Attended the Woodstock Music and Art Fair in 1969, became an educator for 35 years after graduation from college, and am retired now and often volunteer at Bethel Woods Center for the Arts which is on the site of that 1969 festival.
My wife and I have only once attended the wonderful performance of Charles Dickens’s A Christmas Carol sponsored by Historic Hudson Valley. The 1837 Christ Episcopal Church (Tarrytown), where Washington Irving once served as a vestryman, hosts the event and the weather is almost always a perfectly chilly December evening.
Channeling Dickens, Jonathan Kruk entranced the audience while Jim Keyes accompanies Kurk on the church’s organ, Celtic harp, or a fiddle, as well as various sound effects with chains, chimes, and more.
Christmas Carol lesson
Bad ol’ Ebenezer
We all know the miserly impatient and utterly contemptible Ebenezer Scrooge: an 18th century misanthrope who makes flea-infested rats admirable.
Dickens wrote the perfect description: he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice.
Christmas Carol lesson
Past still present
Such characters still populate our world today.
Early in the narration, two visitors hope that Scrooge will continue Jacob Marley’s past “liberality” and donate generously to those in need. To Scrooge, “liberality” is an ominous word and he asks:
“Are there no prisons?”
“Plenty of prisons,” said the gentleman…
“And the Union workhouses?” demanded Scrooge. “Are they still in operation?”
“They are. Still,” returned the gentleman, “I wish I could say they were not.”
“The Treadmill and the Poor Law are in full vigour, then?” said Scrooge.
“Both very busy, sir.”
“Oh! I was afraid, from what you said at first, that something had occurred to stop them in their useful course,” said Scrooge. “I’m very glad to hear it.”
Scrooge continues, “I can’t afford to make idle people merry. I help to support the establishments…and those who are badly off must go there. Many can’t go there; and many would rather die. If they would rather die…they had better do it, and decrease the surplus population.”
Beatles manager Brian Epstein conceived a variety program to showcase the Beatles and on October 21, 1963 tickets went on sale for their Christmas Show. By November 16, 1963 the show sold out…all 100,000 tickets!
On December 24, 1963 The Beatles Christmas show began its run at the Astoria Cinema in Finsbury Park, London for 16 nights, ending on 11 January 1964. There were 30 shows altogether with two performances on each day, except for December 24 and 31 when only one took place. On 25 and 29 December and 5 January The Beatles had the night off.
The first act, with five minutes on stage, were the Barron Knights and Duke D’Mond. Next came short sets from Tommy Quickly and The Fourmost, and Billy J Kramer and The Dakotas closed the first half. Following the interval there was a return from the Barron Knights and Duke D’Mond, then Cilla Black, and Rolf Harris.
Beatles in costume for the Beatles Christmas Show
1963 Beatles Christmas Show
25-minute set plus skits
The Beatles were the final act, with performances lasting 25 minutes. Their setlist was: Roll Over Beethoven, All My Loving, This Boy, I Wanna Be Your Man, She Loves You, Till There Was You, I Want To Hold Your Hand, Money (That’s What I Want) and Twist And Shout.
In between acts The Beatles did a number of skits.
It was quite an event according to a Ron Chipperfield who later recalled:
I was a St John Ambulance Brigade Cadet …on duty at the concert on Christmas eve. I spent most of the evening carrying hysterical young females out of the concert hall, many had discarded their underwear and thrown it towards the stage. Quite an experience for a sixteen year old. My next duty was on Boxing Day at the Royal Albert Hall for a ballet, what a contrast.
Jorma Kaukonen was born on December 23, 1940 and did not have ambitions to be a rock star. At the time, there was no rock.
Guitarist Jorma Jerry Kaukonen
Early on
Though born in Washington, DC, with a dad who worked in the Foreign Service, Jorma’s childhood was a well-traveled one. His dad had used Jerry as a nickname, the name Jorma during World War II being mistakenly viewed as German and thus un-American.
At the same time, Jorma recounts that some of his Ann Arbor base-mates decided he was not American enough and tried to string him up as a spy. Jorma became Jerry also and remained so for many years. [When he first moved to Ohio in the late 80s, the -o- at the end of his name again became an issue and people started called Jorma “Norm.”]
