All posts by Woodstock Whisperer

Attended the Woodstock Music and Art Fair in 1969, became an educator for 35 years after graduation from college, and am retired now and often volunteer at Bethel Woods Center for the Arts which is on the site of that 1969 festival.

Anthony Ray Hinton Released

Anthony Ray Hinton released

“They took off the white robe and put on a black robe.”

Released April 3, 2015
Anthony Ray Hinton released
Bryan Stevenson, Anthony Ray Hinton
Anthony Ray Hinton released

Conviction

An Alabama jury convicted 29-year-old Anthony Ray Hinton of murdering two  fast-food managers in separate incidents in 1985.

The evidence was weak and his defense weaker. The only evidence linking Hinton to the crimes were bullets that allegedly had markings matching a revolver that belonged to Hinton’s mother. There were no fingerprints or eyewitness testimony. After Hinton was convicted, subsequent tests found the bullets at the scene could not be matched to the gun he was accused of using.

Anthony Ray Hinton released

Death Penalty

But Alabama sentenced him to die. In 2003, a New York Times article wrote, “There are reasons beyond the firearms evidence to doubt Mr. Hinton’s guilt. He was at work, several people testified, when the third shooting happened. The car he was said to have driven on the night of the third shooting had been repossessed months before. The restaurant robberies continued after his arrest.” 

Hinton’s court-appointed lawyer had spent only $1000 on an expert witness (despite the fact that Alabama law provides reimbursement for any reasonable defense expenses.) whose testimony was so weak he could not answer basic questions. 

Equal Justice Initiative

On February 24, 2014, through the efforts of the Equal Justice Initiative group, the US Supreme Court declared that “the criminal (Hinton) defendant’s Sixth Amendment right to counsel is violated if his trial attorney’s performance falls below an objective standard or reasonableness and if there is a reasonable probability that the result of the trial would have been different.” (full text of Supreme Court decision)

According to the EJI site, “The Equal Justice Initiative is a private, nonprofit 501(c)(3) organization that provides legal representation to indigent defendants and prisoners who have been denied fair and just treatment in the legal system.”

The site also states that, “3170 people in the United States currently are under a death sentence. Since the death penalty was reinstated in 1976, 1314 men, women, children, and mentally ill people have been shot, hanged, asphyxiated, lethally injected, and electrocuted by States and the federal government.”

Victory

Anthony Ray Hinton greets family and friends upon his release (Credit Bob Miller for The New York Times)

On April 3, 2015, Anthony Ray Hinton  was freed after EJI and its experts undermined the Alabama’s case.

Anthony Ray Hinton released

ABC News report

Post release

Since his release, Hinton has spoken in various venues about the injustices of the Alabama judicial system and other issues related to his conviction and imprisonment. He completed a memoir entitled The Sun Does Shine: How I Found Life and Freedom on Death Row (2018), and has given readings and talks around the country about the book and his experiences.

Anthony Ray Hinton released

Richard George Manuel

Richard George Manuel

April 3, 1943 – March 4, 1986

Richard George Manuel“She Knows” 1985-12-13, O’Tooles Bar, Scranton, PA by Rick Danko & Richard Manuel

Richard George Manuel

E  Pluribus Unum Band

It goes without saying that the five members of The Band were an amazing ensemble. Each contributed to a greater whole. Levon Helm’s spice from the American South; Robbie Robertson’s compositions; Rick Danko’s humor; and Garth Hudson’s keyboard anchor. An angelic Richard Manual hovered over all. Mainly on piano, it was his voice, sometimes a pulsating baritone, other times a hair-raising falsetto, that glued all.

Richard George Manuel

The Beginning 

Richard George Manuel was born in Ontario, Canada. His musical path parallels that of many musicians: he began playing piano at an early age and later formed a band, the Revols, with other teenage friends.

Dame Fortune always plays a part on our journey and after the Revols shared a bill (theirs in smaller letters) with Ronnie Hawkins and the Hawks. Hawkins recognized the genius of Manuel and put him in the band.

Richard George Manuel
The Squires (the Hawks without Ronnie Hawkins): L – R…Rick Danko, Richard Manuel, Levon Helm, Garth Hudson, and Robbie Robertson.
Richard George Manuel

Dylan arrives

In 1966, Dame Fortune smiled again. Or perhaps she smirked a smile. Having left Ronnie Hawkins and gone out on their own, Bob Dylan asked the five of them to back him on his new electric adventure. They did and became Bob’s band before simply becoming The Band.

It was through Dylan that the band met his manager, Albert Grossman. And also through Dylan that, following his recuperation from a motorcycle accident, the band moved to  a house in West Saugerties, NY near Woodstock. The house was pink and, of course, the inspiration for their first album.

Richard Manual wrote three of the album’s twelve songs: “In a Station,” “We Can Talk,” and “Lonesome Suzie.” He co-wrote “Tears of Rage” with Bob Dylan.

Life in music’s fast lane offers many diversions and addictions to heroin, cocaine, and alcohol grasped Manuel. His songwriting and general contributions to the band diminished.

Thanksgiving Day 1976 brought the Band’s figurative and literal Last Waltz. The five would never take the stage again.

