Category Archives: Music of the 60s

October Music et al

October Music et al

Fear of Rock/WDIA Memphis

In October 1954:  WDIA [Memphis, TN] and several other large popular-music radio stations banned several songs fro their sexually suggestive lyrics. The station ran announcements saying, “WDIA, your goodwill station, in the interest of good citizenship, for the protection of morals and our American way of life, does not consider this record [they named record], fit for broadcast on WDIA. We are sure all you listeners will agree with us.” (“Rock Is Dead” book link) (see  February 24, 1955)

October Music et al

Frank Sinatra

In October 1957:  Associated Press reprinted an excerpt from a magazine called “Western World” published in Paris. In it Frank Sinatra denounced rock music and musicians. The AP article said in part: 

The famed crooner, writing in the magazine Western World … praised the influence of American jazz and popular music as a way of winning friends and influencing people throughout the world.

 “My only deep sorrow,” he said, “is the unrelenting insistence of recording and motion picture companies upon purveying the most brutal, ugly, degenerate, vicious form of expression it has been my displeasure to hear—naturally I refer to the bulk of rock ‘n’ roll.

October Music et al

Mutual Broadcasting System

In 1958 the Mutual Broadcasting System (radio) dropped all rock from its network music programs, calling it “distorted, monotonous, noisy music.” To coincide with the ban, the network changed the title of its 21 hours of music programming from “Top 50” to “Pop 50.” Songs removed from play included “Splish Splash” by Bobby Darin and Elvis Presley’s “Hard Headed Woman.” (see Jan 12)

October Music et al

Future Woodstock Performers

 Joan Baez

October Music et al

In October 1960:  Joan Baez (age 19) released her first album, Joan Baez.

Ravi Shankar

In 1962: Ravi Shankar released his 4th album, Improvisations. He released his first  at age 17 in 1937.

https://www.youtube.com/watch?v=lCEU1QthKgM&list=PLWgPB85I_6O6KmW7cRr6btm5hbGquxBrr

 Paul Butterfield

In October, 1965: The Paul Butterfield Blues Band album released. (Paul Butterfield age 23). The personnel are:

  • Paul Butterfield – lead vocals, harmonica
  • Mike Bloomfield – guitars
  • Elvin Bishop – guitars
  • Mark Naftalin – organ
  • Jerome Arnold – bass
  • Sam Lay – drums, lead vocals 

Jimi Hendrix

In October 1965: recorded a single with Curtis Knight, “How Would You Feel” backed with “Welcome Home”  (see In December 1965)

Sly and the Family Stone

In October 1967: Sly and the Family Stone released first album, “A Whole New Thing.”  (Sly Stone, 24) Personnel for the album are:

  • Sly Stone – vocals, organ, guitar, piano, celeste, harmonica, and more
  • Freddie Stone – vocals, guitar
  • Larry Graham – vocals, bass guitar
  • Cynthia Robinson – trumpet, vocal ad-libs
  • Jerry Martini – saxophone
  • Greg Errico – drums
  • Little Sister (Vet Stone, Mary McCreary, Elva Mouton) – background vocals

 

October Music et al

 Green Onions

In October 1962: Southern soul has its first major hit with the instrumental “Green Onions” by Booker T. & the MG’s. On a broadcast of the radio program Wait Wait… Don’t Tell Me! on June 24, 2013, Booker T Jones was asked about the title and said, “The bass player thought it was so funky, he wanted to call it ‘Funky Onions’, but they thought that was too low-class, so we used ‘Green Onions’ instead.”Green Onions.”

October Music et al

LSD

In October 1966: after faking his suicide and months on the run in Mexico, Ken Kesey gets word from fellow prankster, Carolyn Adams (aka Mountain Girl), that the cops are on to him. He sneaked back into the US where he will be caught and serve his sentence. (see Oct 2)

October Music et al

Nina Simone

In October 1967: Nina Simone released “I Wish I Knew How It Would Feel To Be Free.”

From a Joe Hagen article: The door swung open and there she was: Nina Simone, alone in her dressing room, sweat cascading down her shaved head, a wig thrown to the floor and two glittering fake eyelashes mashed unceremoniously against the mirror.(see Oct 7)

October Music et al

Mick Jagger Performance 1970

Mick Jagger Performance 1970

Warner Bros Records released the soundtrack album to the movie Performance on 19 September 1970. The album featured Mick Jagger, Ry Cooder, Randy Newman, The Last Poets, Buffy Sainte-Marie, and Merry Clayton.

“Turner’s Murder” by Merry Clayton Singers.

I was 20 and thought I knew it all. At least all I needed to know. Ok, most of it.

Mick Jagger Performance 1970

So Sharp

I was learning that there were many more cool things than the half dozen or so things that I already knew were cool: important things like knowing how to tie a Windsor knot or to whistle using my two pointer fingers to curl the front of my tongue. Knowing several nicknames for marijuana (albeit, never actually using it).

When I saw Mick Jagger on the cover of the Performance soundtrack, I was confused. It was Mick, wasn’t it? Why is he dressed like a woman. He was dressed like a woman, wasn’t he?

Apparently there was one more thing to know was cool, yet not actually doing that thing.

Mick Jagger Performance 1970

Mick in the movies

Mick Jagger Performance

Performance was Mick Jagger’s first movie role. It was done in 1967 and by then those fab four friends of his had already done two movies: Hard Day’s Night (1964) and Help! (1965).

Performance was neither of those things. Jagger was not going to play a musician chased by hundreds of fans for 87 minutes or a musician chased by dozens of villains for 92 minutes.

Jagger played a former rock star turned landlord, sort of.

