Tag Archives: Music et al

Youngblood Jesse Colin Young

Youngblood Jesse Colin Young

Youngblood Jesse Colin Young
Jesse from a 2023 Facebook post
Born November 22, 1941

If a music fan hears the band name Youngbloods, the person they’ll often think of next is Jesse Colin Young, that band’s lead singer.

And the song that most people think of Jesse singing “Get Together.”

Youngblood Jesse Colin Young

A bit of his beginning

From Jesse’s Facebook pageJesse was born and raised in Queens, New York in 1941, and his earliest family memories are filled with the joy of music and celebration. His mother was a violinist who had a beautiful singing voice of perfect pitch, and his father was a Harvard- educated accountant with a passion for classical music. Along with his older sister, the family spent evenings gathered around the piano singing Harvard fight songs and other lively tunes.

At 15, the talented student won a scholarship to Phillips Andover, the all boys prep school in Massachusetts. The rigorous curriculum and strict discipline the school required ultimately resulted in Jesse being kicked out of the exclusive academy – an event which forever changed the course of his life. The blues were calling his name and the next few years were spent exploring the music of T-Bone Walker, John Lee Hooker and Muddy Waters for inspiration and consolation. Jesse Colin Young recorded his first album in 4 hours, accompanying himself on guitar. That release was called THE SOUL OF A CITY BOY.

Youngblood Jesse Colin Young

Youngblood

A second album, YOUNG BLOOD, featured supporting musicians, including John Sebastian.

Youngblood Jesse Colin Young

Fame came knocking

“Get Together” or “Let’s Get Together” already had a long history before Youngbloods put it on their first album in 1967 and before the song’s refrain refrain of “Come on people now, smile on your brother” was used as the television theme for the National Council of Christians and Jews.

In 1969, the Youngbloods put the song on their next album, Elephant Mountain, as well, and it became a top ten hit.  In 1994, the song appeared in the movie Forest Gump and introduced the classic song to a new generation of listeners.

Young’s song “Darkness Darkness”was in Jack the Bear (1993), chosen as the theme song for the James Cameron movie Ghosts of the Abyss (2003) and was in the trailer of TV series Bloodline (2015).

A cover of the song by Robert Plant won the Grammy for Best Rock Vocal in 2002.

Youngblood Jesse Colin Young

Still Youngblood

As with many musician lifers, Jesse Colin Young has never left music or recording music.

As his own site says,

The family moved back to the continental U.S. in 2006, but a diagnosis of Lyme’s Disease left Jesse unable to tour for] several years…. Housebound, he launched his own video series on YouTube, “Couch Series with Labrador,” and focused on his recovery. After years of struggle, he began performing again in 2015, with his first show benefitting Saratoga WarHorse to help veterans. A video, “Out Of the Darkness,” featuring Charles Yang and Peter Dugan, was created and is still available on streaming platforms. 

His songwriting remained sharp while his health continued to improve, and 2019’s Dreamers — an album that found Jesse writing about topical issues like immigration and the #MeToo movement, backed by a hotshot band that included his son, Tristan, as well as multiple musicians from Tristan’s alma mater, Berklee College of Music — served as another milestone in a career already stocked with highlights. Meanwhile, Jesse also developed an ongoing podcast series, “Tripping on My Roots,” featuring interviews, storytelling, rare collaborations with some of his musical peers, and salutes to his guests’ musical mentors. 

When COVID-19 ground the world to a halt in 2020, he launched a new series called “One Song at a Time” — a series of videos that found Jesse performing songs from across his entire career, while accompanying himself on acoustic guitar — and also assembled a new version of “Get Together” featuring Steve Miller on vocals and Stratocaster guitar, Charles Yang on violin, and the sounds of Jesse’s hotshot Berklee band. The re-recorded “Get Together” served not as only as a celebration of the song’s 50th anniversary, but also as a fundraiser to benefit WhyHunger during a uniquely challenging time. Meanwhile, “One Song at a Time” became a success on platforms like YouTube and Facebook, leading Jessie to go back into the studio and record his newest album, Highway Troubadour. An acoustic record rooted Jesse’s singing and deft fingerpicking, Highway Troubadour features newly-recorded solo performances of songs from the songwriter’s entire catalog, including a revised take on the Youngbloods’ “Sugar Babe” and an intimate version of Dreamers’ “Cast a Stone.”

