sat on the Staten Island Ferry after working as a Wall Street runner at Dempsey – Tegeler where I  had learned the quickest route from 110 Wall Street to the Chase Bank in the rain. I sat on the ferry cuddling Music from Big Pink.  If Kooper, the mainspring of the Blues Project [a source of several epiphanies) and Blood, Sweat and Tears  [Child Is Father to the Man] said The Band were It, then Amen.

Mark Lavon Levon Helm

Mono Greatness

My little mono record player was literally that and could not even dream in Hi-Fi, but it gave its all. And I listened.

What was this? Not rock. Not blues. At least not any rock or blues that I’d ever heard. Deliberate, its songs required patience that this 18 year old lacked.

Mark Lavon Levon Helm

The Band

With time and their second album I fell under the Band’s spell. Little did I realize that Levon Helm, Garth Hudson, Rick Danko, Richard Manuel, and Robbie Robertson repeatedly proved the point of their music being greater than the sum of their parts. Not even the Beatles were as instrumentally multi-talented as The Band.

When the original Band ended it’s run in 1977, a run longer than the Beatles had had, fans hoped that it was simply a postponement, not a cancellation.

Mark Lavon Levon Helm

Lifer Levon

It was and it wasn’t. Levon Helm certainly kept on playing music. Thank you! The others did, too, but Levon in particular remained the source of that sound I had, at first, not understood.

Mark Lavon Levon Helm

Better late than…

Now I get it. Now I want it. And Levon, despite many challenges, kept pace, and kept the faith. With a partially re-formed Band and without. On his own. With a voice and sometimes without one. His credits cover a lifetime of sincere and truthful music. (All Music credits)

And what Al Kooper said in 1968 about Big Pink, was true about Levon Helm until the day he died:  [His] singing is…honest and unaffected….There are people who will work their lives away in vain and not touch it.

Excerpt from PBS Special “Levon Helm Ramble At The Ryman” premiered nationwide on August 2009. Featuring John Hiatt, Sheryl Crow, Buddy Miller, Sam Bush. Levon Helm brough his Midnight Ramble to the historic Ryman Auditorium in Nashville, TN.

Mark Lavon Levon Helm

Simon Garfunkel Bookends

Simon Garfunkel Bookends

Billboard #1 album May 25, 1968
Simon Garfunkel Boodends
photo: Michael Ochs Archives

By the spring of 1968 we had had the groundbreaking albums Rubber SoulPet Soundsand Sgt Pepper’s Lonely Hearts Club Band

The realization that an album did not have to be a collection of singles had allowed artists to present a set of songs as pieces of a whole. In fact, Sgt Pepper’s didn’t even have a “single” on it.

For we late-teen Boomers, Bookends opened with the worrisome lines:

Time it was

And what a time it was, it was

A time of innocence

A time of confidences

Long ago it must be

I have a photograph

Preserve your memories

They’re all that’s left you.

Simon Garfunkel Bookends

Youthful nostalgia

As the emerging adults in a society teeming with counter-cultural prospects, we “thought” we understood the lyrics’ nostalgia.

Of course in 1968 we had no idea how intense nostalgia could actually be decades later. How was 28-year-old Paul Simon so perspicacious?

Simon Garfunkel Bookends

Pieced together

Simon and Garfunkel did not record the album as a unified whole.  Some of side two’s songs evolved out of their work for the film The GraduateThat soundtrack album, released January 21, 1968,  had reached Billboard’s #1 album spot on April 6, 1968 and stayed there for six weeks. The Bookends album followed it for three weeks followed by The Graduate again for two weeks followed again by Bookends for four weeks. Simon and Garfunkel were trending!

Despite the recording schedule’s discontinuity, the album smoothly runs along its side one and again along side two. How many of us who first knew the album as a vinyl record know long before side one ends that we have to get up to flip the record?

Simon Garfunkel Bookends

Hooks and salients

And there are so many wonderful hooks and salients along the way. That soft 33-second acoustic opening pierced by the sharp beginning of “Save the  Life of My Child.” Hand-clapping. Background chorus. Conversational talk. A flashback to “Sounds of Silence.”

Simon Garfunkel Bookends

America > exhale > Voices

Following the lesson of segueing songs, “America” softly enters. Images we still hold close. Cigarettes. Magazines. Rising moon. The New Jersey Turnpike. And not a rhyme. We’ve gone from childhood to hitting the road.

A match lights a cigarette. Exhale. The game is over. We’ve heard rumblings of a Beatle-break up. Is this other Paul hinting? In any case, we’ve learned about love from the other side. “Overs.”

Simon Garfunkel Bookends

Old Friends

Upon your first listen,  did “Voices” confuse you? Who are these people? Not a song, no lyrics, but a sad short story. “And I maintain, I maintain strongly to this minute, I don’t think it’s an ordinary cold.” And if that wasn’t enough, we “Old Friends” end side one sitting on a park bench, newspapers blowing, lost in our overcoats.

         Simon Garfunkel Bookends

Flip the record. Please!

Side two opens with music that sounds like the end of something. “Fakin’ It.” If side one was from cradle to grave, Side two talks about hypocrisy and struggling to get by. Playing roles and wondering why. “I’m not really makin’ it” sound like the end of “I Am the Walrus.”

Wish I was a Kellogg’s corn flake” is “Punky’s Dilemma.” That and being a “Citizen of boysenberry jam fan.” The struggle continues and includes falling down the basement stairs.

Simon Garfunkel Bookends

Mrs Robinson

We all know “Mrs Robinson.” We’ve all seen Mrs Robinson and maybe, like Dustin Hoffman, falling a bit in lust with her. When opportunity knocks, eh? “We’d like to know a little about you for our files.” Are those eyes really sympathetic? And where did you go, Joltin’ Joe?  In 1969, “Mrs Robinson” became the first rock song to win the  Grammy Award for Record of the Year.

The worried pessimism continues as we skip into a “Hazy Shade of Winter” with its leaves of brown and the sound of the Salvation band.  Ha!

Simon Garfunkel Bookends

Oh those animals!

Paul Simon, the New York kid, the only living boy in New York, closes with “At the Zoo.” We didn’t know those animals felt that way. Now we do and wonder about the others.

Thom Jureck’s All Music review closed this way:  In just over 29 minutes, Bookends is stunning in its vision of a bewildered America in search of itself.

           Yup.
Simon Garfunkel Bookends