Category Archives: Music et al

Early 20th Century News Music

Early 20th Century News Music

Early 20th Century News MusicI once did a project on what is usually called protest music of the 1960s. What I quickly discovered was that protest music is not limited to the 1960s (as much as we Boomers would like to think it is since we “invented” it–insert funny face emoji).

Eventually, I also realized that protest music comes in a variety of approaches. The 1960s protest music was typically obvious in its approach: Masters of War, I Ain’t a’Marchin’ Anymore, Eve of Destruction, et cetera.

Earlier versions were equally powerful in their own way and I eventually settled on the term “News Music” to describe the genre. I’m not sure whether it is be best description, but one of the things that the songs and songwriters seemed to share was a reaction to current conditions. In other words, they were reacting to a current situation far more often than a past occurrence. Thus “News Music.”

Here are some examples of what are early 20th century news music:

Early 20th Century News Music

Harry Dixon

Around 1920:  Harry Dixon (1895 – 1965) wrote “This Little Light of Mine” as a gospel song. It became a common one sung during the civil rights gathering of the 1950s and 1960s. It continues to be a song of hope today. (BH, see January 4, 1920)

Early 20th Century News Music

Fats Waller

Early 20th Century News Music

In 1929: composed by Fats Waller with lyrics by Harry Brooks and Andy Razaf, Edith Wilson (1896 – 1981) sang “(What Did I Do to Be So) Black and Blue.”. It is a protest song that did not speak of how something should change so much as it spoke of what life was like for those who suffered inequities.

Early 20th Century News Music

Blind Alfred Reed

Early 20th Century News Music

In 1929: Blind Alfred Reed (1880 – 1956) wrote “How Can A Poor Man Stand Such Times and Live?” The song describes life during the Great Depression.

Early 20th Century News Music

Florence Reece

In 1931: Florence Reece (1900-1986) “was a writer and social activist whose song ‘Which Side Are You On?’ became an anthem for the labor movement. Borrowing from the melody of the old hymn ”Lay the Lily Low,” Mrs. Reece wrote the union song…to describe the plight of mine workers who were organizing a strike in Harlan County, Ky. Mrs. Reece’s husband, Sam, who died in 1978, was one of those workers. Pete Seeger, the folk singer, recorded the song in 1941. It has since been used worldwide by groups espousing labor and social issues.” New York Times Obituaries, August 6, 1986. (Labor, see March 3; Feminism, see Dec 10)

Early 20th Century News Music

Brother Can You Spare a Dime

In 1931:  “Brother Can You Spare a Dime” by lyricist E. Y. “Yip” Harburg and composer Jay Gorney., the song asked why the men who built the nation – built the railroads, built the skyscrapers – who fought in the war (World War I), who tilled the earth, who did what their nation asked of them should, now that the work is done and their labor no longer necessary, find themselves abandoned, in bread lines.

Harburg believed that “songs are an anodyne against tyranny and terror and that the artist has historically always been on the side of humanity.” As a committed socialist, he spent three years in Uruguay to avoid being involved in WWI, as he felt that capitalism was responsible for the destruction of the human spirit, and he refused to fight its wars. A longtime friend of Ira Gershwin, Harburg started writing lyrics after he lost his business in the Crash of 1929.

Early 20th Century News Music

Jimmie Rodgers

In 1932: Jimmie Rodgers (1897 – 1933) was born in Meridian, Mississippi worked on the railroad as his father did but at the age of 27 contracted tuberculosis and had to quit. He loved entertaining and eventually found a job singing on WWNC radio, Asheville, North Carolina (April 18, 1927). Later he began recording his songs. The tuberculosis worsened and he died in 1933 while recording songs in New York. In 1932 he recorded “Hobo’s Meditation.”

Early 20th Century News Music

Lead Belly

In 1938: Lead Belly (born Huddie William Ledbetter) (1888 – 1949) sang about his visit to Washington, DC with his wife and their treatment while in the nation’s capitol in his song, “Bourgeois Blues.” (BH, see Nov 22)

Early 20th Century News Music

Woody Guthrie

“Do Re Mi”

In 1939: During the Great Depression, Woody Guthrie (1912-1967) wrote many songs reflecting the plight of farmers and migrant workers caught between the Dust Bowl drought and farm foreclosure. One of the best known of these songs is his  “Do Re Mi.”

Tom Joad

In 1940: Woody Guthrie wrote Tom Joad, a song whose character is based on John Steinbeck’s character in The Grapes of Wrath. After hearing it, Steinbeck reportedly said, “ That f****** little b******! In 17 verses he got the entire story of a thing that took me two years to write.”

Early 20th Century News Music

This Land Is Your Land

February 23, 1940: Woody Guthrie wrote the lyrics to ‘This Land Is Your Land‘ in his room at the Hanover House Hotel in New York City. He would not record the song until 1944. It was a musical response to Irving Berlin’s “God Bless America”: “We can’t just bless America, we’ve got to change it.”

Early 20th Century News Music

In 1941: the Almanac Singers (Millard Lampell, Lee Hays, Pete Seeger, and Woody Guthrie) released Talking Union, an album containing pro-union songs. One was Florence Reece’s Which Side Are You On? Another was I Don’t Want Your Millions, Mister (written by Jim Garland), a song that was used  by Occupy Wall Street protestors.

