1960s Cultural Milestones

1960s Cultural Milestones

Old milestone on a sunny and lush green meadow at the shore of a small river near Freiburg, Germany

What makes something a “Cultural Milestone” is a subjective decision. I have collected those below, though I’m sure there are many others. Most of these are not technical milestones, the difference being that a technical milestone involves a thing that changes the way we live,  whereas a cultural one signals an event that does the same.

Having said that, I do have examples that are both.

I have limited the list to the 1960s, because that is the star around which this blog about Peace, Love, Art, and Activism revolves.

1960s Cultural Milestones

Commerce

Etch-A-Sketch

July 12, 1960: the Etch A Sketch toy went on sale, using electrostatic charge and aluminum powder.

Hula-Hoop

March 5, 1963: the Hula-Hoop, the toy that became a huge fad across America when it was first marketed by Wham-O in 1958, was patented by the company’s co-founder,  Arthur “Spud” Melin.

An estimated 25 million Hula-Hoops were sold in its first four months of production alone.

Walmart

July 2, 1962: Sam Walton opened the first Walmart store in Rogers, Ark.

Compact cassette

August 30 – September 3, 1963: Dutch electronics company Philips introduced the compact cassette at the Berlin Radio Show (also known as the German Radio Exhibition or Internationale Funkausstellung).

Its initial function was as a recording device; only later did prerecorded music become available.

Pampers

April 27, 1965:  R. C. Duncan was granted a patent for ‘Pampers’ disposable diapers.

Super 8 film

May 1, 1965:   after press releases in April, Eastman Kodak Co. introduces its Super 8 film format at a public debut at the International Photography Exposition in New York. One of the main selling points: the plastic cartridge that made loading the film much easier.

Bell-bottoms

1960s Cultural Milestones

March 11, 1969: Levi-Strauss started selling bell-bottomed jeans.

1960s Cultural Milestones

Media

Stereo FM

April 19, 1961: the Federal Communications Commission authorized regular FM stereo broadcasting starting on June 1, 1961.

Evening News

1960s Cultural Milestones

September 2, 1963: “The CBS Evening News” was lengthened from 15 to 30 minutes.

Jeopardy!

March 30, 1964: premiering in a daytime slot on NBC, “Jeopardy!” was one of the first quiz shows to reintroduce factual knowledge, including knowledge of sports and entertainment trivia as well as the arts, literature, and science, as the main source of questions. Seemingly reversing the logic of the big money quiz shows of the 1950s (e.g., “The 64,000 Question,” “Twenty-One”), producer Merv Griffin introduced a format in which the answers for questions are revealed and the contestants must phrase their response in the form of a question.

FM/AM

In July, 1964:  the Federal Communications Commission (FCC) adopted a non-duplication rule prohibiting FM radio stations in cities of more than 100,000 people from merely running a simulcast of the programming from their AM counterparts. Stations fought the rule and delayed implementation.

Music synthesizer

October 12 – 16, 1964: Robert A. Moog and Herbert A. Deutsch introduce and demonstrate their music synthesizer at the convention of the Audio Engineering Society in NYC.

Star Trek

September 8, 1966: the TV series “Star Trek” premiered on NBC.

Smothers Brothers

February 5, 1967: the first episode of The Smothers Brothers Comedy Hour airs on CBS. The show pushed the boundaries of what was typically acceptable on television at that time.

Ozzie and Harriet

September 3, 1967: last episode of the TV show The Adventures of Ozzie and Harriet airs on ABC. The show is still the longest running live-action (non-animated like The Simpsons) American sitcom in television history (14 Seasons, 435 Episodes).

The Smothers Brothers

September 10, 1967:  the second season of The Smothers Brothers Comedy Show begins with Pete Seeger appearing for the first time in 17 years since his 1950s blacklisting. He sang Waist Deep in the Big Muddy, but CBS dropped the performance when Seeger refused to edit the obviously anti-Vietnam sentiments the old song presented.

Mr Rogers

February 19, 1968: Mister Rogers’ Neighborhood premiered on National Educational Television.

Host Fred Rogers created the half-hour educational children’s television series. It had originated in 1963 as Mister Rogers on CBC Television, and was later re-branded in 1966 as Mister Rogers’ Neighborhood and later Mister Rogers’ Neighborhood on the regional Eastern Educational Network.

2001: A Space Odyssey

1960s Cultural Milestones

April 2, 1968: the science-fiction film “2001: A Space Odyssey” had its world premiere in Washington, D.C.

Laugh-In

January 22, 1968: “Rowan & Martin’s Laugh-In” premiered on NBC. Thanks to an ever-changing cast of regulars including the likes of Dan Rowan, Dick Martin, Arte Johnson, Goldie Hawn, Ruth Buzzi, JoAnne Worley, Gary Owens, Alan Sues, Henry Gibson, Lily Tomlin, Richard Dawson, Judy Carne, the show became the highest-rated comedy series in TV history.

