Category Archives: Woodstock Music and Art Fair

10 Years Bassist Leo Lyons

10 Years Bassist Leo Lyons

10 Years Bassist Leo Lyons

Happy birthday
November 30, 1943

I am (and most of you are) certainly aware of and love Ten Years After’s “I’m Goin’ Home” performance at the Woodstock Music and Art Fair (I didn’t hear it as I had already gone home). And we know that it was Alvin Lee up front on guitar, but how many of us know and could name the other band members: Ric Lee on drums, Chick Churchill on keyboards, and Leo Lyons on bass.

I should. We should.

10 Years Bassist Leo Lyons

David William “Leo” Lyons

David William “Leo” Lyons was born in Mansfield, Nottinghamshire. grew up in Mansfield, Nottinghamshire England, a mining town where most of his male relatives worked in those mines.

An uncle and aunt had a wind up gramophone and he played all their collection.  He loved country music legend Jimmy Rogers and blues legend Leadbelly.

His first instrument was his grandfather’s old banjo. He did take guitar lessons later and played with friends with his guitar’s four bottom strings. He became a bassist.

When he was 16, the manager of a local band called the Atomites (it was the dawning of the nuclear age remember) asked Lyons to join the band. His first gig was a local dance hall and the experience hooked him.

Alvin Lee replaced the Atomite’s guitar player and later the band changed its name to the Jaybirds. In 1961 the Jaybirds went to London seeking success. They didn’t find it and most of the band members left.

Later drummer Ric Lee joined, then Chick Churchill.

From 1963 to 1966 Leo did it all. He played and managed the Jaybirds, worked as a session musician, toured as a sideman with pop acts, appeared in a play in London’s West End, and played a residency with British jazz guitarist Denny Wright.

10 Years Bassist Leo Lyons

Ten Years After

In 1967 the Jaybirds became Ten Years After and began a residency at London’s Marquee Club. Their debut album followed.

Bill Graham heard that album and invited them to play at his venues. They were also one of the first rock groups to be part of the Newport Jazz Festival.  That experience led them to play with such luminaries as Nina Simone, Roland Kirk, and Miles Davis.

10 Years Bassist Leo Lyons

Woodstock

It is likely that Ten Years After would have had its great  success even without its performance at Woodstock and its inclusion on both the album and movie, but those inclusions supercharged that likelihood.

The band broke up (temporarily) after their final recording,  Positive Vibrations, in 1974.

10 Years Bassist Leo Lyons

Post After

In 1975 Chrysalis Records hired Lyons as studio manager to re-equip and run Wessex Studios in London. He was later to go on and build two commercial studios of his own. He has produced dozens of records.

Other projects include stage musicals, cartoon soundtracks, film and music videos.

Aside from writing and producing, Leo has been guest bassist on CDs by Savoy Brown. Leslie West, Fred Koller, Danny Johnson and has toured extensively with former Buddy Guy guitarist Scott Holt.

He played with Ten Years After when that band occasionally reformed but left again in 2013 to remain full time with the band he’d helped form in  2010: Hundred Seventy Split.

Lyons now lives in Nashville, Tennessee. Lyon’s site

10 Years Bassist Leo Lyons

James Marshall Jimi Hendrix

James Marshall Jimi Hendrix

We all know his National Anthem
Imagine if he’d played Happy Birthday?
November 27, 1942 — September 18, 1970

Jimi Hendrix

James Marshall Jimi Hendrix

Most influential?

Too often media ask us questions like “Who is the greatest guitar player of all time?” The answer, of course, depends on many things: Who is asking? Who is answering? What does greatest mean?

Perhaps the better questions is “Who is the most influential guitarist of all time?” or simply, “What guitarist influenced you the most?”

Graffiti said Eric Clapton was “God.” Woodstock devotees likely answer Hendrix.

I think it’s better to avoid the whole question and admit what all must: Hendrix was an amazing, groundbreaking, and immensely influential guitarist.

And Buddy Guy was one of Hendrix’s influences.

James Marshall Jimi Hendrix

Woodstock Music and Art Fair

There were many performers scheduled for the Woodstock Music and Art Fair that easily convinced me that I had to attend. The Who. Jefferson Airplane. Crosby, Stills, and Nash. The Band.

At the top of that list was Jimi Hendrix.

Joe Cocker opened day three. Then the skies darkened and the torrents fell.

Tired, wet, hungry, worried whether our car was still parked on the side of the road eight miles away, having to be at work in 14 hours, friend Tony and I reluctantly left Max’s field that muddy Sunday afternoon and headed back to Jersey. No Hendrix.

