Tag Archives: Music et al

Early 20th Century News Music

Early 20th Century News Music

Early 20th Century News MusicI once did a project on what is usually called protest music of the 1960s. What I quickly discovered was that protest music is not limited to the 1960s (as much as we Boomers would like to think it is since we “invented” it–insert funny face emoji).

Eventually, I also realized that protest music comes in a variety of approaches. The 1960s protest music was typically obvious in its approach: Masters of War, I Ain’t a’Marchin’ Anymore, Eve of Destruction, et cetera.

Earlier versions were equally powerful in their own way and I eventually settled on the term “News Music” to describe the genre. I’m not sure whether it is be best description, but one of the things that the songs and songwriters seemed to share was a reaction to current conditions. In other words, they were reacting to a current situation far more often than a past occurrence. Thus “News Music.”

Here are some examples of what are early 20th century news music:

Early 20th Century News Music

Harry Dixon

Around 1920:  Harry Dixon (1895 – 1965) wrote “This Little Light of Mine” as a gospel song. It became a common one sung during the civil rights gathering of the 1950s and 1960s. It continues to be a song of hope today. (BH, see January 4, 1920)

Early 20th Century News Music

Fats Waller

Early 20th Century News Music

In 1929: composed by Fats Waller with lyrics by Harry Brooks and Andy Razaf, Edith Wilson (1896 – 1981) sang “(What Did I Do to Be So) Black and Blue.”. It is a protest song that did not speak of how something should change so much as it spoke of what life was like for those who suffered inequities.

Early 20th Century News Music

Blind Alfred Reed

Early 20th Century News Music

In 1929: Blind Alfred Reed (1880 – 1956) wrote “How Can A Poor Man Stand Such Times and Live?” The song describes life during the Great Depression.

Early 20th Century News Music

Florence Reece

In 1931: Florence Reece (1900-1986) “was a writer and social activist whose song ‘Which Side Are You On?’ became an anthem for the labor movement. Borrowing from the melody of the old hymn ”Lay the Lily Low,” Mrs. Reece wrote the union song…to describe the plight of mine workers who were organizing a strike in Harlan County, Ky. Mrs. Reece’s husband, Sam, who died in 1978, was one of those workers. Pete Seeger, the folk singer, recorded the song in 1941. It has since been used worldwide by groups espousing labor and social issues.” New York Times Obituaries, August 6, 1986. (Labor, see March 3; Feminism, see Dec 10)

Early 20th Century News Music

Brother Can You Spare a Dime

In 1931:  “Brother Can You Spare a Dime” by lyricist E. Y. “Yip” Harburg and composer Jay Gorney., the song asked why the men who built the nation – built the railroads, built the skyscrapers – who fought in the war (World War I), who tilled the earth, who did what their nation asked of them should, now that the work is done and their labor no longer necessary, find themselves abandoned, in bread lines.

Harburg believed that “songs are an anodyne against tyranny and terror and that the artist has historically always been on the side of humanity.” As a committed socialist, he spent three years in Uruguay to avoid being involved in WWI, as he felt that capitalism was responsible for the destruction of the human spirit, and he refused to fight its wars. A longtime friend of Ira Gershwin, Harburg started writing lyrics after he lost his business in the Crash of 1929.

Early 20th Century News Music

Jimmie Rodgers

In 1932: Jimmie Rodgers (1897 – 1933) was born in Meridian, Mississippi worked on the railroad as his father did but at the age of 27 contracted tuberculosis and had to quit. He loved entertaining and eventually found a job singing on WWNC radio, Asheville, North Carolina (April 18, 1927). Later he began recording his songs. The tuberculosis worsened and he died in 1933 while recording songs in New York. In 1932 he recorded “Hobo’s Meditation.”

Early 20th Century News Music

Lead Belly

In 1938: Lead Belly (born Huddie William Ledbetter) (1888 – 1949) sang about his visit to Washington, DC with his wife and their treatment while in the nation’s capitol in his song, “Bourgeois Blues.” (BH, see Nov 22)

Early 20th Century News Music

Woody Guthrie

“Do Re Mi”

In 1939: During the Great Depression, Woody Guthrie (1912-1967) wrote many songs reflecting the plight of farmers and migrant workers caught between the Dust Bowl drought and farm foreclosure. One of the best known of these songs is his  “Do Re Mi.”

