Category Archives: Woodstock Music and Art Fair

Ten Years After Ric Lee

Ten Years After Ric Lee

Born October 20, 1945

Ten Years After Ric Lee,

Ten Years After Ric Lee

The New Sounds Old

The Woodstock Music and Art Fair made some things famous that had been there in front of us but we weren’t listening.

It was Sunday night about 9 when a sweating exhausted-looking Alvin Lee introduced Ten Year After’s last song of the set: “This is a thing called “I’m Going Home” by…[pause]…helicopter.”

I’m sure the band had already played the song many times that summer. It’s a great example of a song that one might mistake for a cover of and old blues song that Rick Lee shifted into high gear. It isn’t. Lee wrote it and Lee (guitar), Chick Churchill (keyboard), Leo Lyons (bass) and Ric Lee (drums) played it.

Ten Years After Ric Lee

Ric Lee

So who is this guy Ric Lee besides the drummer for Ten Years After? I gathered most of this from the Ten Years After site.

Ric’s first band was as the drummer with the Falcons and from there here joined Ricky Storm and the Stormcats (as opposed to Rory Storm and the Hurricanes .

While a Stormcat, Ric studied drumming with Dave Quickmire who was a drummer with the Jaybirds. The Jaybirds’ guitarist was Alvin Lee. The bassist Leo Lyons.

When Quickmire got married he left the Jaybirds and recommended Lee to replace him. Chick Churchill joined the band first as their road manager and later as their keyboardist.

The Jaybirds backed The Ivy League, a vocal group. The Jaybirds later went solo again and briefly became the Bluesyard before becoming Ten Years After in 1966  in honor of Elvis Presley’s 10 year arrival anniversary.

Ten Years After Ric Lee

Ten Years After

We know Ten Years After. They were on the road constantly (check out their 1969 tour archive) and were regularly invited to the many 1969 festivals. Before Woodstock there was the Bath Festival of Blues (June 28), the Newport Jazz Festival (July 4), the Laurel Pop Festival (July 12), the Seattle Pop Festival (July 25), and after Woodstock the Texas International Pop Festival (September 1).

Of course it was their appearance on both the soundtrack and in the Woodstock movie that permanently put them on the map.

Ten Years After Ric Lee

Woodstock Memories

From a 2016 Forbes magazine interview:

Arriving

We were in a chopper with a medic. He told us once we got there not to drink anything that’s not out of a sealed can and not to eat anything unless it’s been cooked. There was an outbreak of hepatitis [no medical records indicate any such outbreak] that could turn into an epidemic if we were not careful. When we landed, there were no drinks, of course, that weren’t opened. I watched the beginning of [Joe] Cocker’s set, which was fantastic, and not long after came the storm. It was a mini-cyclone I think, with very strong winds. The whole stage was live, but they wouldn’t let anybody use it. That festival these days would not get past health and safety. If you look at the film, you’ll see the covering for the stage was really pathetic. The whole thing got soaked. They were also scared that the big speaker towers people were climbing and sitting on were inadequate. The speakers were very heavy. We were incredibly lucky none came down.

Playing after the storm

The band followed Country Joe and the Fish at about 8:15 Sunday night. Well, it was still very damp. I remember we had to start Good Morning Little School Girl four times because the guitars wouldn’t stay in tune. Alvin just would not play out of tune and try to sing to it. That was nerve-wracking because 400,000 or 500,000 people – no one seems to know the exact number — were sitting there wanting us to play. In those days, there were no electronic tuners, so everything was by ear. Leo [Lyons] was tone-deaf, so Alvin had to tune his bass! Once we finally got going, the crowd loved it. What can I say? [for their full set, see Woodstock day 3]

Ten Years After Ric Lee

Side interests

While still in Ten Years After, Ric studied at Berklee School of Music in Boston, with Alan Dawson, then drummer with the Dave Brubeck Quartet. Ric also began teaching young enthusiasts privately when at home between touring commitments.

Ten Years After Ric Lee

After Ten Years After

After Ten Years After stopped touring in 1976, Ric ran his own Music Publishing, Management and Record Production company. He continued to study, now tuned percussion at the Guildhall School of Music and Drama under Gilbert Webster, percussionist with the BBC Radio Orchestra.

In 1980 for 18 months, Ric joined Stan Webb in Chicken Shack. Chicken Shack toured the UK and Europe many times in this short period and made an album for RCA Records “Roadies’ Concerto”.

