Tag Archives: Woodstock Music and Art Fair

Trumpeter Thomas Henry Lowther

Trumpeter Thomas Henry Lowther

Birthday greetings

Trumpeter Thomas Henry Lowther

July 11, 1941
Jazz musician and…
Member of Keef Hartley Band at Woodstock

Thomas Henry Lowther was born in Leicester, England. “As a child Lowther learned trumpet from his father and took private violin lessons before going on to study with Manoug Parakian at London’s Royal Academy of Music.” (from All Music).

It has been a lifetime of music since then.

According to a 2019 Hastings Observer article, “He became interested in jazz and, inspired by a Sonny Rollins recording, he returned to brass playing and took up the trumpet. In the 1960s, he split his time between jazz and the rock scene. For instance he first played with the John Dankworth Orchestra in 1967, beginning a relationship that would last for 45 years. But he also played with bands like Manfred Mann, John Mayall’s Bluesbreakers and the Cream bassist Jack Bruce.”

Then the Keef Hartley band and Woodstock

Of Woodstock he said, ““You know I played Woodstock as the first gig of an American tour with the Keef Hartley band. The only other trumpet player at the gig was Sly Stone’s sister!”  (Jazz Wise magazine)

Since John Till and Louis Gasca with Janis, Steve Madaia and Keith Johnson with Paul Butterfield, and Chuck Winfield and Lew Soloff with Blood, Sweat and Tears played trumpet as well but we’ll just attribute Lowther’s error to that famous Woodstock Haze.

Trumpeter Thomas Henry Lowther

Henry Lowther

From  the Vortex Jazz site: During the sixties Henry was one of the first musicians on the British jazz scene to experiment with total free improvisation, notably with Jack Bruce, Lyn Dobson and John Hiseman. He played with the original and seminal Mike Westbrook band (which included Mike Osborne and John Surman), and also with John Dankworth, including playing on the now legendary and rare Kenny Wheeler album “Windmill Tilter” while also working on occasions on the rock scene with musicians such as Manfred Mann, John Mayall and  Keef Hartley, with whom he appeared at the famous Woodstock festival in 1969.

His work on the British jazz scene reads like a “Who’s Who”. He has played regularly with the likes of Gordon Beck, Michael Garrick, Graham Collier, Mike Gibbs, Pete King, Loose Tubes, John Surman, John Taylor, Stan Tracey and Kenny Wheeler. 

Here is his All Music list of credits. You’re going to be there awhile!

Trumpeter Thomas Henry Lowther

After Keef Hartley

After Lowther left Keef Hartley in 1970, he worked with dozens of different musicians including Bryan Ferry, Van Morrison, and did the trumpet solo for Elton John on “Return to Paradise” in 1978.

Trumpeter Thomas Henry Lowther

From his own site

In 1996, along with his great friend the great bass player Dave Green, Henry formed his own band Still Waters to enable him to pursue his increasing interest in composition. In 1997 Still Waters recorded an album, “ID”, on the Village Life label, to much critical acclaim

Trumpeter Thomas Henry Lowther

2018

In March, Still Waters released a new album: Can’t Believe, Won’t Believe. The personnel are: Henry Lowther (trumpet/flugel); Pete Hurt (tenor); Barry Green (piano); Dave Green (bass); Paul Clarvis (drums)

Of it, the Financial Times said, “The sturdy theme and somnolent harmonies of the opening title track have trace elements of a works’ brass band. But the melody has a quizzical edge, and elliptic splatters of percussion lie underneath. As the piece evolves, the trumpeter’s brassy certainty is interrupted by drummer Paul Clarvis’s off-kilter breaks. Can’t Believe, Won’t Believe is dedicated to cynics everywhere. As the album progresses, Lowther’s modern jazz quintet embroiders the trumpeter’s elegant and knowing compositions with unruffled emotions and filigree detail. Pete Hurt is a wispy-toned tenor sax foil to Lowther’s precise turn of phrase, and pianist Barry Green’s haunting impressionist voicings are underpinned by Dave Green’s pitch-perfect counterpoint bass.”

Trumpeter Thomas Henry Lowther

1969 Laurel Pop Festival

1969 Laurel Pop Festival

Laurel Race Course, Laurel, Maryland

July 11 & 12, 1969

1969 festival #24

1969 Laurel Pop Festival

Audio from a series of videos the Laurel History Boys did.
1969 Laurel Pop Festival

The 24th festival of 1969. I realize that there were other 1969 music events such as jazz, country, and folk festivals, but I am limiting my ongoing coverage to what I generally refer to as rock festivals. I included the Newport Jazz Festival earlier in the month because it included several rock bands as well.

1969 Laurel Pop Festival

Nice line-up

The Laurel Pop Festival does not make the list of answers when we ask anyone, “Name a festival that happened in 1969.” If we said “Laurel Pop Festival” to anyone, we likely  get a blank look.