Tom Joad

In 1940: Woody Guthrie wrote Tom Joad, a song whose character is based on John Steinbeck’s character in The Grapes of Wrath. After hearing it, Steinbeck reportedly said, “ That f****** little b******! In 17 verses he got the entire story of a thing that took me two years to write.”

Early 20th Century News Music

This Land Is Your Land

February 23, 1940: Woody Guthrie wrote the lyrics to ‘This Land Is Your Land‘ in his room at the Hanover House Hotel in New York City. He would not record the song until 1944. It was a musical response to Irving Berlin’s “God Bless America”: “We can’t just bless America, we’ve got to change it.”

Early 20th Century News Music

In 1941: the Almanac Singers (Millard Lampell, Lee Hays, Pete Seeger, and Woody Guthrie) released Talking Union, an album containing pro-union songs. One was Florence Reece’s Which Side Are You On? Another was I Don’t Want Your Millions, Mister (written by Jim Garland), a song that was used  by Occupy Wall Street protestors.

During World War II, Guthrie printed the words, “This Machine Kills Fascists” on his guitar as a sign of his support of the war cause. Shortly afterwards, Pete Seeger printed the words, “This Machine Surrounds hate and Forces It to Surrender” on his banjo. Current guitarist, Tom Morello, often uses a guitar with the words, “Arm the Homeless” printed on it.

Early 20th Century News Music

Mick Jagger Performance 1970

Mick Jagger Performance 1970

Warner Bros Records released the soundtrack album to the movie Performance on 19 September 1970. The album featured Mick Jagger, Ry Cooder, Randy Newman, The Last Poets, Buffy Sainte-Marie, and Merry Clayton.

“Turner’s Murder” by Merry Clayton Singers.

I was 20 and thought I knew it all. At least all I needed to know. Ok, most of it.

Mick Jagger Performance 1970

So Sharp

I was learning that there were many more cool things than the half dozen or so things that I already knew were cool: important things like knowing how to tie a Windsor knot or to whistle using my two pointer fingers to curl the front of my tongue. Knowing several nicknames for marijuana (albeit, never actually using it).

When I saw Mick Jagger on the cover of the Performance soundtrack, I was confused. It was Mick, wasn’t it? Why is he dressed like a woman. He was dressed like a woman, wasn’t he?

Apparently there was one more thing to know was cool, yet not actually doing that thing.

Mick Jagger Performance 1970

Mick in the movies

Mick Jagger Performance

Performance was Mick Jagger’s first movie role. It was done in 1967 and by then those fab four friends of his had already done two movies: Hard Day’s Night (1964) and Help! (1965).

Performance was neither of those things. Jagger was not going to play a musician chased by hundreds of fans for 87 minutes or a musician chased by dozens of villains for 92 minutes.

Jagger played a former rock star turned landlord, sort of.

Actor James Fox plays a gangster on the run and eventually hides out at the house of a Turner (Mick Jagger). There are already sexual shenanigans going on at Turner’s. Fox joins Turner and the three woman already there. Ménage de cinq.

Mick Jagger Performance 1970

Warner Brothers blinks

Mick Jagger Performance

Donald Cammell and Nicolas Roeg directed the film in 1967, but Warner Brothers, the studio, decided it could not release it. Reportedly, the wife of one Warner Brothers executive vomited while watching it.

Warner Brothers did finally release a version of the film in 1970. A highly edited version.

Over the years, various revised editions have been released. The last one, and most true to the original, was not released until 2007.

At its 1970 release, Roger Ebert said: “Performance” is a bizarre, disconnected attempt to link the inhabitants of two kinds of London underworlds: pop stars and gangsters. It isn’t altogether successful, largely because it tries too hard and doesn’t pace itself to let its effects sink in. But it does have a kind of frantic energy“

Other reviews thought it unworthy of the word film.

Mick Jagger Performance 1970

Cult classic

Mick Jagger Performance

Gradually, though, it found itself viewed far more favorably. From WikipediaIn 1995 Performance appeared at number 30 in a Time Out magazine “all-time greats” poll of critics and directors

In the September–October 2009 issue of Film Comment, Mick Jagger’s Turner was voted the best performance by a musician in a film.

