Category Archives: Woodstock Music and Art Fair

Woodstock Performer Ira Stone

Woodstock Performer Ira Stone

Happy birthday
April 10, 1948
Woodstock Performer Ira Stone
l-r Ira Stone, Bert Sommer, and Charlie Bilello at Woodstock

Ira Stone

Starting out, we may think our path will be a singular one. Simple. Straightforward.

Looking back we can see that there were many places where we made a choice or Fortune turned us in a direction that led to places we could never have anticipated.

Woodstock Performer Ira Stone

Queens, NY

In the early 1950s, when Ira Stone was a toddler growing up in Queens, NY and playing piano, how could he or anyone have predicted that in 1969 he’d play guitar on a damp stage in upstate New York in front of 400,000 people at the Woodstock Music and Art Fair?

In high school, Ira Stone met Jonny and Jeff Geist. They played guitar and Ira took lessons from Jonny. They had a band called the Fortunes and played behind acts that WMCA-AM’s DJs, the “Good Guys” produced.

Woodstock Performer Ira Stone
The Fortunes (l. to r. Ira Stone, Jon Geist, Jeff Portney, Jeff Geist)
Woodstock Performer Ira Stone

The Last Word

Other bands followed, including The Last Word, which released a single called “Hot Summer Days.” 

Woodstock Performer Ira Stone

Leslie West and Bert Sommer

In the mid-60s, Stone lived in Westbury, Long Island and had a band called the Stonehenge Circus.  As happens with most bands, while playing gigs he befriended other musicians. One of those musicians was Leslie West from the Vagrants. It was through that friendship that Stone met Bert Sommer who wrote some songs for the Vagrants.

Taking work from whence it came, Stone became part of The Music Explosion road band. Little did I realize that a band’s members not only have not played on their hit, but even if they had, they might not always be the band you saw at a concert.

Woodstock Performer Ira Stone

Road band

 

The Music Explosion had a “A Little Bit of Soul” hit and occasionally Stone was part of their road band. Later he became part of the Crazy Elephant road band.

In 1969, back in New York, he saw an ad in the Village Voice. Bert Sommer, a star in the play Hair, was looking for a guitar player. Capital Records (think Woodstock Ventures’ Artie Kornfeld) had just released Sommer’s first album and Kornfeld had invited Sommer to play at Woodstock.

Stone replied to the ad. Stone and Sommer hit it off. Stone got the gig.

Woodstock Performer Ira Stone

Woodstock Music and Art Fair

Woodstock Performer Ira Stone
Stone with Sommer (on guitar)

Bert Sommer’s appearance at Woodstock (and thus Ira Stone’s appearance at Woodstock) did not have the impact that others’ appearances had. He was not in the movie, nor on the album. Had either happened future paths might have changed.

Woodstock Performer Ira Stone

Ira Stone’s Woodstock story

But he did have his story to share:

“In 1969 I answered an ad in the Village Voice newspaper. They were looking for a guitar player to work with a Capitol Records recording artist. I had seen Bert around because he wrote a few tunes for the ‘Vagrants’; Leslie West’s band before ‘Mountain’. Leslie and I were friends, played guitar together and hung out back then. Bert met with us (my wife Maxine & I) before he had to go play ‘Woof’ in “HAIR”. We both took our guitars out and started to tune down to open ‘D’ at the exact same time. That was a magic moment because not many guitar players were using an open D tuning at that time. We then played ‘Jennifer’ from his first album. Little did I know that our very first gig would be at the Woodstock Festival and we’d open with that song!”

“We arrived in upstate New York on Thursday and hung out until Friday when we had to get to the festival site. The caravan of cars that we were in got caught in the traffic gridlock so we had to wait in a big field for a helicopter to fly us over the hill to the stage area. Can you imagine waiting in a field with (among others) the Maharishi, Tim Hardin, & Bert ~ not too surreal. None of us realized the scope of this event until the chopper cleared the hillside. Then we were in awe! All we saw were hundreds of thousands of undulating colors. So many people. It was a sight that I will never forget!”