Guitarist Jorma Jerry Kaukonen
With Jack Casady
Jorma attended Woodrow Wilson High School in Washington DC. He fell in with guitar enthusiasts there at a time when sax, drums, and piano were the “cool” instruments.
So from the start, Jorma found himself on the fringe.
Jorma was in school with Jack Casady’s older brother and one day Jorma visited the Casady household. Jorma and Jack formed a musical friendship, one that has lasted more than 60 years
They briefly formed a band, The Triumphs, and as Jack recalls, “I played lead guitar, Jorma played rhythm guitar and sang. The PA system was a Wollensac tape recorder put in the monitor mode so Jorma’s vocals were coming through a 3-inch speaker. It was kind of raw but it was fun while it lasted.”
Guitarist Jorma Jerry Kaukonen
Ohio > California
Kaukonen graduated high school and attended Antioch College in Ohio. While there, he “discovered” the music of the Reverend Gary Davis. Davis’s music became and remains a part of Kaukonen’s life.
Jorma later transferred to Santa Clara University where he also gave guitar lessons. One famous session was with Janis Joplin.
In 1967, Paul Kantnerinvited Kaukonen to join a band Kanter was formed and despite Jorma’s preference for acoustic blues, the emerging electric technology pulled Jorma into the psychedelic sounds.
Jorma half-seriously suggested a band name: Jefferson Airplane. Obviously, the serious half won out.
Ironically, one of the best known electric-based Airplane songs is his acoustic “Embryonic Journey.”
Famous for their Sunday sunrise performance at the Woodstock Music and Art Fair, those same acoustic roots still held Jorma Kaukonen’s love. In 1970 he and Jack Casady formed Hot Tuna.
Guitarist Jorma Jerry Kaukonen
Hot Tuna and more
With Kaukonen and Casady the core members, dozens of other musicians have been part of Hot Tuna’s history. The band has released more than 20 albums.
In 1974, Kaukonen released, Quah, the first of his 11 solo albums.
In 1978, during a Hot Tuna haitus, he formed the band Vital Parts.
At a 1988 Hot Tuna performance at the Fillmore Auditorium, that Grace Slick joined the performance. Marty Balin was in the audience. The “reunion” resulted in a brief Airplane tour and record in 1989.
With his wife Vanessa, Kaukonen operates the Fur Peace Ranch[it’s a fur piece from anywhere] in Ohio. The site states, in 1989, “Jorma and Vanessa Kaukonen looked at a piece of land in Meigs and conceived what Jorma calls “a ranch that grows guitar players.” Not a fantasy camp, but this would be a place where both budding and seasoned musicians could immerse themselves for several days, and emerge with renewed inspiration and tangible progress in their music.”
Guitarist Jorma Jerry Kaukonen
Virtual lessons
Fur Peace Ranch in Ohio
And in this age of virtual instruction, Kaukonen also offers on-line lessons for guitar enthusiasts. The site is called Breakdown Way. You can even Skype lessons.
Guitarist Jorma Jerry Kaukonen
Been So Long
On August 28, 2018, St Martin’s Press published Jorma’s memoirs, Been So Long, My Life & Music. Grace Slick wrote the forward; Jack Casady wrote the afterward. The title comes from the song of the same name.
The Kirkus review described the work as, “An honest personal portrait but also one where the author could have revealed more—and written less.”
I’m sure fans won’t mind the extra bits.
Guitarist Jorma Jerry Kaukonen
Quarantine
From a 2021 PSAudio article: During quarantine Jorma has been hosting a weekly free concert from his Fur Peace Ranch on its YouTube channel. The New York Times recently said it was among the top online concerts launched during COVID-19. Out of these sessions has come the inspiration behind a new record, The River Flows, tied to his long-standing collaborations with John Hurlbut. The River Flows was produced by Jorma at the ranch in Meigs County, Ohio and mixed by three-time Grammy winner and Hot Tuna drummer Justin Guip. Together they have made a record filled with fantastic takes on songs made famous by artists they admire, along with a few originals. It’s a celebration of great music, tremendous acoustic guitar work, and a close friendship that began almost 40 years ago.
Guitarist Jorma Jerry Kaukonen
What's so funny about peace, love, art, and activism?
