Category Archives: Music of the 60s

Fugs Kill For Peace

Fugs Kill For Peace

Sanders Kupferberg Fugs Kill For Peace

Naked and Dead

Published in 1948, Rinehart and Company published novelist Norman Mailer’s The Naked and the Dead in 1948. The company convinced novelist Mailer to substitute the word “fug” for “fuck” in the novel.

In the far more open society of 1964, naming one’s group The Fucks was still beyond the pale even if the group emanated from Greenwich Village.

Fugs Kill For Peace

Strictly Kosher

Ed Sanders had rented a former Kosher meat store on East 10th Street in late-1964 and called it the Peace Eye Bookstore. Sanders left up the “Strictly Kosher” sign in the window.

Tuli Kupferberg lived next door. Kupferberg published magazines that he sold on the Village streets. Sanders published some of Kupferberg’s poetry in Sanders’ journal, Fuck You/A Magazine of the Arts.

In late 1964 Sanders and Kupferberg decided to form a rock group. Kupferberg suggested the name Fugs.

According to Sanders, the band used the “… concept that there was oddles of freedom guaranteed by the United States Constitution that was not being used.”

According to Village Voice critic Robert Christgau, the Fugs became “the Lower East Side’s first true underground band.”

Fugs Kill For Peace

February 1965 debut

Friend and drummer Ken Weaver joined the Fugs. Then Steve Weber and Peter Stampfel of the Holy Modal Rounders joined.

The Fugs debuted in February 1965 at the Peace Eye Bookstore. Andy Warhol had done banners. William Burroughs, George Plimton, James Micherner, and others attended.

Fugs Kill For Peace

Peace tour

The band began recording songs in hopes of releasing an album. In the fall of 1965 the Fugs toured as part of an anti-Vietnam War protest. The band  consisted of Ed Sanders, Tuli Kupferberg,  Steve Weber, and Ken Weaver.

The band returned to NYC at the end of to tour to find that Folkways Records had released their first album: The Village Fugs– Ballads and Songs of Contemporary Protest, Points of View and General Dissatisfaction.

Sanders Kupferberg Fugs Kill For Peace

Fugs Kill For Peace

ESP Records

The Fugs left Folkway and signed with a new company, ESP Disk. In early 1966 they recorded a second album. The personnel for the second album the musicians consisted of Sanders, Kupferberg, Weaver, plus keyboardist Lee Crabtree, Vinny Leary (guitar), Pete Kearney (guitar), and Jon Anderson (bass).

Fugs Kill For Peace

Kill For Peace

ESP-Disk released the Fugs’ second album, The Fugs, in March 1966. Allen Ginsberg wrote the liner notes. It was on this album that the Kupferberg compostion, “Kill for Peace” appeared. The album, to the surprise of many including the band itself, did well and charted. On July 9, 1966 The Fugs! was at 89, just above Martha and the Vandellas Greatest Hits!

Fugs Kill For Peace

FBI Investigation

According to their sitePopularity also brought us the attention of the United States Federal Bureau of Investigation. A few weeks after the Fugs Second Album was released, there was an FBI investigation of the Fugs, which I learned about years later when I obtained part of my files under the Freedom of Information Act.

Someone at a radio or television station wrote an indignant letter to the FBI complaining about The Fugs. Of course, in those years the FBI was known to write letters to itself, or set up such letters, in order to justify investigations of American activists.

In the early summer a FBI memorandum stated that a Postal Inspector had finished an investigation: “He advised The Fugs is a group of musicians who perform in NYC. They are considered to be beatniks and free thinkers, i.e., free love, free use of narcotics, etc. …. it is recommended that this case be placed in a closed status since the recording is not considered to be obscene.”

If we’d only known about this, we could have put a disclaimer on the record, “Ruled NOT obscene by the FBI!”

Fugs Kill For Peace

Life magazine

LIFE cover 02-17-1967 New York counter culture leader Ed Sanders.

Ed Sanders fame helped put him on the cover of Life magazine in February 1967. It also encouraged right wing nuts to send a fake bomb and make threatening phone calls.

Fugs Kill For Peace

1969, End of part 1

Sanders Kupferberg Fugs Kill For Peace

1969 was the Fugs final year (at least for a fugging fifteen years). They played with the Dead and Velvet Underground on February 7 at the Stanley Theater in Pittsburgh.

On February 21-22, 1969, the Fugs had their final concerts of the 1960s at the Vulcan Gas Works in Austin, Texas.