Hee Haw

June 15, 1969: the variety show “Hee Haw” premiered on CBS.

Sesame Street

November 10, 1969: “Sesame Street” made its broadcast debut. The show was the brainchild of Joan Ganz Cooney, a former documentary producer for public television. Cooney’s goal was to create programming for preschoolers that was both entertaining and educational. She also wanted to use TV as a way to help underprivileged 3- to 5- year-olds prepare for kindergarten.

1960s Cultural Milestones

Miscellaneous

National Fallout Shelter Sign

1960s Cultural Milestones

December 1, 1961: a press release by the Department of Defense stated: The National Fallout Shelter Sign will be a familiar sight in communities all over the United States next year. It will mark buildings and other facilities as areas where 50 or more persons can be sheltered from radioactive fallout resulting from a nuclear attack. The sign will be used only to mark Federally-approved buildings surveyed by architect-engineer firms under contract to the Department of Defense. The color combination, yellow and black, is considered as the most easily identified attention getter by psychologists in the graphic arts industry. The sign can be seen and recognized at distances up to 200 feet. The shelter symbol on the sign is a black circle set against a yellow rectangular background. Inside the circle, three yellow triangles are arranged in geometric pattern with the apex of the triangles pointing down. Below the fallout symbol, lettered in yellow against black, are the words FALLOUT SHELTER in plain block letters. Yellow directional arrows are located directly underneath the lettering which will indicate the location of the shelter.

Students for a Democratic Society

June 15, 1962: Students for a Democratic Society issued the Port Huron Statement at the conclusion of a five-day convention in Michigan. The 25,700-word statement “articulated the fundamental problems of American society and laid out a radical vision for a better future“. It issued a nonideological call for participatory democracy, “both as a means and an end“, based on non-violent civil disobedience and the idea that individual citizens could help make “those social decisions determining the quality and direction” of their lives. Also known as the “Agenda for a Generation”, it “brought the term ‘participatory democracy’ into the common parlance”

Manual Enterprises v. Day

June 25, 1962: Manual Enterprises v. Day: The United States Supreme Court ruled that photographs of nude men are not obscene, decriminalizing nude male pornographic magazines.

Zoning Improvement Plan

1960s Cultural Milestones

July 1, 1963: designed to help speed mail deliveries, the US Post Office put into effect its program to give every mailing address a number. The new system was called “zip code” (Zoning Improvement Plan).. The department mailed 72 million cards to every mailbox in the country. The card informed the addressee of their five-digit “zip code” number and provided a brief explanation of the system.

DWI

February 4, 1964: “The Role of the Drinking Driver in Traffic Accidents,” also known as the Grand Rapids Study, was published by Robert F. Borkenstein et al. for Indiana University’s Department of Police Administration. It stated that the probability of accident involvement increased rapidly at alcohol levels over .08 percent and became extremely high at levels over .15 percent. … Drivers with an alcohol level of .06 percent have an estimated probability of causing an accident double that of a sober driver. Drivers with .10 percent B.A.L. are from six to seven times as likely to cause an accident as one with .00 percent alcohol level. When the .15 percent alcohol level is reached, the probability of causing an accident is estimated at more than 25 times the probability for that of a sober driver.

Space Race

July 20, 1969: Americans Neil Armstrong and Buzz Aldrin become the first men to walk on the moon. They then rendezvous with Michael Collins in the command module for the return to Earth.

1960s Cultural Milestones

Artists

Marilyn Monroe

May 19, 1962: Marilyn Monroe performed a sultry rendition of “Happy Birthday” for President John F. Kennedy during a fundraiser at New York’s Madison Square Garden.

Andy Warhol

July 9, 1962: the first one-man exhibition for artist Andy Warhol opens at Ferus Gallery in Los Angeles, consisting of 32 silk-screened portraits of Campbell’s soup cans.

Woody Guthrie

October 3, 1967: Woody Guthrie died of complications of Huntington’s disease.

1960s Cultural Milestones

Counterculture

The Beatles

February 7, 1964: the Beatles arrive in the US and are greeted by thousands of screaming fans at NYC’s Kennedy Airport.

Youthquake

January 1, 1965: Diane Vreeland, Vogue magazine’s editor-in-chief, declared “The year’s in its youth, the youth in its year. Under 24 and over 90,000,000 strong in the U.S. alone. More dreamers. More doers. Here. Now. Youthquake 1965.”

Youthquake became the new fashion style replacing what seemed the staid and traditional syles that Boomer parents had worn.

Hippies

September 5, 1965: San Francisco writer Michael Fallon applied the term “hippie” to the SF counterculture in an article about the Blue Unicorn coffeehouse, where LEMAR (Legalize Marijuana) & the Sexual Freedom League met.

Summer of Love

In July 1967: the Summer of Love in San Francisco.

