Category Archives: Anniversary

WC Handy Memorial Concert

WC Handy Memorial Concert

or the official full name…
The Fourth Annual Memphis Country Blues Festival
and the
First Annual WC Handy Memorial Concert

1969 festival #12

Mississippi Fred McDowell – “Goin’ Down to the River”

WC Handy Memorial Concert

WC Handy Memorial Concert

Memphis Sequicentennial Inc

The poster reads: The Memphis Sesquicentennial Inc. in conjunction with The Memphis Country Blues Society proudly presents The Fourth Annual Memphis Country Blues Festival and First Annual W.C. Handy Memorial Concert The Festival will officially begin Friday June 6 and Saturday June 7, 1969 with three daytime concerts and two evening concerts all in the Overton Park Shell, culminating with the W.C. Handy Memorial Concert in the Mid-South Coliseum on Sunday June 8th. Tickets for the Shell concerts will be available at time of performance only Tickets for the W.C. Handy concert will be on advance sale at many Memphis locations ($2.50 to $5.00) Claude Mabel (artist?)

WC Handy Memorial Concert

Some line-up!

Those who played at this comparatively unknown 1969 festival were:   Johnny Winter, Canned Heat, Backwards Sam Firk, Bukka White, Carla and Rufus Thomas, Insect Trust, Fred McDowell & Johnny Woods, Nathan Beauregard, Sun Smith and the Beale Street Five, Elder Lonnie McIntorsch, Sleepy John Estes, Blues Band, Lum Guffin, The World Greatest Jazz Band, Albert King, The Bar-Kays with Toni Mason, Jo-Ann Kelley, Furry Lewis, Slim Harpo, Rev. Robert Wilkins, John Fahey, Southern Fife and Drum Corps, Booker T. and the MGs, Moloch, Casietta George, Sid Selvidge, Soldiers of the Cross, Robert Pete Williams, Rev. Ishmon Bracey, and Wild Child Butler.

Just as white teenagers had inadvertently discovered so-called race music in the early 50s by way of Elvis and other white artists covering black artists’ songs (albeit often “sanitized” to white standards), many white teenagers had wandered into the Delta blues.

WC Handy Memorial Concert

Father of the Blues

WC Handy is called the Father of the Blues because it was his style of the Blues that became the dominant one in America. It happened in Memphis, Tennessee. Specifically on Beale Street. He did all this in the first part of the 20th century.

As festivals became a way to present lots of music to lots of listeners,  it was natural that a blues-themed festival would happen. The first Memphis Country Blues Festival was in 1966 and in 1969 it’s fourth time was combined with the First WC Handy Memorial Concert.

WC Handy Memorial Concert

Woodstock not

Two names that would appear throughout the summer and particularly at the Woodstock Music and Art Fair were Canned Heat, featuring the vocals of Bob Bear Hite and the guitars of Alan Blind Owl Wilson and Harvey Mandel and Johnny Winter. Both were not just blues enthusiasts, but men who studied the history of the blues.

In other words, this festival featured those who had discovered the blues and those who had helped invent it. And while many of the name are far from household names, their contribution to the art is still important.

WC Handy Memorial Concert

 Speckled Bird not impressed

The Great Speckled Bird was an alternative newspaper based in Atlanta, Georgia. had some less than flattering things to say about the way the festival was managed, especially the time when National Educational Television was recording for a future show. “…the TV crew…had no understanding (much less love) of the music and certainly none for the medium of television. Emcee Rufus Thomas had to read insipidly ‘humorous’ announcement before each ‘act’ ; musicians had to stop…so that ‘sound levels’…could be met.” The article continued, “What could have been a groovy, informal recording of the sights and sounds of country blues and electric rock performances…all was lost in a third-rate stage show.”

The presence of uniformed police did not add to the vibe. The article also pointed out that the older musicians were given short shrift sets compared to younger bands who sets organizers allowed to go on much longer.

One young performer that the Bird felt was OK was John D Loudermilk. Many of us know his…

The purpose of the WC  Handy component was to raise scholarship money.

WC Handy Memorial Concert

Next 1969 festival: Cambridge Free Festival

Dino Valenti Gets Together

Dino Valenti Gets Together

“Let’s Get Together” is one of the 1960s’ most recognizable songs, particularly the version done by the Youngbloods.  We should also recognize the name Dino Valenti since it was he who penned the song.

Valenti may or may not have written another staple of the era, “Hey Joe.” There seems to be some fuzziness surrounding that. It may be a reworked traditional song or a song written by Billy Roberts and Len Partridge who “gave” the song to Valenti while Valenti was in jail (marijuana charges) to help Valenti financially.

To add to a bit of the confusion that can surround Valenti, one should also know that he was born Chester William “Chet” Powers, Jr.  on October 7, 1937 and was also known as a songwriter as Jesse Oris Farrow.

