Tag Archives: January Music et al

January 8 Music et al

January 8 Music et al

Teenage Culture

January 8 Music et al

January 8, 1965: in response to ABC-TV’s Shindig!, Hullabaloo premiered on NBC. The first show included performances by The New Christy Minstrels, comedian Woody Allen, actress Joey Heatherton and a segment from London in which Brian Epstein introduced The Zombies and Gerry & the Pacemakers. (see Hullabaloo for more)

January 8 Music et al

Shindig! ends

January 8 Music et al

January 8, 1966: exactly a year later was ABC’s Shindig!’s last show.

January 8 Music et al

Acid Test

January 8 Music et al

January 8, 1966: Ken Kesey acid test at the Fillmore Auditorium in San Francisco. Michael Rossman (S.F. Chronicle, 1/66): Up at the Fillmore Auditorium, Ken Kesey’s Acid test event was in action when I got there around the middle of the evening. The people were like the backstage crowd at the California Hall dance (that the Airplane played the same night). The costumes were, wow! a strobe light was flickering at a very high frequency in one corner of the hall and a group of people were bouncing a golden balloon up and down in it. It was a most perturbing frequency. in one corner there was a piece of metal, tubular sculpture by Ron Boise, a thumping machine. If you hit it, you got different sounds if you hit it in different places. There was a lot of electronic equipment which sent out a low reverberation that resonated throughout the hall. and the whole place was filled with streamers and balloons. There were tV cameras and a tV screen, and you could see yourself in it. Onstage there was a rock group; anybody could play with them. It was a kind of social Jam session. a guy in a white mechanic’s suit with a black cross on the front, and on the back a sign saying ‘Please Don’t Believe in Magic’, ran up and down all night. Oh wow! Periodically the lights went out and everybody cheered. Giant Frisbees, balloons like basketballs, acrobats, girls in felt eyelashes four inches long, people with eyes painted on their foreheads, glasses low on the nose with eyes painted on them, men with foxes on their shoulders! Wow!

For more, link to…poster trip dot com site

This may, or may not, be a recording of the Grateful Dead that night (or a combination of several nights)…Internet Archive

And here’s a Live For Live Music article about the Dead with some video interview links.

January 8 Music et al

Rubber Soul

January 8 – February 18, 1966: Rubber Soul became the Billboard #1 album. (see Rubber Soul for more)

…and at the exact same time…

January 8 Music et al

We Can Work It Out

January 8 – 21, 1966: “We Can Work It Out” hit #1 on the Billboard Hot 100.

As always, Alan W Pollack’s site has an amazing description of the song…Alan W Pollack site

He points out, for example, that “The form is one of the small number of standard pop song models. Let’s call it the “double bridge with single verse intervening.” Over the long run it’s one that the Beatles would use often, though I suspect the lack of an intro and inclusion of a complete ending are somewhat unusual variations on the model; at least in terms of pop music in general, if not the Beatles themselves”

January 8 Music et al

January Music et al

January Music et al

The 1960s was a great decade for January music

John Coltrane’s Giant Steps

In January 1960: John Coltrane released his “Giant Steps” album, considered a classic jazz album and one that saxophonists still measure themselves by today. Linsey Planer at AllMusic.com writesHistory will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the music as well as delivering it to an increasingly mainstream audience.”

Take a listen to this amazing music!

January Music et al

Two Steps from the Blues Bobby “Blue” Bland

In January 1961: Bobby Blue Bland released Two Steps from the Blues album. Bland was an original member of the Beale Streeters and was sometimes referred to as the “Lion of the Blues”. Along with such artists as Sam Cooke, Ray Charles, and Junior Parker, Bland developed a sound that mixed gospel with the blues and R&B. An imitator of Frank Sinatra, he was also known as the “Sinatra of the blues”, his music being influenced by Nat King Cole. Bland was inducted into the Blues Hall of Fame in 1981, the Rock and Roll Hall of Fame in 1992, and received the Grammy Lifetime Achievement Award in 1997.

January Music et al

John Birch Paranoid Blues

In January 1962 Bob Dylan wrote  “Talkin’ John Birch Paranoid Blues

Well, I was feelin’ sad and feelin’ blue
I didn’t know what in the world I wus gonna do
Them Communists they wus comin’ around
They wus in the air
They wus on the ground
They wouldn’t gimme no peace . . . So I run down most hurriedly
And joined up with the John Birch Society
I got me a secret membership card
And started off a-walkin’ down the road
Yee-hoo, I’m a real John Bircher now!
Look out you Commies! Now we all agree with Hitler’s views
Although he killed six million Jews
It don’t matter too much that he was a Fascist
At least you can’t say he was a Communist!
That’s to say like if you got a cold you take a shot of malaria Well, I wus lookin’ everywhere for them gol-darned Reds
I got up in the mornin’ ’n’ looked under my bed
Looked in the sink, behind the door
Looked in the glove compartment of my car
Couldn’t find ’em . . . I wus lookin’ high an’ low for them Reds everywhere
I wus lookin’ in the sink an’ underneath the chair
I looked way up my chimney hole
I even looked deep down inside my toilet bowl
They got away . . .
Well, I wus sittin’ home alone an’ started to sweat
Figured they wus in my T.V. set
Peeked behind the picture frame
Got a shock from my feet, hittin’ right up in the brain
Them Reds caused it!
I know they did . . . them hard-core ones Well, I quit my job so I could work all alone
Then I changed my name to Sherlock Holmes
Followed some clues from my detective bag
And discovered they wus red stripes on the American flag!
Ol’ Betsy Ross . . . Well, I investigated all the books in the library
Ninety percent of ’em gotta be throwed away
I investigated all the people that I knowed
Ninety-eight percent of them gotta go
The other two percent are fellow Birchers . . . just like me Now Eisenhower, he’s a Russian spy
Lincoln, Jefferson and that Roosevelt guy
To my knowledge there’s just one man
That’s really a true American: George Lincoln Rockwell
I know for a fact he hates Commies cus he picketed the movie Exodus Well, I fin’ly started thinkin’ straight
When I run outa things to investigate
Couldn’t imagine doin’ anything else
So now I’m sittin’ home investigatin’ myself!
Hope I don’t find out nothing . . . good God!

