All posts by Woodstock Whisperer

Attended the Woodstock Music and Art Fair in 1969, became an educator for 35 years after graduation from college, and am retired now and often volunteer at Bethel Woods Center for the Arts which is on the site of that 1969 festival.

Music Producer Jerry Wexler

Music Producer Jerry Wexler

Remembering Jerry Wexler
January 10, 1917 – August 15, 2008

Music Producer Jerry Wexler

Music Producer Jerry Wexler

Beginnings

Jerry Wexler is another of those names we saw on record labels and album covers. Not the musician; not the writer; but a common  presence.

Jerry was born in the Bronx on January 10, 1917. He briefly attended  the City College of New York, then enrolled at Kansas State University  before again dropping out of college.

He joined the army and following his military service, he finished his degree in Journalism at Kansas State.

Music Producer Jerry Wexler

Billboard magazine

Wexler got his start in music as a journalist for Billboard magazine. He is credited with coining the term “Rhythm and Blues” for music  previously labeled “Race Records.”

Music Producer Jerry Wexler
Atlantic Records

Wexler joined Atlantic Records as a partner in 1953 and quickly became Ahmet Ertegun’s close friend.  With Ertegun, he helped forge Atlantic’s success, producing artists like Ruth Brown, Ray Charles, and The Drifters.

For the first time in American music history, the average white kid could easily hear music previously isolated to the fringe or covered by an average white band.

Jerry Wexler also produced LaVern Baker, Big Joe Turner, Solomon Burke, Dr. John, Wilson Pickett, and Aretha Franklin. He helped Aretha Franklin adjust her unsuccessful sound at Columbia Records and sent her to  Barry Beckett, Roger Hawkins, Jimmy Johnson, and David Hood’s  Muscle Shoals Sound Studio in Alabama. The collaboration brought fame and financial success to both.

To Warner Bros. Records

Wexler left Atlantic Records in 1975 to work for Warner Bros. Records. He signed Dire Straits, Etta James, and the B-52s among others before leaving to work on a freelance basis.

It was as a freelance producer that Wexler recorded Bob Dylan’s Slow Train Coming album at Muscle Shoals. The single, “Gotta Serve Somebody” from that album won a Grammy award in 1980.

He was inducted into the Rock and Roll Hall of Fame in 1987. Among his thankful words, he said, ““We were making rhythm and blues music–black music by black musicians for black adult buyers perpetrated by white Jewish and Turkish entrepreneurs.”

More bass

He famously said, when asked what he would like inscribed on his tombstone, “Two words: ‘More bass.'”

Jerry Wexler died at his home in Sarasota, Florida, on August 15, 2008.

His tombstone has his name, the years of his birth and death, and the words: HE CHANGED THE WORLD.

Jerry Wexler


Below is a 2002 Interview by John Sutton-Smith with Wexler.

Atlantic Records site

The Telegraph obit

Music Producer Jerry Wexler

Singer Activist Joan Baez

Singer Activist Joan Baez

Many Happy Returns!

Joan Baez

Joan Chandos Báez was born in Staten Island, NY  on January 9, 1941. Although often associated with Bob Dylan, it should be that he is associated with her as Bob was Joan’s guest at the 1963 Newport Folk Festival. It was she featured on the November 23, 1962 cover of Time magazine.

Singer Activist Joan Baez

…but associated they are.

Singer Activist Joan Baez

Many areas

To quickly explain Joan’s career would do a disservice to her.  Some associate Joan with the early 1960s civil rights movement. True. Some associate her with the 1964 Berkeley Free Speech movement. True. Some may even know of her participation in the 2011 Occupy Wall Street demonstrations. True again

In other words, Joan has had a lifetime of peace, love, art, and activism.

Singer Activist Joan Chandos Baez
Joan at Woodstock with Jeffrey Shurtleff
Singer Activist Joan Baez

David Harris

During the Woodstock Music and Art Fair, she was pregnant and married to David Harris. Authorities had jailed Harris for refusing to be drafted. That night, Baez played her hour set with Richard Festinger and Jeffrey Shurtleff.

