Category Archives: Music of the 60s

Simon Garfunkel Bookends

Simon Garfunkel Bookends

Billboard #1 album May 25, 1968
Simon Garfunkel Boodends
photo: Michael Ochs Archives

By the spring of 1968 we had had the groundbreaking albums Rubber SoulPet Soundsand Sgt Pepper’s Lonely Hearts Club Band

The realization that an album did not have to be a collection of singles had allowed artists to present a set of songs as pieces of a whole. In fact, Sgt Pepper’s didn’t even have a “single” on it.

For we late-teen Boomers, Bookends opened with the worrisome lines:

Time it was

And what a time it was, it was

A time of innocence

A time of confidences

Long ago it must be

I have a photograph

Preserve your memories

They’re all that’s left you.

Simon Garfunkel Bookends

Youthful nostalgia

As the emerging adults in a society teeming with counter-cultural prospects, we “thought” we understood the lyrics’ nostalgia.

Of course in 1968 we had no idea how intense nostalgia could actually be decades later. How was 28-year-old Paul Simon so perspicacious?

Simon Garfunkel Bookends

Pieced together

Simon and Garfunkel did not record the album as a unified whole.  Some of side two’s songs evolved out of their work for the film The GraduateThat soundtrack album, released January 21, 1968,  had reached Billboard’s #1 album spot on April 6, 1968 and stayed there for six weeks. The Bookends album followed it for three weeks followed by The Graduate again for two weeks followed again by Bookends for four weeks. Simon and Garfunkel were trending!

Despite the recording schedule’s discontinuity, the album smoothly runs along its side one and again along side two. How many of us who first knew the album as a vinyl record know long before side one ends that we have to get up to flip the record?

Simon Garfunkel Bookends

Hooks and salients

And there are so many wonderful hooks and salients along the way. That soft 33-second acoustic opening pierced by the sharp beginning of “Save the  Life of My Child.” Hand-clapping. Background chorus. Conversational talk. A flashback to “Sounds of Silence.”

Simon Garfunkel Bookends

America > exhale > Voices

Following the lesson of segueing songs, “America” softly enters. Images we still hold close. Cigarettes. Magazines. Rising moon. The New Jersey Turnpike. And not a rhyme. We’ve gone from childhood to hitting the road.

A match lights a cigarette. Exhale. The game is over. We’ve heard rumblings of a Beatle-break up. Is this other Paul hinting? In any case, we’ve learned about love from the other side. “Overs.”

Simon Garfunkel Bookends

Old Friends

Upon your first listen,  did “Voices” confuse you? Who are these people? Not a song, no lyrics, but a sad short story. “And I maintain, I maintain strongly to this minute, I don’t think it’s an ordinary cold.” And if that wasn’t enough, we “Old Friends” end side one sitting on a park bench, newspapers blowing, lost in our overcoats.

         Simon Garfunkel Bookends

Flip the record. Please!

Side two opens with music that sounds like the end of something. “Fakin’ It.” If side one was from cradle to grave, Side two talks about hypocrisy and struggling to get by. Playing roles and wondering why. “I’m not really makin’ it” sound like the end of “I Am the Walrus.”

Wish I was a Kellogg’s corn flake” is “Punky’s Dilemma.” That and being a “Citizen of boysenberry jam fan.” The struggle continues and includes falling down the basement stairs.

Simon Garfunkel Bookends

Mrs Robinson

We all know “Mrs Robinson.” We’ve all seen Mrs Robinson and maybe, like Dustin Hoffman, falling a bit in lust with her. When opportunity knocks, eh? “We’d like to know a little about you for our files.” Are those eyes really sympathetic? And where did you go, Joltin’ Joe?  In 1969, “Mrs Robinson” became the first rock song to win the  Grammy Award for Record of the Year.

The worried pessimism continues as we skip into a “Hazy Shade of Winter” with its leaves of brown and the sound of the Salvation band.  Ha!

Simon Garfunkel Bookends

Oh those animals!

Paul Simon, the New York kid, the only living boy in New York, closes with “At the Zoo.” We didn’t know those animals felt that way. Now we do and wonder about the others.

Thom Jureck’s All Music review closed this way:  In just over 29 minutes, Bookends is stunning in its vision of a bewildered America in search of itself.

           Yup.
Simon Garfunkel Bookends

Big Rock Pow Wow

Big Rock Pow Wow

Seminole Indian Village, West Hollywood, FL

23 – 25 May 1969

1969’s 8th Rock Festival

Aum…”Mississippi Mud”

Big Rock Pow Wow

Big Rock Pow Wow

1969 Festival #8

The third of the 1969 Memorial Day weekend festivals is perhaps the most interesting. It wasn’t filmed so pictures of the event are hard to come by. It wasn’t recorded either. Well, mostly.

