Category Archives: Music et al

February 19 Music et al

February 19 Music et al

Rock Venues

February 19, 1966: Jefferson Airplane and Big Brother and the Holding Company with Janis Joplin performed at the Fillmore Auditorium. (see March 8, 1968)

February 19 Music et al

Billboard Hot 100

February 19 Music et al

February 19 – 25, 1966 – “Lightnin’ Strikes” by Lou Christie #1 on the Billboard Hot 100. 

From Songfacts dot comThe song was released as a single on Christmas day 1965…. Speaking about the song in the September 16, 2005 issue of Goldmine magazine, Lou Christie said: “And they didn’t even like it! (Label head) Lenny Shear threw it in the wastebasket and said it was a piece of crap! So we put up our own money to get it played around the country, and it started taking off once it got played. Three months later, Lenny was taking a picture with me for Billboard magazine, handing me a gold record. I loved that.”

February 19 Music et al

Billboard #1 album

February 19 – March 4, 1966 — Herb Alpert’s Whipped Cream and Other Delights is the Billboard #1 album. It is one of the most famous album covers of all time. (see Whipped Cream for more)

February 19 Music et al

February 19 Music et al

The Beatles

Paul McCartney and Wings

February 19, 1972: Paul McCartney released “Give Ireland Back to the Irish.” BBC immediately banned the song.

From Songfacts dot com: Music and political historian Alexander Baron writes: “In March 1972, the British music weekly Melody Maker published a 2 page article called “CENSORED” which reported on a number of songs that had been banned – that the BBC, the official British government broadcasting body, had refused to play. Surprisingly, most of the article was devoted to a Paul McCartney composition, “Give Ireland Back To The Irish.”

The song was written as a protest against Bloody Sunday, a notorious incident which took place in Northern Ireland on January 30 that year in which British troops shot dead a number of protesters. At the time of the Melody Maker article the song was #23 in the paper’s chart and #19 in the BBC chart but was banned as “unsuitable for broadcasting.” The DJ Alan Freeman refused even to mention the song directly, and in his rundown of the Radio One chart referred to it only as “a song by a group called Wings.” (see Mar 23) (also see Sunday Bloody Sunday for more about the event)

February 19 Music et al

George Harrison

February 19, 1981:  George Harrison was ordered to pay ABKCO Music the sum of $587,000 for “subconscious plagiarism” between his song, “My Sweet Lord” and the Chiffons “He’s So Fine.”

From Song Facts dot com: In 1976, Bright Tunes Music sued Harrison because this sounded too much like the 1963 Chiffons hit “He’s So Fine.” Bright Tunes was controlled by The Tokens, who set it up when they formed the production company that recorded “He’s So Fine” – they owned the publishing rights to the song.

During the convoluted court case, Harrison explained how he composed the song: He said that in December 1969, he was playing a show in Copenhagen, Denmark, with the group Delaney and Bonnie, whose piano player was Billy Preston (who contributed to some Beatles recordings). Harrison said that he started writing the song after a press conference when he slipped away and started playing some guitar chords around the words “Hallelujah” and “Hare Krishna.” He then brought the song to the band, who helped him work it out as he came up with lyrics. When he returned to London, Harrison worked on Billy Preston’s album Encouraging Words. They recorded the song for the album, which was released on Apple Records later in 1970, and Harrison filed a copyright application for the melody, words and harmony of the song. Preston’s version remained an album cut, and it was Harrison’s single that was the huge hit and provoked the lawsuit, which was filed on February 10, 1971, while the song was still on the chart.

In further testimony, Harrison claimed he got the idea for “My Sweet Lord” from The Edwin Hawkins Singers’ “Oh Happy Day,” not “He’s So Fine.” (see May 11)

February 19 Music et al
Chiffons He’s So Fine

George Harrison My Sweet Lord

He’s So Fine versus My Sweet Lord

February 19 Music et al

Jimmy Jewel Saxophonist

Jimmy Jewel Saxophonist

Born February 18
Jimmy Jewel Saxiphonist
From Jimmy’s FB page https://www.facebook.com/jimmy.jewell.908/photos

Jimmy Jewel was one of the horn players with the Keef Hartley Band when it played at the Woodstock Music and Art Fair. Here is a bit about Jimmy.

Jimmy Jewel Saxophonist

Before Hartley

Jimmy trained as a chorister in St Pauls Cathedral Choir as a child, with the National Youth Music Theatre as a teenager, and is a graduate of the Royal Academy of Music in London.

From AllAboutJazz site: Jimmy Jewell started out in 1962 playing tenor sax with various R & B and jazz bands in the north of England. In 1963 he decided to turn professional and joined the group Kris Ryan and the Questions, originally a rock band, which due to his influence, switched to playing R&B and Soul/Jazz, a la Ray Charles & James Brown. The band got a record deal with Mercury and 2 singles and an EP were released. The manager of the band wanted it to move in a more commercial direction and, Miss Ann, a solo single by Ryan was released. Jimmy left the band in 1965.

Jimmy Jewel Saxophonist

London

He moved down to London in 1966 and played briefly with a soul band, Mack’s Sound. While on tour in Germany with the Paramounts, backing Chris Andrews, he accepted an offer to join a Berlin band, the Magics. He toured with them in Germany until Spring 1967, then returned to London. He did a few gigs with Screaming Lord Sutch, then joined another soul band, the Stewart James Inspiration. He toured with them in England and Germany until they disbanded in 1968.