In his 15-hour documentary The Story of Film: An Odyssey, Mark Cousins says: “Performance was not only the greatest seventies film about identity, if any movie in the whole Story of Film should be compulsory viewing for film makers, maybe this is it.

Mick Jagger Performance 1970

Performance soundtrack

I was more into music than cinema and decided to buy the soundtrack. Powerfully odd is how I would have described it then and now as well.

I again saw the name Jack Nitzsche: the name I often saw on the back of albums, but had no idea who he actually was, Other album names were familiar, too: Randy Newman; Merry Clayton, Ry Cooder, Buffy Sainte-Marie, the Last Poets, and Mick Jagger, of course.

For me, I’ve learned several times that a soundtrack usually needs the movie. I learned why background music is just that.

Here are the tracks:

Side One:

  1. “Gone Dead Train” – Randy Newman
  2. “Performance”  (Merry Clayton)
  3. “Get Away”  (Ry Cooder)
  4. “Powis Square (Ry Cooder)
  5. “Rolls Royce and Acid”  (Jack Nitzsche)
  6. “Dyed, Dead, Red”  (Buffy Sainte-Marie)
  7. “Harry Flowers”  (Jack Nitzsche, Randy Newman)
 Side two:

  1. “Memo from Turner”  (Mick Jagger, Keith Richards)
  2. “Hashishin” (Buffy Sainte-Marie, Ry Cooder)
  3. “Wake Up, Niggers” (The Last Poets)
  4. “Poor White Hound Dog” (Merry Clayton)
  5. “Natural Magic” (Jack Nitzsche)
  6. “Turner’s Murder” (Merry Clayton Singers)
Mick Jagger Performance 1970

Who Smash Smothers Brothers

Who Smash Smothers Brothers

September 17, 1967

Tom and Dick

Who Smash Smothers Brothers

I had heard of the Smothers Brothers. They were a bit goofy and looked like they might be escapees from a barbershop quartet. They were actually brothers (unlike the Righteous Brothers) and I loved the way Tom joked but didn’t joke with Dick.

Of course, Dick was a pretty funny word to hear on TV in the 1960s.

Their show began on CBS at 9 PM on Sunday 5 February 1967.  They followed the still popular and influential Ed Sullivan Show. Such a lead in spot would seem to make their show a shoe-in success, but keep in mind what was on NBC at the same time: Bonanza.

Who Smash Smothers Brothers

The underdog

Bonanza had been running for eight years already. A hugely popular show that made its viewers feel like cowboys who did the right thing at a time when making America great again was all the rage.

Poking fun at the Establishment was funny only to some Boomers, but for them, what fun it was.

Plus there was music. They had main stream performers like Jim Nabors, Jimmy Durante, siblings Frank, Jr and Nancy Sinatra, and Micky Rooney.

Who Smash Smothers Brothers

Underground music

For so-called “underground music” fans, seeing bands such as the Buffalo Springfield, Jefferson Airplane, the Turtles, the Blues Magoos, the Electric Prunes, and Simon and Garfunkel was a special treat. Such bands were not regularly seen on the few pre-cable TV stations typically available.

Who Smash Smothers Brothers

Follow the Clew

Gustav Metzger (10 April 1926, Nuremberg – 1 March 2017, London) was a German artist and political activist who developed the concept of Auto-Destructive Art.

It was he who inspired Pete Townshend’s guitar and amp smashing, which in turn inspired Keith Moon to follow suit.

Oh, that night!

Who Smash Smothers Brothers

On September 17, 1967, The Who appeared on The Smothers Brothers Comedy Hour. They played 2 songs, “I Can See For Miles” and “My Generation”.

At the end of “My Generation”, Pete Townshend started smashing his amp.

Keith Moon had rigged his drum set to explode. It did and the explosions cut Moon’s leg & singed Pete Townshend’s hair, along with doing damage to Townshend’s hearing.

Who Smash Smothers Brothers

Try try again

The story is apparently (and not surprisingly) that Keith Moon wanted to have an explosion at the end of their performance. In rehearsals, the explosion wasn’t big enough and he asked for something bigger. It was increased, but Keith added more.

And history was made.

Here is a 2016 Rolling Stone magazine look-back at the event.

Who Smash Smothers Brothers