Category Archives: Festivals

Hugh Romney Arrives

Hugh Romney Arrives

August 7, 1969
Woodstock Music and Art Fair

Hugh Romney Wavy Gravy Arrives

Hugh Romney Arrives

Not Your Ordinary Clown

According to his site, “Wavy Gravy is not your ordinary clown. He certainly has had a long run since his earlier days as a poet and stand-up comic, improvisational theater artist, psychedelic bus caravan luminary, and rock concert MC, and often jokes: “if you don’t have a sense of humor, it just isn’t funny anymore.” 

A week away

Woodstock Ventures had made the move from Wallkill, NY in Orange County to Bethel, NY in Sullivan County. Plans already in place for the festival wherever it was continued apace.

One of those plans was, of course, for food. Ventures had hired Food for Love to provide food, but it had also hired members of the Hog Farm to do general set up and provide food as well.

Some members drove in a Further-type bus from New Mexico to Bethel. Others took the chartered flight Woodstock Ventures paid for from Albuquerque (Al-buh-quirky) to JFK in NYC.

The Museum at Bethel Woods Center for the Arts that today sits on and around the festival’s field rented from Max Yasgur  displays the manifest from that flight. The #1 name is Hugh Romney.

Hugh Romney

33-year-old Hugh Nanton Romney arrived at JFK on August 7, 1969 after a reportedly mythical flight. It was, according to Tom Wolfe in Electric Kool-Aid Acid Test, Romney who came up with the idea of putting LSD in Kool-Aid at the Merry Pranksters’ Acid Test parties in 1965. Apparently someone in the Hog Farm used that same recipe for the flight.

Hog Farm

The Hog Farm was the commune that Romney and his wife Bonnie Beecher was at the center of. It originated in Los Angeles, but after an eviction, relocated to a hog farm in  in Tujunga, California. The deal was labor in exchange for free rent.

In 1969, the commune was in  Llano, New Mexico. Thus the flight from Albuquerque.

Hugh Romney Arrives

The Activist Clown

Hugh Romney was a political activist and authorities often beat and mistreated demonstrators. Romney thought that if he dressed as a clown, authorities would be less likely to hit him. It worked.

Sometimes.

Arrival

When Hugh Romney and his fellow commune-ists disembarked, the NY media were there.  They asked him a question that he had to ad lib an answer to because he didn’t know, as the media asked, how he intended to be part of the festival’s security?

Romney said he would have a “Please Force.” Media followed up: how would he be that? “Cream pies and seltzer bottles.”

The obvious answer for a clown.

Hugh Romney Arrives

While most people speaking of Woodstock and those who became known from their participation in it refer to Romney as Wavy Gravy, he was not known by that moniker. Yet.

If one watches the Woodstock movie, you’ll hear him referred to as Hugh several times during the film. It was Hugh Romney who spoke to the media at JFK. It was Hugh Romney who told the festival crowd about “…breakfast in bed for 400,000.”

Wavy Gravy

It was not until the Texas International Pop Festival in Lewisville, TX two weeks later that after a conversation with him, BB King reportedly referred to Romney as Wavy Gravy.

A name like that stuck to a character like Romney.

Hugh Romney Wavy Gravy Arrives
Wavy Gravy at the City Winery in 2014 speaking about his life and times (photo by J Shelley)
Hugh Romney Arrives

Nowadays

His site shows that Wavy is very much an active person giving lectures and participating in music events as well as being a big part of the annual summer Camp Winnarainbow Kids Camp.

Quite the classic clown.

Hugh Romney Arrives

1968 Newport Pop Festival

1968 Newport Pop Festival

August 3 & 4, 1968
Orange County Fairgrounds,  Costa Mesa, California

1968 Newport Pop Festival

While…

..we wait for the Woodstock Music and Art Fair’s anniversary to roll around, I figured we could visit a non-1969 festival.

1968 Newport Pop Festival

Pre-Woodstock

The Newport Pop Festival can cause some confusion because of its name.  Newport, in this case, refers to California’s Newport, not Rhode Island’s. And the event was not held in Newport, California anyway.

Then, neither was Woodstock held in Woodstock!

