Category Archives: Woodstock Music and Art Fair

Summer Jam Watkins Glen 1973

Summer Jam Watkins Glen 1973

July 28, 1973

Summer Jam Watkins Glen 1973

Summer Jam Watkins Glen 1973

Another Woodstock?

Rock festivals had become a normal part of the warm months and 1973 had the biggest ever, at least in terms of attendance.  Shelly Finkel and Jim Koplin produced the Summer Jam at Watkins Glen, a one-day event with only three bands.

The three bands weren’t just any bands. They were arguably the three biggest rock bands of the time: the Allman Brothers, The Band, and the Grateful Dead. Some attendees bought tickets, 150,000 at least. If that number is accurate, then 450,000 people saw the event for free, because the estimated number of people at the event is 600,000, far outnumbering Woodstock in 1969.

Summer Jam Watkins Glen 1973

July 27, 1973

The plans called for the bands to do their soundchecks the day before. Like Woodstock, there were already thousands of fans waiting the next day’s concert, but The Band decided to do their soundcheck anyway. The Allman Brothers followed with a couple more songs.

Like no other band before, since, and perhaps ever, the Dead ended up doing 90 minutes with two full sets. Deadheads rate this “show” as one of the best ever!

Set 1

  1. The Promised Land
  2. Sugaree
  3. Mexicali Blues
  4. Bird Song
  5. Big River
  6. Tennessee Jed

Set 2

  1. Mississippi Half-Step Uptown Toodeloo
  2. Me And My Uncle
  3. Jam ->
  4. Wharf Rat
  5. Around And Around

And like most Dead shows, there are several recordings available: soundboard, audience, and a wonderful matrix.

Summer Jam Watkins Glen 1973

Watkins Glen acoustics

With 600,000 attendees the area resembled the already 4-year-old Woodstock Music and Art Fair: clogged highways, impromptu parties, dazed wanderers, and seat searchers.

A crowd of that size required some clever acoustic technology. Every two-hundred feet from the stage, the crew erected additional sets of sound towers.  Seven sets altogether. That alone would have created  acoustic Doppler mayhem with the original sound lagging  behind the forward groups of towers, each delayed and piling upon each other.

The key was setting a 0.175 second delay for the first set speakers and additional delays for each set outward. Such a system created a “single” sound to the brains of guests. (insert joke here)

Summer Jam Watkins Glen 1973

Jam

The word “jam” in the event’s title lived up to its name. The Dead opened the day with a three-hour plus show. The Band followed with a rain-interrupted two hour set.

The Allman Brothers followed with its own three-hour set after which all three bands joined for a 45 minute set of Not Fade Away, Mountain Jam, and Johnny B. Goode.

Summer Jam Watkins Glen 1973

Not Woodstock

Despite its location (New York) and its size, Watkins Glen is not nearly as famous as its iconic neighbor in Bethel, 145 miles away. And it is not famous for some of the same reasons that the three dozen plus other festivals of 1969 remain mainly in obscurity: no soundtrack and no movie.

In fact, one can argue that the fate of Woodstock would be similar to that of Watkins Glen if not for it having a movie and album.

Summer Jam Watkins Glen 1973

Percussionist Jose Chepito Areas

Percussionist Jose Chepito Areas

Happy birthday
born July 25, 1946

Percussionist Jose Chepito Areas

Have you ever hear of…?Percussionist Jose Chepito Areas

After organizers had drafted Country Joe McDonald to do a solo performance at the Woodstock Music and Art Fair that fair Saturday afternoon, August 16, 1969, the young couple pictured above turned around and offered friend Tony and me a toke. Straight as an arrow at the time, we politely refused. They were from San Francisco and asked us, “Have you ever heard of …” and gave the name of the next act. We said we hadn’t. Neither had most of the others sitting in that big grassy bowl.

Soul Sacrifice

White kids getting sunburned

After that next band finished “Soul Sacrifice” and 400,000 people stood, applauded, stamped, hooted, shouted, yelled, and generally ululated, we all knew Santana and would never forget that moment. I grabbed my borrowed 35 mm camera and shot a picture of that scene. Looking at it today, the echos cannot be heard, the vibrations felt. I know though.

Jose Areas

My guess is that most of those many white kids getting sunburned have not forgotten that moment either. The mixture of Carlos Santana’s electric guitar, Gregg Rolie‘s searing organ, David Brown‘s thumping bass, and ALL that percussion chugging along.

Jose “Chepito” Areas’s timbales were amongst all that chugging percussion. He was an original member of Santana and played with them while Carlos was with the band and without and reunited.

Jose “Chepito” Areas

Areas released a solo album, “Jose Chepito Areas” in 1974. Listen and I dare you not to start moving in sync. Here’s “Gurafeo” from that album.

Percussionist Jose Chepito Areas

Rock and Roll Hall of Fame

Areas along with his other band mates from the original line up were inducted into the Rock and Roll Hall of Fame in 1998. He was not present.

If you’d like to keep up with Jose, he has a Facebook page.

Percussionist Jose Chepito Areas

Grease Band Henry McCullough

Grease Band Henry McCullough

21 July 1943 – 14 June 2016
Guitarist extraordinaire

Grease Band Henry McCullough

Grease Band Henry McCullough

Early on

Henry Campbell Liken McCullough was born in Portstewart, Northern Ireland. He played guitar with various bands as a teenager. In 1967 while playing with The People, he got a break when ex-Animal bassist Chas Chandler signed the band and changed its name to Eire Apparent.

Grease Band Henry McCullough

Grease Band

Eire Apparent toured with many of the emerging bands of that time including the Jimi Hendrix Experience, Pink Floyd, Eric Burdon and the Animals, and the Soft Machine.

He went back to Ireland for awhile, but in 1969 joined Joe Cocker’s back up band, the Grease Band. It was while with them that McCullough played at the Woodstock Music and Art Fair.

Grease Band Henry McCullough

Wings

After leaving the Cocker-less Grease Band and playing on the Spooky Tooth album, The Last Puff, Paul McCartney asked McCullough to join Wings in 1971. He stayed with them for two years. His one-take improvised solo on Paul McCartney’s “My Love” is considered a classic.

Grease Band Henry McCullough

Solos and Sessions

Between 1975 and 2012 McCullough released five solo albums. During that same time he worked on numerous other projects as as sessions musician. among whom were Marianne Faithfull and Donovan. He also appeared on the original cast recording of Jesus Christ Superstar.(see AllMusic’s credit listing)

Grease Band Henry McCullough

Dark Side of the Moon

An interesting piece of trivia is that McCullough’s voice appears on Pink Floyd’s Dark Side of the Moon amongst the several heard. His “contribution” is at the end of “Money” when he speaks of being drunk. In the compilation below, it can be heard around the 55 second mark.

https://www.youtube.com/watch?v=CJvSzJphgT8

Grease Band Henry McCullough

Henry McCullough

In November 2012, McCullough suffered a heart attack which left him incapacitated. He died on June 14, 2016. Paul McCartney said in a Rolling Stone magazine article following McCullough’s death, “He was a pleasure to work with, a super-talented musician with a lovely sense of humor. The solo he played on ‘My Love’ was a classic that he made up on the spot in front of the orchestra.”

Grease Band Henry McCullough