Jimmy Jewel Saxophonist

Keef Hartley Band

In 1969 he joined the Keef Hartley Band, a progressive blues/rock group, along with trumpeter Henry Lowther. A few weeks later, they were one of the few British bands to play the Woodstock festival, critics at the time comparing them favorably with Blood Sweat And Tears. He appeared on the album The Battle of North West Six (1969) then left together with Lowther while the band was recording The Time is Near (1970).

Jimmy Jewel Saxophonist

Since Keef Hartley Band

In 1971 he recorded with McGuinness Flint on the album Happy Birthday Ruthie Baby.

Jimmy Jewel Saxophonist

1972

In 1972 he appeared on the Coulson, Dean, McGuiness, Flint album Lo and Behold. In 1973 he appeared on Dennis Coulson’s solo album and on the Seeds album by Gallagher and Lyle, a Scottish songwriting duo who were former members of McGuinness-Flint.

Jimmy Jewel Saxophonist

Ronnie Lane’s Slim Chance

He also toured Britain with them and Ronnie Lane’s Slim Chance. In 1974 he appeared on their next album, The Last Cowboy and did more live dates with them as well as Ronnie Lane’s Passing Show.

Jewel also appeared on Lane’s first album Anymore for Anymore. The period 1975 through 1977 saw further touring work with Gallagher and Lyle and appearances on two further albums Breakaway, and Love on the Airwaves.

https://www.youtube.com/watch?v=hje8Wrb4MF0&index=1&list=PLLJdvYp8D5xfKLtxj0MHXlPEln3PotZHq

Jimmy Jewel Saxophonist

Session/Solo Work

Jimmy Jewel Saxophonist

Session work included appearances on the Joan Armatrading album and Fairport’s Gottle o’ Geer album.

In 1976 he recorded his first solo album, I’m Amazed, released in 1977 by UK label Affinity records. A second solo album From the First Time I Met You was recorded in 1977, and released by Affinity in 1978.

Jimmy Jewel Saxophonist

In November 1978 he moved to Chicago, where he played in various blues bands and also his own jazz quartet, as well as doing session work with various blues artists at Alligator records.

He came back to London in 1984 and in 1985 released an album of his own jazz compositions, Dawn of the Dragon on cassette with a quintet featuring US trumpeter Chris Albert and drummer Hughie Flint. Subsequent work was sporadic. In 1995 he started a jazz trio with bass and drums only, but later expanded to a quintet with trumpet and trombone. The band had a weekly residence at an east London pub until 1996. During 1996, this quintet recorded an album as Jazz Alembic which is now released on Spherious Music.

In 1997 he moved to Kent due to family health problems. An outbuilding at the back of his house has been converted to a recording studio. A record label, Spherious Music has been set up to release his work, the first release being a compilation from the two solo albums, which is available now.

Jimmy founded artist management agency JWL in 2005 which he continues to run. Jimmy currently sits on the board of the British Youth Music Theatre, on the committee of the Night for Life for the National Brain Appeal and was Chairman of Cancer Research UK North Essex for three years. In 2015 Jimmy was made an Associate of the Royal Academy of Music for his ‘outstanding contribution to the UK music industry’.

Jimmy Jewel Saxophonist

Sweetwater Albert Moore

Sweetwater Albert Moore

Sweetwater Albert Moore

Moore Sweetwater

As noted previously, I typically do such an essay on the performer’s birthday, but Moore’s birth date, like all the members of Sweetwater, is not available. 

Albert Moore was one of the original members of Sweetwater. He was among the group that, Nancy Nevins,  the eventual Sweetwater singer, met before Sweetwater had formed. The various musicians were sitting around “The Scarab” and Nancy walked in and sang along for awhile before leaving.

When we think of a rock band, a flute is not the first instrument that comes to mind. Of course, the most famous rock flautist is likely Ian Anderson of Jethro Tull, a band that did precede Sweetwater by a year. Keep in mind that by 1968 the idea of what could be rock and roll had evolved and expanded to include nearly any type of music. One of the things that separated Sweetwater from nearly every other rock band of the time, including Jethro Tull, was the absence of a guitarist.

Like most other band members who played at the Woodstock Music and Art Fair, the internet does not have much content. The Sweetwater site has the following: “A former policeman, Albert, who played flute, sang, and wrote some of the songs, was quite a recognizable image and a great presence on stage. He was an energetic, happy guy who loved playing music. We had a lot of great times together. After he hung up his big Amish, Sweetwater hat, he became a schoolteacher in northern California. He died from lung cancer in 1994.” 

Sweetwater Albert Moore

So much to ask about that. A policeman? Before? After before being a school teacher? What kind of teacher? What grade level? Did he teach music? Another art? 

Fortunately, Woodstock Ventures recorded and filmed their historic event without realizing it would be historic. And though the following video isn’t the best quality, it is better than nearly any other festival recording of that summer.

Sweetwater was a great band and not just a great band of the eclectic Sixties. Fortunately for us then, organizers and the music business were willing to give bands like them the chance to perform for larger audiences and prove their wonderful worth. Also as noted imperviously, it was unfortunate that they missed the cut in both the subsequent movie and album.

Sweetwater Albert Moore