Tag Archives: Grateful Dead

Phil Lesh

Phil Lesh

Grateful Dead
Woodstock alum
Born March 15, 1940
Happy birthday to you!
The music never stopped
The Grateful Dead-Summer Solstice-Shoreline Amphitheatre 06/21/1989
photo from: http://www.philzone.com/leshlinks/phil-lesh-bio.html
photo from: http://www.philzone.com/leshlinks/phil-lesh-bio.html
               We could simply say that Phil Lesh was the one and only bassist for the Grateful Dead and leave it at that. Is there more that you need to know?
               He was born in Berkeley, California and his first instrument was the violin, In high school he switched to the trumpet.  He eventually met Jerry Garcia and they became friends. Five years later, Jerry asked Phil to join the Warlocks and play bass.
               Since no one had instructed him on  how to play the bass, he developed his own style based on his musical preferences such as classical music and jazz.
               His contributions to the band were limited vocally and he composed few songs, but his musicianship was always an integral part of any Dead show.
               Because of technical issues, the Dead's contribution to the lore of  the Woodstock Music and Art Fair was more symbolic than actual. They felt their performance was sub-par and so that has become the description. Having said that, the show was not terrible in any sense. The Dead simply didn't have the chance to fly that night.
Phil Lesh discussed his early influences and more in the following video.

               In 1994, he was inducted into The Rock and Roll Hall of Fame as a member of the Grateful Dead.
               In 1995, after Jerrry Garcia died, the Grateful Dead stopped as a band, but each of the members continued to play music. Sometimes together, sometimes as solo artists.

Phil Lesh

               Phil Lesh played with The Other Ones and The Dead, as well as his own band collection, Phil Lesh and Friends. Check the link below to see all of his credits since 1995.

Still playing…

On March 12 this week Lesh teamed with The Terrapin Family Band to kick off a run of two shows at Brooklyn Bowl in New York City. Tonight, the group returns to the Bowl with special guest Eric Krasno, who also sat-in on Sunday, and they will play the same setlist the Grateful Dead did at a famed concert from 1977.

As Jambands.com reports, Phil Lesh and The Terrapin Family Band with Eric Krasno will re-create the show the Grateful Dead performed at San Francisco’s Winterland Arena on June 7, 1977. Look for Phil and his ensemble to play each and every song the Dead did at the start of a historic three-night run this evening in Brooklyn. 

The Sunday concert saw Phil, The Terrapin Family Band and Krasno perform a varied mix of material including Grateful Dead gems and classic rock standards. The Terrapin Family Band features guitarists Ross James and Grahame Lesh, drummer Alex Koford and keyboardist Jason Crosby.

Here’s a look at what the band played: 

Set One: Truckin’, Shape I’m In, Feel Like A Stranger, Down By The River, Reuben & Cerise, West LA Fadeaway, Tumbling Dice, Casey Jones

Set Two: Mason’s Children, Bad Moon Rising, Werewolves of London, New Potato Caboose, Lucy In The Sky With Diamonds, Dark Star v2, Caution, Sugaree

Encore: Ripple
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San Francisco Human Be In

San Francisco Human Be In

Turn on, tune in, and drop out.

San Francisco Human Be In
poster by artist Rick Griffin

On January 14, 1967: the San Francisco Human Be In was held in Golden Gate Park. It was a prelude to San Francisco’s Summer of Love, which made the Haight-Ashbury district a symbol of American counterculture and introduced the word “psychedelic” to suburbia.


San Francisco Be In
another poster

The San Francisco Human Be In exhibited the ideas of the 1960s counterculture: personal empowerment, cultural and political decentralization, communal living, ecological awareness, higher consciousness (with the aid of psychedelic drugs), acceptance of illicit drug use, and radical liberal political consciousness. The hippie movement developed out of disaffected student communities around San Francisco State and Berkeley and in San Francisco’s beat generation poets and jazz hipsters, who also combined a search for intuitive spontaneity with a rejection of “middle-class morality”. Allen Ginsberg personified the transition between the beat and hippie generations.


The San Francisco Oracle announced The San Francisco Human Be In on the cover of its fifth issue. The headline called it “A Gathering of the Tribes for a Human Be-In”.


A new California law banning the use of LSD that had come into effect on October 6, 1966 spurred the idea. The speakers at the rally included Timothy Leary in his first San Francisco appearance, who set the tone that afternoon with his famous phrase “Turn on, tune in, drop out,” Allen Ginsberg, who chanted mantras, and other counterculture gurus including comedian Dick Gregory, Lawrence Ferlinghetti, and Jerry Rubin.


Music was provided by several local bands including Jefferson Airplane, The Grateful Dead, Big Brother and the Holding Company and Quicksilver Messenger Service.