Doors

September 17, 1967: The Doors appear on The Ed Sullivan Show and perform “Light My Fire”. Sullivan had requested that the line “Girl we couldn’t get much higher” be changed for the show. Jim Morrison agreed, but ended up performing it the way it was written and The Doors are banned from the show.

The Who

September 17, 1966: The Who appeared on The Smothers Brothers Comedy Hour. They played 2 songs, “I Can See For Miles” and “My Generation”. At the end of “My Generation”, Pete Townshend started smashing his amp and Keith Moon had his drum set rigged to explode which did cut Moon’s leg & singed Pete Townshend’s hair, along with doing damage to Townshend’s hearing.

Rosko

October 2, 1967:  DJ Rosko of WOR-FM, the first NYC FM station to play rock music, resigned over corporate interference with his choices of music. (”When are we going to learn that controlling something does not take it out of the minds of people?” and declaring, ”In no way can I feel that I can continue my radio career by being dishonest with you.” He added that he would rather return to being a men’s-room attendant.

The Death of the Hippie

October 6, 1967:  after many young people left the Haight-Ashbury at the end of a tumultuous, those remaining in the Haight wanted to commemorate the conclusion of the event. A mock funeral entitled “The Death of the Hippie” ceremony was staged on October 6, 1967, and organizer Mary Kasper explained: We wanted to signal that this was the end of it, to stay where you are, bring the revolution to where you live and don’t come here because it’s over and done with. [images]

Hair
Hair/Public Theatre

October 17, 1967: the play, Hair premiered off-Broadway at the Public Theatre and ran for a limited engagement of six weeks. Although the production had a “tepid critical reception”, it was popular with audiences.

Hair/Cheetah

December 22, 1967: Chicago businessman Michael Butler was planning to run for the U.S. Senate on an anti-war platform. He watched the Public Theatre’s production of Hair several times and joined forces with Joe Papp to reproduce the show at another New York venue after the close of its run at the Public.

Papp and Butler first moved the show to The Cheetah, a discothèque at 53rd Street and Broadway. It ran for 45 performances.

Hair/Broadway

April 29, 1968: the rock musical Hair: The American Tribal Love-Rock Musical opened at the Biltmore Theater on Broadway. The inspiration to include nudity came when the authors saw an anti-war demonstration in Central Park where two men stripped naked as an expression of defiance and freedom, and they decided to incorporate the idea into the show. The show featured the songs ‘Aquarius / Let the Sunshine In’, ‘Good Morning Starshine’ and the title song. The production ran for 1,729 performances, closing on July 1st, 1972.

Rolling Stone magazine

October 18, 1967: the first issue of Rolling Stone magazine released with a cover dated Nov 9 and featuring a photograph of John Lennon in the film How I Won the War.

Easy Rider

July 14, 1969: the movie Easy Rider premiered.

Woodstock
Woodstock ovation after Soul Sacrifice

August 15 – 18, 1969: Woodstock Music and Art Fair, Bethel, NY.

1960s Cultural Milestones

Dr Joe Witkin Woodstock

Dr Joe Witkin Woodstock

Happy birthday
March 7

Joe Witkin played keyboards for Sha Na Na at Woodstock. According to an undated statement by Joe himself, “Hey, I’m just a guy from Brooklyn, N.Y. who like (sic) to play music. My mom still tells me I used to sing the Hallelujah Chorus in my crib. Piano at age three. Lessons at age six. I’m still learning at forty-nine plus. First guitar in Junior High. Folks got me a funky paisley Hofner 6-string electric in Germany in 1964. And an Ampeg Gemini II. Blue tolex with one 15″. Man, was I in heaven. Heard the Beatles and had to learn bass, too. Robin’s-egg-blue Hagstrom, made in Sweden. My goal was to perfect the guitar AND bass parts of every Beatles song. Still doing the Mozart-Beethoven thing on piano, too. Some fine teachers in New York City!”

Dr Joe Witkin Woodstock

Columbia

He joined the Glee Club at Columbia, also did Beach Boys music, also was in The Soul Syndicate, a 12-piece Columbia-based band.

Apparently he had a plate large enough for a lot of music and in 1968 he joined Columbia’s King’s Men, a sub-part of the Glee Club. Serendipity stepped in one night and with some time to spare, the King’s Men spontaneously started singing 50s songs. Keep in mind that by the late 60s, most of the songs were barely 10 years old.

The student reception was great.

Dr Joe Witkin Woodstock

Grease Under the Stars

As a result of that success, The King’s Men did a special 50s concert called Grease Under the Stars that was so well received that the group, now Sha Na Na, started getting gigs.

One of those gigs was at Steve Paul’s Scene and one night Michael Lang and Artie Kornfeld stopped in, loved what they saw, and offered them $300 to play at a festival. Sha Na Na accepted.

Dr Joe Witkin Woodstock

Woodstock and Doctor

Dr Joe Witkin Woodstock

He wound up with an old Wurlitzer electric piano that is now proudly exhibited in the Museum at Bethel Woods Center for the Arts.

