All posts by Woodstock Whisperer

Attended the Woodstock Music and Art Fair in 1969, became an educator for 35 years after graduation from college, and am retired now and often volunteer at Bethel Woods Center for the Arts which is on the site of that 1969 festival.

James Royal Robbie Robertson

James Royal Robbie Robertson

Remembering Robbie on his birthday
July 5, 1943 – August 2, 2023
The Band
Woodstock alum
James Royal Robbie Robertson
Jaime Royal “Robbie” Robertson was born on July 5, 1943 in Toronto, Canada. His father from Toronto; his mother, of Mohawk descent, born and raised on the Six Nations Reservation. At an early age, Robbie begins learning guitar from relatives during his summer visits to the reservation. (photo & text from Robertson site)

 

A lucky few are born with a silver spoon in their mouth. Apparently, James Royal “Robbie”Robertson was born with a guitar in his hands.

James Royal Robbie Robertson

Early on before Dylan…

Like many (most?) lifelong rock musicians, Robbie Robertson began playing in local bands in his mid-teens. By the time he was 18 he, along with Levon HelmRick DankoRichard Manuel, and Garth Hudson) was a part of Ronnie Hawkins’s band, Hawkins and the Hawks.

In 1961, Robbie Robertson and his mates became the Canadian Squires and released “Uh Uh Uh” with “Leave Me Alone” on the B-side. Robertson is credited for writing both.

James Royal Robbie Robertson

Enter Dylan

1965 was a turning point in rock and roll. Around for a decade already, the nonetheless “new” genre of Rock split with some headed in a new direction.

Why?

Bob Dylan had decided to stop working on Maggie’s farm and go electric. For his band, Dylan recruited Robertson who was quickly followed by the rest of the Squires. They toured with Dylan and then near Dylan’s in Woodstock, NY.

Their pink house was at 56 Parnassus Lane in nearby West Saugerties, NY. They set up a recording studio in its basement and played innumerable hours working on their music together. Dylan frequently stopped by and his famous Basement Tapes came out of this time.

Dylan’s band became The Band and Music From Big Pink became their first album. Al Kooper, in his Rolling Stone magazine review of the album, wrote in Rolling Stone magazine in August 1968, “I have chosen my album for 1968. Music from Big Pink is an event and should be treated as one.”

James Royal Robbie Robertson

The Band

Rolling Stone magazine carried a lot of weight and the fact that the well-respected Al Kooper endorsed it so enthusiastically was a double-barrel boost.

Robbie Robertson, the person who the record credits with doing most of the Band’s composing, became a star along with the rest of the Band.

James Royal Robbie Robertson

Woodstock Music and Art Fair

If the reclusive Bob Dylan wasn’t available for Woodstock Ventures get together in Bethel, NY, then getting the newly anointed Band there was nearly as good.

There style differed from most other bands surrounding them that weekend in general and that Sunday in particular. It is easy to forget how oddly “unrock” their style of rock was.

In concert the Band and Robertson were as tight and proficient as any ever was. Those basement hours paid many dividends.

James Royal Robbie Robertson

Fame

In 1969, they released their second album, The Band. In 1970, Time magazine put Robertson and the Band on its front cover with the caption “The New Sound of Country Rock.”  1970 saw their third album, Stage Fright. Cahoots in 1971. Rock of Ages in 1972.

They toured and they partied. They partied and they toured.

James Royal Robbie Robertson

Last Waltz

By 1976, only eight years after the release of Big Pink, Robertson and the other members took a break. They billed it as the Last Waltz and threw a party filmed and recorded by filmmaker friend Martin Scorsese. A who’s who of friends and musicians participated, including Ronnie Hawkins and Bob Dylan.

James Royal Robbie Robertson

Robbie Robertson

The Band, always without Robertson, got together occasionally to record and tour.

Robertson continued to record as well as acting (eg. the 1980 Carny).

James Royal Robbie Robertson

Film scores

He has often contributed to film scores particularly working with Martin Scorsese (Raging Bull, King of Comedy, Color of Money, Casino, Gangs of New York, Ladder 49, Shelter Island, The Wolf of Wall Street)

James Royal Robbie Robertson

In November 2016, Robertson released his large memoir, Testimony.  (NYT review)

Death

On August 2, 2023 Robertson’s management company confirmed the musician’s death. “Robbie was surrounded by his family at the time of his death, including his wife, Janet, his ex-wife, Dominique, her partner Nicholas, and his children Alexandra, Sebastian, Delphine, and Delphine’s partner Kenny,” his longtime manager Jared Levine said in a statement. “In lieu of flowers, the family…asked that donations be made to the Six Nations of the Grand River to support the building of their new cultural center.”

Martin Scorsese: ““Robbie Robertson was one of my closest friends, a constant in my life and my work. I could always go to him as a confidante. A collaborator. An advisor. I tried to be the same for him.

“Long before we ever met, his music played a central role in my life — me and millions and millions of other people all over this world. The Band’s music, and Robbie’s own later solo music, seemed to come from the deepest place at the heart of this continent, its traditions and tragedies and joys. It goes without saying that he was a giant, that his effect on the art form was profound and lasting. There’s never enough time with anyone you love. And I loved Robbie.” [Rolling Stone article]

James Royal Robbie Robertson

Great CBS Sunday Morning interview from 2016

Bill Graham Opens Fillmore West

Bill Graham Opens Fillmore West

July 5, 1968

Bill Graham Opens Fillmore WestMusic production is more arduous than glamorous. The former an everyday description, the latter show nights. With his many ventures, Bill Graham is a name justly associated as one of the greats if not the great rock promoter.

