Category Archives: Music of the 60s

1966 San Francisco Trips Festival

1966 San Francisco Trips Festival

January 21, 22, & 23,  1966

1966 San Francisco Trips Festival

1966 San Francisco Trips Festival

Festival evolution

1966 San Francisco Trips Festival

The first rock festival in the sense most people think of, that is, an outdoor multi-day event with a variety of performers can be traced back to the 1967 Fantasy Fair and Magic Mountain Music Festival which happened a few weeks before the more famous Monterey International Pop Music Festival.

Of course, Alan Freed had large indoor rock concerts beginning in March 1952 with his Moondog Coronation Ball.

Rock music had expanded over the 14 years since that four-hour one-night event and by 1966 the music scene in San Francisco evolved into the Trips Festival.

1966 San Francisco Trips Festival

Stewart Brand

1966 San Francisco Trips Festival

Stewart Brand was the main organizer of the festival  Trained as a biologist, he had discovered the use of peyote while doing research concerning Native Americans. From that study, he founded the America Needs Indians organization.

1966 San Francisco Trips Festival 

Like many Americans in the 1960s, space exploration fascinated him. He wondered why a satellite had never taken a picture of our planet from space?  With that question in mind, Brand made buttons asking that quesiton [“Why haven’t we seen a photograph of the whole Earth yet?] and drove across the United States selling the buttons in an effort to raise awareness of the question.

1966 San Francisco Trips Festival

In 1967 NASA took the whole Earth picture and in 1967 Brand used it on the cover of his new publication, the Whole Earth Catelog.

1966 San Francisco Trips Festival

Promo

1966 San Francisco Trips Festival

The advertisement for the festival said that it would be “…the FIRST gathering of its kind anywhere. the TRIP –or electronic performance –is a new medium of communication & entertainment.”

In other words, it would be a festival of performance art and those in attendance were part of the show. It also included a liquid light show, something new but eerily familiar to those acid test initiated.

1966 San Francisco Trips Festival

Buchla

1966 San Francisco Trips Festival

Prankster Ken Babbs recalls, “We had this guy build us a soundboard; Buchla [Donald “Don” Buchla} . He lived in San Francisco and he built us this thing called the Buchla Box. I think he worked on the Moog synthesizer. This guy was unbelievable. …he had ten speakers set up … in the balcony. He had this board in which he could run the sound around in circles…[and] … would isolate one, and have sound wheeling around the room. He had this thing like a piano that was just flat and you ran your fingers across it and it would play the notes. Made it himself, absolutely fantastic. He made up this box for us that was essentially a mixer and a mike amp and a speaker box and an earphone box. ” Jerry’s Brokendown Palace site

1966 San Francisco Trips Festival

Acid Test

The idea was not new. Ken Kesey, Ken Babbs, and the other Merry Pranksters had begun acid tests in November 1965.  In a sense, the Tests were miniatures of what the Trips Festival would do on a grander scale. Unfortunately for Ken Kesey, police had arrested him a second time for marijuana possession. He could not participate at the Trips Festival as Ken Kesey, but did manage to be there in disguise appropriately in a space suit. He stayed in the balcony and spoke over the PA system. To avoid jail time, Kesey would soon fake his suicide and flee to Mexico. Another story. Another time.

1966 San Francisco Trips Festival

Impact

The Trips Festival was a success on many levels. Like those who would become part of Woodstock Nation tribe, attendees realized that there were many more of Them than they’d realized. They had arrived.

The three-day event earned money (unlike Woodstock!) and the idea helped Bill Graham decide to use the Fillmore Auditorium  as a rock venue on a regular basis.

1966 San Francisco Trips Festival

January 20 Music et al

January 20 Music et al

Meet The Beatles!

January 20 Music et al

January 20, 1964: Meet The Beatles! released. (see Beatles for more) (AllMusic dot com review.