After he graduated from Columbia in 1970, he left Sha Na Na. The idea was never to make Sha Na Na a career.  He became Dr. Witkin,  an ER physician (now retired) who did his internship and residency at University California at San Diego. He worked at Scripps Hospital East County and at Sharp Grossmont Hospital in the San Diego area.

Dr Joe Witkin Woodstock

Corvettes

Dr Joe Witkin Woodstock
Joe on far left

Witkin may have left Sha Na Na, but he didn’t leave music.

In the late-Eighties joined the “Legends Doo Wop ‘n Roll Revue” which a Howard Blank had formed. In 1989, Witkin answered an ad about auditioning for the band. He preferred doing guitar, but that spot was not open. He became its keyboardist. Deja vu all over again.

His wife Carol joined as a background vocalist.

In March of 2003, Legends changed its name to  The Corvettes. Carol became manager.

The band’s site describes the band: “Take a large pinch of nostalgia – that feeling that makes you tingle inside, and brings you face-to-face with the tastes, smells, and feelings of your past. Combine it with the best well-known hits of the fifties and sixties. Stir until totally danceable. Arrange the music on a platter exactly as people remember it. Embellish with glitter, add a helping of wild-and-crazy, and sprinkle with a generous portion of laughs. Serves thousands…

Ladies and gentlemen…Dr Joe Witken.

Brian Witkin

Brian Witkin is Carol and Joe’s son. He went to law school, but always wanted to be, like his dad, a rock and roll star.

Brian became an entertainment attorney  and in 2003 founded Pacific Records, which, according to it’s site, “has evolved from its humble beginnings as a retail record store chain into a multi-dimensional entity that includes recording studios, engineering services, music merchandising and talent buying services, while its primary focus remains as an independent record label and music publisher.

Dad Joe is the Chief Technical Officer for Pacific Records — whose releases include an album by The Corvettes.

Starting a label doesn’t necessarily make you a rock and roll star, but being in a band is a better idea. Brian Witkin just didn’t think that playing traditional Hawaiian music would be the way.

He now leads an award-winning band, Slack Key Ohana, whose lineup features his retired emergency-room doctor dad Joe on bass ukulele and his retired travel agent, teacher and Realtor mother Carol on ukulele.

And not to be left out, Brian’s 36-year-old brother, singer-songwriter and multi-instrumentalist, Sean, is also in the band.

Pacific Records has released more than 200 albums, singles and EPs. Many of them are by San Diego-based artists. Others feature such nationally acclaimed performers as Rock & Roll Hall of Famers Billy F. Gibbons, Tom Waits and Nancy Wilson, the boy band O-Town, longtime Bruce Springsteen collaborator Southside Johnny and Grammy Award-winning Oceanside troubadour Jason Mraz.

Dr Joe Witkin Woodstock

Beatles Before Brian

Beatles Before Brian

There are nearly 5 1/2 years between John Lennon’s formation of the Quarrymen and Brian Epstein becoming both the Beatles’ manager and the last piece of the puzzle that launched Beatlemania.

Here are some of the many dates between August 1956 and December 1961.

Beatles Before Brian

Quarrymen

In August 1956: named after his school, John Lennon formed The Quarrymen, The band performed what was known in England as “skiffle” music which was originally an early 20th century American style music.

Beatles Before Brian

Paul the Quarryman

November 11, 1956: Paul McCartney saw skiffle king Lonnie Donegan perform at Liverpool’s Empire Theatre. The concert inspired McCartney to start playing the guitar. Shortly afterwards he traded the trumpet he had received four months previously on his 14th birthday for a guitar.

July 6, 1957: The Quarry Men perform at St. Peter’s Church Garden Fete. John and Paul meet and find that they have similar pop idol interests: “Paul, what kind of music do you like?” asked John. “Well I used to like Lonnie Donegan but now that skiffle is fading out I love the music of Elvis Presley, Eddie Cochran, Gene Vincent, Little Richard…” “Hey,” John interrupted, “they’re all the people I’m into.”

October 18, 1957: The Quarry Men performed at the New Clubmoor Hall (Conservative Club), Norris Green, Liverpool. This was Paul McCartney’s first appearance with the group. The line-up for The Quarrymen was John Lennon, Paul McCartney, Eric Griffiths, Colin Hanton, and Len Garry. Paul McCartney, suffering from a case of the stage jitters, flubs his guitar solo on the song “Guitar Boogie”. Upset with his playing, Paul tries to make amends by showing John a song he had written, “I Lost My Little Girl”. John then shows Paul some songs that he has composed. The two start writing songs together from that moment, which marks the birth of the Lennon-McCartney songwriting partnership. Pete Shotton, out of the group by this time, had no real musical ability and knew it; he was almost relieved when, during a drunken argument, John Lennon had smashed Pete’s washboard over Pete’s head. That was the end of Pete Shotton’s career as a part of the Quarrymen.

