Tag Archives: Woodstock Music and Art Fair

David Marks Music Director Producer Archivist

David Marks Music Director Producer Archivist

David Marks Music Director Producer Archivist

Social media have revised the old notion that we are all only 6 degrees of separation apart to three or four perhaps.

My September 13 blog entry was on the Toronto Rock and Roll Revival. The festival was not selling many tickets until the organizers announced that they’d booked John Lennon to play. Then there weren’t enough tickets.

Through that blog entry, a David Marks and I have exchanged messages.

Miner

David Marks Music Director Producer Archivist

David Marks is from South Africa. In the beginning, he worked in a gold mine and wrote songs there. One of them, “Master Jack” became a hit in 1968 for the Four Jacks and a Jill. They also had a hit with “Mr Nico”

David Marks Music Director Producer Archivist

Bill Hanley roadie

In 1969, David worked for Bill Hanley Soundman Extraordinaire. Of course 1969 will ring the Woodstock bell for many who read this blog regularly and Marks was there with Hanley.  And on September 13, Hanley and crew were in Toronto.

David Marks Music Director Producer Archivist

His remarks

David recently shared a picture he took during that concert:

David Marks Music Director Producer Archivist

He added the following comment:

September 1969 – Live Peace in Toronto…. How time flies when you’re in the rocking chair. 2 S Africans were involved for Bill Hanley sound. It was my first real full festival mixing gig. Just before lunch time – in the stadium packed with over 50,000 – Bill walked away from the desk… I said hey Bill where’re you going… gonna find some Southern fried chicken in Toronto he said. (His favourite food back then). Who’s mixing I cried, above the polite applause as Tony Joe White took the stage… you are, Bill screamed back over the din. And from then on it was me and every rock band that I was brought up on in Africa; that is until the Doors engineer took over. But not before I’d finished with John Lennon & The Plastic Ono Band. Truth is… I wouldn’t budge or let anybody near the desk for that entire afternoon. And Bill graciously let me handle it. Even the famous ‘feed back’ incident with Yoko Ono did not deter me from hogging the mix.

Let me name drop BIG TIME. Jerry Lee Lewis, Lord Sutch, Bo Diddley, Alice Cooper, etc… from where I shot countless pictures with my Pentax Spot Matix. (No flash – 400 ASA & a telephoto lens… such as they were back then.) Also shot a few slides from a borrowed roll of film… that I bummed off a passing journalist. I mention all this, because these notches on my sound belt eventually led to a 40 year sound career back in Southern Africa.

Oh… and the other S African? From Malmesbury in the Western Cape…Jimi Hendrix’s recording & sound engineer & one time manager: Eddie H. Kramer. As with Woodstock, Eddie & his partner Lee Osborne, recorded the film sound track back stage, from a split feed from out of our stage box onto 2 linked Ampex 4 track decks, if I recall. And no, I did not mix sound at Woodstock, as urban myth (and the University overview) claim. I was a Hanley Sound roadie. Thanks again Bill Hanley… the Father of Festival Sound. Hail Hail Rock ‘n Roll.

David Marks Music Director Producer Archivist

And…

Forgot to mention the mix for… Alice Cooper, Louisiana Zydeco fiddler Doug Kershaw & the Queen of Rock ‘n Roll… Little Richard. All three show stoppers. (Standing on the grand piano that Jerry Lee Lewis had kicked out of tune, Little Richard declared: Elvis may be the King of Rock ‘n Roll honey, but I’m The Queen.)

David Marks Music Director Producer Archivist

Plastic Ono Band…

Yoko got under a sheet & I didn’t know she had a mic… but I heard this turkey warble & when the feedback started I couldn’t ID the source… suddenly someone shouted at me “… it’s under the sheet…. it’s under the sheet.”

30 years later when 3rd Ear Music brought Crosby, Stills & Nash to South Africa, Bill Siddons was their manager… he was the Doors’ manager back in ’69 and they were about to follow John & Yoko. Bill came out front to check the mixer / desk when the feedback thing happened. Sitting around a breakfast table in Sandton in 1996 I’m bragging about this infamous incident… Bill starts laughing. Don’t tell me that you were the sound guy I shouted at? Blush! Go figure.

David Marks Music Director Producer Archivist

John Yoko South Africa

One reply to the post asked about John & Yoko in South Africa in the 1970s?

Too true. They spent most if the time in Cape Town… so we believe. In fact the taxi driver that John booked wrote about it a few years later. They became friends. John visited Cape Town a few times if the urban myths are to be believed. No I didn’t meet John or Yoko… not even when I mixed for the Plastic Ono Band in ’69.

David Marks Music Director Producer Archivist

More Bill Hanley

David Marks also added a couple other pictures to the thread:

1969-toronto-2

Bill Hanley … a better view of the ‘home made’ Hanley mixer. Setting up in the morning, Toronto 1969, and sound checking with a local band of student rockers. Can’t recall who they were. But you can see the speakers stacks a bit more clearly. And today the kids want 48 channell splitboard mixers with on-stage monitoring for 100 clubbers… and there Bill Hanley was… some 12 channels for 50,000, with an aux-mix stage feed for monitors? Go figure.

And…

Bill Hanley early morning setting up the mix at Live Peace in Toronto.