Ten Years After re-formed again in 1983 for the Marquee Club’s 25th Anniversary. During this short “rebirth”, Ric managed the group as well as being its drummer.

Between 1984 and 1986, Ric managed several up and coming young acts and continued publishing catalog.

Ten Years After Ric Lee

Ten Years again

Ten Years After re-formed yet again in 1988 and recorded a new album “About Time” in Memphis, Tennessee and spent the next four years touring Europe and the US.  In between tours Ric continued to study drum techniques, this time  Latin percussion with Trevor Tompkins, Professor of Percussion at the Guildhall and the Royal College of Music.

In 1994, Ric formed The Breakers with an old friend, Ian Ellis and together they wrote and produced MILAN, released in July 1995.

In the middle nineties Lee produced a series of ambient albums, the most successful of which was Spirit of Africa.

Ric worked again with Ten Years After between 1995 and 1999. In 2001 he recorded an album in Nashville.

Ten Years After continues its intermittent existence and Lee is also part of Natural Born Swingers. Here is a link to a review in Elmore magazine from September 2017.

And in 2021, Ric Lee, published his autobiography, From Headstocks To Woodstock.

“It was something I’d always wanted to do and I actually started it more than 10 years ago, but kept stopping and starting for various reasons, Then a chance conversation with a friend in Los Angeles persuaded me to get it finished.

Comprised of 448 pages, the book is available for purchase directly via Lee’s website.

Many happy returns Ric!

Ten Years After Ric Lee

Hendrix Bassist Billy Cox

Hendrix Bassist Billy Cox

From a 10/29/23 FB post: Hello everyone, Happy Sunday!!! Been back home a few weeks, getting back into the rhythm. Thank you for your prayers and well wishes.
Happy birthday: born October 18, 1941

Old Army Buddy

A July 12, 1969 article entitled Jimi Hendrix Has a Brand New Bass in Rolling Stone said in part: Jimi Hendrix has named an old Army buddy as the bass player he may soon be recording with and hinted during a recent visit to Los Angeles that as soon as contracts allow, the Jimi Hendrix Experience may make the transition from trio to creative commune.

The bassist is Billy Cox, who was stationed with Hendrix at Ft. Campbell, Ky., several years ago when both were in the Army and then for three years following the service, in the Clarksville, Ky., and Nashville areas. Since that time, Cox has remained in Nashville, playing pickup dates and touring occasionally with Wilson Pickett, Gene Chandler and most recently, Buddy Miles.

Wheeling, West Virginia

Hendrix Bassist Billy Cox
That’s me, age three with hatchet in hand, Wellsburg, West Virginia. Wonder what I was knowing? That’s my friend, Jimi, Memphis, 1969. A lot was going on with him, at that time, and NONE of it good. After a few years of not seeing each other, Jimi had made it big and he had called me to meet him in Memphis. In the early years, we always planned and talked about making it and being big together. So, there I was in Memphis, on the side of the stage, watching my old friend, sing about chopping down a mountain with the edge of his hand. Soon I would be on stage with him. ~The Last Gypsy, Billy Cox

From his siteBilly Cox was born in Wheeling, West Virginia. His father was a Baptist minister and teacher of mathematics and his mother was a classical pianist. Billy was blessed with the best of both worlds. One world revolved around the strong intellectual discipline of his father and the other world revolved around the loving tenderness and sensitivity of his mother.

Billy Cox

Hendrix Bassist Billy Cox

Woodstock

Jimi Hendrix at Woodstock was Jimi Hendrix at Woodstock. Yes, he had a band behind him, but Jimi’s talent and showmanship always shone so brightly, other band members were often in the shadows, so Billy’s presence at Woodstock is more of a footnote.

Having said that, he is a part of, albeit momentarily, of what is perhaps Woodstock’s most famous song: the Star  Spangled Banner.

From a May 2023 Bassplayer magazine article Billy said:  “If you listen to the recording you hear me playing the first five or six notes,”  “Then I thought, ‘Wait a minute – we never practiced this.’ So I immediately stepped back, and it was bang – such a great thing that Jimi did.”

He continued: That [Woodstock] was great; it was the first big gig I played with Jimi. We came around the back way and looked out on that crowd – it was the largest crowd I’d ever played in front of. Mitch said, ‘Hell, I don’t know whether I want to go out there!’ Jimi said, ‘We’ll give to them and they’ll give back to us, and we’ll have a good time.’ It was great, it was exhilarating.”