The line up for that weekend suggests otherwise on both counts. We should know it. Look at the line up:

July 11

  • Al Kooper
  • Jethro Tull
  • Johnny Winter
  • Edwin Hawkins Singers
  • Led Zeppelin
  • Buddy Guy

July 12

  • Jeff Beck
  • Ten Years After
  • Sly and the Family Stone
  • Mothers of Invention
  • Savoy Brown
  • Guess Who

This post’s background audio mentions that five of the Laural Pop acts played at the Woodstock Music and Art Fair in August.

Actually not.

Three did and I’ve underlined them. I again note that Johnny Winter played. The guy was indefatigable that summer!

Nick and Bobbi Ercoline

Perhaps the most iconic photo of Woodstock attendees (as opposed to Woodstock performers) is the picture of Nick and Bobbi Ercoline.

1969 Laurel Pop Festival

For Laurel Pop we have John and Debbie. I suppose had Laurel Pop become as famous as Woodstock, we’d recognize them today, too.

1969 Laurel Pop Festival

The picture of John and Debbie is from a site that attendees have commented about their experiences there.

Wet ending

From the Baltimore Sun: Lost in the smoky haze of 1960s history is The Laurel Pop Festival held in July 1969, which was attended by 15,000 fans and offered an incredible lineup of some of the biggest pop performers of the year. Held just one month before Woodstock, The Laurel Pop Festival ended in controversy as rain-soaked fans built bonfires with wooden folding chairs and refused to leave as the concert dragged on into the early morning.

Laurel History Boys

A site called the Laurel History Boys posted a piece in 2019 on their golden anniversary presentation of the event. Lot’s of pictures and information about Led Zeppelin.

Link to that piece followed by a video with an interview with Kevin Leonard,  one of the Laurel History Boys.

https://laurelhistory.com/2019/07/12/great-fun-at-the-laurel-pop-festival-celebration/

1969 Laurel Pop Festival

Next 1969 festival: 1969 Forest Hills Music Festival

Activist Arlo Davy Guthrie

Activist Arlo Davy Guthrie

A happy birthday (or a belated happy birthday)

June or July?

Sources agree on the year, 1947. Sources agree on the date: the 10th. Sources disagree on the month: June or July. The majority say July, so here we are.

Arlo’s page only uses the year. I suppose once one approaches their eighth decade, a month really doesn’t matter.

Arlo’s site says, “Arlo is the eldest son of Marjorie Mazia Guthrie, a professional dancer with the Martha Graham Company and founder of The Committee to Combat Huntington’s Disease, and America’s most beloved singer/writer/philosopher/artist Woody Guthrie.”

Growing up the child of American icons has both its pros and cons. A pro: name recognition from the start. A con: name recognition from the start.

Many Americans associated the name Guthrie with Communism at a time when the Cold War to defeat the Red Menace was still at its height.

Activist Arlo Davy Guthrie

Woody’s Friends

Friends of his father, Woody, friends like Pete Seeger, Ronnie Gilbert, Fred Hellerman and Lee Hays (The Weavers), Leadbelly, Cisco Houston, Ramblin’ Jack Elliott, Sonny Terry and Brownie McGhee were part of Arlo’s early life.

Arlo was also one of the many young artists who gravitated to Greenwich Village’s folk scene.

Activist Arlo Davy Guthrie

Alice’s Restaurant

Activist Arlo Davy Guthrie

For many, myself included, our first encounter with Arlo Guthrie was hearing “Alice’s Restaurant.” It came at a perfect time: anti-Vietnam War fervor peaking, anti-Establishment in tone, and simply a great story.

For many of those same listeners, Thanksgiving has meant listening again to Arlo’s masterpiece as much as watching the Detroit Lions play.

The song also likely played a big part in his invitation to the Woodstock Music and Art Fair. He didn’t sing “Alice’s Restaurant” that misty night, but he did declare that the “NY Thruway was closed!”

Not true, but a Woodstock myth too good to not hold onto.

Activist Arlo Davy Guthrie

City of New Orleans

And as funny and reaffirming as “Alice’s Restaurant” is, “City of New Orleans” is comforting and nostalgic. A yearning for the slower times and relaxed travel by train.

Activist Arlo Davy Guthrie

Activist Republican

For a bit, Arlo joined the Republican party because he felt it needed more people with his type of views, but lately he’s back to the Democratic Party.

Activist Arlo Davy Guthrie

Retirement

On October 23, 2020, Arlo posted the following on his Facebook page.