January 20 Music et al

Alan Freed died

January 20 Music et al

January 20, 1965: Freed was the man who first played Rock and Roll on the radio and was one of the first to use the term “Rock’N’Roll” in the early 1950’s. Freed is commonly referred to as the “Father of Rock’N’Roll”. He helped bridge the gap of segregation among young teenage Americans, presenting music by African-American artists (rather than cover versions by white artists) on his radio program, and arranging live concerts attended by racially mixed audiences. Freed appeared in several motion pictures as himself. In the 1956 film Rock, Rock, Rock, Freed tells the audience that “rock and roll is a river of music that has absorbed many streams: rhythm and blues, jazz, rag time, cowboy songs, country songs, folk songs. All have contributed to the big beat.” (Cleveland Plain Dealer obituary)

“Mr Tambourine Man”

January 20, 1965: The Byrds entered the studio to record “Mr Tambourine Man,” what would become the title track of their debut album and, incidentally, the only Bob Dylan song ever to reach #1 on the U.S. pop charts. Aiming consciously for a vocal style in between Bob Dylan and John Lennon, Roger McGuinn sang lead, with Gene Clark and David Crosby providing the complex harmony that would, along with McGuinn’s jangly electric 12-string Rickenbacker guitar, form the basis of the Byrds’ trademark sound. (2016 Financial Times article)

Woody Guthrie Memorial Concert

January 20 Music
L – R: Levon Helm, Rick Danko, Bob Dylan, and Robbie Robertson.

January 20, 1968, Bob Dylan and the Band performed Woody Guthrie’s “I Ain’t Got No Home” at the Woody Guthrie Memorial Concert, Carnegie Hall. The concert was Dylan’s first public appearance since his motorcycle accident on August 20, 1966. Pete Seeger & Richie Havens sng Jackhammer John; Bob Dylan with the Band sing Grand Coulee Dam, Mrs Roosevelt, and I Ain’t Got No Home. (Rolling Stone magazine article)

January 20 Music et al

Judy in disguise

January 20 – Feb 2, 1968: “Judy In Disguise (With Glasses)” by John Fred & His Playboy Band #1 on the Billboard Hot 100.

Judy in disguise, well that’s what you are

Lemonade pies with a brand new car

Cantaloupe eyes come to me tonight

Judy in disguise, with glasses

January 20 Music et al

Beatles Rock and Roll Hall of Fame

January 20, 1988, The Beatles inducted into the Rock and Roll Hall of Fame. Paul McCartney did not attend the ceremony, leaving surviving Beatles George Harrison and Ringo Starr, and Lennon’s widow, Yoko Ono, to be inducted by Mick Jagger. McCartney released a brief statement that read: ‘’After 20 years, the Beatles still have some business differences, which I had hoped would have been settled by now. Unfortunately, they haven’t been, so I would feel like a complete hypocrite waving and smiling with them at a fake reunion.’’

and…

January 20 Music et al

January 15 Music et al

January 15 Music et al

Motown Records

January 15, 1961: Motown Records signed The Supremes. Their first release will be “I Want A Guy.” (see Motown Records Begins)

January 15 Music et al

see Los Angeles Whisky a Go Go for more

1960s January 15 Music

January 15, 1964: the Los Angeles Whisky a Go Go opened. The club’s opening night featured Johnny Rivers as the headlining act. The club quickly became famous for its music (rock ‘n’ roll), dancing (the patrons on the floor and the go-go dancers inside elevated glass cages) and the Hollywood celebrities it attracted.

The Whisky played an important role in many musical careers, especially for bands based in southern California. The Byrds, Alice Cooper, Buffalo Springfield, Smokestack Lightning, and Love were regulars, and The Doors were the house band for a while – until the debut of the “Oedipal section” of “The End” got them fired. (see Whisky a Go Go for more) (see August 13, 1965)

January 15 Music et al

Acid Test

1960s January 15 Music

January 15, 1966: Portland, Oregon Acid Test. From Searching for the Sound – Phil Lesh (pages 72-73) “There was one more out-of-town tryout for us, the Beaver Hall Test in Portland. The Test itself has receded into the mists of antiquity, except for the vague memory of playing in an upstairs warehouse with concrete pillars everywhere and bare lath and wiring on the walls. What mattered about the Portland Acid Test was the journey toward it.

