Tag Archives: Music et al

Hendrix Bassist Billy Cox

Hendrix Bassist Billy Cox

From a 10/29/23 FB post: Hello everyone, Happy Sunday!!! Been back home a few weeks, getting back into the rhythm. Thank you for your prayers and well wishes.
Happy birthday: born October 18, 1941

Old Army Buddy

A July 12, 1969 article entitled Jimi Hendrix Has a Brand New Bass in Rolling Stone said in part: Jimi Hendrix has named an old Army buddy as the bass player he may soon be recording with and hinted during a recent visit to Los Angeles that as soon as contracts allow, the Jimi Hendrix Experience may make the transition from trio to creative commune.

The bassist is Billy Cox, who was stationed with Hendrix at Ft. Campbell, Ky., several years ago when both were in the Army and then for three years following the service, in the Clarksville, Ky., and Nashville areas. Since that time, Cox has remained in Nashville, playing pickup dates and touring occasionally with Wilson Pickett, Gene Chandler and most recently, Buddy Miles.

Wheeling, West Virginia

Hendrix Bassist Billy Cox
That’s me, age three with hatchet in hand, Wellsburg, West Virginia. Wonder what I was knowing? That’s my friend, Jimi, Memphis, 1969. A lot was going on with him, at that time, and NONE of it good. After a few years of not seeing each other, Jimi had made it big and he had called me to meet him in Memphis. In the early years, we always planned and talked about making it and being big together. So, there I was in Memphis, on the side of the stage, watching my old friend, sing about chopping down a mountain with the edge of his hand. Soon I would be on stage with him. ~The Last Gypsy, Billy Cox

From his siteBilly Cox was born in Wheeling, West Virginia. His father was a Baptist minister and teacher of mathematics and his mother was a classical pianist. Billy was blessed with the best of both worlds. One world revolved around the strong intellectual discipline of his father and the other world revolved around the loving tenderness and sensitivity of his mother.

Billy Cox

Hendrix Bassist Billy Cox

Woodstock

Jimi Hendrix at Woodstock was Jimi Hendrix at Woodstock. Yes, he had a band behind him, but Jimi’s talent and showmanship always shone so brightly, other band members were often in the shadows, so Billy’s presence at Woodstock is more of a footnote.

Having said that, he is a part of, albeit momentarily, of what is perhaps Woodstock’s most famous song: the Star  Spangled Banner.

From a May 2023 Bassplayer magazine article Billy said:  “If you listen to the recording you hear me playing the first five or six notes,”  “Then I thought, ‘Wait a minute – we never practiced this.’ So I immediately stepped back, and it was bang – such a great thing that Jimi did.”

He continued: That [Woodstock] was great; it was the first big gig I played with Jimi. We came around the back way and looked out on that crowd – it was the largest crowd I’d ever played in front of. Mitch said, ‘Hell, I don’t know whether I want to go out there!’ Jimi said, ‘We’ll give to them and they’ll give back to us, and we’ll have a good time.’ It was great, it was exhilarating.”

From the same article: Onstage with Hendrix during his first serious gigs and for his very last performances, Cox’s low-end support aptly complemented Hendrix’s guitar stratospherics. “A bloody marvellous bass player – has soul and feel for days,” noted Hendrix engineer Eddie Kramer. “Billy was Jimi’s confidante and buddy – and a wonderful human being.”

Hall of Fame

Hendrix Bassist Billy Cox

From his site: legendary bassist and Musicians Hall of Fame inductee Billy Cox, is synonymous with almost any reference to Jimi Hendrix and Rock-n-Roll history. From their army days, Billy would always have an extended friendship with Jimi Hendrix. The kindred spirits would have a musical chemistry that was nurtured over the years as both performed regularly as sidemen for the most prominent blues and R&B acts of the day. The bond between the two men would write a new chapter in music history.

Hendrix Bassist Billy Cox

Hendrix Bassist Billy Cox

Billy Cox and his Hendrix Experience band at the Allen Blues Festival

Billy Cox has released four solo albums:

  • Nitro Function, 1971
  • Last Gypsy Standing, 2009
  • Old School Blue Blues, 2011
  • Unfiltered, 2014

From WikipediaToday, Billy Cox owns a video production company. He has produced numerous blues and a myriad of gospel shows. He co-authored the books, Jimi Hendrix Sessions and Ultimate Hendrix with John McDermott and Eddie Kramer. Billy has been the recipient of numerous awards and honors among which: In 2009 Billy Cox was inducted into The Musicians Hall Of Fame; Billy received The Founders Award in 2010. It was given by Microsoft co-founder, Paul Allen and in 2011 Billy was inducted into the West Virginia Music Hall Of Fame. Billy released his latest album, Old School Blue Blues, in 2011 and continues to tour with “The Experience Hendrix Tour” each year and his own Band of Gypsys Experience. He released the single Run featuring the androgynous singer and songwriter Marlon Alarm in November 2011.

Hendrix Bassist Billy Cox

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Charles Hardin Buddy Holly

Charles Hardin Buddy Holly

September 7, 1936 – February 3, 1959

When we boomers fell in love with the Beatles and enthusiastically poured more gasoline on Beatlemania’s already raging conflagration, we congratulated ourselves on finding such wonderful new music.

Ah, youth! forever dear, forever kind.

And forever naive.