So this is the 1968 Newport Pop Festival held at the Orange County Fairgrounds in Costa Mesa, California

1968 Newport Pop Festival

First site

The promoters, Wesco Productions (West Coast Productions), first selected an outdoor pavilion at the Orange County Fairgrounds. Advanced tickets sales were so successful that Wesco decided to move the site to nearby parking lots.

Woodstock Ventures had three weeks to move their festival 40 miles from Wallkill to Bethel. Wesco had three days to move several hundred yards. Neither completely succeeded.

As with any large event facing such challenges, Newport’s problems included having to bring water to the new site using hoses and then attendees had to bring their own containers to fill up.

Food concessions ran out before the first day ended. Lack of shade in southern California’s August sun made the site unbearable for some.

1968 Newport Pop Festival

Line up

The line up was a good one with no folk as such, but plenty of blues and rock. Sonny & Cher, though popular for many, did not fit into the mix, though and fans reportedly did not accept them well.

Saturday 3 August

  • Alice Cooper
  • Canned Heat
  • Chambers Brothers
  • Charles Lloyd Quartet

Sunday 4 August

  • Illinois Speed Press
  • Iron Butterfly
  • Jefferson Airplane
  • Quicksilver Messenger Service
  • The Byrds
  • Things to Come

There are no good recordings of any performances. Surprisingly, as ubiquitous as Grateful Dead tapes are, neither they nor any known audience recordings apparently exist, but YouTube does have some silent footage of the Dead with a different date playing over it:

1968 Newport Pop Festival

Future Woodstockers

Woodstock Ventures scheduled six of the Newport bands to their little party in Bethel a year later. Five of them got there.

  • Canned Heat
  • Country Joe & the Fish
  • Paul Butterfield Blues Band
  • Grateful Dead
  • Jefferson Airplane
  • Iron Butterfly (scheduled but didn’t perform; perhaps still waiting for the promised helicopter flight from LaGuardia Airport?)
1968 Newport Pop Festival

Primary Criticism

It is always interesting to read an article about an event written at the time of the event. Decades can deglaze  the bit and pieces that others saw firsthand.

Here are a few observations that Digby Diehl of the Los Angeles Times made.

  1. “the Newport Pop Festival was an outpouring of post-Beatles rock. And as the Blue Cheer pushed heavy amplifier-speaker equipment offstage into the crowd, Eric Burdon thrashed around, falling off the stage, as Country Joe and the Fish led the crowd in an obscenity cheer and the Jefferson Airplane fostered a spirit of riot.”
  2. “Arthur Brown set(s) his headdress on fire, the Asylum Choir takes nude advertisements, and some rock performers have become sideshow freaks…”
  3. …when a young singer like John Kay of Steppenwolf wears tight leather pants and ruffled shirts, rocks back on his heels and gestures exaggeratedly while singing, he is indulging in the sensational.”
  4. Regarding Country Joe’s “Fish Cheer” : “It was as cheap a way for Country Joe to win the Festival audience as for Wayne Newton singing “Danny Boy” is to win a Vegas audience.”
  5. Rock has to follow the trail blazed by Lennon-McCartney or Bog Dylan by speaking to the point, not shocking. “
1968 Newport Pop Festival
1968 Newport Pop Festival

Atlantic City Pop Festival

Atlantic City Pop Festival

August 1, 2, & 3, 1969
Atlantic City Racetrack

1969 festival #30

1969 Atlantic City Pop Festival

Atlantic City Pop Festival

Atlantic City

The Atlantic City Pop Festival of 1969. The penultimate festival. This was 1969’s 30th festival, the first occurring back in May with the Aquarian Family Festival. On my list of festivals for that summer, Atlantic City’s was the last before THE Woodstock Music and Art Fair in mid-August.

Herb, Allen and Jerry Spivak, Shelley Kaplan and Larry Magid produced the event and not unlike Woodstock Ventures, they envisioned an event that featured top-flight entertainment along with about 70 craft and food booths in a relaxed, outdoor atmosphere.

