Category Archives: Woodstock Music and Art Fair

CSN Crosby Stills Nash

CSN Crosby Stills Nash

May 29, 1969

CSN Crosby Stills Nash

CSN Crosby Stills Nash

E Pluribus Unum

The Hollies were part of the British Invasion on the heels of America’s Beatlemania and we first heard them on “Look Through Any Window” without realizing we were listening to Graham Nash.

The Byrds were part of “that” California sound that provided counterpoint to the Beatles. It was Roger McGuinn whose voice we were hearing mainly, but David Crosby’s was an important part, too.

We likely thought Buffalo Springfield’s “For What It’s Worth” was a war-protest song, not realizing it was about teenagers being allowed to stay out late. If someone had said Stephen Stills we may or may not have recognized the name.

Then we found out that Buffalo Springfield was no more; that the Byrds kicked David Crosby out of the band.

CSN Crosby Stills Nash

April 1969

In early April 1969, the brand new Rolling Stone magazine had an article about the three finishing their album. The article gave high praise to this latest “supergroup” : “The album, as yet untitled, is arguably the most talked-about LP-in-progress in Los Angeles, one of the most talked-about in the industry.”

When Atlantic did release the album on May 29, 1969 such praise gave it an automatic boost. Unlike today, the group did not tour beforehand nor did  it tour right away.  And by the time they got to Woodstock and sang in front of the half million strong it was only their second gig. And they were, quote, “scared shitless.”

CSN Crosby Stills Nash

Crosby, Stills & Nash album

Though they were new, Crosby, Stills and Nash (no Oxford comma) did not need Woodstock and it’s accompanying movie and triple album exposure (Warner Bros owned the rights…Atlantic by this time was under WB’s umbrella…and Cotillion, the Woodstock album’s label was under Atlantic’s umbrella), but it helped of course.

The CS & N album went on to have two hit singles (” “Marrakesh Express” and “Suite: Judy Blue Eyes” ) and  itself peaked at #6 on the Billboard Top Pop Albums chart. It now has had sales of over 4,200,000 copies.

CSN Crosby Stills Nash

Cover trivia

Some trivia about the well-known album cover taken by the famed Henry Diltz. When Diltz took the photo, the band hadn’t settled on a name yet, but did within a day or two. Realizing that the band name did not match the photo, they returned to re-shoot. Unfortunately, the building had been demolished in the interim.

When the jacket is fully opened the “whole” photo appears. At least it appears to appear with drummer Dallas Taylor Prisoner of Woodstock. That part of the photo was pasted in later with a photo of Taylor posed in Crosby’s door.

CSN Crosby Stills Nash

CSN Crosby Stills NashCSN Crosby Stills NashCSN Crosby Stills Nash, CSN Crosby Stills Nash, CSN Crosby Stills Nash

John Fogerty

John Fogerty

Happy birthday

May 28, 1945

John Fogerty
photo: bluejayblog

Proud Mary

I guess “Proud Mary” was the first time I heard Creedence Clearwater Revival. It was pretty good. Straight-forward rock with a taste of, I didn’t realize then, bayou.

I also didn’t know who Creedence Clearwater Revival was: Stu Cook, Tom Fogerty, Doug Clifford, and John Fogerty. The band’s name was confusing, but less so that any Dylan lyric, so I was ahead of the game.

While Creedence was the sum of its parts, those songs, the catchy song after catchy song, was from John Fogerty.

California beginnings

John and his older brother Tom Fogerty grew up in El Cerrito, California, in the San Francisco Bay Area.

At first the four friends were the Blue Velvets but became the Golliwogs when they signed with Fantasy Records, mainly a jazz label. Their singles fared poorly.

After a stint in the Army Reserve, the four band mates became Creedence Clearwater Revival. And as if John had gone down to the crossroads, suddenly a spate of songs came forth.

An abundance of hits

  • Susie Q
  • Proud Mary
  • Born on the Bayou
  • Bad Moon Rising
  • Lodi
  • Green River
  • Commotion
  • Down on the Corner
  • Fortunate Son
  • Travelin’ Band
  • Who’ll Stop the Rain
  • Up Around the Bend
  • Run Through the Jungle
  • Lookin’ Out My Back Door
  • Long as I Can See the Light
  • Have You Ever Seen the Rain

Woodstock

Despite John Fogerty’s sense that their performance at the Woodstock Music and Art Fair was below par due to a sleepy audience, I for one can say that my sense is the opposite and when asked “Who was your favorite at Woodstock?” my somewhat evasive answer is “I went home and bought Creedence.”

