Category Archives: Music et al

Woodstock Performers First Album

Woodstock Performers First Album

Though many of those who performed at Woodstock were famous already [at least to their fans they were], in terms of having a recording contract and releasing an album, most of them had been in the music business (as opposed to performing) for a short time. If fact for a few, their first album release came after the Woodstock Music and Art Fair.

Listed below are all those who performed at the festival in the order that their first album was released. I’ve also included the age of band members (if available) at the time of the album’s release.

There were 32 music performances at Woodstock, but Country Joe performed twice: once solo and once with the Fish. I have counted him as one and with the Fish, so I’ve listed 31 albums below.

To the point of “being in the business,” the large majority–25–of the bands had released their first albums from 1967 and after. Or, only 6 had released an album before 1967.

And three in that majority released an album after 1969.

Woodstock Performers First Album

Ravi Shankar

Woodstock Performers First Album

Ravi Shankar released his first album, Music Of India – Three Classical Ragas On Sitar, in 1956. He was 36.

Woodstock Performers First Album

Joan Baez

Woodstock Performers First Album

October 1960: Joan Baez (age 19) released her first album, Joan Baez.

Woodstock Performers First Album

1965

Paul Butterfield Blues Band

October, 1965: The Paul Butterfield Blues Band album released. Paul Butterfield was 22. No other personnel for the album performed at Woodstock.

The Who

Woodstock Performers First Album

December 3, 1965: The Who [Pete Townshend, 20; Keith Moon, 19; Roger Daltrey, 21; and John Entwistle, 21] released My Generation album.

Woodstock Performers First Album

1966

Incredible String Band

Woodstock Performers First Album

June, 1966: Incredible String Band (Robin Williamson, age 22 , and Mike Heron, age 22 ) released first album, The Incredible String Band.

Tim Harden

Woodstock Performers First Album

July 1966: Tim Hardin (age 25) released first album, Tim Hardin 1

Jefferson Airplane 

Woodstock Performers First Album

August 15, 1966: Jefferson Airplane released their debut album, Jefferson Airplane Takes Off. The personnel differs from the later “classic” lineup and the music is more folk-rock than the harder psychedelic sound for which the band later became famous. Signe Toly Anderson was the female vocalist and Skip Spence played drums. Both left the group shortly after the album’s release and were replaced by Grace Slick and Spencer Dryden, respectively. (Jorma Kaukonen (age 25), Paul Kantner (age 25), Jack Casady (age 22), Marty Balin (age 24), Grace Slick (age 26), Spencer Dryden (age 28).

Richie Havens

Woodstock Performers First Album

Late 1966: Richie Havens (25) released his first album: Mixed Bag

Woodstock Performers First Album

1967

Grateful Dead

March 17, 1967: the Grateful Dead released their first album: Grateful Dead. Jerry Garica (25), Bob Weir (19),  Pigpen (21), Phil Lesh (27), and Bill Kreutzmann (21).

Country Joe and the Fish

April 1967: Country Joe (25) and the Fish released first album, Electric Music for the Mind and Body.

Jimi Hendrix Experience

May 12, 1967: the first Jimi Hendrix Experience album, Are You Experienced, released in the UK. Jimi Hendrix (24), Mitch Mitchell, (19), and Noel Redding (21) .

Canned Heat

July 1967: Canned Heat released first album, Canned Heat. The three members who played Woodstock were Bob “The Bear” Hite, age 24, Alan Wilson, age 24, and Larry Taylor,  age 24)

Big Brother and the Holding Company

August 1967: Big Brother and the Holding Company released first album with Janis Joplin (23).  The other band members, none of whom played at Woodstock, were: Sam Andrew, James Gurley, Peter Albin, and Dave Getz.

Arlo Guthrie

September 1967: Arlo Guthrie (20) released first album, Alice’s Restaurant.

Sly and the Family Stone

October 1967: Sly and the Family Stone released first album, A Whole New Thing. Sly Stone (25), Freddie Stone (20),  Larry Graham (19), Cynthia Robinson (21), Jerry Martini (25), and Greg Errico (19).