So did 370,000 other fans in similar straits.

James Marshall Jimi Hendrix

1967 New York Rock Festival
James Marshall Jimi Hendrix

I have been very fortunate in many ways and missing Hendrix simply meant I did not see him a second time.

On August 23, 1968 I saw the Experience with the Soft Machine, the Chambers Brothers, and Big Brother and the Holding Company. Big Brother featured, of course, Janis Poplin. That’s how the program listed Joplin. Twice.

James Marshall Jimi Hendrix

Though no Woodstock, the New York Rock Festival was drier and we didn’t have to walk eight miles to get to our seats. A great night.

Elevator

I was on my dorm’s elevator on September 18, 1970 when I heard Jimi had died. I was on the same elevator 16 days later when I heard Janis died. Two of the greatest to many Boomers. Two of the greatest to anyone with ears to listen.

Rolling Stone magazine obit for Jimi Hendrix

James Marshall Jimi Hendrix

Photos of his grave in Renton, Washington, Greenwood Memorial Cemetery taken by Molly O’Reilly McCoy:

James Marshall Jimi Hendrix

Santana Percussionist Mike Carabello

Santana Percussionist Mike Carabello

Santana Percussionist Mike Carabello

born November 18, 1947

Happy birthday

From a YouTube video

Country Joe McDonald had just finished his 9-song solo set at the Woodstock Music and Art Fair. Few remember the first 8 songs, but any Woodstock fan remembers the last: Fish Cheer > I-Feel-Like-I’m-Fixin’-To-Die Rag.

Quite an experience to shout out FUCK four times along with 400,000 other people.

Joe over, the people sitting in front of me on that famous field turned and asked if I’d ever heard of the next band that Chip Monck had just introduced? I said no.

Neither had 399,000 others, but when Santana finished “Soul Sacrifice” they knew.

Santana Percussionist Mike Carabello

Human earthquake

This white suburban middle class kid had never heard such rock and roll. Carlos Santana’s guitar playing was amazing, but it was more than that. The beat pounded, but it was more than that, too. Afro-Caribbean?

Three percussionists. That was it! The whole combination of voluminous electricity with three heaving beating hearts

No wonder 400,000 people stood, cheered, shouted, stomped, called, whistled, and applauded to create a human earthquake.

Santana Percussionist Mike Carabello
Woodstock ovation after Soul Sacrifice
Santana Percussionist Mike Carabello
The other side of that earthquake.

Mike Carabello was 21 at the Woodstock Music and Art Fair when he played with Santana that sunny Saturday afternoon. A bit younger than most performers, but still older than a few.

Santana Percussionist Mike Carabello

Youth

Mike Carabello grew up in San Francisco hearing lots of music in his grandparents’s home. They had moved to California from Puerto Rico.

On weekends his father took him fishing to San Francisco’s Municipal Pier in Aquatic Park, but more than fish, Carabello caught percussion.

“I’d see these beatniks playing bongos and congas there.”

On one weekend a different group was there and they were playing Afro-Cuban drumming. Carabello found himself “fishing” there more and more.

Santana Percussionist Mike Carabello

Mike Carabello

In 1966, Carlos Santana and Gregg Rolie formed the Santana Blues Band with Tim Frazer on guitar, Gus Rodrigues on bass, Rod Harper on drums and Michael Carabello on congas. Carabello provided the third element in what became simply Santana.

Carabello brought his Puerto Rican sensibility to the band helping it create the sound that astounded so many at Woodstock.

Though Santana is the band Carabello is most associated with in its various incarnations, he has played with and for many others including Elvin Bishop, Boz Scaggs, Buddy MilesHarvey Mandel, Neal Schon, and the Steve Miller Band.

Here is his credit list from All Music.

Santana Percussionist Mike Carabello

Santana IV

In April 2016 Santana released its twenty-third studio album: Santana IV. Santana IV because it was the fourth album released by the band consisting primarily of its original members.

No one does it [this kind of music] better” according to Felix Contreras in an NPR review. “Drummer Michael Shrieve and conguero Michael Carabello lay a familiar rhythmic foundation that allows guitarists Carlos Santana and Neal Schon to inspire one another in solos that are as melodic as they are rhythmic.”

As the Dead sang, the music never stopped.

Many happy returns Michael Carabello.

Carlos Santana describes how he met Michael Carabello and they started the original Santana group. At Mohegan Sun 2019.

Santana Percussionist Mike Carabello