Category Archives: Woodstock Music and Art Fair

1969 Mississippi River Festival

1969 Mississippi River Festival

June – July 1969
Southern Illinois University
Edwardsville, IL

1969 festival #11

Nearly all the 1969 festivals I’ve written about were two- or three-day events with several performers each day. I do have a piece on the 1969 Forest Hills Music Festival in Queens, NYC, even though it was a summer-long event because so many festival-type rock groups were part of it.

1969 Mississippi River Festival

Southern Illinois University

In 1969, Southern Illinois University initiated the Mississippi River Festival. Though primarily designed as a summer residence for the St Louis Symphony Orchestra (with Walter Susskind the conductor), [a la Tanglewood in Massachusetts featuring the Boston Pop Orchestra] the Mississippi River Festival regularly featured other types of music over its typical two-month (30 dates) run. Not quite the kind of weekend festival featuring several performers each day that typified the most other 1969 festivals, the MRF nonetheless featured many of the same performers who were at those festivals.

1969 Mississippi River Festival

1969 Mississippi River Festival

Circus tent

Organizers located the venue inside a custom-made circus tent with seating for approximately 1,900 guests.  The tent had one open wall to allow for lawn spectators.

Here is a 14-minute video which mostly covers the early organization of the inaugural season. It features mainly the orchestra.

A Carmina Burana soundtrack backs the video!

1969 Mississippi River Festival

Not Woodstock Ventures

Viewers might find it interesting and amusing to watch how formalized the MRF organizers were compared to those of Woodstock Ventures.  These organizers sit a table, coffee cups in front of them, men in jackets and ties, women dressed for “church.

Because it was a two-month season, attendees could purchase a season pass for every show available.

The St Louis Dispatch has a slide show entitled, “Glory Days of the Mississippi River Festival.

1969 Mississippi River Festival

Grateful Dead
1969 Mississippi River Festival

1969 Mississippi River Festival

Great guests

Over the 11-year run of its existence, many other great bands played the Mississippi River Festival, such as, Grateful Dead, the Who, Jimmy Buffett, Yes, Janis Joplin, the Flying Burrito Brothers (in 1970 with Gram Parsons), Joni Mitchell.

Below is a chart with the various rock- or folk-related groups that played in 1969. It is a great selection.

1969 Mississippi River Festival

Dylan out of circulation?

Of special note is July 14. The Band played.  It is “common knowledge” that Bob Dylan did not perform at the Woodstock Music and Art Fair. And that is true. It is also common knowledge that Bob Dylan’s first public performance following his July 29, 1966 motorcycle accident was at the Isle of Wright event the end of August 1969. Common knowledge? Yes. Accurate? No.

Who came out to play with The Band on their 4-song encore? You guessed it: Bob Dylan. I think that qualifies as a public appearance, don’t you?

1969 Mississippi River Festival

1969 Mississippi River Festival

June 23 – July 27, 1969

Date Performer Notes Paid attendance
6/23 Buffy Sainte-Marie 2268
6/24 Modern Jazz Quartet The Galactic Vision projected a light show on a screen behind MJQ 1542
6/26 Paul Butterfield Blues Band High winds forced lawn guests to seek shelter 3449
7/1 Janis Joplin na
Aorta
7/7 Arlo Guthrie  

The National Educational Television Network recorded the concert.

3753
Joni Mitchell
7/10 Iron Butterfly 12,735
Blues Image
7/14 The Band Bob Dylan came out for the Band’s encore and played four songs with them. This was his first public performance since his July 29,1966 motorcycle accident 4082
7/17 Ian and Sylvia They called their band the Great Speckled Bird 2487
7/21 New Christy Minstrels 5711
7/22 Richie Havens 2753
Eddie Fisher Trio The EFT was an East St Louis jazz band
7/23 Joan Baez 11,052

In their 2006 book , The Mississippi River Festival, Amanda Bahr-Evola and Stephen Kerber wrote: To host the symphony, the university created an outdoor concert venue within a natural amphitheater by installing a large circus tent, a stage and acoustic shell, and a sophisticated sound system. To appeal to the widest possible audience, the university included contemporary popular musicians in the series. The audacity of the undertaking, the charm of the venue, the popularity of the artists, the excellence of the performances, and the nostalgic memory of warm summer evenings have combined to endow the festival with legendary status among those who attended. [Edwardsville Intelligencer article about book]

1969 Mississippi River Festival

Next 1969 festival: The Fourth Annual Memphis Country Blues Festival/The First Annual WC Handy Memorial Concert.