Beatles Before Brian

The Cavern

January 24, 1958: The Quarry Men performed at the Cavern in Liverpool. This was the band’s only performance billed as The Quarrymen at the club. It would three years before the band would turn up again at the Cavern but under their new name as The Beatles.

Beatles Before Brian

George Harrison

February 6, 1958: George Harrison joined Liverpool group The Quarrymen. The group, now featured John Lennon, Paul McCartney, Len Garry, Eric Griffiths and John Lowe.

George Harrison later recalled: “I was very impressed by John, probably more than Paul, or I showed it more. I suppose I was impressed by all the Art College crowd. John was very sarcastic, always trying to put you down, but I either took no notice or gave him the same back, and it worked.”

Beatles Before Brian

Julia

Beatles Before Brian

July 15,1958: John Lennon’s mother, Julia was visiting her sister Mimi’s house where her John was living. Shortly after leaving Mimi’s house, while crossing the road to get to a bus stop, she was struck by a car driven by an off-duty policeman, 24-year-old Eric Clague. Contrary to some reports, Clague was not drunk at the time and he was driving under the 30mph speed limit. He was, however, a learner driver who was unaccompanied. “Julia,” “Mother,” and “My Mummy’s Dead.” are Lennon songs dedicated to or inspired by Julia.

Beat Brothers

In 1959: In early 1959, Tony Sheridan joined Vince Taylor and the Playboys in Hamburg, Germany where they would play. The band would eventually morph into the Beat Brothers with a line-up consisting of Tony Sheridan (vocals/guitar), Ken Packwood (drums), Rick Richards (guitar), Colin Melander (bass), Ian Hines (keyboards) and Jimmy Doyle (drums). Over the years the band’s line-up would continue to see many personnel changes. Some of the most notable inclusions were: Ringo Starr, Roy Young, Rikki Barnes, John Lennon, Paul McCartney, George Harrison and Pete Best.

Beatles Before Brian

Ringo

In August 1959: Ringo Starr begins drumming for Rory Storm and the Hurricanes. Ringo would be Rory’s drummer until August 18, 1960.

Beatles Before Brian

The Casbah

August 29, 1959: the opening night of a new social club for teenagers, based in the cellar of a large Victorian house at 8 Hayman’s Green, Liverpool. The club was called The Casbah and run by Mona Best, mother of Pete Best and owner of the house. She had bought it after winning a horse racing bet in the 1954 Epson Derby; it had previously been owned by the West Derby Conservative Club, and had 15 bedrooms and an acre of land.

Mona Best had the idea for opening the club after seeing a television report on the 2i’s Coffee Bar in London’s Soho district. The Casbah was intended as a members-only club for Pete, his younger brother Rory, and their friends.

She charged half a crown for annual membership, and served soft drinks, snacks and cakes. The Casbah also had, unusually for the time, an espresso coffee machine. When there weren’t live performances Mona played records on a small Dansette record player, amplified through a 3″ speaker.

The Les Stewart Quartet, with George Harrison and Ken Brown on guitars, had been booked to perform on the opening night, but they cancelled after Stewart and Brown had an argument: Brown had missed a rehearsal as he had been helping Mona Best decorate the club.

As 300 membership cards had already been sold, Mona Best didn’t want to cause disappointment on the club’s opening night. Harrison suggested the Quarrymen play instead, and so they went round to arrange the booking. At this point their line-up was John Lennon, Paul McCartney, George Harrison and Ken Brown. They didn’t have a drummer at the time, so they played without one.

John, Paul and George went around to see Mona, who told them they were welcome to play but she was still painting the cellar for the club’s opening the following week. The three boys grabbed paintbrushes and helped her finish it off. John mistook gloss for emulsion – because of his short sight – which took days to dry. Cynthia Powell also helped, and painted a silhouette of her future husband John Lennon on the wall; it can still be seen there today.

Beatles Before Brian

October 31, 1959: Quarry Men auditioned for Carroll Levis Show in Liverpool. During this audition period, the band would change its name from “Quarry Men” to “Johnny and the Moondogs” by November 15. On that day, they lose out for the Carroll Levis finals.

Beatles Before Brian

Audition

November 15, 1959: Paul McCartney, John Lennon and George Harrison auditioned for a British talent program called TV Star Search at the Hippodrome Theatre in Lancashire. They had been known as The Quarrymen but for this audition, they took the name “Johnny and the Moondogs.” They played two Buddy Holly songs: “Think It Over” and “It’s So Easy.” They must have been good as they were invited back for the next round of audition the next day.

They returned to Liverpool the same night, having no money to rent a hotel room, and therefore missing out on the next round of auditions.