Richard George Manuel

Time out

The break-up provided Manuel with a respite which he used to recover from his addictions. During the early 80s he again performed, sometimes with a reconfigured Band, sometimes as part of an acoustic duo with Rick Danko.

Unfortunately, but the mid-80s, his addictions controlled him again and on March 4, 1986 he wife found him dead. He had hung himself.

In 1994, Manuel was posthumously inducted into the Rock and Roll Hall of Fame as a member of the Band.

               Three songs were later written in his memory:

  • The Band, “Too Soon Gone” (1993)
  • Ronnie Hawkins, “Days Gone By” (1995)
  • Robbie Robertson, “Fallen Angel” (1987)

…of the three, Robbie Robertson’s is my favorite:


Are you out there?
Can you hear me?
Can you see me in the dark?I don’t believe it’s all for nothing
It’s not just written in the sand Sometimes I thought you felt too much
And you crossed into the shadow land And the river was overflowing
And the sky was fiery red
You gotta play the hand that’s dealt ya
That’s what the old man always said Fallen angel
Casts a shadow up against the sun
If my eyes could see
The spirit of the chosen one In my dream the pipes were playing
In my dream I lost a friend
Come down Gabriel and blow your horn
‘Cause some day we will meet again
All the tears, all the rage
All the blues in the night
If my eyes could see
You kneeling in the silver lightFallin’, fallin’, fallin’ down
Fallin’, fallin’ down
Fallin’, fallin’, fallin’ down Fallen angel
Casts a shadow up against the sun
If my eyes could see
The spirit of the chosen one All the tears, all the rage
All the blues in the night
If my eyes could see
You kneeling in the silver lightIf you’re out there can you touch me?
Can you see me? I don’t know
If you’re out there can you reach me?
Lay a flower in the snow

Richard Manuel’s grave at the Avondale cemetary in Stratford, Ontario.
The grave is located in section 23A, grave 193. Section 23A is near the very back of the cemetary (as far west as you can go). There is a pathway right through the section. Richard’s stone is just to the right (west) of the path.
Richard George Manuel

Bolsheviks Sputniks Beatniks

Bolsheviks Sputniks Beatniks

April 2, 1958
Bosheviks Sputniks Beatniks
Cartoon about the Bolsheviks

 

Jack Kerouac Reads from “On The Road”
Bolsheviks Sputniks Beatniks

Bolshevik Revolution

When the Bolshevik Revolution began in 1917, the western economies viewed the uprising as a threat to their capitalistic systems. The Bolsheviks challenged the notion of private property, private business, and personal self-determination.

When the nuclear arms race began after World War II, exemplified in particular between the United State and the Soviet Union, propaganda on both sides successfully demonized their enemy.

We Americans associated the suffix “-ik” with Communism and thus with evil intentions. When Senator Joseph McCarthy announced that he had incontrovertible evidence of Communist infiltration into the government and the arts, he launched hearings through the House Un-American Activities Committee. The Committees hearings and accusations damaged the careers of dozens of American citizens.

A corollary of the US-Soviet arms race was the space race. While on paper it looked like a race to get humans into space, the unspoken government goal was to design a nuclear weapon delivery system. 

Bolsheviks Sputniks Beatniks

Sputnik

On October 4, 1957, the Soviets launched Sputnik 1 and Americans had  another Communist -ick to hate (NYT article).

replica of Spunik 1 at US Air and Space Museum
Bolsheviks Sputniks Beatniks

The Beats

In reaction to the horrors of World War II and the increasing emphasis of the American Dream equaling American Consumerism (the antithesis of Soviet Communism), some young Americans like Allen Ginsberg, William S. Burroughs, Jack Kerouac, Neal Cassady (future hippie and driver of Furthur), and many others developed a literary view and philosophy that de-emphasized conspicuous consumerism.

They deliberately did not fit in.  According to the Wikipedia entry, “Jack Kerouac introduced the phrase “Beat Generation” in 1948 to characterize a perceived underground, anti-conformist youth movement in New York.” Oxford Dictionaries site.

Bosheviks Sputniks Beatniks

Beatnik

Bolsheviks Sputniks Beatniks
Herb Caen

Traditionalists already viewed the Beats with suspicion when Herb Caen, a well-known and popular San Francisco Examiner journalist, published a column on April 2, 1958 in which he wrote, “Look magazine, preparing a picture spread on S.F.’s beat generation (oh, no, not AGAIN!) hosted a party in a No. Beach house for 50 beatniks, and by the time word got around the sour grapevine, over 250 bearded cats and kits were on hand, slopping up Mike Cowles’ free booze. They’re only beat, y’know, when it comes to work.”

The term took hold immediately and the San Francisco Beats, already discriminated against, now carried the additionally negative Communist association.

Bosheviks Sputniks BeatniksEver ready to take advantage of a popular coinage, the media was able to convert the negative image of the beatnik into one to ridicule and have fun with. The Halloween costume.  The TV show The Many Loves of Dobie Gillis in which Bob Denver played Maynard G Krebs, the lazy air-head beatnik. Denver’s acting career, as successful as it was, never recovered as his even more successful character on Gilligan’s Island  is simply the same beatnik without the costume.Beatnik, beatnik, beatnik, beatnik, beatnik, beatnik

Bolsheviks Sputniks Beatniks