Actor James Fox plays a gangster on the run and eventually hides out at the house of a Turner (Mick Jagger). There are already sexual shenanigans going on at Turner’s. Fox joins Turner and the three woman already there. Ménage de cinq.

Mick Jagger Performance 1970

Warner Brothers blinks

Mick Jagger Performance

Donald Cammell and Nicolas Roeg directed the film in 1967, but Warner Brothers, the studio, decided it could not release it. Reportedly, the wife of one Warner Brothers executive vomited while watching it.

Warner Brothers did finally release a version of the film in 1970. A highly edited version.

Over the years, various revised editions have been released. The last one, and most true to the original, was not released until 2007.

At its 1970 release, Roger Ebert said: “Performance” is a bizarre, disconnected attempt to link the inhabitants of two kinds of London underworlds: pop stars and gangsters. It isn’t altogether successful, largely because it tries too hard and doesn’t pace itself to let its effects sink in. But it does have a kind of frantic energy“

Other reviews thought it unworthy of the word film.

Mick Jagger Performance 1970

Cult classic

Mick Jagger Performance

Gradually, though, it found itself viewed far more favorably. From WikipediaIn 1995 Performance appeared at number 30 in a Time Out magazine “all-time greats” poll of critics and directors

In the September–October 2009 issue of Film Comment, Mick Jagger’s Turner was voted the best performance by a musician in a film.

In his 15-hour documentary The Story of Film: An Odyssey, Mark Cousins says: “Performance was not only the greatest seventies film about identity, if any movie in the whole Story of Film should be compulsory viewing for film makers, maybe this is it.

Mick Jagger Performance 1970

Performance soundtrack

I was more into music than cinema and decided to buy the soundtrack. Powerfully odd is how I would have described it then and now as well.

I again saw the name Jack Nitzsche: the name I often saw on the back of albums, but had no idea who he actually was, Other album names were familiar, too: Randy Newman; Merry Clayton, Ry Cooder, Buffy Sainte-Marie, the Last Poets, and Mick Jagger, of course.

For me, I’ve learned several times that a soundtrack usually needs the movie. I learned why background music is just that.

Here are the tracks:

Side One:

  1. “Gone Dead Train” – Randy Newman
  2. “Performance”  (Merry Clayton)
  3. “Get Away”  (Ry Cooder)
  4. “Powis Square (Ry Cooder)
  5. “Rolls Royce and Acid”  (Jack Nitzsche)
  6. “Dyed, Dead, Red”  (Buffy Sainte-Marie)
  7. “Harry Flowers”  (Jack Nitzsche, Randy Newman)
 Side two:

  1. “Memo from Turner”  (Mick Jagger, Keith Richards)
  2. “Hashishin” (Buffy Sainte-Marie, Ry Cooder)
  3. “Wake Up, Niggers” (The Last Poets)
  4. “Poor White Hound Dog” (Merry Clayton)
  5. “Natural Magic” (Jack Nitzsche)
  6. “Turner’s Murder” (Merry Clayton Singers)
Mick Jagger Performance 1970

Who Smash Smothers Brothers

Who Smash Smothers Brothers

September 17, 1967

Tom and Dick

Who Smash Smothers Brothers

I had heard of the Smothers Brothers. They were a bit goofy and looked like they might be escapees from a barbershop quartet. They were actually brothers (unlike the Righteous Brothers) and I loved the way Tom joked but didn’t joke with Dick.

Of course, Dick was a pretty funny word to hear on TV in the 1960s.

Their show began on CBS at 9 PM on Sunday 5 February 1967.  They followed the still popular and influential Ed Sullivan Show. Such a lead in spot would seem to make their show a shoe-in success, but keep in mind what was on NBC at the same time: Bonanza.

Who Smash Smothers Brothers

The underdog

Bonanza had been running for eight years already. A hugely popular show that made its viewers feel like cowboys who did the right thing at a time when making America great again was all the rage.

Poking fun at the Establishment was funny only to some Boomers, but for them, what fun it was.

Plus there was music. They had main stream performers like Jim Nabors, Jimmy Durante, siblings Frank, Jr and Nancy Sinatra, and Micky Rooney.

Who Smash Smothers Brothers

Underground music

For so-called “underground music” fans, seeing bands such as the Buffalo Springfield, Jefferson Airplane, the Turtles, the Blues Magoos, the Electric Prunes, and Simon and Garfunkel was a special treat. Such bands were not regularly seen on the few pre-cable TV stations typically available.

Who Smash Smothers Brothers

Follow the Clew

Gustav Metzger (10 April 1926, Nuremberg – 1 March 2017, London) was a German artist and political activist who developed the concept of Auto-Destructive Art.

It was he who inspired Pete Townshend’s guitar and amp smashing, which in turn inspired Keith Moon to follow suit.

Oh, that night!

Who Smash Smothers Brothers

On September 17, 1967, The Who appeared on The Smothers Brothers Comedy Hour. They played 2 songs, “I Can See For Miles” and “My Generation”.

At the end of “My Generation”, Pete Townshend started smashing his amp.

Keith Moon had rigged his drum set to explode. It did and the explosions cut Moon’s leg & singed Pete Townshend’s hair, along with doing damage to Townshend’s hearing.

Who Smash Smothers Brothers

Try try again

The story is apparently (and not surprisingly) that Keith Moon wanted to have an explosion at the end of their performance. In rehearsals, the explosion wasn’t big enough and he asked for something bigger. It was increased, but Keith added more.

And history was made.

Here is a 2016 Rolling Stone magazine look-back at the event.

Who Smash Smothers Brothers