January Music et al

Bob & Suze

In January 1963:  Bob Dylan back together with Suze Rotolo (who herself is back from Italy). The relationship is a strained one and one that Dylan is not true to. (see In February)

January Music et al

Albert Ayler

January Music et al

In January 1965: Albert Ayler’s Spiritual Unity album released. “Ayler was among the most primal of the free jazz musicians of the 1960s; critic John Litweiler wrote that ‘never before or since has there been such naked aggression in jazz.’ He possessed a deep blistering tone—achieved by using the stiff plastic Fibrecane no. 4 reeds on his tenor saxophone—and used a broad, pathos-filled vibrato.” (AllMusic Review by Steve Huey)

January Music et al

John Lennon/FBI

Happy New Year Happy New Music

In January 1972: the Federal Bureau of Investigation opened a file on John Lennon and Yoko Ono fearing they would organize the youth vote and prevent a second term for President Richard Nixon. (see Feb 4)

January Music et al

John and Yoko

Happy New Year Happy New Music

In January 1975: John and Yoko reunited after 18 month separation—the so-called “Lost Weekend.” (see Jan 9)

January Music et al

New Year New Music, New Year New Music, New Year New Music, 

Dylan Visits Woody Guthrie

Dylan Visits Woody Guthrie

Dylan Visits Woody Guthrie

In the land of opportunity, young Americans look for a model. A parent, a sibling, a cousin, or a best friend may serve, but one’s world often pivots on an unanticipated choice.

Bob Dylan borrowed a friend’s copy of Woody Guthrie’s autobiographical Bound for Glory.  In it Dylan found inspiration in the portrait Guthrie painted of himself in the book. Guthrie and folk music became a star to follow.

Later, Dylan would say, “The thing about rock’n’roll is that for me anyway it wasn’t enough… There were great catch-phrases and driving pulse rhythms… but the songs weren’t serious or didn’t reflect life in a realistic way. I knew that when I got into folk music, it was more of a serious type of thing. The songs are filled with more despair, more sadness, more triumph, more faith in the supernatural, much deeper feelings.”  (from liner notes by Cameron Crowe to Dylan’s Biograph 5-record set)

Dylan Visits Woody Guthrie

29 January 1961

Bob Dylan visits Woody Guthrie
Woody Guthrie in hospital with Huntington’s disease with wife Majorie and son Arlo

Dylan had arrived in New York City on January 24, 1961 (see Talkin’ New York) and on January 29 met Guthrie. Guthrie was in his fourth year at the Greystone Park Psychiatric hospital in New Jersey, suffering from Huntington’s disease, which finally led to his death in 1967. Guthrie apparently gave Dylan a card after their first meeting saying: “I ain’t dead yet.”

Dylan had written a song simply called “Song to Woody.”

Dylan Visits Woody Guthrie

Song to Woody

I’m out here a thousand miles from my home
   Walkin’ a road other men have gone down
   I’m seein’ your world of people and things
   Your paupers and peasants and princes and kings
Hey, hey, Woody Guthrie, I wrote you a song
  ’Bout a funny ol’ world that’s a-comin’ along
  Seems sick an’ it’s hungry, it’s tired an’ it’s torn
  It looks like it’s a-dyin’ an’ it’s hardly been born
Hey, Woody Guthrie, but I know that you know
  All the things that I’m a-sayin’ an’ a-many times more
  I’m a-singin’ you the song, but I can’t sing enough
  ’Cause there’s not many men that done the things that you’ve done
Here’s to Cisco an’ Sonny an’ Leadbelly too
  An’ to all the good people that traveled with you
  Here’s to the hearts and the hands of the men
  That come with the dust and are gone with the wind
I’m a-leavin’ tomorrow, but I could leave today
   Somewhere down the road someday
   The very last thing that I’d want to do
   Is to say I’ve been hittin’ some hard travelin’ too
(Complete lyrics Song to Woody)
Dylan Visits Woody Guthrie

Town Hall

Dylan Visits Woody Guthrie

On  April 12 1963, Bob Dylan played the Town Hall in New York City. To close the performance, he recited  another Guthrie-related piece he’d written called “Last Thoughts on Woody Guthrie.”  It’s a long poem so I won’t put the lyrics right here, but will provide the link below the video if you would like to listen and follow along. Listening to Dylan recite reminds me of the Beat style of poetry, but that’s another blog for another day.

“If you can roll along with this here…”

Last Thoughts on Woody Guthrie lyrics

Dylan Visits Woody Guthrie

Guthrie dies

Woody Guthrie died on October 3, 1967 while at Creedmoor State Hospital in Queens, New York. His ashes were sprinkled into the waters off of Coney Island’s shore.

A month later, on Thanksgiving 1967, Woody’s son Arlo Guthrie released his first commercial recording of “Alice’s Restaurant.

Dylan Visits Woody Guthrie