Fortunately for us, the Grateful Dead played the Big Rock Pow Wow that weekend (twice) and, as they typically did, recorded themselves. Today that recording (and an excellent one it is!) is available as Road Trips Vol 4 #1. Both shows are available to listen to via the Internet Archive: Friday 23 May 1969 & Saturday 24 May 1969.  The legendary Owsley “Bear” Stanley recorded them.

Big Rock Pow Wow

Big Rock Pow Wow

Johnny Winter

The festival attracted only a few thousand people, but the line-up was a solid one. One of the performers I want to point out is Johnny Winter. The reason I want to do that is because as we move through the calendar and I blog about the many other 1969 festivals, one should note how many times you see his name. He is all over the place. Actually at the end of April, Woodstock Ventures had already signed him ($7,500) to play at their upcoming middle-of-nowhere festival in Wallkill, NY.

Big Rock Pow Wow

Three days w repeats

Sweetwater would also appear at that august event.

Here is advertised lineup by day:

Big Rock Pow Wow

Arts included

According to the Grateful Dead site: “There was Seminole dancing and chants onstage and off—and the adjacent restored Seminole village was bustling with native crafts-makers (and sellers), as well as various hippie merchants peddling their wares. Because the festival took place on Seminole land, there were no police or conventional security. Timothy Leary’s “people” were somehow involved in putting on the event and Dr. Tim wandered the grounds and occasionally spoke from the stage. “Orange sunshine” acid was everywhere.” 

Big Rock Pow Wow

Aum

The band Aum [members were Wayne Ceballos (guitar, piano), Kenneth Newell (bass), and Larry Martin (drums).] from San Francisco played also.

Aum is another of those good bands that came and went but had the eye of people like Bill Graham who put Aum on his record label for their second (and last) album. It is their “Mississippi Mud” you hear a piece of at the top of today’s entry.

Big Rock Pow Wow

Next 1969 festival: First Annual Detroit Rock & Roll Revival

Drummer Bruce Rowland

Drummer Bruce Rowland

 May 22, 1941 — June 29, 2015

Drummer Bruce Rowland
photo from http://www.udiscovermusic.com/
Drummer Bruce Rowland

500,000 Stories

If there were 500,000 people surrounding the Woodstock Music and Art Fair that 1969 weekend, then there are 500,000 stories after their Bethel experience.

The same is true for the more than 160  performers. It is easier to track some of their trails away from that momentous event because fame can leave a scorched path. And it is easy to assume that anyone who played there forever feasted on its fame.

Of course that’s a false assumption.

Drummer Bruce Rowland

Grease Band

Bruce Rowland played drums with Joe Cocker’s Grease Band and later with the Fairport Convention.

Rowland was born in the UK and early on taught drumming. It is rumored that he taught Phil Collins how to play.

Drummer Bruce Rowland

Woodstock Music and Art Fair

For those who were there that Sunday for  Joe Cocker’s performance we likely remember watching Cocker and being amazed at his vocal and physical styles. That was me, but with a bit of hindsight, I now realize that Rowland’s drumming was integral to that power. I use a picture I took of Joe (through binoculars) as my computer’s desktop and it wasn’t until I wrote this blog entry that I realized that right behind Joe is a nice shot of Bruce Rowland (click on the picture for an enlarged view).

Drummer Bruce Rowland
Sunday 17 August 1969. Joe Cocker and the Grease Band. (photo by J Shelley)
Drummer Bruce Rowland

Queen’s Golden Jubilee

And you can see Bruce a few times thanks to the split-screen used in the movie Woodstock (in June 2002 when Joe Cocker sang “With a Little Help From My Friends” at the Queen’s Golden Jubilee Phil Collins stuck close to Rowland’s pounding fills and parts)

Drummer Bruce Rowland

Life after Grease

After the Grease band dissolved (shortly after Joe Cocker left the band), Rowland worked on various projects including the Jesus Christ Superstar album.

Initially he drummed intermittently with Fairport Convention before becoming their only drummer.  He left that band in 1979 and moved to Denmark.

Bruce Riowland
UNITED KINGDOM – MARCH 01: Photo of FAIRPORT CONVENTION; posed, group shot – L-R: Dave Pegg, Dave Swarbrick, Simon Nicol, Bruce Rowland (Photo by Estate Of Keith Morris/Redferns)
Drummer Bruce Rowland

Fairport Convention

From the Ultimate Classic Rock siteFairport multi-instrumentalist Dave Pegg commemorated Rowland’s passing with a post at the band’s official site, calling him a “lovely man and a great drummer” whose “playing and ‘feel’ for music was superb.” Recalling their last conversation, Pegg added, “I spoke to him on the phone a couple of weeks ago when I heard that he was terminally ill and I was scared to make the call. Bruce said – ‘No tears Peggy. I’ve had a great life and have wonderful memories. This hospice is the best hotel I have ever stayed in and the staff are wonderful. No tears.’ We will miss you, Bruce.” [Telegraph obit]

Drummer Bruce Rowland