Tag Archives: Music et al

Fonda Hopper Easy Rider

Fonda Hopper Easy Rider

Byrds, “Ballad of Easy Rider” (Roger McGuinn)
The river flows, it flows to the sea
Wherever that river goes that’s where I want to be
Flow river flow, let your waters wash down
Take me from this road to some other town
All he wanted was to be free
And that’s the way it turned out to be
Flow river flow, let your waters wash down
Take me from this road to some other town
Flow river flow, past the shady trees
Go river go, go to the sea
Flow to the sea
Fonda Hopper Easy Rider

Woodstock away

When Michael Lang and the other Woodstock Ventures partners agreed that they’d do not just an outdoor festival, but an outdoor festival in the country, away from the city, back to Nature, away from the Establishment’s concrete lives, they were tapping into an old American view of the freedom of travel.

Fonda Hopper Easy Rider

Premiered July 14, 1969

Fonda Hopper Easy Rider

Fonda Hopper Easy Rider

Road stories

We humans love stories and we particularly love stories about journeys. Ever since Homer sat down and recited the tale of Odysseus and his attempt to return home to Penelope, multitudes of tales have followed creating variations on that theme.

The list of those variations is far longer than any little blog like this one could delineate, but Mr Chaucer’s 1478  Canterbury Tales comes to mind as does Jack Kerouac’s 1957 On the Road. And of course Mr Tolkien’s tale of Mr B Baggins of Bag End.

Fonda Hopper Easy Rider

Road films

As soon as Americans started to build roads for motorized vehicles, a plethora of films about people and their travels ensued. The movie of John Steinbeck’s The Grapes of Wrath novel couldn’t have happened without cars and roads. At least not in the same way.

Visit the Federal Highway Commission’s site for its extensive list of road-related films.

Fonda Hopper Easy Rider

Easy Rider

By the summer of 1969 the cultural revolution was in high gear. Rock festivals dotted the summer calendar. War protests continued. The anti-hero reigned. In 1967, The Graduate had shown us the suburban anti-hero. Easy Rider introduced  us to two western hippie anti-heroes.

Fonda Hopper Easy Rider

Captain America & Wyatt

Peter Fonda played Captain America and Dennis Hopper played Billy. Both dress in a counter-cultural style: Fonda in a leather jacket with an American Flag stenciled on it;  Hopper in leather pants and jacket in imitation of some Native American tribal dress.

They leave California with a gas tank filled with drug money, intending to head east to New Orleans and thence to Florida. Such a trip is the opposite direction of what traditional American history books told of Manifest Destiny and going west to explore, settle, displace, and claim the American dream.

Fonda Hopper Easy Rider

Easy Rider Itinerary

Along the way they visit a commune, experience free love, get arrested, introduce a new friend (“George Hanson” played by Jack Nicholson) to marijuana, get beaten by locals, use LSD, and witness death.

Fonda Hopper Easy Rider

Ballad of Easy Rider song

From Wikipedia: The star and script writer of Easy Rider, Peter Fonda, had initially intended to use Bob Dylan’s song “It’s Alright, Ma (I’m Only Bleeding)” in the film, but after failing to license the track, Fonda asked Roger McGuinn of the Byrds to record a cover version of the song instead. Fonda also wanted Dylan to write the film’s theme song, but Dylan declined, quickly scribbling the lines, “The river flows, it flows to the sea/Wherever that river goes, that’s where I want to be/Flow, river, flow” on a napkin and telling Fonda to “give this to McGuinn. He’ll know what to do with it.” The lyric fragment was dutifully passed on to McGuinn, who took the lines and expanded upon them with his own lyrical and musical contributions to produce the finished song.

Impact

The story reinforced the counterculture’s view of the Establishment’s worthlessness and corruption, and that most Americans saw those who tried to live freely as a threat to their way of life.

The soundtrack’s artists reinforced that view. Included were The Band, The Byrds, the Jimi Hendrix Experience, and Steppenwolf.

Fonda Hopper Easy Rider

Rolling Stones Satisfaction

Rolling Stones Satisfaction

Rolling Stones Satisfaction

The Stones first US #1

July 10, 1965
Rolling Stones Satisfaction

But first…on July 10, 1961 

Rolling Stones Satisfaction
Bobby Lewis

On July 10, 1961 “Tossin’ and Turnin'” by Bobby Lewis became the #1 song. It remained there until August 27. Not a bad run.

Frustrated love. Can’t sleep. Kicking blankets off. Flipping pillows. Written by Ritchie Adams and Malou Rene, both Americans, one wonders what the British listener thought about a guy tossin’ all night.