His credits and discography are impressive.

Youngblood Jesse Colin Young
Thank you Jesse for helping us get together

And also from his site: Always holding environmentalism as “a must,” from the time of The Youngbloods to his current endeavors as a performer and teacher, Jesse has even used solar-powered energy for his concerts! He and his wife also grow organic Kona coffee on their farm in Hawaii.

Youngblood Jesse Colin Young

Bill Hanley Last Seat in the House

Bill Hanley Last Seat in the House

Bill Hanley, born March 4, 1937
a documentary by John Kane
Bill Hanley Last Seat in the House
Bill Hanley working the boards in 2013 at the annual Yasgur Farm Woodstock Reunion (courtesy of Charlie Maloney)

If you were at Woodstock or have ever listened to any songs from that festival, you have Bill Hanley to thank. He was THE sound man for that event,  John Kane has made a documentary about Bill called “Last Seat in the House.”

It is astounding how many things Bill Hanley has been a part of throughout his career and why he is not in the Rock and Roll Hall of Fame is simply a reflection the that Hall’s too common shortsightedness when selecting whom to honor.

A bit of Hanley’s story from the movie’s site:

Bill Hanley Last Seat in the House

Medford, MA

Born in 1937 in Medford, Mass., Parenelli Award winner Bill Hanley was the oldest of five children. By the age of six, his father gave him his first crystal set, followed by a one-tube radio, then a six-tube radio setting off an interest in electronics. During his teens he and his younger brother Terry would install TV antennas on roofs, and fix TVs for neighbors. At Christmas they even hooked up one of the early amplifiers they built to a big speaker, pointed it out their attic window, blaring Christmas music for the neighbors.

Bill Hanley Last Seat in the House

Hanley Sound

Bill Hanley Last Seat in the House

During Hanley’s time in vocational school he became unimpressed with the state of public address driven technology used for the emerging live music scene. However he was impressed by the sound system at a local roller rink, developing a long lasting love for organ music and Jazz.

By 1957, Hanley chased down Newport Jazz Festival promoter George Wein, establishing a long successful career as Newport Folk and Jazz Festivals sound company.  Soon his reputation grew and other big jobs began to trickle in, eventually leaving his day job and establishing Hanley Sound at 430 Salem St in Medford, MA by the late 1950s.

A proud moment for Hanley’s family and community was when the firm handled the sound for the second inauguration of President Lyndon B. Johnson in 1965. That same year, he opened an office in New York City, providing sound for places like Café A Go Go and the Bitter End. Eventually the college circuit broke and a need for concert touring sound reinforcement would emerge.

In 1966 a job for the local Boston band The Remains, allowed Hanley the opportunity to support the group on their accompanying tour with the Beatles. Soon Hanley would find himself behind the mixing console for eastern portion this historic Beatles tour. Known for distributing Altec-Lansing speakers fanned around the bases, Hanley doubled the sound and power typically used, with an impressive (for the time) 600-watt amplifier system… Sadly, his sound system was pulverized by the crushing power of 43,000 screaming teenage girls. Moving on, more bands turned to Hanley Sound, like the Buffalo Springfield for example who put him under contract. While working with the band Hanley introduced them a new device called the on-stage “monitor.” Blown away by the results, Neil Young would  forever be indebted to the sound engineer for allowing them to be able to “hear” while on stage.

Bill Hanley Last Seat in the House

Fillmore East

By 1968 Hanley was brought in to do the sound for Bill Grahams Fillmore East in NYC.  At this point his reputation for quality sound was mammoth, leading him to provide sound reinforcement for some of the largest pop & rock festivals in American history. However, nothing could match Hanley’s culminating performance in sound, the pivotal gig of live event history ~ The Woodstock Music and Art Fair of 1969. Thereafter Hanley would forever be known as the “Father of Festival Sound.”

Bill Hanley Last Seat in the House
Bill Hanley at Woodstock Music and Art Fair
 Bill Hanley Last Seat in the House

World-wide

Moving into the next decade Hanley’s social conscience lead him to work on several large scale anti-war protest rallies, even sending the entire Woodstock sound system to South Africa for their Anti-Apartheid movement.

