For some Woodstock performers I am often surprised how little information I can find. On the other hand, some have so much, it is difficult to limit what I intended to be a short essay about them.
Steve Madaio falls into the latter category.
Trumpeter Steve Madaio
Facebook basics
His Facebook page says that he attended Lynbrook High School, Lynbrook, NY and then the Mannes School of Music in NYC. He later lived in Palm Desert, CA.
Steve played trumpet with Paul Butterfield at Woodstock on Day 3 of that famed festival. He had first joined the band in 1969 on their Keep On Movin’ album. He stayed with the band for their next album, Sometimes I Just Feel Like Smilin'”.
Trumpeter Steve Madaio
Credits
That was not the end of his musician’ s path. Not by a long shot!
The Rate Your Music site listed 153 credits for Steve. In addition to the obvious example of Paul Butterfield, a few of the other names listed are: James Cotton Blues Band, B.B. King, John Lennon, Ringo Starr, Rolling Stones, Dave Mason, Etta James, Carly Simon, Lynyrd Skynyrd, Martha Reeves, The Temptations, Boz Scaggs, Dionne Warwick, Ace, Bobby Bland, Paul Anka, Richie Furay, Janis Ian, Bonnie Raitt, Freddie Hubbard, Rita Coolidge, Four Tops, Joe Cocker, Eric Clapton, and many more.
Trumpeter Steve Madaio
Steve Wonder
National Association of Music Merchants video w Steve speaking about his time playing with Stevie Wonder. He played trumpet on most of Stevie Wonder’s recordings during the innovative and creative period between 1971 and 1976. Stevie was experimenting with electric keyboards and synthesizers, which Steve witnessed and took part in, including working on the classic album Songs in the Key of Life.
Ah, those horns on “Sir Duke” !
Madaio died January 15, 2019 in Palm Desert, Calif. The musician was said to have suffered a heart attack in his home. [cochellavally obit] [an extensive Desert Valley obit]
Robert Hunter at Miller Hall, PA on September 28, 2013.
June 23, 1941 – September 23, 2019
As we go through our daily routines, having someone else’s words as companions is comforting.
Robert Hunter’s lyrics have been that faithful companion.
Rolling Stone magazine said of him, ’s musical experimConsidered one of rock’s most ambitious and dazzling lyricists, Hunter was the literary counterpoint to the band’s musical experimentation. His lyrics — heard in everything from early Dead classics like “Dark Star” and “China Cat Sunflower” and proceeding through “Uncle John’s Band,” “Box of Rain,” “Scarlet Begonias,” and “Touch of Gray”— were as much a part of the band as Jerry Garcia’s singing and guitar.
Here is a taste of just a few.
Grateful for Robert Hunter
Althea
I told Althea I was feeling lost Lacking in some direction Althea told me upon scrutiny my back might need protection
I told Althea that treachery was tearin me limb from limb Althea told me: now cool down boy – settle back easy Jim
Fare you well my honey Fare you well my only true one All the birds that were singing Have flown except you alone
Goin to leave this Broke-down Palace On my hands and my knees I will roll roll roll Make myself a bed by the waterside In my time – in my time – I will roll roll roll
There were days and there were days and there were days between Summer flies and August dies the world grows dark and mean Comes the shimmer of the moon on black infested trees the singing man is at his song the holy on their knees the reckless are out wrecking the timid plead their pleas No one knows much more of this than anyone can see anyone can see
Grateful for Robert Hunter
Ripple
If my words did glow with the gold of sunshine And my tunes were played on the harp unstrung Would you hear my voice come through the music Would you hold it near as it were your own?
Got two reasons why I cry away each lonely night First one’s named sweet Anne Marie and she’s my heart’s delight Second one is prison, baby the sheriff’s on my trail If he catches up with me I’ll spend my life in jail
Grateful for Robert Hunter
Sugar Magnolia
Sugar Magnolia blossom’s blooming Head’s all empty and I don’t care Saw my baby down by the river Knew she’d have to come up soon for air
Sweet blossom come on under the willow We can have high times if you’ll abide We can discover the wonders of nature Rolling in the rushes down by the riverside.