According to a 2011 Atlantic City Weekly article, “The festival was a sellout with 40,000 in attendance each day…. 
In the end, the musicians were the glue that kept the festival together with their performances. Procul Harum’s show on the first was a highlight, spotlighting the guitar work of guitarist Robin Trower and organist Matthew Fisher.”

Atlantic City Pop Festival

Nice mixed line-up

There are not many criticisms about the Woodstock line-up. The typical statement both from those who were there and those not  is that it was the greatest lineup ever. Of course, that’s not true. And greatness is in the ear of the listener.

For all the great acts that appeared at Woodstock, it did not have the mix that the Atlantic City Pop Festival had.

Friday 1 August

  • Biff Rose*
  • Aum
  • Lothar and the Hand People
  • Booker T. & The M.G.s
  • Chicago Transit Authority
  • Crosby, Stills & Nash
  • Iron Butterfly
  • Johnny Winter
  • Joni Mitchell
  • Procol Harum
  • Santana Blues Band
  • The Chambers Brothers*
  • Tracy Nelson & Mother Earth

Saturday 2 August

  • The Crazy World Of Arthur Brown
  • Creedence Clearwater Revival
  • Hugh Masekela
  • Jefferson Airplane
  • Lighthouse
  • Cass Elliot
  • Tim Buckley.

Sunday 3 August

Atlantic City Pop Festival

No Shows and walk offs

The reason a few band’s names are crossed out is that although scheduled, they did not appear. Crosby, Stills, and Nash because of Nash’s illness; Johnny Winter because his equipment didn’t arrive on time; and though Joni Mitchell did sing a few songs, the audience was not as receptive as she wanted and she walked off. Biff Rose, the festival’s MC, filled in and so became part of the list.

Joni was certainly not going to compose an ode to Atlantic City after that experience!

Notice the names like Buddy Rich, the Mothers of Invention, BB King, Hugh Masekela, and Procol Harum. Great choices and there were no equivalents at Woodstock.

The differences

The differences between the two events are even fewer than the differences between it and other similar festivals that summer. Most had great line ups. Most were multiple days. And AC was in the NY media’s circle of coverage: a great advantage that Woodstock also had.

The Atlantic City Pop Festival was in a race-track. No camping as at Woodstock, thus much less an opportunity for attendee to bond and become part of a whole weekend.

Though, in the comments below, a Norman Gaines writes: “No camping as at Woodstock”. Wrong, bad research. We camped ON THE GREENS  at Atlantic City Friday and Saturday nights at the invitation of the racetrack owners and it was announced over the PA system. We had running water, real restrooms and were able to get cleaned up each morning before the show started on Saturday and Sunday. We had real food available. Also, we had direct bus shuttles from the AC bus terminal to the track when the festival ended. And shaded seats. I was at Woodstock and AC. AC was the better of the two because it wasn’t a disaster, like we all know Woodstock was. And respectfully, it had a much more eclectic lineup.”

I’ll defend my research by saying that

  • the organizers did not provide the camping (as Woodstock Ventures had), but were invited by the racetrack owners.
  • Woodstock had running water. It was an amazing system of pipes and faucets surrounding the area.
  • While Mr Gaines Woodstock experience may have been a “disaster,” mine certainly wasn’t. Discomfort and disaster are two different things.
  • And re the AC lineup, see above, but I’ll repeat: “For all the great acts that appeared at Woodstock, it did not have the mix that the Atlantic City Pop Festival had.”

And as far as other differences, I’ll mention two more:

  1. Estimates are about 100,000 people attended each day. A great number, but far less than the “astronomic” half-million in Bethel.
  2. Finally, like nearly every other festival that summer, there is no official audio or visual record of the event. Over the years, various people have written their impressions, but the organizers did not do more than create a great weekend.

There is this brief home movie and sound of Janis:

A March 8, 2020 article from NJ.com relates a bit more about the concert including a few photos by Peter Stupar who hitchhiked to the concert from Potomac, MD.  Stupar’s site has many more of his pictures from that weekend.

Woodstock

Woodstock Ventures did not set out to create a legacy by filming and recording their event, but in my opinion, their festival would simply be another one on that summer’s long list of festivals had they not done those things.

Atlantic City Pop Festival

Next 1969 festival: Ann Arbor Blues Festival