The post Woodstock, anti -mass gathering initiatives in America at the time set the sound company’s projections back. Unprepared for what was to come Hanley’s company felt the shortcomings of a changing era of technology and live performance. The 1970s also brought a great transformation to the industry where more sound companies were surfacing. From the 1970s on, Hanley would continue to be called on for more sound work, eventually turning his attention to staging.

Bill Hanley walking the festival field

A true pioneer, Bill Hanley’s contributions to live concert sound reinforcement can be felt to this day.

Help get Hanley into the R and R Hall of Fame by signing the petition!

Visit the movie site for a LOT more sound and sights…I get goose bumps just listening!

Bill Hanley Last Seat in the House

Parnelli Audio Innovator Award

In 2006, Hanley was given the Parnelli Audio Innovator Award which recognizes pioneering, influential professionals and their contributions.

2023

And read this amazing October 2023 article in the Eagle Tribune!
Bill Hanley Last Seat in the House

Ten Years After album

Ten Years After album

October 27, 1967
Happy anniversary

Ten Years After album

“I Wanna Know” first cut, first album

Ten Years After released its first album, Ten Years After, on October 27, 1967.  The band consisted of Alvin Lee (guitar), Chick Churchill (organ), Ric Lee (drums), and Leo Lyons (bass). Here was another example of a British band bringing American blues back to us. The band did write most of the album’s material, but their sound and the song’s they covered clearly showed those roots.

Ten Years After album

Side one

Ten Years After album

Here’s side one:

Side one
  1. “I Want to Know” (Sheila McLeod as pseudonym Paul Jones) – 2:11
  2. “I Can’t Keep from Crying Sometimes” (Al Kooper) – 5:24
  3. “Adventures of a Young Organ” (Alvin Lee, Chick Churchill) – 2:34
  4. “Spoonful” (Willie Dixon) – 6:05
  5. “Losing the Dogs” (Alvin Lee, Gus Dudgeon) – 3:03

Side two

And side two:

Side two
  1. “Feel It for Me” (Alvin Lee) – 2:40
  2. “Love Until I Die” (Alvin Lee) – 2:06
  3. “Don’t Want You Woman” (Alvin Lee) – 2:37
  4. “Help Me” (Ralph Bass, Willie Dixon, Sonny Boy Williamson) – 9:51

Note how short the majority of the songs were, the single-size under-three-minute good-for-radio-play type. Of course, there are those few where the band gets to stretch it out.

Ten Years After album

Alvin Lee

Ten Years After album

Alvin Lee was the heart of the band and for better or worse the inclusion of the band’s “Goin’ Home”  into the film and onto the record of Woodstock brought fame.

Fame from a single song’s performance that likely sounded like dozens of others performed that summer and likely surprised Alvin Lee.  An albatross that laid a golden egg.  He was already a great guitarist when he began his trek along the summer of 1969’s festivals:

  1. June 28, 1969: Bath Festival of Blues.
  2. July 3 – 6, Newport Jazz Festival.
  3. July 11 – 12, Laurel Pop Festival.
  4. July 25 – 27, Seattle Pop Festival,
  5. Aug 15 – 18 – Woodstock Music and Art Festival.
  6. Aug 30 – Sept 1: Texas International Pop Festival.

How many times did Alvin Lee play “I’m Going Home” that summer? It’s filming in August at the Woodstock Music and Art Fair preserved it and sent it worldwide. His name was and will forever be associated with that song and that performance.

Here are some factoids about Lee:

  • originally influenced by his parent’s collection of jazz and blues records
  • began playing guitar age 13
  • by aged 15 his Jaybirds band formed the core of Ten Years After
  • moved to London and changed the band’s name to Ten Years After in 1966
  • the band’s performance at the Windsor Jazz & Blues Festival in 1967 led to their first recording contract.
  • concert promoter Bill Graham who invited the band to tour America for the first time in the summer of 1968. Ten Years After would ultimately tour the USA 28 times in 7 years, more than any other U.K. band. 
  • After the breakup of Ten Years After, Lee continue to form bands and record music.
  • Lee’s overall musical output included more than 20 albums.

Ten Years After album

Today, the band consists of Marcus BonfantiColin Hodgkinson, Chick Churchill , and Ric Lee

And here is a YouTube review of the group’s album, “Naturally Live” and  a link to the band’s site.

Ten Years After album