Charles Hardin Buddy Holly

American music

The Beatles, of course, like most of the world’s young people who loved rock and roll, fell in love with American rock music: the descendant and combination of the blues, country, and gospel music. I imagine that John, Paul, George, and Ringo were a bit dumbfounded to hear our discovery of their “new” music. They knew that they were doing their best to come up with something new, yes, but thoroughly based on the American music they so loved.

Like that of Charles Hardin Buddy Holly.

Charles Hardin Buddy Holly

Buddy Holly

Charles Hardin Buddy Holly

Charles Hardin Holley was born on September 7, 1936  in Lubbock, Texas and played several instruments as a child, but it was the guitar that he settled on.

And he dropped the e from his last name.

He and his band, the Western and Bop Band, performed throughout the southwest. Nashville’s Decca Records signed Holly: Buddy Holly and the Two Tunes, later Buddy Holly and the Three Tones.

Charles Hardin Buddy Holly

Success then release

Decca released a few singles before dropping the band. Holly and his band mates returned to Lubbock. During this time Holly developed his singer-songwriter skills and the band became a local favorite to open for touring musicians. The most important gig was opening for Elvis. That experience shifted Holly to rock and roll.

Charles Hardin Buddy Holly

Norman Petty

Charles Hardin Buddy Holly

On February 25, 1957 Buddy Holly and the Crickets were in Norman Petty’s Clovis, NM studio. They recorded another version of: “That’ll Be the Day.”

Charles Hardin Buddy Holly

Peggy Sue

The song attracted national attention and a national tour. “Peggy Sue” was a #3 hit here and a hit in the UK where young musicians like John, Paul, George, and Ringo were just starting out. A 1958 tour in England gave Holly and even bigger presence there.

Charles Hardin Buddy Holly

It was while on the 1958 Winter Dance Party Tour that Holly decided to take the plane and not the bus.

On February 3, 1959 that plane crashed just outside Mason City, Iowa killing all on board including the Big Bopper and Richie Valens.

Charles Hardin Buddy Holly

Quarrymen

Holly’s influence continued beyond his death. The Quarrymen eventually changed their name to the Beatles in homage to Holly’s Crickets. They also slowly developed their own singer-songwriter abilities, the hallmark of the most successful musicians whom the 1960s–and beyond–produced.

Charles Hardin Buddy Holly

Max Roach We insist! Freedom Now Suite

Max Roach We Insist! Freedom Now Suite
Max Roach We insist! Freedom Now Suite

Max Roach had recorded We Insist! (subtitled Max Roach’s Freedom Now Suite) on August 31 and September 6, 1969 at the Nola Penthouse Sound Studio in New York. Candid Records released the album.

It contains a suite which composer and drummer Max Roach and lyricist Oscar Brown had begun to develop in 1959, with a view to its performance in 1963 on the centennial of the Emancipation Proclamation. The album cover references the sit-ins of the Civil Rights Movement. 

Max Roach We insist! Freedom Now Suite

Core Collection

The Penguin Guide to Jazz awarded the album one of its rare crown accolades, in addition to featuring it as part of its Core Collection.

The music consists of five selections concerning the Emancipation Proclamation and the growing African independence movements of the 1950s. 

Max Roach We insist! Freedom Now Suite

Side one

  1. “Driva Man” (Roach, Oscar Brown) – 5:17
  2. “Freedom Day” (Roach, Brown) – 6:08
  3. “Triptych: Prayer/Protest/Peace” (Roach) – 8:09

Side two

  1. “All Africa” (Roach, Brown) – 8:01
  2. “Tears for Johannesburg” (Roach) – 9:42
Max Roach We insist! Freedom Now Suite

Abbey Lincoln

Only Roach and vocalist Abbey Lincoln perform on all five tracks, and one track features a guest appearance by saxophonist Coleman Hawkins.

  • Booker Little – trumpet on “Driva Man”, “Freedom Day”, “All Africa”, and “Tears for Johannesburg”
  • Julian Priester – trombone on “Driva Man”, “Freedom Day”, and “Tears for Johannesburg”
  • Walter Benton – tenor saxophone on “Driva Man”, “Freedom Day”, and “Tears for Johannesburg”
  • Coleman Hawkins – tenor saxophone on “Driva Man”
  • James Schenk – bass on “Driva Man”, “Freedom Day”, and “Tears for Johannesburg”
  • Michael Olatunji – congas, vocals on side two
  • Raymond Mantilla – percussion on side two
  • Tomas du Vall – percussion on side two

Max Roach We insist! Freedom Now Suite

Accolades

From AllMusic’s Michael G NastosThis is a pivotal work in the discography of Roach and African-American music in general, its importance growing in relevance and timely, postured, real emotional output. Every modern man, woman, and child could learn exponentially listening to this recording — a hallmark for living life.

From a Jerry Jazz Musician site in 2014We Insist!  Max Roach’s Freedom Now Suite — a seminal recording from the heat of the civil rights era that, according to Candid A&R director (and jazz writer/civil rights activist) Nat Hentoff, spoke “defiant truth to power” — is now-more-than-ever relevant, and required musical achievement, artistic vision and personal courage.  It was recorded and produced at a time of protest against bigotry and racial discrimination when bigotry and racial discrimination were not only not illegal, they were institutionalized. 

Max Roach We insist! Freedom Now Suite