Grateful for Robert Hunter
Touch of Grey
Must be getting early Clocks are running late Paint by number morning sky Looks so phony
I will get by / I will get by I will get by / I will survive
Grateful for Robert Hunter
Greatest Story Ever Told
Moses came riding up on a guitar His spurs were a-jingling, the door was ajar His buckle was silver, his manner was bold I asked him to come on in out of the cold His brain was boiling, his reason was spent He said if nothing was borrowed then nothing was lent I asked him for mercy, he gave me a gun Said Now n’again these things just got to be done
Grateful for Robert Hunter
Terrapin Station
Let my inspiration flow in token lines suggesting rhythm that will not forsake me till my tale is told and done
While the firelight’s aglow strange shadows in the flames will grow till things we’ve never seen will seem familiar.
May 24, 1941: at 9:05 PM Beatty Zimmerman gave birth to a baby boy at St Mary’s Hospital in Duluth, Minnesota. Abe Zimmerman was the father.
In Hebrew the baby’s name was Shabtai Zisel ben Avraham. His everyday name was Robert Allen Zimmerman.
Zimmerman Becomes Dylan
Early musician
Golden Chords
March 1, 1958: Bob Dylan’s Golden Chords played at the National Guard Armory in Hibbing, MN. It was the first time he was paid to perform on Stage.
Spring 1958: Robert Zimmerman decided that his stage name will be Bob Dylan. While spelled like Dylan Thomas, a poet Robert Zimmerman read and liked, as with many things in Bob Dylan’s history, the exact origin of the name remains unclear.
Folk hits mainstream
November 17, 1958: the Kingston Trio’s “Tom Dooley” hit #1 on the Billboard pop chart. While not a protest song, protest folk probably owed its commercial success to the Kingston Trio, three guys in crew cuts and candy-striped shirts who honed their act not in Greenwich Village cafes, but in the fraternities and sororities of Stanford University in the mid-1950s. Without the enormous profits that the Trio’s music generated for Capitol Records, it is unlikely that major-label companies would have given recording contracts to those who would challenge the status quo in the decade to come. Joan Baez and Bob Dylan, for instance, may have owed their musical and political development to forerunners like Woody Guthrie and Pete Seeger, but they probably owed their commercial viability to the Kingston Trio.
Buddy Holly
January 31, 1959: Dylan attended a Buddy Holly concert in Duluth, MN. Holly was a big favorite of Dylan. He stood right at the stage and was sure that at a point during the concert Holly looked down and made eye contact. That Holly died only two days later made the event even more memorable.
Robert Zimmerman (Bob Dylan) in the 1959 Hibbing High School year book.
June 5, 1959: Dylan graduated from high school. One of his uncles left some records by Leadbelly. Dylan found the music and lyrics more meaningful than the songs he’d been covering and began to learn how to play folk music.
Marijuana
In March – April 1960: while a student at University of Minnesota, Dylan is introduced to marijuana at parties held at the home of David Whitaker.
Zimmerman Becomes Dylan
To NYC
Mid-December 1960: Dylan left Minnesota for New York. He will stop at a number of places along the way.
January 24, 1961: Dylan first arrived in New York City. He caught a subway down to Greenwich Village and to the Cafe Wha? in a flurry of snowflakes. It was hootenanny night and the place was half-empty. Dylan asked the owner, Manny Roth, if he could perform — and he did, playing a short set of Woody Guthrie songs. In the following weeks, Dylan would appear occasionally at the coffee-house, playing harmonica (“blowin’ my lungs out for a dollar a day” is how he put it in his early song, Talkin’ New York) behind Mark Spoelstra and Fred Neil, writer of Dolphins and Everybody’s Talkin’.
Woody
January 29, 1961: Dylan visits Woody Guthrie
Gigs
April 11, 1961: Dylan played his first solo live gig in New York City at Gerde’s Folk City, opening for John Lee Hooker.
April 24, 1961: Harry Belafonte recorded “Midnight Special”. Bob Dylan played harmonica on the recording. It was Dylan’s first official recording and he received a $50 session fee.
Zimmerman Becomes Dylan
Suze
July 29, 1961: after seeing him play at a folk music day at the Riverside Church. Suze Rotolos became an enthusiastic fan. The Rotolos family lived above the Cafe Society Downtown, a little theatre in Greenwich Village. She lived with her mother, Mary, a widow, and her sister Carla, Above the Rotolos, on the fourth floor, lived Miki Isaacson, whose living room was a permanent crash pad for folk singers, including Dylan, who was pleased to be staying near Suze. The two soon became an item.