Ten Years After

October 27, 1967: Ten Years After released its first album, Ten Years After. Alvin Lee (22), Chick Churchill (21), Leo Lyons (23), and Ric Lee (22).

Johnny Winter

Woodstock Performers First Album

1968: Johnny Winter (age 22) released first album, The Progressive Blues Experiment with John Turner (24) and Tommy Shannon (22).

Woodstock Performers First Album

1968

Blood, Sweat, & Tears

February 21, 1968: Blood, Sweat, & Tears released its first album, Child is Father to the Man. The album personnel who also played at Woodstock were: Bobby Colomby (23), Jim Fielder (20), Dick Halligan (24), Steve Katz (22), and Fred Lipsius (24).

The Band

July 1, 1968: The Band released its first album, Music From Big Pink. Rick Danko, age 26; Robbie Robertson, age 25; Levon Helm, age 28; Richard Manuel, age 25; Garth Hudson, age 31.

Creedence Clearwater Revival

Woodstock Performers First Album

July 5, 1968: Creedence Clearwater Revival released first album, Creedence Clearwater Revival. John Fogerty (23), Doug Clifford (23), Stu Cook 23), and Tom Fogerty (26)

Melanie

November 1968: Melanie (age 21) released her first album, Born to Be.

Sweetwater

1968: Sweetwater released its first album entitled Sweetwater. Birth dates for the band members are not available. They were: Nansi Nevins, Frank Herrera, August Burns, Elpidio Cobian, Alan Malarowitz, Albert Moore, and Alex Del Zoppo.

Bert Sommer

Woodstock Performers First Album

1968: Bert Sommer (age 18) released his first album, The Road to Travel. It was produced by Artie Kornfeld. Sommer was a schoolmate of Leslie West. None of the several other musicians on the album played at Woodstock.

Woodstock Performers First Album

1969

Keef Hartley Band

1969: the Keef Hartley Band (Keef Hartley age 25 whose career began as the replacement for Ringo Starr as drummer for Rory Storm and the Hurricanes) released its first album, Halfbreed. The other album personnel who also played at Woodstock were: Miller Anderson (24), Gary Thain (21), and Henry Lowther (27).

Joe Cocker

April 23, 1969: Joe Cocker (age 24) released first album, With a Little Help from My Friends. The only other album personnel who also played at Woodstock were: Henry McCullough (25) and Chris Stainton (25).

Crosby, Stills, & Nash

Woodstock Performers First Album

May 29, 1969: Crosby, Stills, & Nash released first album.  (David Crosby age 28; Stephen Stills age 24; Graham Nash, age 27)

Santana

Woodstock Performers First Album

August 30, 1969: Santana  released its first album, Santana. Carlos Santana (22), Gregg Rolie (22), David Brown (22), Michael Shrieve (20), Michael Carabello (21), and José “Chepito” Areas (23).

Sha Na Na

1969: Sha Na Na released its first album, Rock and Roll Is Here to Stay! Since it was released after Woodstock, I will give the personnel who performed at Woodstock (most birth dates are unknown): Alan Cooper (?), Bruce Clark (?), Dave Garrett (?), Donny York (?), Elliot Cahn (?),  Jocko Marcellino (29?),  Joe Witkin (?), Richard Joffe (?), Rob Leonard (?),  Scott Powell (21), Dennis Greene (20),  and Henry Gross (18).

Woodstock Performers First Album

1970

Quill

January 1970: the band Quill released album: Quill. The personnel: Dan Cole (?), Jon Cole (?), Norman Rogers (?), Phil Thayer (?), and Roger North (?).

John Sebastian

January 19, 1970: John Sebastian (25) released his first solo album, John B Sebastian. He had, of course, had great success with the band Lovin’ Spoonful. Sebastian was 21 when that band released the ablum, Do You Believe In Magic.

Mountain

Woodstock Performers First Album

March 7, 1970: Mountain released its first album, Climbing! [also known as Mountain Climbing!] The album personnel who had played at Woodstock were: Leslie West (24),  Felix Pappalardi (30),  and Steve Knight (34).