Their set was:

  • Oh Happy Day
  • The Last Thing On My Mind
  • I Shall Be Released
  • Story about how the Federal Marshalls came to take David Harris into custody  
  • No Expectations
  • Joe Hill
  • Sweet Sir Galahad
  • Hickory Wind
  • Drug Store Truck Driving Man
  • I Live One Day at a Time
  • Take Me Back to the Sweet Sunny South
  • Let Me Wrap You in My Warm and Tender Love
  • Swing Low, Sweet Chariot
  • We Shall Overcome

Here is her rendition of International Workers of the World hero Joe Hill from that misty night. The lyrics are based on a 1925 poem by Alfred Hayes that Earl Robinson had put to music in 1936.

The compensation that each of the Woodstock performers received has long been of interest, but documents clearly showing the amount are hard to come by.

Joan Baez received $10,000 (approximately $71,000 in 2019 dollars) and here is the actual documentation:

Click on the picture to enlarge it.

Letter to Joan

Dear Joan Baez,

We don’t love you because of all the albums you have released. And you have! We don’t love you because of that voice. And it is amazing! We don’t love you because are in the Rock and Roll Hall of Fame. And you are.

We love you for all you have contributed. We love for all you continue to contribute. We love you because you have been a role model to anyone willing to listen and watch.

From all of us to you.

We Shall Overcome.

Singer Activist Joan Baez

For more about Joan and her music, visit >>> Hubpages

Beatles 1965 Rubber Soul

Beatles 1965 Rubber Soul

Beatles 1965 Rubber Soul
George Harrison, John Lennon, Ringo Starr, and Paul McCartney

The Beatles released their Rubber Soul album in time for Christmas on December 6, 1965. It became the Billboard #1 album on January 8, 1966 and remained there until February 18.

Beatles 1965 Rubber Soul

1965 Turning Point

1965 was a turning point for 1960s music. Although Beatlemania had hit America in 1964 and the band had six #1 singles that year alone, the music was still not what would eventually lead to the Woodstock Music and Art Fair and other such festivals.

After their touring ended in 1966, the Beatles went into the studio and went in another direction. Why?

The simplest answer is that Dylan had gone in a different direction and the Beatles realized that they could, too. And where Dylan and the Beatles headed, many followed.

Beatles 1965 Rubber Soul

Meeting Bob

In August 1964 the Beatles played a concert in New York City and afterwards famously met Bob Dylan who didn’t realize at first he was introducing the Beatles to marijuana. He was and they reportedly enjoyed the experience. (see Bob Dylan Introduces the Beatles for more).

In 1965, Dylan had gone  “gone electric” to both the delight and dismay of his fans. His song “Maggie’s Farm” was his declaration of independence. No longer would he be pigeon-holed as a protest folk singer.

Beatles 1965 Rubber Soul

Back in the Studio

When happened in the studio when the Beatles returned there in October 1965 was “Rubber Soul.”  While  the pop sound they were known was still a part of their music,  now there was more depth, too. Boomers had lyrics to figure out.

Beatles 1965 Rubber Soul

For example, John Lennon sang on “Girl”

Was she told when she was young that pain
Would lead to pleasure?
Did she understand it when they said
That a man must break his back to earn
His day of leisure?
Will she still believe it when he’s dead?
Ah girl
Girl
Girl
Beatles 1965 Rubber Soul

More than holding hands

To the typical American Baby Boomer teenager, this was no longer simply wanting to “…hold your hand.

Beatles 1965 Rubber Soul

1966 Fork in the Road

In 1966 American pop music came upon a fork in the road and some fans remained on the well-traveled road, the road of 45s, and top ten.

Others took what was for them a path less traveled. That same year, Brian Wilson of the Beach Boys produced the definitely-not-surf-music Pet Sounds. The Beatles closed 1966 with what some call Rubber Soul part two, Revolver, a continuation of their musical and lyrical experimentation.

The Mothers of Invention released Freak Out! Ken Kesey’s Acid Tests got into full swing. Light shows at concerts began. Crawdaddy, the first rock and roll magazine to write full and serious articles, appeared. Concerts at San Francisco’s Fillmore began. John Lennon got into trouble after pointing out that the Beatles were more popular than Jesus. FM rock stations began.

Beatles 1965 Rubber Soul

More 1965

Jefferson Airplane released their first album. The Beatles performed their final live concert. Jimi Hendrix hit England. The Beatles began to record Sgt. Pepper’s.

That less traveled path would lead to Woodstock after a few other festival stops along the way.

For more about the album, click through >>> The Beatles site

Beatles 1965 Rubber Soul