At about the time she met Dylan, Rotolo began working full time as a political activist in the office of the Congress of Racial Equality and the anti-nuclear group SANE. It was not until they met that Dylan’s writing began to address issues such as the civil rights movement and the threat of nuclear war.
Unfortunately the love affair was doomed thanks to Dylan’s many philandering escapades.
Zimmerman Becomes Dylan
Columbia
September 14, 1961: Dylan met John Hammond at a rehearsal session for Carolyn Hester at the apartment shared by Hester and her then-husband, Richard Fariña. Hester had invited Dylan to the session as a harmonica player and Hammond approved him as a session player after hearing him rehearse, with recommendations from his son, musician John P. Hammond, and from Liam Clancy.
September 26, 1961: Dylan started as opening act for the Greenbriar Boys. He stayed two weeks.
NYT praise
September 29, 1961: Robert Shelton of the New York Times reviewed Dylan’s Gerde’s performance. With the headline: A Distinctive Folk-Song Stylist, Shelton wrote, “A bright new face in folk music is appearing at Gerde’s Folk City. Although only 20 years old, Bob Dylan is one of the most distinctive stylists to play in a Manhattan cabaret in months.”
October 25, 1961: Dylan and Columbia Records drew up a contract. It was a 5-year contrct that gave Dylan a small advance against 4% royalties. Columbia would release one album and then decide whether he merited a second.
November 4, 1961: Dylan played a concert at Carnegie Chapter Hall, a smaller room than the famous bigger room. There are varying reports on how many people attended the concert. The number ranges between 47 and 53, pretty much all friends and family.
Zimmerman Becomes Dylan
Recordings
November 20 and 22, 1961: Dylan recorded his first album at Columbia Records.
In mid-December 1961 Dylan moved into his first rented apartment in the middle of West Fourth Street, a tiny, scruffy place above Bruno’s Spaghetti Shop, and persuaded his girlfriend, Suze Rotolo, to move in with him.
In January 1962: Dylan wrote “Talkin’ John Birch Paranoid Blues”
March 11, 1962: Dylan played tunes on NYC radio station WBAI-FM. Mentions that he “stole” melody for “Death of Emmett Till” tune from Len Chandler.
March 19, 1962: Dylan (20 years old) released first album: Bob Dylan.
Sold only 5,000 copies in its first year
Side one
“You’re No Good” Jesse Fuller
“Talkin’ New York”
“In My Time of Dyin'” arr. Dylan
“Man of Constant Sorrow” arr. Dylan
“Fixin’ to Die” Bukka White
“Pretty Peggy-O” arr. Dylan
“Highway 51” Curtis Jones
Side two
“Gospel Plow” arr. Dylan
“Baby, Let Me Follow You Down” arr. Eric von Schmidt
“House of the Risin’ Sun” arr. Dave Van Ronk
“Freight Train Blues” , Roy Acuff
“Song to Woody”
“See That My Grave Is Kept Clean” Blind Lemon Jefferson
Zimmerman Becomes Dylan
Blowin’ In the Wind
April 16, 1962: Dylan debuted his song “Blowin’ in the Wind” at Gerde’s Folk City in New York.
April 25, 1962: Dylan recorded ”Let Me Die in My Footsteps” a song inspired by the construction of fallout shelters.
June 8, 1962: Suze Rotolo left for Europe and, in effect, left Bob Dylan. Often despondent missing her, he will write “Don’t Think Twice, It’s All Right.”
July 9, 1962: Dylan recorded “Blowin’ In the Wind” A few weeks earlier when he performed it live he stated, “This here ain’t no protest song or anything like that, ’cause I don’t write no protest songs” while onstage at Gerde’s Folk City in Greenwich Village, talking about a song he claims to have written in just 10 minutes.
July 30,1962: “Blowin’ In the Wind” was copyrighted to M Witmark & Sons. Albert Grossman signed a deal the same day with Witmark giving Grossman 50% of of Witmark’s share of the publishing income generated by any songwriter he brought to the company. This agreement gave Grossman an even larger slice of Dylan’s profits in addition to Grossman’s management slice.
August 2, 1962: Robert Zimmerman changed his name to Bob Dylan.