Woodstock Performers First Album

Detroit Teddy Harris Jr

Detroit Teddy Harris Jr

Detroit Teddy Harris Jr

August 27, 1934 – August 22, 2005

I often entitle my little bios of Woodstock performers by including the word “Woodstock” before or after their name. An SEO strategy.

In the case of Teddy Harris, the word Woodstock, however  much apropos, is far too limiting because his roots and branches are  Detroit.

As he says above, “Nobody swings as hard as Detroit.

Detroit Teddy Harris Jr

Detroit

Theodore Edward Harris Jr. was born in Detroit on August 27, 1934.

His first music teacher was his father, jazz organist Theodore Harris Sr.

A Metrotimes article recounts his early musical milestone: as a precocious 7-year-old, [Harris] had a musical epiphany…at the Paradise Theatre. As recounted in Harris family lore, the curtains opened, the youngster jumped up on his seat, pointed at Duke Ellington on stage and pronounced, “That’s what I want to be.”

Harris himself talked about his home’s musical atmosphere: “I came up in a house full of music. I had uncles that sang; they sang like birds. They had a trio called the Cosmopolitan Trio, and they sang in churches throughout the area. My father was their accompanist. Every Saturday my father would give me a haircut, and after I would listen to the guys sing and rehearse.”

In high school, he served as student band director.

Detroit Teddy Harris Jr

New England

In 1955 Harris attended the New England Conservatory for a time before being drafted in 1956.  Before he left he  was part of Jackie Wilson’s first hit “Reet Petite (The Finest Girl You Ever Want to Meet).”

Detroit Teddy Harris Jr

Germany

The military did not interfere with his musical journey. He performed as guest saxophonist with the 7th Army Symphony Orchestra and Soldier’s Show Company

Detroit Teddy Harris Jr

Paris

After his discharge in 1959 he studied with  Nadia Boulanger in Paris before returning to Detroit.

Detroit Teddy Harris Jr

Back in Detroit

Harris had known Berry Gordy, Jr and when Harris returned to Detroit in 1961, he became part of Gordy’s growning  Motown enterprise. He worked with Marvin Gaye, Martha Reeves, the Temptations and Smokey Robinson.

Detroit Teddy Harris Jr

Woodstock

Detroit Teddy Harris Jr

Bassist friend Rod Hicks got Harris to join the Paul Butterfield Blues Band,  which led to Harris’s presence at Woodstock. He described flying over the site as looking at “biggest Indian pow-wow in the world.

After Paul Butterfield, Harris spent 16 years as musical director for the Supremes.

Post Woodstock

In the early 1980s Harris formed the New Breed Bebop Society Orchestra while heading a summer arts workshop for economically disadvantaged youngsters.

During the mid 1980s, Harris led the house band at Dummy George’s, and led a big band often accompanied with The Detroit Voices.

Awards

Some of the awards he received were: Outstanding Contributions (United Negro College Fund) 1986; Distinguished Recognition Medal (City of Detroit) 1990; State of Michigan Special Tribute 1992; Legends of Jazz International Hall of Fame; Michiganian of the Year 1993; Jazz Masters Award 1993; 1993 Key to the City of Detroit; Spirit of Detroit Award 1994, Governor’s Michigan Artist Award 1995.

Teddy Harris died of prostate cancer at John D Dingell VA Medical Center in Detroit.

The Motown Forever site said of HarrisThere was always an elegance about Teddy Harris Jr., from the fluid caress of his piano and saxophone work, to the curlicue grace and bebop lyricism of his arrangements, to the hip presence with which he led his bands and mentored generation after generation of young jazz musicians.

Detroit Teddy Harris Jr

Rev Gary Davis Van Gelder

Rev Gary Davis Van Gelder

Reverend Gary Davis

The discography of the Reverend Gary Davis is longer than the four albums he recorded at the Van Gelder Studios in Englewood Cliffs, NJ.

Much longer.

And there are recordings that some of his students did while they were trying to learn the guitar playing intricacies that Davis could do.

I will stick with the four recording sessions that he did at Van Gelder mainly because of that studio’s fame for so many classic recordings, particularly jazz.

