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Beatles 1965 Rubber Soul

Beatles 1965 Rubber Soul

Beatles 1965 Rubber Soul
George Harrison, John Lennon, Ringo Starr, and Paul McCartney

The Beatles released their Rubber Soul album in time for Christmas on December 6, 1965. It became the Billboard #1 album on January 8, 1966 and remained there until February 18.

Beatles 1965 Rubber Soul

1965 Turning Point

1965 was a turning point for 1960s music. Although Beatlemania had hit America in 1964 and the band had six #1 singles that year alone, the music was still not what would eventually lead to the Woodstock Music and Art Fair and other such festivals.

After their touring ended in 1966, the Beatles went into the studio and went in another direction. Why?

The simplest answer is that Dylan had gone in a different direction and the Beatles realized that they could, too. And where Dylan and the Beatles headed, many followed.

Beatles 1965 Rubber Soul

Meeting Bob

In August 1964 the Beatles played a concert in New York City and afterwards famously met Bob Dylan who didn’t realize at first he was introducing the Beatles to marijuana. He was and they reportedly enjoyed the experience. (see Bob Dylan Introduces the Beatles for more).

In 1965, Dylan had gone  “gone electric” to both the delight and dismay of his fans. His song “Maggie’s Farm” was his declaration of independence. No longer would he be pigeon-holed as a protest folk singer.

Beatles 1965 Rubber Soul

Back in the Studio

When happened in the studio when the Beatles returned there in October 1965 was “Rubber Soul.”  While  the pop sound they were known was still a part of their music,  now there was more depth, too. Boomers had lyrics to figure out.

Beatles 1965 Rubber Soul

For example, John Lennon sang on “Girl”

Was she told when she was young that pain
Would lead to pleasure?
Did she understand it when they said
That a man must break his back to earn
His day of leisure?
Will she still believe it when he’s dead?
Ah girl
Girl
Girl
Beatles 1965 Rubber Soul

More than holding hands

To the typical American Baby Boomer teenager, this was no longer simply wanting to “…hold your hand.

Beatles 1965 Rubber Soul

1966 Fork in the Road

In 1966 American pop music came upon a fork in the road and some fans remained on the well-traveled road, the road of 45s, and top ten.

Others took what was for them a path less traveled. That same year, Brian Wilson of the Beach Boys produced the definitely-not-surf-music Pet Sounds. The Beatles closed 1966 with what some call Rubber Soul part two, Revolver, a continuation of their musical and lyrical experimentation.

The Mothers of Invention released Freak Out! Ken Kesey’s Acid Tests got into full swing. Light shows at concerts began. Crawdaddy, the first rock and roll magazine to write full and serious articles, appeared. Concerts at San Francisco’s Fillmore began. John Lennon got into trouble after pointing out that the Beatles were more popular than Jesus. FM rock stations began.

Beatles 1965 Rubber Soul

More 1965

Jefferson Airplane released their first album. The Beatles performed their final live concert. Jimi Hendrix hit England. The Beatles began to record Sgt. Pepper’s.

That less traveled path would lead to Woodstock after a few other festival stops along the way.

For more about the album, click through >>> The Beatles site

Beatles 1965 Rubber Soul

Beatles Sir George Martin

Beatles Sir George Martin

The true Fifth Beatle
January 3, 1926 – March 8, 2016
Thank you

Beatles Sir George Martin

With the Beatles’ arrival in the US, various DJs adopted to themselves the nickname “Fifth Beatle” because they got to meet the Fab Four,  play their music, and promote the mania. Of course, none of them were anywhere near what the adopted moniker implied.

When George Martin died on March 8, 2016, we knew that the true “fifth Beatle” was gone.

In the beginning as we stared at the backs of our first Beatle albums for something new, his was one of the names we always saw.

He never looked like a Beatle. Was not hip. Hair combed back. Conservative clothing.

Beatles Sir George Martin

He Knew

George Martin knew sound. George Martin knew talent. And his talent brought us the sound the Beatles had inside their heads and put that sound forever inside our hearts. He knew how to compress their coal into musical diamonds.

It would be unfair to say he rode the Beatles’ coattails to fame just as it would be unfair to say the Beatles would not have been famous without George Martin.

Fortune offered them the same breeze and we are forever fortunate that they boarded the same sloop.

Beatles Sir George Martin

Less than 10 hours of music!

From the New York Times obituary: “His collaboration with the Beatles inevitably overshadowed his other accomplishments. Between 1962 and 1970, Mr. Martin produced 13 albums and 22 singles for the group, a compact body of work that adds up to less than 10 hours of music but that revolutionized the popular music world.

Those “other” credits of his go on several pages. The AllMusic site’s list included:

  • Billy J Kramer & the Dakotas
  • Gerry & the Pacemakers
  • Seatrain
  • Badfinger
  • Paul Winter
  • Stan Getz
  • America Mahavishnu Orchestra
  • Cheap Trick
  • Aerosmith
  • Kenny Rogers
  • Billy Preston
  • Dire Straits
  • The Kentucky Headhunters
  • Little River Band
  • Ultravox
  • Kate Bush
  • Elton John
  • Elvis Costello
  • Jeff Beck
  • Stevie Wonder
  • Celine Dion
  • Burt Bacharach
  • Billy Joel
Beatles Sir George Martin

Beatles I Feel Fine

Beatles I Feel Fine

On December 26, 1963 Capital had released the Beatles “I Want to Hold Your Hand” (“I Saw Her Standing There” B-Side) It hit number one on February 1, 1964.

Exactly a year later, on December 26, 1964, their “I Feel Fine” was the Billboard #1 single. Their sixth #1 song of 1964 in which they had 30 entries on the chart, giving them a total of 18 weeks at the top of the charts.

Beatles I Feel Fine

Alan W Pollack

Alan W Pollack manages soundscape.info. It is an amazing site for anyone, but particularly for Beatle fans who want to know details.

About “I Feel Fine” his top paragraph points out that:

Key: G Major Meter: 4/4 Form: Intro | Verse | Verse | Bridge | Verse | Verse (guitar solo) | | Verse | Bridge | Verse | Outro (fade-out)
CD: “Past Masters”, Volume 1, Track 14 (Parlophone CDP 90043-2) Recorded: 18th October 1964, Abbey Road 2 UK-release: 27th November 1964 (A Single / “She’s A Woman”) US-release: 23rd November 1964 (A Single / “She’s A Woman”)

And that’s just the start. Go here (Soundscapes site) if you want to learn more about the musical structure of “I Feel Fine” than you ever imagined.

Beatles I Feel Fine

What was that?

Beatles I Feel Fine
The 45

For those who first heard the song on November 23, 1964 (its US release), its famous intro, was an odd surprise. Perhaps even confusing. What was that? Was is a mistake? Why would The Beatles put a mistake at the beginning of a song?

Of course it was no mistake but it is, apparently the first time that anyone had deliberately place feedback on a recording. Oh you Beatles you!

Click to hear just one example of the can of sound they opened >>>

No really. Click!

Beatles I Feel Fine

In conclusion…

To finish, Alan Pollack says, “Perhaps the single most exceptional gesture in this particular number is to be found in its unaccustomed display (for John) of such effusive romantic euphoria, completely uncomplicated for a change by even the slightest second thoughts, anxiety, or self-doubt.”

The rule that Paul writes the happy songs and John the disillusioned ones just doesn’t work here. The exception proves the rule.

Beatles I Feel Fine