Tag Archives: November Music et al

Santana Percussionist Mike Carabello

Santana Percussionist Mike Carabello

Santana Percussionist Mike Carabello

born November 18, 1947

Happy birthday

From a YouTube video

Country Joe McDonald had just finished his 9-song solo set at the Woodstock Music and Art Fair. Few remember the first 8 songs, but any Woodstock fan remembers the last: Fish Cheer > I-Feel-Like-I’m-Fixin’-To-Die Rag.

Quite an experience to shout out FUCK four times along with 400,000 other people.

Joe over, the people sitting in front of me on that famous field turned and asked if I’d ever heard of the next band that Chip Monck had just introduced? I said no.

Neither had 399,000 others, but when Santana finished “Soul Sacrifice” they knew.

Santana Percussionist Mike Carabello

Human earthquake

This white suburban middle class kid had never heard such rock and roll. Carlos Santana’s guitar playing was amazing, but it was more than that. The beat pounded, but it was more than that, too. Afro-Caribbean?

Three percussionists. That was it! The whole combination of voluminous electricity with three heaving beating hearts

No wonder 400,000 people stood, cheered, shouted, stomped, called, whistled, and applauded to create a human earthquake.

Santana Percussionist Mike Carabello
Woodstock ovation after Soul Sacrifice
Santana Percussionist Mike Carabello
The other side of that earthquake.

Mike Carabello was 21 at the Woodstock Music and Art Fair when he played with Santana that sunny Saturday afternoon. A bit younger than most performers, but still older than a few.

Santana Percussionist Mike Carabello

Youth

Mike Carabello grew up in San Francisco hearing lots of music in his grandparents’s home. They had moved to California from Puerto Rico.

On weekends his father took him fishing to San Francisco’s Municipal Pier in Aquatic Park, but more than fish, Carabello caught percussion.

“I’d see these beatniks playing bongos and congas there.”

On one weekend a different group was there and they were playing Afro-Cuban drumming. Carabello found himself “fishing” there more and more.

Santana Percussionist Mike Carabello

Mike Carabello

In 1966, Carlos Santana and Gregg Rolie formed the Santana Blues Band with Tim Frazer on guitar, Gus Rodrigues on bass, Rod Harper on drums and Michael Carabello on congas. Carabello provided the third element in what became simply Santana.

Carabello brought his Puerto Rican sensibility to the band helping it create the sound that astounded so many at Woodstock.

Though Santana is the band Carabello is most associated with in its various incarnations, he has played with and for many others including Elvin Bishop, Boz Scaggs, Buddy MilesHarvey Mandel, Neal Schon, and the Steve Miller Band.

Here is his credit list from All Music.

Santana Percussionist Mike Carabello

Santana IV

In April 2016 Santana released its twenty-third studio album: Santana IV. Santana IV because it was the fourth album released by the band consisting primarily of its original members.

No one does it [this kind of music] better” according to Felix Contreras in an NPR review. “Drummer Michael Shrieve and conguero Michael Carabello lay a familiar rhythmic foundation that allows guitarists Carlos Santana and Neal Schon to inspire one another in solos that are as melodic as they are rhythmic.”

As the Dead sang, the music never stopped.

Many happy returns Michael Carabello.

Carlos Santana describes how he met Michael Carabello and they started the original Santana group. At Mohegan Sun 2019.

Santana Percussionist Mike Carabello

Singing Nun Jeanine Deckers

Singing Nun Jeanine Deckers

December 7, 1963

Dominique” Billboard’s #1 single and album

In 1959, twenty-five year old Jeanine Deckers was coming off a broken engagement when she found the family she was seeking: the Fichermont convent in Belgium.

Singing Nun Jeanine Deckers
Jeanine Decker’s Singing Nun album cover
Singing Nun Jeanine Deckers

Sister Smile

The reclusive Dominican order in Fichermont convent permitted Jeanine Deckers to bring her guitar with her. As, Sister Luc-Gabrielle, she wanted to use her musical talents to raise funds for the order. That is the quick story of “Dominique.”  That is the happy beginning to a sad story ending.

Singing Nun Jeanine Deckers

Singing Nun Jeanine Deckers

Dawn of US Beatlemania

In the twilight of December 7, 1963 the sun was about to rise on American Beatlemania, but Soeur Sourie’s “Dominique” was both Billboard’s #1 single and album. The single remained at #1 for all of December. The album remained at the top spot until February 15, 1964.  Less than a week after the Ed Sullivan showcased the Beatles, their “Meet the Beatles” album deposed the Singing Nun.