“We went on stage and played a full 10 song set. The eighth song into the set, we did that cover of Simon & Garfunkel’s ‘America’ and got the only standing ovation of the Festival. Looking into Bert’s eyes and hearing the roar of that huge audience… WOW!  We finished our set and were totally blown away. All of us were unaware at that time what this concert would later become!” The spirit of a generation… The Woodstock Generation!”

And regarding wife Max’s role at Woodstock: Maxine was on stage with us but did not sing. She wrote some of the guitar and Hammond parts that I played and was always helping us at the many rehearsals at the the studio and Bert’s apartment! She and I were helicoptered in together after waiting in the field with Tim Hardin, Bert and the Swami!”

Woodstock Performer Ira Stone
Other paths

Ira Stone

Stone continued working with Sommer. One of Stone’s most vivid memories is opening for Poco at Carnegie Hall on February 12, 1971.  He traveled to India for a couple of years performing and writing songs while living in there as well as Thailand, Malaysia, and Indonesia. In 1982, Stone, his wife Maxine, and other formed Max. It stayed together until 1985 after which Ira and Maxine performed together. “We were still playing in many different incarnations. We did some solo gigs, just me and Maxine between 1985 and 1989.

Woodstock Performer Ira Stone

Stoneband

Since 1995 he, Maxine and others formed and continue to play as Stoneband.

Most of this information was gotten from Ira’s site. The site has lots of pictures, especially of his gear.

Also, if you’re looking to listen to Ira’s Stone Band, check out…

Ira Stone

Woodstock Performer Ira Stone

Drummer Keef Hartley

Drummer Keef Hartley

April 8, 1944, — November 27, 2011
Drummer Keef Hartley
cover to first Keef Hartley Band album (1969)
Guitarist Miller Anderson speaks about Keef Hartley Band’s Woodstock experience

The Beatles were not at Woodstock, but a few of their songs were sung, most notably Joe Cocker‘s “With a Little Help From My Friends.”  The Beatles were not at Woodstock, but the drummer who replaced Ringo Starr when he joined the Beatles was.

The threads of rock’s tapestry are trivial taken singly, but  together tell the story. We all know that when Pete Best was let go, Ringo replaced him. Ringo had been in Rory Storm and the Hurricanes at the time. Keef Hartley replaced Ringo.

Keith Hartley was born in Preston, England and said that because he had small hands, found the drums an easier instrument to learn than guitars.

He said to Spencer Leigh in an Independent interview: “I have very short hands and I couldn’t manage the guitar neck so the drums were for me. My biggest influences were Tony Meehan, Sandy Nelson and the guy who did that wonderful drumming on the Ventures’ ‘Walk – Don’t Run’.”

The first band he was in was the Heartbeats (who opened for the Beatles once) and in 1963 joined the aforementioned Rory Storm, but he soon replaced that band by joining Freddie Starr and the Midnighters.

Drummer Keef Hartley

More bands

He joined the Artwoods with Art Wood (brother of Ronnie) before leaving them and joining John Mayall and his Bluesbreakers.  Among the Bluebreakers during Hartley’s stint with them was Eric Clapton, Mick Taylor, Peter Green, and Harvey Mandel who later played at Woodstock with Canned heat.

Before Hartley left Mayall, the friendly two recorded “Hartley Quits” with the Bluesbreakers. 

Drummer Keef Hartley

Keef Hartley Band

Keef formed his own band in 1968. True to their humorous relationship the first track on the band’s premiere album, Halfbreed, is called “Hearts and Flowers” in which there is a tongue-in-cheek phone call in which Mayall fires Hartley. 

Hartley “returned the favor” in another song.

The All Music review describes the album as “some of the best ever late-60s jazz-influenced blues, and the album remains an undiscovered classic.” 

Drummer Keef Hartley

Hard and brassy set

Invited to Woodstock, Rolling Stone magazine described the band’s performance there as “a hard and brassy set.” They came on after John Sebastian unscheduled appearance on Saturday.