David Marks Music Director Producer Archivist
3rd Ear Music and the Hidden Years Music Archives

David Marks Music Director Producer Archivist

In a future posts I’ll try to cover some of David Marks’ current musical involvement particularly with 3rd Ear Music and the Hidden Years Music Archives.

David Marks Music Director Producer Archivist

Kozmic Keyboardist Richard Kermode

Kozmic Keyboardist Richard Kermode

October 5, 1949 – January 16, 1996
Kozmic Keyboardist Richard Kermode
Kermode, Joplin, Sam Andrew, Snooky Flowers
“Yours Is the Light” from Santana’s Welcome album. Music by Michael Shrieve lyrics by Richard Kermode. Vocal by Flora Purim

In the band v in a band

It seems to me that the more members a band has,  the less likely all members are well-known.  That may be especially so when the leader is very well known.

Janis Joplin was a member of Big Brother and the Holding Company, though after awhile the band’s name seemed to become Janis Joplin and Big Brother.

When Joplin left Big Brother in 1968 she formed a back up band. And being in a back up band is not quite the same thing as being in the band.

Kozmic Keyboardist Richard Kermode

WY > NY > CA

Richard Kermode was born in Lovell, Wyoming and grew up in Buffalo, NY where he became a well-respected keyboardist. In 1969 he moved to California just in time for Janis Joplin to add him to her new Kozmic Blues Band. He was also just in time to be in the band for the Woodstock Music and Art Fair.

Kozmic Keyboardist Richard Kermode

Post Janis

When Janis Joplin died, Kermode became mainly a sessions musician including three albums for Carlos Santana:  Welcome (1973), Lotus (1974), and Dance of the Rainbow Serpent (1995).

He also played with the group Malo. Jorge Santana, Carlos’s brother, was one of that band’s founders. He developed a passion for Latin music while playing with Malo and worked with numerous Latin jazz, salsa and Brazilian bands. He also recorded with Patti LaBelle, Luis Gasca, Pete Escovedo, Airto and Purim.

Kozmic Keyboardist Richard Kermode

Illnesses 

In 1990 he suffered severe kidney and liver ailments, but recovered. He was able to resume his musical career and played in bands on USO tours. He toured South Korea and Japan.

In 1994 he moved to Denver to work on salsa music projects.

Yours Is the Light

Yours is the light that will always shine
And shine eternally, eternally
Mine is the search, never ending search
Until I am with you
For you, fill my life
All my days and nights
With memories of you

Yours is the light that will always shine
And shine eternally
Mine is the search, never ending search
Until I am with you
For you, fill my life
All my days and nights
With memories of you

Kozmic Keyboardist Richard Kermode

Kenmore memories

Kermode died on January 16, 1996. He was 49 There are many touching memories by his high school friends at the Kenmore West High School Class of 1965 site.  

Richard was one of the most respected musicians in Buffalo in the 1960’s – wanting to be a jazz player. When Richard left WNY in 1969 to take that immense talent to California as one of Buffalo’s premier jazz keyboardist, he had no way of knowing he would end up on multi platinum and gold albums as keyboardist…

Kozmic Keyboardist Richard Kermode

Musicminder.com site w Kermode links and info

Remembering Brother Gene Dinwiddie

Remembering Brother Gene Dinwiddie

“Take This Winter Out of My Mind” by Full Moon (1972)

Remembering Brother Gene Dinwiddie

September 19, 1936 –  January 11, 2002

I was one of those white suburban kids growing up in a very white suburban neighborhood that I didn’t realize was whites-only because no real estate agencies and owners would rent or sell to non-whites. Segregation northern style. Quiet but omnipresent.

We white suburban kids did not realize we were listening to our own American blues when we heard Eric Burdon sing “House of the Rising Sun” or Mick Jagger sing “You Better Move On.”

British bands like the Animals and Rolling Stones reinterpreted American blues, but bands like the Paul Butterfield Blues Band were revitalizing or simply continuing the blues tradition.

Remembering Brother Gene Dinwiddie

Gene Dinwiddie

Gene Dinwiddie, or Brother Gene Dinwiddie as he was often known, was part of that tradition.

He had already been playing in bands for 10 years when he joined Butterfield which presented him the opportunity to record. The American music scene was typically as segregated as my home town. Whether it be exclusionary tactics by record companies, recording studios, publishers, or venues, black musicians faced barriers at each entry. I certainly cannot speak for Gene Dinwiddie or any black musician, but I could understand the inclination of joining a band led by a white musician with hopes that the white musician would have access that he did not.

Remembering Brother Gene Dinwiddie

Paul Butterfield Blues Band

He joined Paul Butterfield Blues Band in mid-1967 in time for the group’s appearance at the Monterey Pop Festival.

“Love March” became the band’s best known song because of its inclusion on the Woodstock album. It was Dinwiddie and drummer Phillip Wilson who lead on that song.

The longer Dinwiddie was in the band, the more he influenced its sound. The band ended in 1971, but a few of its members including Dinwiddie formed Full Moon.

Brother Gene Dinwiddie also played as a session musician with BB King, Melissa Manchester, Jackie Lomax, and Gregg Allman.

His most visible appearance on record in the 1990s was playing tenor sax on Etta James’ album Stickin’ to My Guns.

Remembering Brother Gene Dinwiddie