Bill Graham Opens Fillmore West

Calliope Warehouse

Graham’s first venture happened on November 6, 1965 when he put on  a benefit for the radical San Francisco Mime Troupe at the Calliope Warehouse in San Francisco. He did it to raise money for a legal defense fund for a member of the troupe whom police had arrested a few days earlier. The troupe’s offices were in the warehouse and they figured they could hold about 400 – 500 people. The donation to get in was “at least $1.00.”

For entertainment that night Bill hired a band who who used the same warehouse for rehearsals: the Jefferson Airplane. Also on the bill were The Fugs and Lawrence Ferlinghetti.

Fillmore Auditorium

The following month on December 10, 1965, Graham held a second benefit and used the Fillmore Auditorium for its first rock ‘n’ roll concert. The Jefferson Airplane, The Great Society, Mystery Trend, Sam Thomas, and the John Handy Quintet played. Unbilled, was Grateful Dead.

The Dead played at the Auditorium more than 50 times.

Fillmore East

Bill Graham opened the Fillmore East in NYC on March 8, 1968. It, too, became a mecca for a variety of rock music. Graham was a master of presenting a variety of performers in a single show.

The Grateful Dead played the Fillmore East nearly 46 times in that venue’s 3-year history.

Bill Graham Opens Fillmore West

Fillmore West

Neighborhood issues and size limitations pushed Graham to look for a different and larger San Francisco venue. He found the Carousel Ballroom. Always associated with music, the venue was first a dance hall.  Recognizing the value of the brand name he’d created, Graham simply re-named the Carousel Ballroom The Fillmore West.

It, too, was short-lived, but oh what a life. As the Fillmore East was the center of rock music on the right coast, the Fillmore West was the same on the left.

The Grateful Dead continued to be Graham’s band and played there total of 64 concerts from 1968 through 1971.

Fillmore West Closes

Bill Graham Opens Fillmore WestGraham closed the Fillmore West on July 4, 1971 after a spectacular five nights of shows. Among those Graham featured were Boz Scaggs,  Santana, New Riders of the Purple Sage, Taj Mahal, Tower of Power, Grateful Dead, and the Quicksilver Messenger Service. There is a three-disc album, called Fillmore: The Last Days as well as music available via the Concert Vault site.

Bill Graham Opens Fillmore West

1969 Saugatuck Pop Festival

1969 Saugatuck Pop Festival

July 4 – 5

Pottawattamie Beach, Saugatuck, MI
1969 festival #20
1969 Saugatuck Pop Festival
ARTWORK: GARY GRIMSHAW
1969 Saugatuck Pop Festival

Line up

  • MC5
  • SRC
  • Procol Harum
  • Muddy Waters
  • John Lee Hooker
  • Amboy Dukes
  • Rotary Connection
  • Crazy World of Arthur Brown
  • Bob Seger
  • Frost
  • The Stooges
  • Big Mama Thornton
1969 Saugatuck Pop Festival

Festivals Continue

I reckon this as the 20th festival of the 1969 festival season. The main reason I’ve done these reviews is because for decades I ignorantly thought Woodstock was the only festival of 1969.

Sure, there was Altamont at the end of the year with its tragedy and the shibboleth that the “60s ended at Altamont.”

The 60s in its full meaning had hardly begun until 1965 and certainly continued into the early 70s at least.

The legacy of the so-called 60s is a topic for another time, another discussion.

1969 Saugatuck Pop Festival

Faded festivals

The reasons why some festivals, despite stellar performers likely doing stellar performances, faded with the newspapers that had a few columns about them are not complicated.

1. The location was away from the mainstream media’s purview.
2. The promoters had not the foresight or finances to record or film their event.

1969 Saugatuck Pop Festival

Woodstock Music and Art Fair

As much as Michael Shrieve and his “Soul Sacrifice” drum solo helped carve Santana’s performance onto the monument of rock history, the fact that Woodstock Ventures did have the foresight to record and film the festival with high quality equipment made Woodstock the historic event it is today.

Stop stalling…

When am I going to start telling you about the Saugatuck Pop Festival? Unfortunately there’s not much to tell.

Here we go…

Alice Cooper

First: not listed but at the festival was Alice Cooper. In fact, one of the few things found about the festival is that the positive reception the band got at Saugatuck gave them the boost they had been looking for to continue as a band. [From The Original Glen Buxton site]

Gary Grimshaw
1969 Saugatuck Pop Festival
photo from the Grimshaw site

Second: Gary Grimshaw designed the poster. According to the bio at his site, “…Grimshaw (1946 – 2016) had a fifty-year carreer in the arts. He touched on many traditional disciplines and innovated new techniques. woven into his early and mid-career works are great examples of early underground comics.

Plea

So (not supposed to start sentences with “So…”) today’s blog is a request: do any of you have any information about the event? If so please comment and let me know and I’ll add what you contribute and give you credit for that contribution.

Follow up to Plea

Thank you to all (especially Paul) for all your memories. First hand accounts are terrific!

1969 Saugatuck Pop Festival

Next 1969 festival: Atlanta International Pop Festival