Rev Gary Davis Van Gelder

Gary D. Davis

Gary Davis was born on April 30, 1896 in Laurens, South Carolina. He was the oldest of eight children and the only one to survive.

Rev Gary Davis Van Gelder

In his 20s he moved to Durham, North Carolina and barely supported himself busking in its streets mainly the blues until he was ordained a minister in 1937. At that point, despite requests, he tried to get away from “secular” music, particularly when recording.

He moved to New York in the 40s where he continued busking and living in poverty. To supplement his income, he gave guitar lessons. $5 a lesson.

Van Gelder Recording Sessions

While he had been recorded several times earlier than his first Van Gelder session, the highest quality recordings came from those in Englewood Cliffs.

August 24, 1960

Rev Gary Davis Van Gelder

Rev Gary Davis Van Gelder
Harlem Street Singer

Matt Fink in his All Music review says, “…Gary Davis laid down 12 of his most impassioned spirituals for Harlem Street Singer. Starting off the session with a version of Blind Willie Johnson’s “If I Had My Way I’d Tear That Building Down,” here renamed “Samson and Delilah,” Davis is in fine form. His vocals are as expressive as Ray Charles’ while similar in richness to Richie Havens’ work. Harlem Street Singer features his inspired country blues fingerpicking as well. Many moods color the selections, from the gentle “I Belong to the Band” to the mournful “Death Don’t Have No Mercy,” only to be followed by the joyous shouting of “Goin’ to Sit Down on the Banks of the River.” Overall, the collection is well worth the purchase and should be considered essential listening for fans of country blues or gospel.”

Track listing

Unless noted otherwise, all compositions are by Davis:

  1. Samson and Delilah” (Traditional) – 4:02
  2. “Let Us Get Together” – 3:08
  3. “I Belong to the Band” – 2:54
  4. “Pure Religion” (Traditional) – 2:57
  5. “Great Change Since I Been Born” – 4:03
  6. “Death Don’t Have No Mercy” – 4:41
  7. “Twelve Gates to the City” (Traditional) – 3:08
  8. “Goin’ to Sit Down on the Banks of the River” – 2:55
  9. “Tryin’ to Get Home” – 3:46
  10. “Lo I Be With You Always” – 4:17
  11. “I Am the Light of the World” – 3:34
  12. “I Feel Just Like Goin’ On” – 3:29

Rev Gary Davis Van Gelder

August 10, 1961

Rev Gary Davis Van Gelder

A Little More Faith

Again Bruce Elder from AllMusicGary Davis’ second album for Prestige Records is a confusing affair, at least as far as its title — Little More Faith is how it’s listed in lots of reference sources, but its front cover calls it A Little More Faith, while its spine (at least for the CD issue) calls it Have a Little Faith. But by whatever name it’s called, it’s a masterpiece: its dozen songs recorded on one day in August of 1961 are nothing less than priceless. Davis presents an easy virtuosity on his solo guitar, and runs his voice across a surprisingly wide range in what is mostly gospel repertory. Not that any blues fans will mind his approach: Davis was one of those figures where the sound and feel of blues becomes indistinguishable from those of gospel. He was just doing what came naturally on this record, laying down 12 songs he knew well from across decades of performing, including a raw and affecting “Motherless Child” and the upbeat, inspiring “There’s a Bright Side Somewhere.” And his easy, unselfconscious approach demonstrates that he never once thought twice about his contributions to an already classic body of music. Included among the jewels here are some of the roots of the blues revival of the next generation, including Davis’ rendition of “I’ll Be All Right Some Day,” a song that Jorma Kaukonen parlayed into a killer opening for his solo magnum opus, Quah, about 13 years later. And speaking of natural, the stereo mastering of this album works amazingly well, despite the fact that it puts Davis‘ voice on one channel and his guitar on another; mono sound might be more authentic, but this way you can fully appreciate his playing and his singing, each on its own terms.