Again from their site: It had not been an easy time. We were very, very controversial. We were always on the verge of getting arrested. We had bomb threats. We were picketed by right wingers. Someone sent me a fake bomb in the mail. Someone called once and said he was going to bomb, first me, then Frank Zappa. We were investigated by the FBI, by the Post Office, by the New York District Attorney. We were often encouraged not to try to perform again at the same venue. We were tossed off a major label. It took bites out of our spirit. I was getting weary– four years had seemed like forty, and I felt as if I’d awakened inside a Samuel Beckett novel.

There was no invitation to the Woodstock Music and Art Fair, but…

Fugs Kill For Peace

1985, beginning of part 2

The band reformed in 1985 and began recording again. In 1994 the Woodstock anniversary concert was planned for Saugerties, NY.  Sanders, a resident of Woodstock, NY, thought the reunion far too commercial and profit-driven to be a part of. He organized  a personal Real Woodstock Festival in Woodstock itself in the Byrdcliffe Barn. They held it on August 13 and 14. Thanks to modern media, we can listen to their music from the live album that came from their sets: The Real Woodstock Festival.

Country Joe came over from the Saugerties site to join the Real Woodstock Festival.

Fugs Kill For Peace

Still going…

Co-founder Tuli Kupferberg died on July 7, 2010, but the band continues to sporadically reform and play.

As Ed Sanders writes at the end of the band’s history, Dum spiro, spero, the Latin adage goes– while we breathe, we hope.

Fugs Kill For Peace

For Peace, 

Donovan Sunshine Superman

Donovan Sunshine Superman

Released July 1, 1966
Hit the Billboard #1 on…
September 3, 1966

Donovan Sunshine Superman

Donovan Sunshine Superman

Ear Worm

Donovan’s “Sunshine Superman” is one of those songs whose first few notes are immediately recognizable. And after those first few notes we realize we are singing along, Sunshine came softly a-through my…window today.

It may also be of interest to note two of the personnel for the song: Jimmy Page and John Paul Jones. A Led Zeppelin cover of the song would have been interesting.

In a Guardian newspaper piece, Donovan said that, “‘It’s primarily a love song – but I was also trying to get to the invisible fourth dimension of transcendental superconscious vision.” 

Donovan Sunshine Superman

Linda Lawrence

According to Donovan in the love interest was Linda Lawrence. When he first saw her she was the recently ex-girlfriend of Rolling Stones’ Brian Jones and Linda did not want another spotlight boyfriend. Too many paparazzi. She moved to LA.

Four years later Donovan rented his house to two Americans, one of them called Lorey. Lorey went to a party at Eric Clapton’s house, met Linda Lawrence there, and invited her to her rented cottage. Who did Linda happen to meet there? Who did Linda happen to marry a few weeks later? Who is she still married to? Donovan is the answer to all three questions.

Donovan Sunshine Superman

Here is the link to the Guardian piece: Guardian

And perhaps you’d like to listen again and follow along?

Sunshine came softly a-through my a-window today

Could’ve tripped out easy a-but I’ve a-changed my ways

It’ll take time, I know it but in a while You’re gonna be mine,

I know it, we’ll do it in style ‘Cause I made my mind up you’re going to be mine

I’ll tell you right now Any trick in the book a-now, baby, all that I can find

Everybody’s hustlin’ a-just to have a little scene

When I say we’ll be cool, I think that you know what I mean

We stood on a beach at sunset, do you remember when?

I know a beach where, baby, a-it never ends

When you’ve made your mind up forever to be mine

Hmm, hmm, hmm, hmm, hmm I’ll pick up your hand and slowly blow your little mind

‘Cause I made my mind up you’re going to be mine

I’ll tell you right now Any trick in the book a-now, baby, that I can find

Superman or Green Lantern ain’t got a-nothin’ on me

I can make like a turtle and dive for your pearls in the sea, yep

A-you you you can just sit there while thinking on your velvet throne

‘Bout all the rainbows a-you can a-have for your own

When you’ve made your mind up, forever to be mine

Hmm, hmm, hmm, hmm, hmm I’ll pick up your hand and slowly blow your little mind

When you’ve made your mind up, forever to be mine I’ll pick up your hand,

I’ll pick up your hand

Donovan Sunshine Superman

novan Sunshine Superman, Donovan Sunshine Superman, Donovan Sunshine Superman, Donovan Sunshine Superman, Donovan Sunshine Superman, Donovan Sunshine Superman, 

1969 New Orleans Pop Festival

1969 New Orleans Pop Festival

August 31 – September 1, 1969

Baton Rouge International Speedway

Prairieville, Louisiana

1969 festival #41

1969 New Orleans Pop Festival

1969 New Orleans Pop Festival

Woodstock in Bethel

New Orleans in Prairieville

People continue to visit Woodstock, NY wanting to visit the site of the 1969 Woodstock Music and Art Fair. It is an easy mistake for two reasons: 1) the town IS called Woodstock, and 2) the town still looks like that famous festival was held there because so many merchants decorate and sell dozens of festival-related items.