Beatles Before Brian

Weekend Nerk Twins

April 23 & 24, 1960: the first of only 2 performances ever by The Nerk Twins at the Fox and Hounds pub in Caversham, Berkshire, UK. The Nerk Twins were actually Paul McCartney and John Lennon. From Paul in Anthology: “That spring of 1960, John and I went down to a pub in Reading, The Fox And Hound, run by my cousin Betty Robbins and her husband. We worked behind the bar. It was a lovely experience that came from John and I just hitching off down there. At the end of the week we played in the pub as The Nerk Twins. We even made our own posters.”

Beatles Before Brian

Silver Beatles

May 5, 1960: The Quarrymen became The Silver Beetles.

May 10, 1960: the Silver Beetles auditioned for promoter Larry Parmes at the Blue Angel (formerly known as the Wyvern Social Club) in Liverpool. Vying for the job of backing band for Billy Fury on an upcoming tour, the band was hampered by the fact their drummer, Tommy Moore, arrived late and the band had to use an unfamiliar drummer (Johnny Hutchinson from Cass & The Cassanovas, seen in photo). The Silver Beetles didn’t win the job but Parmes took the absence of their regular drummer into consideration and hired the band to back Johnny Gentle on a tour of Scotland.

Beatles Before Brian

Briefly Silver Beats

May 14, 1960: the Silver Beats (John Lennon, Paul McCartney, George Harrison, Stu Sutcliffe, and Tommy Moore) performed at Lathom Hall, Seaforth, Liverpool. They played a few songs during the “interval” to audition for promoter Brian Kelly. This is the only occasion on which the group used the name “Silver Beats”, quickly changing it back to “Silver Beetles”.

May 20, 1960: the Silver Beetles (John Lennon, Paul McCartney, George Harrison, Stu Sutcliffe, and Tommy Moore) played the first night of a short tour of Scotland backing singer Johnny Gentle, at Alloa Town Hall in Clackmannanshire. They were never billed as The Silver Beetles on the tour; all posters gave the billing as “Johnny Gentle and his group”. Paul McCartney later wrote:

Now we were truly professional, we could do something we had been toying with for a long time, which was to change our names to real showbiz names. I became Paul Ramon, which I thought was suitably exotic. I remember the Scottish girls saying, ‘Is that his real name? That’s great.’ It’s French, Ramon. Ra-mon, that’s how you pronounce it. Stuart became Stuart de Staël after the painter. George became Carl Harrison after Carl Perkins (our big idol, who had written ‘Blue Suede Shoes’). John was Long John. People have since said, ‘Ah, John didn’t change his name, that was very suave.’ Let me tell you: he was Long John. There was none of that ‘he didn’t change his name’: we all changed our names.

So here we were, suddenly with the first of Larry’s untempestuous acts and a tour of Scotland, when I should have been doing my GCE exams. A lot of my parents’ hopes were going up the spout because I was off with these naughty boys who weren’t doing GCEs at all.”

Beatles Before Brian

Pete Best

June 11, 1960: drummer Tommy Moore quit The Beatles and returned to his job of driving a forklift at Garston bottle works. Norman Chapman briefly replaced Moore, but Chapman was called into National Service after only three gigs.

August 6, 1960: The Silver Beetles went to Mona Best’s Casbah Coffee Club where they saw The Blackjacks playing.

The group had Mona’s son Pete Best playing a brand new drum kit. The Blackjacks were on the point of splitting up, so The Beatles suggested to Pete that he join them for their first trip to Hamburg. Best was interested in the proposal, and agreed to audition for them.

August 16, 1960: Pete Best becomes The Silver Beetles’ drummer. The band’s current line-up included John, Paul, George, Pete and Stuart Sutcliffe.

The band traveled to Hamburg, Germany.

Beatles Before Brian

Hamburg

August 17, 1960: arrived very early in the morning but the Indra Club was closed. A manager from a neighboring club found someone to open it up, and the group slept on the red leather seats in the alcoves.

The group played at the club on the same night, but were told they could sleep in a small cinema’s storeroom, which was cold and noisy, being directly behind the screen of the cinema, the Bambi Kino.

McCartney later said, “We lived backstage in the Bambi Kino, next to the toilets, and you could always smell them. The room had been an old storeroom, and there were just concrete walls and nothing else. No heat, no wallpaper, not a lick of paint; and two sets of bunk beds, with not very much covers—Union Jack flags—we were frozen.”[30] Lennon remembered: “We were put in this pigsty. We were living in a toilet, like right next to the ladies’ toilet. We’d go to bed late and be woken up next day by the sound of the cinema show and old German fraus [women] pissing next door.” After having been awoken in this fashion, the group were then obliged to use cold water from the urinals for washing and shaving. They were paid £2.50 each a day, seven days a week, playing from 8:30-9:30, 10 until 11, 11:30-12:30, and finishing the evening playing from one until two o’clock in the morning.

German customers found the group’s name comical, as “Beatles” sounded like “Peedles”, which meant a small boy’s penis.