As a reclusive convent Jeanine Decker remained apart from the busy outside world. Such may be the right idea: isolation from the the world’s selfishness can make life simpler and allow productivity. World fame found Jeanine Decker and removed that isolation. She found some happiness outside the Order’s strict rules. She fell in love with Annie Pécher, a novice nun. And Annie Pécher fell in love with Jeanine Decker.

Singing Nun Jeanine Deckers
Jeanine Deckers and Annie Pécher
Singing Nun Jeanine Deckers

Leaves

In 1966, they left the convent to live together.

Decker’s financial success brought tax troubles. Once apart from the convent, the profits that the song had given the order became Decker’s responsibility. Though she tried to pursue a secular recording career, her Catholic fan base lost interest in the lack of a religious habit, her living with another woman, and her praise of birth control.

Determined to live her new life, Deckers even wrote a song, Sister Smile Is Dead, (reminds me of Dylan’s “Maggie’s Farm.” )

In 1982 she released a disco version of Dominique

Singing Nun Jeanine Deckers

Open school

In 1983, she and Pécher opened a school for autistic children. It  failed financially.

Their lives, filled with addiction and despair,  the two women took their own lives on March 29, 1985.

In her part of the note left behind, Pécher wrote, “We do suffer really too much… We have no more place in life, no ideal except God, but we can’t eat that….We go to eternity in peace. We trust God will forgive us. He saw us both suffer and he won’t let us down.”

Headline announcing Jeanine Deckers and Annie Pecher’s death.

UK Express story >>> Suicide pact

Singing Nun Jeanine Deckers

Jeanine Deckers and Annie Pécher

The tomb of Jeanine Deckers and Annie Pécher…”I Saw Her Soul Flying Through the Clouds”

The New York Times article of their deaths >>> Belgium’s Singing Nun Is Reported a Suicide)

In 1996, a play was produced on Broadway called, “Tragic and Horrible Life of the Singing Nun” (click >>> NYT review)

Singing Nun Jeanine Deckers

Cheap Thrills Love Child

Cheap Thrills Love Child

Cheap Thrills Love Child. What?

On November 30, 1968 two ladies were at #1. Diana Ross & the Supremes with their “Love Child” single and Big Brother & the Holding Company’s Janis Joplin’s “Cheap Thrills” album. I would never compare these great singers. The sexy silky smooth Motown’s Ms Ross. The tough as nuts, sensitive as a teenager’s ego Texas Janis.

We Baby Boomers were fortunate to have such women sing to us.

Cheap Thrills Love Child.

Cheap Thrills Love Child
Diana Ross & the Supremes, Love Child

 

Cheap Thrills Love Child

So Long Hey Jude

On November 30 (until December 13, 1968) Diana Ross  & the Supremes’ single, “Love Child” became the Billboard #1 single. It was their 11th #1 single in the US. It knocked the Beatles’ “Hey Jude” out of the #1 spot, a spot “Hey Jude” had held for two months.

Cheap Thrills Love Child.

I started my life in an old, cold, rundown tenement slum

My father left, he never even married Mom

I shared the guilt my mama knew

So afraid that others knew I had no name

Cheap Thrills Love Child

Big Brother

On the same date, November 30 (thru December 20, 1968) Big Brother and the Holding Company’s Cheap Thrills returned to the Billboard #1 album spot. It had alrady been there from October 12 to November 15 when Jimi Hendrix’s Electric Landland album replaced it for two weeks.

It’s tough to choose one song from Thrills, but to my mind “Ball and Chain”  has one of the greatest starts to any song ever. It leaves you hanging…and then simply drops you!

Janis loved comic artists. R. Crumb in particular. She asked him to do something and what he came up with is an unforgettable album cover, one for the ages and one that listeners held and stared at while the album spun — over and over.

According to Columbia’s art director John Berg:  [Janis] Joplin commissioned it, and she delivered Cheap Thrills to me personally in the office. There were no changes with R. Crumb. He refused to be paid, saying, “I don’t want Columbia’s filthy lucre.

Cheap Thrills Love Child
Big Brother & the Holding Company, Cheap Thrills album cover
Cheap Thrills Love Child

Janis Joplin

Janis Joplin was only with Big Brother from 1966 to 1969 and Cheap Thrills was her last album with them. But what an album! Rolling Stone magazine’s review didn’t quite think so, but the NYT wrote quite a bit about Big Brother & Janis. Ironically, today the cover is ranked number 9 on Rolling Stone’s list of one hundred greatest album covers.

Cheap Thrills Love Child

Cheap Thrills Love Child. Cheap Thrills Love Child. Cheap Thrills Love Child.