From the same article: Onstage with Hendrix during his first serious gigs and for his very last performances, Cox’s low-end support aptly complemented Hendrix’s guitar stratospherics. “A bloody marvellous bass player – has soul and feel for days,” noted Hendrix engineer Eddie Kramer. “Billy was Jimi’s confidante and buddy – and a wonderful human being.”

Hall of Fame

Hendrix Bassist Billy Cox

From his site: legendary bassist and Musicians Hall of Fame inductee Billy Cox, is synonymous with almost any reference to Jimi Hendrix and Rock-n-Roll history. From their army days, Billy would always have an extended friendship with Jimi Hendrix. The kindred spirits would have a musical chemistry that was nurtured over the years as both performed regularly as sidemen for the most prominent blues and R&B acts of the day. The bond between the two men would write a new chapter in music history.

Hendrix Bassist Billy Cox

Hendrix Bassist Billy Cox

Billy Cox and his Hendrix Experience band at the Allen Blues Festival

Billy Cox has released four solo albums:

  • Nitro Function, 1971
  • Last Gypsy Standing, 2009
  • Old School Blue Blues, 2011
  • Unfiltered, 2014

From WikipediaToday, Billy Cox owns a video production company. He has produced numerous blues and a myriad of gospel shows. He co-authored the books, Jimi Hendrix Sessions and Ultimate Hendrix with John McDermott and Eddie Kramer. Billy has been the recipient of numerous awards and honors among which: In 2009 Billy Cox was inducted into The Musicians Hall Of Fame; Billy received The Founders Award in 2010. It was given by Microsoft co-founder, Paul Allen and in 2011 Billy was inducted into the West Virginia Music Hall Of Fame. Billy released his latest album, Old School Blue Blues, in 2011 and continues to tour with “The Experience Hendrix Tour” each year and his own Band of Gypsys Experience. He released the single Run featuring the androgynous singer and songwriter Marlon Alarm in November 2011.

Hendrix Bassist Billy Cox

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Paul Butterfield Blues Band album

Paul Butterfield Blues Band album

released October 1965

Paul Butterfield Blues Band album

In October 1965, future Woodstock Music and Art Fair performers the Paul Butterfield Blues Band released their first album: The Paul Butterfield Blues Band. Paul Butterfield was 23; Mike Bloomfield was 22; Elvin Bishop was 23; Mark Naftalin was 21; Jerome Arnold was 28; and Sam Lay was 30. (only Butterfield himself would be in the Woodstock line up.)

Lining two walls in downstairs hallway of the Bethel Woods Center for the Arts are pictures and brief bios of each band and its members who performed at the Woodstock Music and Art Fair. When I watch or listen to guests visiting the Museum, the usual artists they hover over or speak about are Jimi Hendrix, the Band, Janis Joplin, the Who, or other so-called “big names.”

I cannot remember any guest hovering at the Paul Butterfield  Blues Band.

They should be.

Paul Butterfield Blues Band album

Paul Butterfield Blues Band

Rock and Rolls’ roots are obviously from rhythm and blues whose roots are simply the blues. Jimi, Robbie, Janis, and Pete would all acknowledge and tip their hats to a Paul Butterfield for so brilliantly playing those blues.

The band’s first album is an excellent example of the style and strength the various band line-ups presented over its time.

All Music’s Mike DeGagne says this about the first album:

…a wonderfully messy and boisterous display of American-styled blues, with intensity and pure passion derived from every bent note. In front of all these instruments is Butterfield’s harmonica, beautifully dictating a mood and a genuine feel that is no longer existent, even in today’s blues music. Each song captures the essence of Chicago blues in a different way, from the back-alley feel of “Born in Chicago” to the melting ease of Willie Dixon’s “Mellow Down Easy” to the authentic devotion that emanates from Bishop and Butterfield’s “Our Love Is Drifting.” “Shake Your Money Maker,” “Blues With a Feeling,” and “I Got My Mojo Working” (with Lay on vocals) are all equally moving pieces performed with a raw adoration for blues music. Best of all, the music that pours from this album is unfiltered…blared, clamored, and let loose, like blues music is supposed to be released.”

You should give it a listen, again I hope, but if not for the first of what will likely be many times.

Paul Butterfield Blues Band album