Category Archives: Music et al

Bethel Becomes Woodstock

Bethel Becomes Woodstock

July 1969

One of the most common questions guests ask when visiting Bethel Woods Center for the Arts is, “Why do they call it Woodstock?”

The question never asked is, “What happened in Wallkill?”

Here’s what was happening in July 1969 while Woodstock Ventures, the partnership that created the Woodstock Music and Art Fair, continued to prepare the Wallkill, NY site for the August festival.

https://www.bethelwoodscenter.org/
Rt 17B, early Saturday morning 16 August 1969 (photo by J Shelley)
Bethel Becomes Woodstock

Wallkill declines

On  July 14, 1969, Woodstock Ventures had again met with Wallkill town officials and presented its revised application for the festival. Wallkill had instituted new ordinances and Woodstock Ventures felt it had done what was necessary to meet those demands.

The next day, in a closed session at the town hall, the Wallkill Zoning Board of Appeals passed judgment on the status of Woodstock Venture’s application for a permit. The five-member board refused to allow the festival to build anything on the 200-acre site.

July 16: officials posted  an eviction notice on the front door of Howard Mill’s barn (one of the organizing locations for the festival) The notice told Woodstock Ventures to vacate the premises. To this point Woodstock Ventures had sold approximately 150,000 tickets for each day and had spent $500,000 on the concert. Woodstock Ventures went to court.

Bethel Becomes Woodstock

Bethel’s Woodstock

The move to Bethel, New York is a bit shrouded in a Sullivan County early morning fog. That is not surprising. No one followed Michael Lang, Artie Kornfeld, Joel Rosenman, or John Roberts around with a tape recorder or notepad to document every word for posterity. No one knew that posterity would be interested.

That same day (July 16) Mel Lawrence (Director of Operations) and Michael Lang took a helicopter over nearby areas looking for a concert new location.

While they were gone, Elliott Tieber apparently contacted Woodstock Ventures about a place in Bethel, NY, 30 miles away. Tieber’s family ran the El Monaco Motel at the intersection of Rts 17B and 55.

Upon investigation, the site was completely unsuitable. Tieber (perhaps, perhaps not) set up a meeting with Max Yasgur.

Bethel Becomes Woodstock

Max and men on the moon

July 17: although not particularly interested, Max Yasgur agreed to meet with Woodstock Ventures. Area media had covered the festival’s troubles in Wallkill and Yasgur knew all about the Wallkill eviction.

July 18: in the morning before the Yasgur meeting, Michael Lang and Ticia Bernuth (production assistant) explored the Bethel area. They saw an area they thought suitable.

The first site Yasgur offered did not please Lang. Yasgur offered another site, a field he owned about a mile away. It was the same site Lang and Bernuth had seen that morning. Yasgur and Lang made an agreement.

July 20: Neil Armstrong walked on the moon.

Bethel Becomes Woodstock

Blowback

July 20: someone nailed a sign to tree at driveway entrance.

Bethel Becomes Woodstock

July 21: Judge Edward O’Gorman handed down a decision. It banned the festival from the Wallkill site. That evening, the Bethel Council unanimously voted to grant permission to Woodstock Ventures to hold the festival.

Bethel Becomes Woodstock

July 22:  Mel Lawrence brought festival workers from Wallkill to Bethel. He held a general meeting at Tieber’s El Monaco Motel.

July 24: the Bethel Supervisor reported that he’d received about twenty phone calls from residents opposed to festival, but no legal threats.

July 26: Wes Pomeroy, the Chief of Security, began interviewing NYC police. He explained that those selected will not be in uniform, will carry no weapons, and will not hassle attendees about drug use, dress, or language.

That same day a local petition circulated to ban the festival.

Yasgur continued to support his decision and made the following statement: “I hear you are considering changing the zoning law to prevent the festival. I hear you don’t like the look of the kids who are working at the site. I hear you don’t like their lifestyle. I hear you don’t like they are against the war and that they say so very loudly. . . I don’t particularly like the looks of some of those kids either. I don’t particularly like their lifestyle, especially the drugs and free love. And I don’t like what some of them are saying about our government. However, if I know my American history, tens of thousands of Americans in uniform gave their lives in war after war just so those kids would have the freedom to do exactly what they are doing. That’s what this country is all about and I am not going to let you throw them out of our town just because you don’t like their dress or their hair or the way they live or what they believe. This is America and they are going to have their festival.”

Bethel Becomes Woodstock

Percussionist Jose Chepito Areas

Percussionist Jose Chepito Areas

Happy birthday
born July 25, 1946

Percussionist Jose Chepito Areas

Have you ever hear of…?Percussionist Jose Chepito Areas

After organizers had drafted Country Joe McDonald to do a solo performance at the Woodstock Music and Art Fair that fair Saturday afternoon, August 16, 1969, the young couple pictured above turned around and offered friend Tony and me a toke. Straight as an arrow at the time, we politely refused. They were from San Francisco and asked us, “Have you ever heard of …” and gave the name of the next act. We said we hadn’t. Neither had most of the others sitting in that big grassy bowl.