Track listing

Unless noted otherwise, all compositions are by Davis:

  1. You Got to Move” (Traditional) – 3:18
  2. “Crucifixion” – 4:57
  3. “I’m Glad I’m in That Number” – 2:58
  4. “There’s a Table Sittin’ in Heaven” – 3:28
  5. Motherless Children” (Traditional) – 4:12
  6. “There’s a Bright Side Somewhere” (Traditional) – 3:12
  7. “I’ll Be All Right Some Day” – 3:03
  8. “You Better Mind” – 3:26
  9. “A Little More Faith” – 3:40
  10. “I’ll Fly Away” (Albert E. Brumley) – 4:32
  11. “God’s Gonna Separate” (Traditional) – 3:35
  12. “When I Die I’ll Live Again” – 3:28

Rev Gary Davis Van Gelder

Late 1961

Say No to the Devil

Bruce Elder in his AllMusic review states, “His second Prestige album of 1961 shows the Rev. Gary Davis not breaking stride for a second, even in the wake of the triumphant A Little More Faith. The repertory here is perhaps a little more traditional gospel in orientation, and the songs more cautionary in nature — but that doesn’t stop Davis from displaying some overpowering dexterity, and if anything his singing is even more exuberant here. And this time out, in addition to his six-string guitar, he treats us to his powerful 12-string playing on “Time Is Drawing Near” and “Lost Boy In The Wilderness,” the latter a shimmering five-minute showcase for the instrument that’s almost worth the price of admission by itself; and he also shows off his considerable harmonica dexterity — of a distinctly old-school style — on “Hold To God’s Unchanging Hand” and “No One Can Do Me Like Jesus.” The stereo mix on this album, when compared to its predecessor, is also a bit more naturalistic, without sacrificing any detail in the finely nuanced playing or singing, and the result is an album as fine as its predecessor, and an equally worthy part of any serious acoustic blues collection.

Track listing

Unless noted otherwise, all compositions are by Davis:

  1. “Say No to the Devil” – 4:01
  2. “Time Is Drawing Near” – 4:26
  3. “Hold on to God’s Unchanging Hand” (Traditional) – 4:35
  4. “Bad Company Brought Me Here” – 3:38
  5. “I Decided to Go Down” – 4:25
  6. “Lord, I Looked Down the Road” – 4:20
  7. “Little Bitty Baby” (Traditional) – 4:32
  8. “No One Can Do Me Like Jesus” – 3:40
  9. “Lost Boy in the Wilderness” – 5:01
  10. “Tryin’ to Get to Heaven in Due Time” – 4:24

Rev Gary Davis Van Gelder

March 2, 1964

The Guitar & Banjo of Reverend Gary Davis

From Richie Unterberger at AllMusicBecause this is an all-instrumental recording, it’s an offbeat entry into the catalog of a performer known both as an important guitarist and as a singer. Some might miss Davis‘ vocals on this 1964 recording, but on the other hand there are plenty of records with him singing around. This gives listeners a chance to hone in on his dexterous guitar skills, blending ragtime, folk, and blues, usually on guitar (though he plays banjo on a couple of songs, and harmonica on one). “Maple Leaf Rag” is a natural showcase for Davis’ talents, and “Candy Man,” which may be his most well-known song, is here presented without words, making for an interesting juxtaposition with more commonly heard versions on which he (or others) sings. As further evidence of his eclecticism, there’s a version of “United States March aka Soldier’s Drill” — not the best format for his strengths, certainly, but an illustration of his ability to adapt his style to unexpected material.

Track listing

Unless noted otherwise, all compositions are by Davis:

  1. “Maple Leaf Rag” (Scott Joplin) – 2:58
  2. “Slow Drag” – 2:27
  3. “The Boy Was Kissing the Girl (and Playing the Guitar the Same Time)” – 2:42
  4. “Candy Man” – 2:54
  5. “United States March” (Traditional) – 6:31
  6. “Devil’s Dream” (Traditional) – 3:50
  7. “The Coon Hunt” (Traditional) – 3:32
  8. “Mister Jim” – 4:15
  9. “Please Baby” – 3:18
  10. “Fast Fox Trot” – 2:22
  11. “Can’t Be Satisfied” – 2:55

Rev Gary Davis Van Gelder