Percussionist Bobby Torres

Percussionist Bobby Torres

How do you get your ticket punched for Woodstock?  Many ways. For Bobby Torres it was to begin by growing up in New York City, the child of parents from Puerto Rico, and to love playing the congas.

OK, but what about becoming part of Joe Cocker’s Grease Band?

Percussionist Bobby Torres

Grease Band

Well, in 1969 [in an interview with Mike Walker] Bobby relates: I saw him in 1969 playing at Fillmore East, playing with Rod Stewart and the Faces. He had the hit “Feelin’ Alright,” which was recorded with a conga player, but when he played it live he didn’t have a conga player. So he was billed at the Fillmore East, and he went to Ungano’s where I was playing on a Monday night, and asked me if I could sit in. And I said, “Sure.””

Percussionist Bobby Torres

LA > Portland > Tom Jones

The Grease Band disbanded soon after Joe Cocker left them and Bobby Torres moved to Los Angeles for the 70s where he became a key session player and then in the 80s he moved to Portland, Oregon but was often on the road as part of singer Tom Jones’s band.

Percussionist Bobby Torres

Bobby Torres Ensemble

Percussionist Bobby Torres

By the 90s, Bobby Torres was back full time in Portland and became in integral part of that city’s musical scene, both jazz and Latin, with his Bobby Torres Ensemble.

Mike Walker of Portland’s McMenamins Crystal Ballroom says that, “Bobby’s ensemble has been a monthly feature of the Crystal Ballroom’s Salsa con Sabor program, staged weekly in Lola’s Room on the building’s second floor. “

Percussionist Bobby Torres

Tito Puente

Bobby Torres wants everyone to know that his musical hero is musician, songwriter and record producer, the The King of Latin Music Tito Puente. Puente was based in New York City and Torres went to hear him play whenever given the chance.

Percussionist Bobby Torres

More recently

2009
  • inducted into the Oregon Music Hall of Fame
  • performed for Archbishop Desmond Tutu
  • Time Magazine published “Woodstock, How Does it Sound 40 Years Later?” an article which included a photo of Bobby in performance on stage with Joe Cocker at Woodstock
2015
  • Bobby performed with the Tadeschi Trucks band to a crowd of over 25,000 people at the Lockin’ Festival in Virginia. This concert was a tribute to Joe Cocker and featured many of the original members of Mad Dogs & Englishmen.
2016

Bobby was given the Jazz Journalist’s Association Jazz Hero Award. This award is given to advocates, altruists, activists, aiders and abettors of jazz who have had significant impact in their local communities.

Percussionist Bobby Torres

Nowadays

He’s still busy…just as he’s been for decades.

Percussionist Bobby Torres

Percussionist Bobby Torres

The Letter

Percussionist Bobby Torres

Mysterious Bassist Greg Reeves

Mysterious Bassist Greg Reeves

Mysterious Bassist Greg Reeves

There is a sufficient Wikipedia entry  and an interview at the 4WaySite to suggest that a blogger could create a worthwhile post about Greg Reeves.

Mysterious Bassist Greg Reeves

One would think.

Reeves, as most 60s rock fans remember, was the bassist for Crosby, Stills, Nash and Young and played with them at the Woodstock Music and Art Fair.

Solid.

After that, things are a bit hazy, but we are talking about the 60s and Woodstock alum.

Mysterious Bassist Greg Reeves

A few grains of salt

In the 4Way interview, Reeves says that, “…the very first instrument I learned to play was a miniature guitar… I taught myself from a book that came with the guitar. I was six-years-old and in the first grade.

His Wikipedia entry also states that “he may have graduated from Warren Western Reserve High School in Warren, Ohio in 1968.” If so, he graduated at the age of 13.  He must have skipped a few grades between first grade and high school.

Certainly not impossible, but implausible.

If,  as some suggest, his birthday is April 7, 1955) then Reeves was certainly the youngest performer at Woodstock: 14 years old!

In Reeves evasive words, “I was very young, very young!

Having said that, a December 1969 Rolling Stone article describes a “Greg Reeves, a quiet, 19-year-old .” Seems more likely, eh?

Mysterious Bassist Greg Reeves

Motown

Before Crosby, Stills, Nash and Young, Reeves had a Motown connection via Rick James and Motown producer and writer Norman Whitfield may have recruited Reeves.