Soul Sacrifice

White kids getting sunburned

After that next band finished “Soul Sacrifice” and 400,000 people stood, applauded, stamped, hooted, shouted, yelled, and generally ululated, we all knew Santana and would never forget that moment. I grabbed my borrowed 35 mm camera and shot a picture of that scene. Looking at it today, the echos cannot be heard, the vibrations felt. I know though.

Jose Areas

My guess is that most of those many white kids getting sunburned have not forgotten that moment either. The mixture of Carlos Santana’s electric guitar, Gregg Rolie‘s searing organ, David Brown‘s thumping bass, and ALL that percussion chugging along.

Jose “Chepito” Areas’s timbales were amongst all that chugging percussion. He was an original member of Santana and played with them while Carlos was with the band and without and reunited.

Jose “Chepito” Areas

Areas released a solo album, “Jose Chepito Areas” in 1974. Listen and I dare you not to start moving in sync. Here’s “Gurafeo” from that album.

Percussionist Jose Chepito Areas

Rock and Roll Hall of Fame

Areas along with his other band mates from the original line up were inducted into the Rock and Roll Hall of Fame in 1998. He was not present.

If you’d like to keep up with Jose, he has a Facebook page.

Percussionist Jose Chepito Areas

1969 Seattle Pop Festival

1969 Seattle Pop Festival

Seattle Pop Festival

July 25 – 28, 1969
Gold Creek Park, Woodinville, WASeattle Pop Festival
1969 Seattle Pop Festival

1969 Festival #27

Another 1969 summer weekend. Another 1969 festival. The Seattle Pop Festival was the 27th festival of that year (at least as I keep finding new ones to add to the list). And like the event named Woodstock that was not in Woodstock, this Seattle event was not in Seattle.

The lineup was a good one and if 400,000 people had shown up, if it had been in New York, and if Boyd Grafmyre, its organizer, had filmed and recorded it, we’d know even more about it today. Alas those “ifs” are mainly “nots.”

1969 Seattle Pop Festival

Boyd Grafmyre1969 Seattle Pop Festival

Boyd had attended the Monterey Pop Festival in 1967. It inspired him to do the same in Seattle two summers later. According to Grafmyre, there were 30,000 attendees on first day, 60,000 the second day, and 90.000 on day three.

Friday 25 July

  • Crome Syrcus
  • Bo Diddley
  • Flying Burrito Brothers
  • Ten Years After
  • Guess Who
  • Murray Roman
  • Albert Collins
  • Santana
  • Youngbloods
  • Tim Buckley
  • It’s a Beautiful Day
  • Byrds

Saturday 26 July

  • Floating Bridge
  • Charles Lloyd
  • Santana
  • Albert Collins
  • The Flock
  • It’s a Beautiful Day
  • Ike and Tina Turner Revue
  • Guess Who
  • Bo Diddley
  • Lonnie Mack
  • Chicago Transit Authority
  • Chuck Berry
  • Tim Buckley

Sunday 27 July

  • Blacksnake
  • Youngbloods
  • Guess Who
  • Spirit
  • Bo Diddley
  • Vanilla Fudge
  • The Flock
  • Albert Collins
  • Flying Burrito Brothers
  • Ike and Tina Turner Revue
  • Charles Lloyd
  • Led Zeppelin
  • Lee Michaels
  • Doors
  • Chuck Berry
1969 Seattle Pop Festival

Woodstock West (sort of)1969 Seattle Pop Festival

1969 Seattle Pop Festival

Multiple performances

Unlike most festivals, you will notice that many of the better known bands played more than one day, such as Bo Diddley (3 days), the Flying Burrito Brothers (2 days), Guess Who (3 days), Albert Collins (3 days), Santana (2 days), Tim Buckley (2 days), Charles Lloyd (2 days), The Flock (2 days), It’s a Beautiful Day (2 days), Ike and Tina Turner Revue (2 days), and Chuck Berry (2 days).

It must have been nice to see your favorite bands more than once at the same venue the same weekend.

According to the Invisible Theme Park site, the following were notable characteristics about the Seattle Pop  Festival:

  • Led Zeppelin and The Doors played together on the same ticket–the only time they did so.
  • The “Forgotten Woodstock” preceded the real Woodstock by one month.
  • Chicago Transit Authority eventually became Chicago.  Their first album had been released only 3 months before Seattle Pop Festival.
  • This is Led Zeppelin on the cusp of fame.  1969 was the year they first came to America.
  • Crome Syrcus?  They were a psychedelic Pacific Northwest band that broke up in 1973, best known for “Love Cycle” and “Take It Like a Man.”
  • Murray Roman?  He was a stand-up comedian, a bit of a poor man’s Lenny Bruce, who had an album called You Can’t Beat People Up and Have Them Say I Love You.  He died in 1973 in a car crash on PCH.
  • The Flying Burrito Brothers was formed a year before Seattle Pop from former Byrds members Gram Parsons and Chris Hillman.
  • Forgotten Woodstock:  25 acts, 50,000 fans.  The East Coast Woodstock:  32 acts, 500,000 fans.

WMMR Article

On July 25, 2023, WMMR had an article about the event. It pointed out that tickets for the event cost $6 for a day or $15 for the whole weekend.

1969 Seattle Pop Festival

Next 1969 festival: Midwest Rock Festival