CCR’s Nantucket sleighride lasted until 1971 when brother Tom left the band. There are many stories why Tom left; generally it seems that John’s larger than life influence on the band, its music, its direction, and its performance was more than Tom could take.

CCR’s last album, Mardi Gras, did well but comparatively poorly. Stu Cook and Doug Clifford left and CCR was over.

John Fogerty

John continued in a sometimes sporadic way. He released an album as the Blue Ridge Rangers, but there were no rangers. It was only John. Subsequent albums were simply under his name.

Legal issues with Fantasy Records limited his production. It wasn’t until he settled that issue, much to Fantasy Records benefit and his loss, that he was able to move forward.

In 1985 he released the album Centerfield and it became a huge hit.

Brother Tom died in 1990 and CCR was inducted into the Rock and Roll Hall of Fame in 1993. John Fogerty did not perform with his former band mates.

John Fogerty continues to write and perform today [site].

Mark Lavon Levon Helm

Mark Lavon Levon Helm

Happy Birthday
Remembering and Appreciating
May 26, 1940 — April 19, 2012

Mark Lavon Levon Helm

Mark Lavon Levon Helm

Who?

My memory is vague concerning how I first heard about the Band. I certainly did not know that they were Bob Dylan’s back up band. I just as certainly did not know they were mostly Canadian musicians, except one guy.

Mark Lavon Levon Helm

Music From Big Pink

I presume  I first heard about Music From Big Pink from Rolling Stone magazine.  If I did,  then I did read about the Dylan and Canadian connections. I definitely would have noticed that Al Kooper wrote the review. that “You can believe every line in this album and if you choose to, it can only elevate your listening pleasure immeasurably,  and that he said it was his album of the year.

Mark Lavon Levon Helm

Staten Island Ferry


I sat on the Staten Island Ferry after working as a Wall Street runner at Dempsey – Tegeler where I  had learned the quickest route from 110 Wall Street to the Chase Bank in the rain. I sat on the ferry cuddling Music from Big Pink.  If Kooper, the mainspring of the Blues Project [a source of several epiphanies) and Blood, Sweat and Tears  [Child Is Father to the Man] said The Band were It, then Amen.

Mark Lavon Levon Helm

Mono Greatness

My little mono record player was literally that and could not even dream in Hi-Fi, but it gave its all. And I listened.

What was this? Not rock. Not blues. At least not any rock or blues that I’d ever heard. Deliberate, its songs required patience that this 18 year old lacked.

Mark Lavon Levon Helm

The Band

With time and their second album I fell under the Band’s spell. Little did I realize that Levon Helm, Garth Hudson, Rick Danko, Richard Manuel, and Robbie Robertson repeatedly proved the point of their music being greater than the sum of their parts. Not even the Beatles were as instrumentally multi-talented as The Band.

When the original Band ended it’s run in 1977, a run longer than the Beatles had had, fans hoped that it was simply a postponement, not a cancellation.

Mark Lavon Levon Helm

Lifer Levon

It was and it wasn’t. Levon Helm certainly kept on playing music. Thank you! The others did, too, but Levon in particular remained the source of that sound I had, at first, not understood.

Mark Lavon Levon Helm

Better late than…

Now I get it. Now I want it. And Levon, despite many challenges, kept pace, and kept the faith. With a partially re-formed Band and without. On his own. With a voice and sometimes without one. His credits cover a lifetime of sincere and truthful music. (All Music credits)

And what Al Kooper said in 1968 about Big Pink, was true about Levon Helm until the day he died:  [His] singing is…honest and unaffected….There are people who will work their lives away in vain and not touch it.

Excerpt from PBS Special “Levon Helm Ramble At The Ryman” premiered nationwide on August 2009. Featuring John Hiatt, Sheryl Crow, Buddy Miller, Sam Bush. Levon Helm brough his Midnight Ramble to the historic Ryman Auditorium in Nashville, TN.

Mark Lavon Levon Helm