All Music states that “The bass player in the recording [Cloud Nine by the Temptations] is Greg Reeves, who was soon to join Crosby, Stills, Nash & Young.” Reeves says that while he was slated  to play bass on that song, he (with Whitfield’s suggestion) switched to tambourine.

Mysterious Bassist Greg Reeves

Mynah Birds

Rick James (ctr) and Neil Young to the right playing in Canada. Bruce Palmer bassist.

Rick James’s wandering music path led him to Canada in the early 60s. Perhaps he was AWOL from the Navy.

There is a story of James getting into a fight there and Levon Helm and Garth Hudson rescuing him. Another story, another time.

In any case, James formed the Mynah Birds and  one of the players in that band was a young Neil Young.

Mysterious Bassist Greg Reeves

Los Angeles with Rick James

So that it would seem that James introduced Reeves to Young when all three were in Los Angeles in the late 60s…but in the 4Way interview, Reeves explains things this way.

He’d been living with Rick James. Neil Young invited Greg to a party at the house Stephen Stills was renting from Monkee Peter Tork. The next day, “David [Crosby] and Graham [Nash] drove up to the apartment where we lived on Olive Drive at the time, right behind the Playboy Club on Sunset Blvd. From the pool I saw them knock on the door, and Rick yelled for me. They asked Rick James who I was and Rick came, got me and brought me out front to the limousine that Graham Nash and David Crosby were in and asked me in front of them, would I mind going with them to jam. I asked Rick James “Aren’t you coming too?”. He said “They want you to come alone”. I went back to the house, grabbed my Fender precision bass guitar and Gibson acoustic guitar, climbed into the limousine and never came back to Rick’s house again. They would not let me go. From the first time jamming with me, they would not let me leave. I stayed with Stephen Stills, Dallas Taylor and Graham Nash at Peter Tork’s mansion in Studio City.

To this day I don’t how Graham and David knew where Rick and I lived. 

Mysterious Bassist Greg Reeves

Here and gone

Reeves recorded and toured with Crosby, Stills, Nash & Young from August 1969 to January 1970, including obviously the Woodstock Music and Art Fair.

His account of that event is unique. I have read much about Woodstock but had never heard that, “When Graham Nash and me [and Dallas Taylor] arrived at Woodstock, it was raining buckets of water. We came via helicopter. The helicopter crashed landed on the main power line, that was supplying all of the electric power for the concert!

After the crash landing the pilot instructed us not to touch anything in the helicopter and sit still. We did this and it seemed at the time forever. It was hairy scary to say the least! To top off the misery, when it was our turn to play live, we discovered Chris (our roadie) had not flown our equipment to Woodstock correctly. I used Jim Fielder’s bass from Blood Sweat & Tears to play “Sea Of Maddness” with Neil and Dallas Taylor. It was pouring down rain when we performed. Jimmy Lee Marshall Hendrix was on stage with us laughing his ass off at us playing in the rain.”

In September 1969, the band played at that year’s Big Sur festival. You can see Greg in the background during their playing “Down By the River.”

Mysterious Bassist Greg Reeves

Stills v Reeves

For various reasons that come at different angles depending on who is doing the talking,  Reeves was asked to leave/was fired in April 1970. One side says Reeves was unreliable and into odd things. Another side says that Stephen Stills had ego issues. In any case, Reeves was gone.

Mysterious Bassist Greg Reeves

Life post CSN & Y

Mysterious Bassist Greg Reeves

Neil Young was his best friend in the band and invited Reeves to play on Neil’s classic 1970 After the Gold Rush album.

Neil was also instrumental in getting Greg out of a Mexican prison. Reeves was there from September of 1977 through April 1978: I spent time in a Mexican jail with the Mexican president’s nephew as a political prisoner, because we had tried to smuggle marijuana across the border. True story! Neil Young sent me money (via Western Union) to pay the Mexican police (Judicial Government Police) for my freedom…

He stayed with music and then went away from music. Again from the (excellent) 4Way interiview: I went back to school and got an associate degree in Mandarin Chinese here in Orange County, Ca. at Coastline College. My transcript shows a 4.0 average – honest injun [smile]. I also got my head together serving God and being, as I am now, totally obedient to God.

The All Music site lists a long credit list. We can finally hear some of the music Greg has been writing all these decades now that he has released a single, Workin’ Man.

Happy birthday Greg. Whenever it is!

Mysterious Bassist Greg Reeves