August Music et al

August Music et al

Quarrymen

August Music et al

In August 1956: named after his school, John Lennon forms The Quarrymen, The band performed what was known in England as “skiffle” music which was originally an early 20th century American style music. (see July 6, 1957)

August Music et al

Ringo Rory Storm

August Music et al

In August 1959: Ringo Starr begins drumming for Rory Storm and the Hurricanes. (Ringo would be Rory’s drummer until August 18, 1960). (see Aug 29)

August Music et al

Beat Brothers

In August 1961: Tony Sheridan and the Beatles or Beat Brothers released “My Bonnie/The Saints (Go Marching In) in Germany. (see Oct 28)

August Music et al

Sam Cooke

In August 1963,  Sam Cooke released Night Beat album.

August Music et al

Bob Dylan

In August, 1964: “I’m Going to Get My Baby Out of Jail” by Len Chandler & Bernice Johnson Reagon. Dylan “stole” the Len Chandler tune to accompany his “The Death of Emmett Till.” (see March 11, 1962) (see Aug 8)

August Music et al

LSD

In August, 1964: Ken Kesey & his Merry Pranksters arrived with their Bus to visit Timothy Leary & Richard Alpert at Millbrook, NY. (see Dec 1)

August Music et al

John Sebastian

In August 1965: The Lovin’ Spoonful (John Sebastian age 19) released their first single, “Do You Believe in Magic” (see Aug 13)

August Music et al

Pink Floyd

In August 1967: Pink Floyd released their first album, The Piper at the Gates of Dawn.

August Music et al

Vietnam

In August 1968: WNEW-FM DJ Rosko reads anti-war column on air. (see Aug 1)

James Brown

In August 1968, James Brown released “Say It Loud, I’m Black and I’m Proud” (see Nov 9)

August Music et al

Santana

August Music et al

In August, 1969: Santana (Carlos Santana age 22) released its first album, Santana. In a contemporary review for Rolling Stone, Langdon Winner panned Santana as “a masterpiece of hollow techniques” and “a speed freak’s delight – fast, pounding, frantic music with no real content”. He compared the music’s effect to methedrine, which “gives a high with no meaning”, finding Rollie and Santana’s playing repetitively unimaginative amidst a monotony of incompetent rhythms and inconsequential lyrics.

John & Yoko

In August 1971: John & Yoko rent a loft apartment at 105 Bank Street in Greenwich Village. (NYCGO article) (see Aug 1)

Eric Clapton #1

In August 1974: Eric Clapton’s cover of Bob Marley’s “I Shot the Sheriff” reached #1 on US singles charts.

August 1 Music et al

August 1 Music et al

Moondog Alan Freed

August 1, 1954: Moondog Jubilee Alan Freed, working as a disc jockey in New York, throws the “Moondog Jubilee of Stars Under the Stars” at Ebbets Field in Brooklyn, New York. The performing line-up included black artists Fats Domino and Muddy Waters. (Pop History Dig article) (see February 23, 1955)

August 1 Music et al

Bob Newhart

August 1 – September 25, 1960: comedian Bob Newhart’s The Button-Down Mind of Bob Newhart comedy album is Billboard #1.

August 1 Music et al

Hard Day’s Night

August 1 Music et al

August 1 – 14, 1964:  “A Hard Day’s Night” #1 on the Billboard Hot 100. (see Aug 11)

August 1 Music et al

Atlantic City Pop Festival

August 1 – 3, 1969: Atlantic City (NJ) Pop Festival took place at the Atlantic City Race Track.  (see Atlantic City for expanded story)

August 1 Music et al

Ann Arbor Blues Festival

August 1 – 3, 1969: a group of University of Michigan students decided it would be cool to have a blues festival. They were right. (see AABF for more)

August 1 Music et al

Concert for Bangladesh

August 1, 1971: George Harrison and Ravi Shankar organized and hosted The Concert for Bangladesh raising nearly a quarter of a million dollars for the hungry of the poor country. The concert ushered in a new type of proactive political activism (Live for Live Music article) (Beatles, see Sept 9; Bangladesh, see Dec 16; concert movie, see March 23, 1972)

August 1 Music et al

MTV

August 1, 1981: MTV (Music Television) made its debut at 12:01 a.m. The first music video shown on the rock-video cable channel was, appropriately, Video Killed the Radio Star, by the Buggles. MTV’s original five veejays were Martha Quinn, Nina Blackwood, Mark Goodman, J.J. Jackson and Alan Hunter. MTV changed the way that popular music was presented from the traditional way of simply listening to watching as well as listening. (MTV, see March 1983; CM, see July 29, 1987)

August 1 Music et al

1969 Ann Arbor Blues Festival

1969 Ann Arbor Blues Festival

August 1, 2, and 3, 1969
Fuller Flatlands, MI
1969 festival #31
1969 Ann Arbor Blues Festival

Whites and the Blues

With civil rights and anti-establishment sentiments in the air, there were  numbers of white kids searching outside the popular top-10 musical box.  Of course they’d already heard Brits  Eric Burdon, Jimmy Page, Eric Clapton, and John Mayall’s interpretations of American Blues, but eventually and not surprisingly, those same white kids “discovered” what had been in front of them all along: true Blues.