Beatles Before Brian

Beatles

August 18, 1960: new stage name and first performance as “The Beatles” at the Indra Club in Hamburg, Germany. Paul McCartney (on discussing performing and other things they learned in Hamburg): “Sex…was one of the first things ’cause we were kids just let off the leash, you know. And then there was like, the amount of music we played — we played — the shear amount of music. Some evenings I think we probably…we played eight hour periods ’cause you’d come on and another band would take an hour and you’d take an hour, so we probably played four hours but we had to stretch it over an eight hour period. And that’s an awful long time, man, to play. I mean even bands now with three or four hours sets is a hell of a long time.”

Beatles Before Brian

Recording

October 15, 1960: in a small Hamburg recording studio, the Akustik, The Beatles (minus Pete Best) and two members of Rory Storm’s Hurricanes (Ringo Starr and Lou “Wally” Walters) recorded a version of George Gershwin’s “Summertime”, which is cut onto a 78-rpm disc. This is the first session that included John, Paul, George, and Ringo together. Two other songs were recorded, but Ringo plays on those without John, Paul, or George. Nine discs are cut, but only one is known to have survived.This was the first time Lennon, McCartney, Harrison and Starr recorded together.

Beatles Before Brian

Cancelled

Beatles Before Brian
Bruno Koschmiderbeat

November 1, 1960: furious that The Beatles had made a verbal agreement to play at rival Peter Eckhorn’s Top Ten Club, Kaiserkeller owner Bruno Koschmider terminated their contract. Despite this, they continued to perform at the club for another three weeks.

An additional reason why Koschmider wanted them out: at 17 years of age, George Harrison was too young to be working in the club. Eckhorn’s statement read: I the undersigned hereby give notice to Mr George Harrison and to Beatles’ Band to leave [the Club] on November 30th, 1960. The notice is given to the above by order of the Public Authorities who have discovered that Mr George Harrison is only 17 (seventeen) years of age.

Beatles Before Brian

George deported

November 20, 1960: German authorities ordered Harrison deported. He stayed up all that night teaching John Lennon his guitar parts, so The Beatles could continue without him.

November 21, 1960: George Harrison deported. From his Anthology: It was a long journey on my own on the train to the Hook of Holland. From there I got the day boat. It seemed to take ages and I didn’t have much money – I was praying I’d have enough. I had to get from Harwich to Liverpool Street Station and then a taxi across to Euston. From there I got a train to Liverpool. I can remember it now: I had an amplifier that I’d bought in Hamburg and a crappy suitcase and things in boxes, paper bags with my clothes in, and a guitar. I had too many things to carry and was standing in the corridor of the train with my belongings around me, and lots of soldiers on the train, drinking. I finally got to Liverpool and took a taxi home – I just about made it. I got home penniless. It took everything I had to get me back.

Beatles Before Brian

Arrested

November 29, 1960: Having been told on 1 November that their contract to perform at his Kaiserkeller club was being terminated by owner Bruno Koschmider, The Beatles began moving their belonging to the attic room above the nearby Top Ten Club. At the time The Beatles were staying in the Bambi-Filmkunsttheater cinema, where the accommodation was basic and sanitary facilities minimal. John Lennon and Stuart Sutcliffe had already moved out, and Paul McCartney and Pete Best were to follow. George Harrison had already been deported (Nov 21). It was dark as McCartney and Best gathered their belongings in the Bambi Kino. As there were no lights they set lit an object – different accounts mention rags, a wall tapestry, or a condom attached to a nail – in order to see. There was no damage apart from a burn mark on the wall, and the fire eventually extinguished itself on the damp wall. Bruno Koschmider, however, was furious, and told the police that The Beatles had attempted to set fire to the cinema. McCartney and Best were arrested.

Beatles Before Brian

John, Paul, Pete deported

November 30, 1960: after being released from St Pauli police station after being held overnight, McCartney and Best went to their new lodgings above the Top Ten Club to get some rest. In the early afternoon, however, they were awoken by heavy banging on the door. Best opened the lock and was greeted by two plain-clothes policemen. They were told to get dressed and were taken by car to Hamburg’s Kriminal police headquarters. The officer in charge told them they were to be deported at midnight.They were taken back on last time to the Top Ten where they were given five minutes to pack up their possessions; Pete Best was forced to leave his drums behind. They were then held in prison before being escorted to the airport in the evening.

They Beatles were not entirely sure why they were being deported, as their limited command of German made it difficult to understand the police procedures. Their request to telephone the British Consul was refused.

December 1, 1960: McCartney and Best arrived at London Airport. They spent their remaining money on a bus to Euston Station and a train ticket to Liverpool. John Lennon stayed behind in Hamburg for a while.

December 10, 1960: John Lennon traveled back to England by train and boat. Stuart Sutcliffe continued stay in Hamburg, , effectively signified the end of his time in The Beatles.