It began as our first trip together on Further, Kesey’s fabled bus. Bobby and I had day-tripped on the bus to see the Beatles at the Cow Palace earlier that year, but for the majority of the band it was a first. Leaving Palo Alto as early as possible, by midafternoon or so, we were halfway up the Central Valley bound for Shasta and points north, and then: Catastrophe! The bus breaks down! Never let it be said that the show did not go on! What to do?

We rent a U-Haul truck; we strip the bus and cram all of us — the band, the Pranksters — and everything else into the truck. I jump into the shotgun seat up front, and we cruise off into the darkening storm of the worst blizzard in years: over the Siskiyou Mountains in the dead of night. Neal pressing ever onward, the rhythm of the falling snow sweeping through the headlights, sliding in and out of synch with the music piped into the cockpit by means of our patented two-way distort-o-phonic communication system, set up so that those in the back could also hear Neal’s multiple personalities conversing with one another. If ever the magic of the open road was distilled into a single experience, it was, for me, that night sitting next to Neal, hurtling into the dazzling play of light and shade on the whirling snow with his voice turning every sentence into a poem, all sensory input synched up (or sometimes not, and that’s good too) with the rhythm of the wipers and whatever music happened to randomly penetrate our awareness.

Upon our return from Portland, all the scuttlebutt was ablaze with the plans for the “Big One”; the Trips Festival, to take place in San Francisco’s Longshoreman’s Hall.”  (see Jan 17)

January 15 Music et al

And from Owsley “Bear” Stanley: Portland acid test was either on Dec 18 ’65, or Jan 15 ’66. There were two which I didn’t go to after my “initiation” at the Dec 11 Muir Beach event, one was in Palo Alto and the other one was in Portland. There were two before that also. Only one other one did I miss, the first one in LA in late Feb in Northridge. So I missed a total of five of the AT’s. The Dead were always the centerpiece of the Acid tests, the real reason for its existence, and it could not have taken place without them. The band at the time rated their participation above any other activity in importance.

January 15 Music et al

The Rolling Stones

January 15 Music et al

January 15, 1967: The Rolling Stones appeared on The Ed Sullivan Show. At Ed Sullivan’s request, the band changed the lyrics of “Let’s Spend the Night Together” to “Let’s spend some time together.” (more from the ultimateclassicrock site)

January 15 Music et al

Notorious Byrd Brothers

January 15, 1968: Byrds released Notorious Byrd Brothers album.

Richie Unterberger from AllMusic dot com writes: The recording sessions for the Byrds’ fifth album, The Notorious Byrd Brothers, were conducted in the midst of internal turmoil that found them reduced to a duo by the time the record was completed. That wasn’t evident from listening to the results, which showed the group continuing to expand the parameters of their eclecticism while retaining their hallmark guitar jangle and harmonies. With assistance from producer Gary Usher, they took more chances in the studio, enhancing the spacy quality of tracks like “Natural Harmony” and Goffin & King’s “Wasn’t Born to Follow” with electronic phasing. Washes of Moog synthesizer formed the eerie backdrop for “Space Odyssey,” and the songs were craftily and unobtrusively linked with segues and fades. But the Byrds did not bury the essential strengths of their tunes in effects: “Goin’ Back” (also written by Goffin & King) was a magnificent and melodic cover with the expected tasteful 12-string guitar runs that should have been a big hit. “Tribal Gathering” has some of the band’s most effervescent harmonies; “Draft Morning” is a subtle and effective reflection of the horrors of the Vietnam War; and “Old John Robertson” looks forward to the country-rock that would soon dominate their repertoire.

January 15 Music et al

January 15, 1969: with George Harrison still not with the band, all four Beatles met to discuss their future, Harrison was in a commanding position, following a series of dismal sessions at Twickenham Film Studios, and was able to set down his terms for returning to the group. During the five-hour meeting he made it clear that he would leave the group unless the idea of a live show before an audience was dropped. (see Jan 30)

January 15 Music et al