“Underground chemist” Owsley Stanley provided massive amounts of his “White Lightning” LSD, specially produced for the event, to the gathered masses.


San Francisco Human Be In


A great first-hand account from Rosie McGee [from: Brandelius, Jerilyn Lee, “Grateful Dead Family Album — p 40. New York: Warner Books, Inc., 1989.]


 “The Great Human Be-In” – afternoon concert…Best of all were the glorious free concerts in the Panhandle — a flatbed truck, makeshift electricity, food, wine, friends, sunshine, and some wonderful bands who hadn’t hit the big time yet. At first it seemed amazing that we knew by name so many of the hundreds gathered; but as the months went by, our awareness of a larger community grew until it peaked that fine day in January of 1967, the day of the tribal Stomp at the Polo Fields to be known as the “Human Be In.” We heard it through the grapevine, and a half dozen of us started early that morning to walk the couple of miles to the park. As we walked along Lincoln Avenue, we noticed other groups of neighbors walking in the same direction. More joined in off side streets, and by the time we turned north into the park, we were a large, laughing group. A half mile later, we were a horde and as the Be-In took shape through the day, we were awed and thrilled as the Polo Fields filled up with more than 20,000 people. It was a day of innonence and hope; and in many ways the last moments of naivete for a neighborhood that had just gone public.


And, of course, the Dead recorded their performance: Morning Dew ; Viola Lee Blues ; Good Morning Little Schoolgirl >>>


Grateful Dead at the 1967 Human Be-In

San Francisco Human Be In

San Francisco Human Be In

 

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Grateful Dead Play Madison Square Garden

Grateful Dead Play Madison Square Garden

Grateful Dead Play Madison Square Garden
Grateful Dead in 1979

The Grateful Dead played 2,318 shows.


On January 7, 1979 they played the first of the 52 shows they’d perform at New York City’s fabled Madison Square Garden. (The Dead also played 5 shows at Madison Square Garden’s Felt Forum)


They played more often at only two other venues: Winterland, (60 times) and the Oakland-Alameda County Arena (66 x)



Grateful Dead Play Madison Square Garden
ticket stub from the first Dead show at Madison Square Garden

The first Garden show was rescheduled from November 30, 1978 and thanks to the ever vigilant Deadheads, we know the set list:



One Jack Straw [6:08] ; They Love Each Other [7:48] ; Cassidy [5:00] ; Jack-A-Roe [5:16] ; Looks Like Rain [7:57] ; Tennessee Jed [8:27] ; El Paso [4:19]; Stagger Lee [6:42] ; Passenger [5:07]
Two I Need A Miracle [7:03] > Shakedown Street [10:00] ; From The Heart Of Me [3:42] ; Estimated Prophet [10:38] > Eyes Of The World [9:42] > Drums [4:55] > Space [4:11] > Not Fade Away [13:09] > Black Peter [11:34] > Around And Around [6:03]
Encore Good Lovin’ [7:37]

And like pretty much every Dead show, fans were there to tape it. Bob Wagner’s (transferred by the legendary Charlie Miller) is a great audience recording which the amazing Internet Archive has for you to listen to: AUD of show


 

AUDs sometimes have their clicks and gaps, but they can can be more fun to listen to than a soundboard recording because, if well done, you are right there with band’s sound.


Grateful Dead Play Madison Square Garden


The Dead also played the Garden the next night, a common occurrence.  And only Good Lovin’ was repeated. Another common feature of the ever-changing Dead setlists.


Grateful Dead Play Madison Square Garden
ticket stub for January 8, 1979 Madison Square Garden

Set list? Of course.


One Mississippi Half-Step Uptown Toodeloo [9:37] > Franklin’s Tower [9:56] ; New Minglewood Blues [5:04] ; Candyman [7:07] ; Me And My Uncle [2:56] > Big River [5:28] ; Friend Of The Devil [10:02] ; It’s All Over Now [8:19] ; Brown Eyed Women [5:09] ; Lazy Lightnin’ [3:34] > Supplication [7:43]
Two Scarlet Begonias [11:43] > Fire On The Mountain [10:16] ; Samson And Delilah [7:09] ; Terrapin Station [12:18] > Playing In The Band [13:25] > Drums > The Other One [8:23] > Wharf Rat [10:52] > Good Lovin’ [6:27]
Encore U.S. Blues [5:31]


Bob Wagner was there again. Charlie Miller has transferred it, again. click >>> January 8 Dead AUD


 

Grateful Dead Play Madison Square Garden , Grateful Dead Play Madison Square Garden, Grateful Dead Play Madison Square Garden , Grateful Dead Play Madison Square Garden,

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