Rolling Stones Satisfaction

(I Can’t Get No) Satisfaction

Four years later, “(I Can’t Get No) Satisfaction” became #1. The first US #1 song for the Rolling Stones (their fourth #1 in the UK). More frustration. Its ambivalent lyrics had us giggling if we were still young, nodding if we were old enough.

It was a great air guitar song, especially with a tennis racket. That’s what I was doing a lot of that summer at Cedar Grove Beach Club in New Dorp, Staten Island.

Kevin Hagerty and I played tennis for hours with my sister’s transistor radio blasting. Every time “Satisfaction” came on we stopping playing (by the way, playing more than generously describes our jejune tennis prowess) and starting strumming. That’s if Kev could find his racket after tossing it into the weeds  following another poor shot.

Rolling Stones Satisfaction

Keith’s dream

The story is that Keith Richards started to record some guitar doodling and the famous riff before falling asleep with the tape still running and recording snoring.

Keith intended the famous fuzzy guitar intro to suggest horns and horns were supposed to replace that fuzz. Others disagreed. Others wanted that sound.

That sound became part of rock and roll’s DNA.

Rolling Stones Satisfaction

Mono

Stereo recording was around in 1965, but mono still dominated. For some today, mono is the preferred listening choice. In any case, it was not until later releases that stereo versions appeared. Jack Nitzsche, who played the tambourine on the original recording, has some piano on the stereo offering.

Rolling Stones Satisfaction

Best ever?

“(I Can’t Get No) Satisfaction” makes every top ten list and always near the top. Rolling Stone magazine said it’s the second greatest rock song ever. [It said Dylan’s Like a Rolling Stone was #1]

And as popular as the Rolling Stones were before its release and success, following it put the Rolling Stones on others’ list of greatest rock and roll band in the world.

Rolling Stones Satisfaction

Beatles Paperback Writer Paul

Beatles Paperback Writer Paul

Another anniversary of its US Billboard #1
July 9, 1966

Beatles Paperback Writer Paul

It was 1966 and some music had turned the corner. Some music. Frank Sinatra had his strangers and daughter Nancy her boots. The Monkees were believers and Tommy James was hanky panky.

Beatles Paperback Writer Paul

Rubber Soul

The Beatles had released Rubber Soul in 1965 and its songs changed the course of pop musical history. For those who followed the Beatles, like the Pied Piper with the children of Hamlin, Rubber Soul’s direction led to new possibilities.

Beatles Paperback Writer Paul

Paperback Writer

In a month the Beatles released their next album, Revolver. It, too, boosted listeners and believers to new places. A capella is not a phrase associated with the Beatles. The Mills Brothers. The Beach Boys. Not John, Paul, George, and Ringo, but we heard the Beatles do so at the beginning of “Paperback Writer” as they had done at the beginning of “Nowhere Man.” I don’t think most of us realized that.

Beatles Paperback Writer Paul

Not a Love Song

Whether someone actually challenged Paul to write a song that wasn’t a love song and whether Paul saw Ringo reading a paperback at the same time is part of distant misty history. Whatever the inspiration or prompt, “Paperback Writer” is not a love song. It is a (very) short story.

Beatles Paperback Writer Paul

Dear Sir or Madam…

The lyrics are a letter by someone hoping to change their life.  He is unemployed and has been writing for years and will write more if “you like the style.”

The song has a boosted bass. John wanted that. John liked the idea. He wondered why the bass wasn’t more pronounced in earlier work.

Beatles Paperback Writer Paul

Frère Jacques

As Paul sings about wanting to be a paperback writer, the others chant along with the same phrase. Or do they? They certainly do at the end, but what about during the song?

It is those playful Beatles singing the words Frère Jacques. Hilarious.

Beatles Paperback Writer Paul

Allan W Pollack

As always, Allan W Pollack’s site does a far better job of delineating the song:

  • The first half is set for pseudo-“a capella” voices in a pattern of cascading antiphony that is something off the beaten path for these guys. The large number of overdubs makes it sound as though many more than just three people were singing; a modest anticipation of what would surface much later in the likes of “Because”.
  • In the second half we suddenly are faced with almost the entire instrumental backing ensemble executing a double-barreled iteration of a really knockout ostinato riff for lead guitar and bass drum; one that I’d say is easily way up in there the same class with the one from “Day Tripper” in terms of both its distinctive melodic contour and craggy syncopations that extend over one and a half of the ostinato’s two-measure length.
          You said it Allan!