The New Orleans Pop Festival name has an even more interesting disconnect. Firstly, it was not held in New Orleans, but in Prairieville, Louisiana. Secondly, it was held at the Baton Rouge International Speedway.

The differences are pointed. Had Woodstock Ventures called their event the Bethel Music and Art Fair (or the Wallkill…) would  that name have been as initially interesting as branding it “Woodstock”?

Of course, that was the idea. Branding. And branding this festival the New Orleans Pop Festival made more sense than other choices.

Like Bethel there was camping at the New Orleans Pop Festival. Unlike Bethel, the camping was a few miles away so the community feel that developed at Bethel over its four days did not happen in Prairieville over its two.

1969 New Orleans Pop Festival

Steve Kapelow

Steve Kapelow and his sponsoring company, Kesi, Inc organized the event. Attendance was small compared to Woodstock two weeks earlier, about 25,000–30,000 people per day. The line up was a good one.

Organizers planned a two-day festival (as the poster indicates), but they added a free Saturday evening show. Sunday tickets went for $7.00 for advance tickets and $9.50 at the gate; Monday prices were $8.00 in advance and $10.50 at the gate. Tickets for the entire cost $13.00 in advance and $16.00 at the gate.

Saturday, August 30, 1969

  • Local bands starting playing at 6:00pm until the “official” free concert began at 8:00pm.
  • White Fox
  • Snow Rabbit
  • Deacon John and the Electric Soul Train
  • Whizbang
  • Axis
  • Tyrannosaurus Rex
  • It’s a Beautiful Day
Sunday, August 31, 1969

  • Flower Power
  • Snow Rabbit
  • Spiral Starecase
  • Oliver
  • Smyth
  • The Youngbloods
Monday, September 1, 1969

  • Potliquor
  • Axis
  • Oliver
  • Cat Mother and the All Night Newsboys
  • Santana
  • Chicago
  • It’s a Beautiful Day
  • Tyrannosaurus Rex
  • The Youngbloods
  • Lee Michaels
  • Grateful Dead
  • Jefferson Airplane
  • Dr. John VooDoo Show
  • jam Session featuring Jefferson Airplane, Grateful Dead, Cat Mother, Santana, Chicago, Beautiful Day
  • Whizbang
1969 New Orleans Pop Festival

Other facts

*On Sunday, the schedule indicated that Sweetwater and White Clover were supposed to play, but the late hour cancelled their performances as well as a scheduled jam session. Doug Kershaw from Louisiana played as well but is not mentioned. Organizers likely  moved both groups to Monday’s lineup,but local media reports do not show that to be the case.

*On Monday,  a flower drop was supposed to take place during the Potliquor performance, but the plane missed its target and dropped the flowers onto nearby fields instead of on the crowd.

*Glen McKay and his crew, known as the Headlights presented light shows Sunday and Monday nights.

*As was so often the case, the Grateful Dead recorded their performance and it is available at the Internet Archive site.

The Dead of the Day companion site has this interesting tidbit about their performance: Stories of the New Orleans International Pop Festival abound on the internet, and one thing that just about all of them include is references to seriously drunk southerners. For instance, you cannot hear it on the recording, but a number of people talk about a group of drunk guys near the front who kept yelling for White Rabbit throughout the Dead’s set. Jefferson Airplane had played right before the Dead, and, as you would expect, Grace Slick was not about to oblige the obnoxious loudmouths by playing it. By the time the Dead started their set, the drunk dudes had a few more and might not even have noticed – and certainly did not care – that a new band had taken the stage.

Ah Youth

Young and energetic, the following bands also played the same weekend at the Texas International Pop Festival:

  1. Canned Heat
  2. Chicago Transit Authority
  3. Janis Joplin
  4. Santana
  5. Sweetwater
1969 New Orleans Pop Festival

Next 1969 festival: First Annual Midwest Mini-Pop Festival