University of Michigan sophomore John Fishel was one of those white kids. Bert Stratton was another. He said, “…in those days to like the blues was to be part of an exclusive, rebellious club. It was like a secret language. If you were a young white kid who was into the black blues you thought you were pretty cool.”

1969 Ann Arbor Blues Festival

University backed

A group of University of Michigan students  led by Fishel decided to hold a Blues festival.

Quoted in a 2009 Ann Arbor Chronicle article, Fishel said, ““Somebody put me in touch with one or two people. It ended up with maybe four or five of us getting together. Some of us knew each other, some didn’t. We really didn’t have a concept at the time. We didn’t know whether it would be a series or a one-shot deal. We didn’t know whether it was an inside show in an auditorium, or whether it was an outdoor show. But I agreed to do the entertainment part of it.”

The group asked their school for sponsorship and two university-connected nonprofit entities – the University Activities Center (UAC), and Canterbury House, the student Episcopalian organization – put up $70,000 for the event.

The kids did good!

1969 Ann Arbor Blues Festival

Chicago

That spring the group visited Chicago to test the waters: what true blues performers attracted the best crowds? Luther Allison was one they found.

They invited Allison to play at a free show in April and the reception was great. The group knew they could continue.

1969 Ann Arbor Blues Festival

Ann Arbor, the Not-Woodstock

According to a 2018 Forbes article, “When Ann Arbor Blues Festival opened in 1969, it wasn’t just the first blues festival in Michigan — it was the first blues festival ever.”

As a Woodstock alum, it is hard to criticize what so many think of as the greatest festival of all time.  History and commercialism have  ways of distorting reality when reality is mostly a subjective,  not a single unequivocal experience.

Woodstock, for all its outstanding and now-historic performers and performances, lacked true blues. Ten Years After, Paul Butterfield, Canned Heat, and Blood Sweat and Tears all provided their interpretation of original Blues.

1969 Ann Arbor Blues Festival

Ann Arbor Line up

August 1, Friday Night

  • Roosevelt Sykes
  • Fred McDowell
  • JB Hutto and the Hawks
  • Jimmy Dawkins
  • Junior Wells
  • BB King

August 3, Sunday afternoon

  • Arthur “Big Boy” Crudup
  • Jimmy “Fast Fingers” Dawkins
  • Roosevelt Sykes
  • Luther Allison & the Blue
  • Nebulae
  • Big Joe Williams
  • Magic Sam
  • Big Mama Thornton
  • Freddy King

August 2, Saturday night

  • Sleepy John Estes
  • Luther Allison
  • Clifton Chenier
  • Otis Rush
  • Howlin’ Wolf
  • Muddy Waters

August 3, Sunday night

  • Sam Lay
  • T-Bone Walker
  • Son House
  • Charlie Musselwhite w Freddy Roulette
  • Lightnin’ Hopkins
  • James Cotton

 

Unlike the half-million who camped in Bethel, NY, the Ann Arbor Blues Festival had about 20,000, but 20,000 very enthusiastic listeners. Dan Morgenstern wrote in Downbeat that “the performers – especially the veterans – were treated with respect that bordered on reverence. It added up to a kind of recognition that blues artists have seldom, if ever, received from their own people.

In October, after Woodstock, Morgenstern was clear.  The Ann Arbor Festival was “without doubt the festival of the year, if not the decade.”

Stanley Livingston, a professional photographer from Ann Arbor, captured the performers both on- and off-stage. He and Michael Erlewine later published many of his photos in  Blues in Black and White

1969 Ann Arbor Blues Festival

Ann Arbor 2

In 1970 a second blues festival was held, but success led to disruption and disruption led to financial loss.  Also, the Goose Lake festival held the same time had a big-name line up that pulled possible guests away from Ann Arbor.

The festival went away for two years, returned in 1972 to a three-year run, and then went away again.

1969 Ann Arbor Blues Festival

Renewal

In 2016, James Partridge realized that in three years it would be the original festival’s 50th anniversary.  In 2017 he organized a new Ann Arbor Blues Festival.

Today,  Partridge, the Festival’s executive producer, says, “I want everybody to know what Ann Arbor has contributed to music and recognize that the Ann Arbor Blues Festivals, they changed music. They changed history. Had it not been for those original festivals, a lot of the music we listen to today might not have been made.”

And the festival continues. Here’s the link.

1969 Ann Arbor Blues Festival

Next 1969 festival: Hilltop Pop Festival