During World War II, Guthrie printed the words, “This Machine Kills Fascists” on his guitar as a sign of his support of the war cause. Shortly afterwards, Pete Seeger printed the words, “This Machine Surrounds hate and Forces It to Surrender” on his banjo. Current guitarist, Tom Morello, often uses a guitar with the words, “Arm the Homeless” printed on it.

Early 20th Century News Music

Sweetwater Nancy Nevins

Sweetwater Nancy Nevins

October 12…happy birthday

Sweetwater Nancy Nevins

I try to do a blog piece for each Woodstock performer on their birthday and if her Facebook page is accurate 😀 , then October 12 is Nancy Nevin’s birthday.

Sweetwater Nancy Nevins

The main source for my information is from a February 2, 2017 Wade Lawrence blog piece for the Museum at Bethel Woods Center for the Arts.

Nevins’s Sweetwater story began when she was 17. She happened to stop at a coffeehouse on her way home. She sat in with Alex Del Zoppo (keyboards), Albert Moore (flute), and Elpidio Cobian (congas) who were jamming.

That was it. About an hour later she headed home. Eventually, though, she began performing with those three on the coffeehouse circuit. August Burns (cello), Fred Herrera (bass), and Alan Malarowitz (drums) joined and all became Sweetwater.

Sweetwater Nancy Nevins

Eponymous Sweetwater album

In 1968, Reprise Records released Sweetwater’s first album, Sweetwater. The band toured as an opening act for some of the time’s big names: The Doors, Eric Burdon and the Animals, Cream, Grateful Dead, Frank Zappa, and others.

They also found themselves on various TV variety shows such as The Red Skelton Show, The Steve Allen Show, Playboy After Dark, The Hollywood Palace, and American Bandstand.  Here’s a clip from an appearance on Hollywood Palace with Bing Crosby’s corny intro:

Sweetwater Nancy Nevins

1969 Festival circuit

Along with dozens of other bands that year, Sweetwater played at many festivals besides Woodstock:

Sweetwater Nancy Nevins

Bad luck and tragedy

For many Woodstock bands, their fame was brief. For others, like Santana, their fame blossomed a year later when their appearance became part of the triple-album and/or the Woodstock movie.

Sweetwater had neither.

And when a drunken driver sped into Nancy Nevins’s stopped car, her career should have ended, too.

She wasn’t supposed to live. She wasn’t supposed have any mobility if she did live. And she certainly would never sing again if she regained any movement.

Sweetwater Nancy Nevins

Recovery

But after twenty-five excruciating years of rehabilitation, incredible persistence, great medical care, Nevins lives on. Nevins sings some (with a different voice), teaches more (and learns more every day), and realizes how fortunate she is simply to be alive.

Sweetwater released two more albums using some of her pre-accident recordings, but its members eventually went their own way as well.

 

Sweetwater Nancy Nevins
From her Facebook page

Her Facebook page lists this information as well:

  • Works at Musician
  • Former Recording Artist at Self and Rhino Records, et al
  • Former Singer/Performer at Musician
  • Studied at California State University, Fullerton
  • Studied American Studies at California State University, Fullerton
  • Went to Glendale High School
  • Lives in Los Angeles, California
  • From Los Angeles, California
Sweetwater Nancy Nevins

October 5 Music et al

October 5 Music et al

see Wynonie Harris for more

October 5, 1948: Wynonie Harris’s “Good Rockin’ Tonight” hits #1 on the R&B chart. (see March 31, 1949)

October 5 Music et al

Love Me Do”/”P.S. I Love You

October 5, 1962, The Beatles before their US appearance: released first single, “Love Me Do“/”P.S. I Love You“, in the UK. (see Oct 27)

October 5 Music et al

Otis Redding

October 5, 1966: Otis Redding released Complete & Unbelievable: The Otis Redding Dictionary of Soul album, his fifth.

From AllMusic: “Recorded and released in 1966, Otis Redding’s fifth album, Complete and Unbelievable: The Otis Redding Dictionary of Soul found the rugged-voiced deep soul singer continuing to expand the boundaries of his style while staying true to his rough and passionate signature sound. Redding’s ambitious interpretations of “Tennessee Waltz” and especially “Try a Little Tenderness” found him approaching material well outside the traditional boundaries of R&B and allowing his emotionally charged musical personality to take them to new and unexpected places, and while his cover of “Day Tripper” wasn’t his first attempt to confront the British Invasion, his invigorating and idiosyncratic take on the Beatles’ cynical pop tune proved Redding’s view of the pop music universe was broader than anyone might have expected at the time. 

October 5 Music et al

Jimi Hendrix

October 5 Music et al

October 5, 1966: Jimi Hendrix, Mitch Mitchell and Noel Redding played together for the first time. (see Dec 26)

Waiting for the Sun

October 5 – 11, 1968: The Doors’ Waiting for the Sun returned to the Billboard #1 album position. From AllMusic: The Doors’ 1967 albums had raised expectations so high that their third effort was greeted as a major disappointment. With a few exceptions, the material was much mellower, and while this yielded some fine melodic ballad rock in “Love Street,” “Wintertime Love,” “Summer’s Almost Gone,” and “Yes, the River Knows,” there was no denying that the songwriting was not as impressive as it had been on the first two records. On the other hand, there were first-rate tunes such as the spooky “The Unknown Soldier,” with antiwar lyrics as uncompromisingly forceful as anything the band did, and the compulsively riff-driven “Hello, I Love You….”

October 5 Music et al