Gone Fishing

It’s been a great 50+ years of being a working entertainer, but I reached the difficult decision that touring and stage shows are no longer possible. I’ve cancelled the upcoming shows, and am not accepting offers for new ones. That’s the short version. For the longer version continue reading…
As a folksinger, I never really thought much about getting older. It seemed to me that I could just continue year after year, decade after decade, singing and playing as I had done for most of my life. As the years went by, it got more difficult to keep touring, but I did it, mostly because I’d been doing it my entire life. It was the life I knew and loved.
In 2016 on April 1st, April Fools Day, I got really dizzy in the parking lot of the hotel, and started seeing as though I were looking through a kaleidoscope. That evening the show went on as though nothing had happened. I had no idea I’d just encountered a mini stroke until weeks later, when I was told about it. It didn’t appear to affect my performance, or my state of being. I continued touring for the next 4 years.
Then, on Thanksgiving Day 2019 (of all freaking days) it happened again. This time I was on my way to The Church / The Guthrie Center to help out with our annual Thanksgiving Dinner that we hold every year. I had pulled over to fuel up and realized I couldn’t continue to drive safely, as everything was spinning around, sort of like the old days, but without the help of illegal substances. I was taken to the hospital, and was under evaluation, when I broke out. I had an important gig at Carnegie Hall in New York – The end of an annual series I’d been doing for decades and it was Sold Out. I had to be there. It was imperative.
The next morning I left the hospital, took the family and headed for New York. And what a show it was! We wrapped up 50 years with a terrific evening with the entire family on stage. I really enjoyed it.
The following day I flew to my home in Sebastian, FL just as I had done for years, this time with the history of Carnegie Hall behind me. My girlfriend, Marti picked me up at the airport, and we settled into the routine of being on the river I loved. Two nights after arriving home, I awoke in the morning and was lurching from sIde to side. I knew something was wrong, and went to keep a doctors appointment we’d previously set up. The doc said “You need to go to the hospital – Now.”
So, Marti took me to the hospital nearby in Vero Beach. They kept me there for 3 days, running tests of all kinds, and essentially informed me that I’d suffered a stroke. This time was more serious, as I’d lost some ability to walk, and I wondered if if would be able to play music. I spent about a week in a rehab center to re-learn the basics, like walking. I went home after that, and began a regimen of playing guitar, walking… All the things I would need to continue touring and performing. During the entire time, Marti kept the family and close friends advised as to my progress, and took really great care of me. I needed all the help I could get. And she was there to see it done right.
By the the time our first shows began in 2020, I was at about at 80% and felt like I was improving. Then the pandemic hit. All the shows we had planned for 2020 were at first, postponed, then rescheduled and finally cancelled. My hopes for a gradual recovery onstage came to an abrupt end.
Meanwhile, I’d decided back in 2018 to move from the home in Florida. And just as I’d returned from our last gig in Tennessee, a buyer appeared, and we had a deal on the table to sell The CrabHouse. I wasn’t in any shape to go through the intricacies of selling a guitar pick, let alone a home with 30 years of stuff we’d collected. Marti ended up doing it all. She finalized the deal, and dealt with the stuff that either had to be sold, moved or thrown out. It was quite a lot. But, through garage sales, online markets, movers and friends, she’d pretty much emptied the CrabHouse of everything, and we moved into her place about a mile away.
We were there for a few weeks, before it was safe enough to return to The Farm in Massachusetts. That was in June 2020. Since then we’ve been holed up at The Farm trying to keep out of harms way, and also trying to provide some online entertainment for our friends who were, and continue to be, holed up wherever they are. My band and crew arranged a few short gigs that were filmed at The Church, but when I saw the play-back in the editing room I realized that it was not up to the standards I expected of myself, let alone the expectations that our friends and fans had come to enjoy.
A folksinger’s shelf life may be a lot longer than a dancer or an athlete, but at some point, unless you’re incredibly fortunate or just plain whacko (either one or both) it’s time to hang up the “Gone Fishing” sign. Going from town to town and doing stage shows, remaining on the road is no longer an option.
I don’t remember answering the question on the other side of that piece of paper when I was asked “Kid! Have you rehabilitated yourself?” But, the short answer is now clearly, “No!” In fact, I hope to be a thorn in the side of a new administration pretty soon. Tom Paine once wrote “To argue with a man who has renounced the use … of reason, and whose philosophy consists in holding humanity in contempt, is like administering medicine to the dead….” In other words, you cannot and should not argue with people who don’t care, or hold the caring of others in contempt. A healthy suspicion of authority, left, right or center has been the hallmark of my career since the beginning, and I will continue to poke fun at cultural, political, or personal absurdities as I see it. I’m actually looking forward to it.
I’m happy, healthy and good to go, even if I’m not going anywhere. I’ve taken back 6-9 months that I used to spend on the road, and enjoying myself with Marti, my family and friends. In short – Gone Fishing.

Despite the sad news, Guthrie and his music will continue to be a beacon for what is best about us.

Activist Arlo Davy Guthrie