Beatles Before Brian

Back to the Cavern

February 9, 1961: the group makes their first lunchtime debut as The Beatles at the Cavern.

March 21, 1961: their first night-time appearance at the Cavern. The band gets $42.00 per night.

Beatles Before Brian

Back to Hamburg

March 24, 1961: Beatles returned to Hamburg, Germany.

June 22 & 23, 1961: Tony Sheridan and The Beatles do first session recordings for Bert Kaempfert with the following songs: My Bonnie (Lies Over the Ocean); The Saints (When the Saints Go Marching In); Why; Cry For a Shadow; Ain’t She Sweet;Take Out Some Insurance On Me Baby and Nobody’s Child.

July 3, 1961: the Beatles return to England from Hamburg.

Beatles Before Brian

My Bonnie released

In August 1961: Tony Sheridan and the Beatles or Beat Brothers released “My Bonnie/The Saints (Go Marching In) in Germany.

October 28, 1961: “My Bonnie” is a success in Germany and eventually heard and released in England.

Beatles Before Brian

My Bonnie requested

October 28, 1961:  according to Beatles legend, it was on this day that a fan named Raymond Jones attempted to purchase the single “My Bonnie” from Brian Epstein’s NEMS record store in Liverpool. Brian managed the record shop, which was part of a large department store owned by his father. The legend states that this was the first occasion on which Brian Epstein heard of the single or, indeed, of The Beatles. “Mersey Beat” editor Bill Harry discounts this story as improbable. Harry claims to have discussed The Beatles and other local groups with Epstein well before this date, and he adds that Epstein was already writing record reviews for “Mersey Beat” and selling copies of the paper in his shop. Further, Epstein was selling tickets to Sam Leach’s ‘Operation Big Beat’ concert, and The Beatles’ name was at the top of the list of groups that were scheduled to appear at the November 10 event.

October 30, 1961: two days after Beatles fan Raymond Jones asked for The Beatles’ German single “My Bonnie” (recorded with Tony Sheridan) at Brian Epstein’s NEMS record store, two girls ask for the same record. Brian Epstein begins to search foreign record company import lists to find the single. Since Epstein had already sold at least 12 dozen copies of Liverpool’s “Mersey Beat” magazine (and had written a column for it), it is highly unlikely that he doesn’t already know who The Beatles are. Still, Epstein’s difficulty in locating the record is probably due to his not knowing that the record was released, not by The Beatles, but by Tony Sheridan and ‘The Beat Brothers’ (‘Beatles’ resembles a vulgar slang word in German, so The Beatles’ name was changed for this historic single).

Beatles Before Brian

Brian Epstein listens

November 9, 1961: The Beatles performed at the Cavern Club at lunchtime. That night they appear at Litherland Town Hall, Liverpool (their final performance at that venue).

This is a major day for The Beatles, although they are unaware of it at the time–in the audience at the Cavern Club show is Brian Epstein, dressed in his pin-stripe suit and seeing The Beatles for the first time. Accompanying Epstein is his assistant Alistair Taylor.

Epstein will recall his first impressions in a 1964 interview: “They were fresh and they were honest, and they had:star quality. Whatever that is, they had it, or I sensed that they had it.” Over the next few weeks, Epstein becomes more and more interested in possibly managing The Beatles and he does a lot of research into just exactly what that would entail. When he speaks with the group’s embittered ex-manager Allan Williams, he is told, “Brian, don’t touch ’em with a fucking bargepole.” Nonetheless, Epstein invites The Beatles to a meeting at his record store on December 3.

Beatles Before Brian

Brian manages

December 3, 1961: The Beatles’ first formal meeting with Brian Epstein, where he proposed to them that he become their manager. The Beatles are interested, but they are not ready to make a commitment, so a second meeting is arranged for December 6.

December 6, 1961: The Beatles (John Lennon, Paul McCartney, George Harrison, and Pete Best) meet with Brian Epstein for further discussions about his proposal to manage them. He wants 25 percent of their gross fees each week, in return for which he will be responsible for arranging their bookings. He promises that their bookings will be better organized, more prestigious, and will expand beyond the Liverpool area. He also promises that they will never again play for less than 15 pounds, except for Cavern lunchtime sessions, for which he will get their fee doubled to ten pounds. Most important of all, he promises to get them out of their recording contract with Bert Kaempfert in Germany, then use his influence to garner them a contract with a major British label. John Lennon, as leader of The Beatles, accepts on their behalf. There is no contract signing at this point, because the standard contracts are so exploitative that Epstein is disgusted by them; he promises The Beatles that he will prepare a fairer document.

December 10, 1961: their first contract was for a five year period. The contract was formally signed at Pete Best’s house on January 24, 1962, with Alistair Taylor as witness, although Brian, himself, didn’t sign it.

When asked why later, Brian answered “Well, if they ever want to tear it up, they can hold me but I can’t hold them.”

Beatles Before Brian