Drummer Keef Hartley

The band members were

Their setlist…

  1. Spanish Fly
  2. She’s Gone
  3. Too Much Thinkin’
  4. Believe In You
  5. Halfbreed Medley: Sinnin’ For You (Intro) > Leaving Trunk > Just to Cry > Sinnin’ for You

In a 1994 interview Hartley said of Woodstock, “They were hiring some incredible names but they had a fixed budget to stick to so they needed some lesser known names as well. I can’t remember what we were paid now but it was two or three thousand dollars and I got the lion’s share!”

Drummer Keef Hartley

 Five band albums

The band released five albums between 1969 and 1972. Hartley released one solo album and two other albums as part of Little Big Band and Dog Soldier. (Wikipedia discography)

Drummer Keef Hartley

Out of music

Eventually the band dissolved, particularly after Miller Anderson, who had been the band’s mainstay composer as well, left.

In the early 90s Hartley left music and took up work as a joiner, working as one part of Hunter Hartley of Preston, England.

Keef Hartley is one of those “unknown” Woodstock performers. Not on the triple album. Not in the movie. No Woodstock push, but the quality of the music that Hartley, his own bands, and the bands he was simply a member of remains undiminished.

He died on November 11, 2011.

On his death, John Mayall said: “When I think back to all the adventures we had over the years, both on and off the road, it seems hardly possible that my friend of so many years will not be showing up to sit in with any of my bands in the future. His sense of fun and love of life will always remain in my thoughts as special memories.”  (>>> British Blues archive site)

Drummer Keef Hartley

Sitarist Humanitarian Ravi Shankar

Sitarist Humanitarian Ravi Shankar

 April, 7 1920 – December 11, 2012

Sitarist Humanitarian Ravi Shankar
photo from: http://commonconstitutionalist.com/tag/george-harrison/

First a dancer

A professional dancer until age 18 with his brother, Uday, Ravi Shankar turned to the sitar in 1938. In 1956, the New York Times referred to Shankar as “one of India’s most famous performers on the sitar.” Two years later, it said, “The classical music of India, one of the world’s great cultural treasures, has so far been little known outside the frontiers of that country.” In 1961, he was still, “an artist of a cultural tradition alien to our own.” That would all change.

Met the Beatle

Shankar was already 46 years old and playing the sitar for 28 years when in September, 1966 23-year-old Beatle George Harrison went to India to study sitar with him. The Byrds had introduced Harrison to the sitar because they and Shankar recorded at the same American studios. Harrison included the instrument when recording the Lennon-McCartney composition Norwegian Wood (This Bird Has Flown) for the 1965 Rubber Soul album.

Beatle boost

Beatle fame was a golden touch to any who felt its imprimatur and the renown of Shankar, a reluctant recipient, spread quickly. In 1967 he became the Buell G. Gallagher Visting Professor at City College (NYC). His performance at the Lincoln Center was called the “most in event of the ’67 season”  with the audience overflowing onto the stage. The same happened again in September. The Mamas and the Papas, organizers of the Monterrey Pop Festival in June 1967, invited Shankar who opened the third night. [In 1967, the New York Times carried ten articles about Shankar.]

Sitarist Humanitarian Ravi Shankar

Woodstock

Shankar did not need Woodstock to permanently sculpt his name into stone for young music fans. George Harrison and the other Beatles had already done that. Harrison and Shankar’s continued friendship kept that fame dust-free. If Michael Lang couldn’t get the Beatles to play at Woodstock, having their good friend play was a wonderful alternative and let “true” fans know that the festival was going to be extraordinary.

Sitarist Humanitarian Ravi Shankar

World music

In a modern media sense, Harrison and Shankar invented “world music.” Suddenly, listeners were no longer limited to local music. Access to all kinds of music became not just easier but part of music in general.

Obituary

The opening paragraph of the NY Times obituary read: Ravi Shankar, the sitar virtuoso and composer who died on Tuesday at 92, created a passion among Western audiences for the rhythmically vital, melodically flowing ragas of classical Indian music — a fascination that had expanded by the mid-1970s into a flourishing market for world music of all kinds.

Thank you
Sitarist Humanitarian Ravi Shankar