He was the lead singer of the outstanding Quicksilver Messenger Service.

dino valenti

Dino Valenti Gets Together

Kingston Trio

It was on this date, June 1, 1964 that the Kingston Trio released “Let’s Get Together” on their Back to Town album. If you were a Kingston Trio fan and bought the album, then you would have become familiar with the song.

The album reached #22 on Billboard Pop Album charts.

Kingston Trio singing “Let’s Get Together” from their Back in Town album.

Dino Valenti Gets Together

Dino Valenti 

Here is Dino Valenti singing the song himself:

Dino Valenti Gets Together

We Five

The We Five (of “You Were On My Mind” fame) covered the song in 1965, but it still didn’t catch on.

Dino Valenti Gets Together

Youngbloods

Even in 1967 when Jesse Colin Young and the Youngbloods did what became the definitive version, it did not do that well commercially– reaching #62 on the charts.

Fortuitously for the song and them, the song became part of a Public Service Announcement and re-energized their version which was re-released in 1969 and finally established deep roots in American music.

Dino Valenti died on November 16, 1994. He was 51.

Dino Valenti Gets Together

Simon Garfunkel Bookends

Simon Garfunkel Bookends

Billboard #1 album May 25, 1968
Simon Garfunkel Boodends
photo: Michael Ochs Archives

By the spring of 1968 we had had the groundbreaking albums Rubber SoulPet Soundsand Sgt Pepper’s Lonely Hearts Club Band

The realization that an album did not have to be a collection of singles had allowed artists to present a set of songs as pieces of a whole. In fact, Sgt Pepper’s didn’t even have a “single” on it.

For we late-teen Boomers, Bookends opened with the worrisome lines:

Time it was

And what a time it was, it was

A time of innocence

A time of confidences

Long ago it must be

I have a photograph

Preserve your memories

They’re all that’s left you.

Simon Garfunkel Bookends

Youthful nostalgia

As the emerging adults in a society teeming with counter-cultural prospects, we “thought” we understood the lyrics’ nostalgia.

Of course in 1968 we had no idea how intense nostalgia could actually be decades later. How was 28-year-old Paul Simon so perspicacious?

Simon Garfunkel Bookends

Pieced together

Simon and Garfunkel did not record the album as a unified whole.  Some of side two’s songs evolved out of their work for the film The GraduateThat soundtrack album, released January 21, 1968,  had reached Billboard’s #1 album spot on April 6, 1968 and stayed there for six weeks. The Bookends album followed it for three weeks followed by The Graduate again for two weeks followed again by Bookends for four weeks. Simon and Garfunkel were trending!

Despite the recording schedule’s discontinuity, the album smoothly runs along its side one and again along side two. How many of us who first knew the album as a vinyl record know long before side one ends that we have to get up to flip the record?

Simon Garfunkel Bookends

Hooks and salients

And there are so many wonderful hooks and salients along the way. That soft 33-second acoustic opening pierced by the sharp beginning of “Save the  Life of My Child.” Hand-clapping. Background chorus. Conversational talk. A flashback to “Sounds of Silence.”

Simon Garfunkel Bookends

America > exhale > Voices

Following the lesson of segueing songs, “America” softly enters. Images we still hold close. Cigarettes. Magazines. Rising moon. The New Jersey Turnpike. And not a rhyme. We’ve gone from childhood to hitting the road.

A match lights a cigarette. Exhale. The game is over. We’ve heard rumblings of a Beatle-break up. Is this other Paul hinting? In any case, we’ve learned about love from the other side. “Overs.”

Simon Garfunkel Bookends

Old Friends

Upon your first listen,  did “Voices” confuse you? Who are these people? Not a song, no lyrics, but a sad short story. “And I maintain, I maintain strongly to this minute, I don’t think it’s an ordinary cold.” And if that wasn’t enough, we “Old Friends” end side one sitting on a park bench, newspapers blowing, lost in our overcoats.

         Simon Garfunkel Bookends

Flip the record. Please!

Side two opens with music that sounds like the end of something. “Fakin’ It.” If side one was from cradle to grave, Side two talks about hypocrisy and struggling to get by. Playing roles and wondering why. “I’m not really makin’ it” sound like the end of “I Am the Walrus.”

Wish I was a Kellogg’s corn flake” is “Punky’s Dilemma.” That and being a “Citizen of boysenberry jam fan.” The struggle continues and includes falling down the basement stairs.

Simon Garfunkel Bookends

Mrs Robinson

We all know “Mrs Robinson.” We’ve all seen Mrs Robinson and maybe, like Dustin Hoffman, falling a bit in lust with her. When opportunity knocks, eh? “We’d like to know a little about you for our files.” Are those eyes really sympathetic? And where did you go, Joltin’ Joe?  In 1969, “Mrs Robinson” became the first rock song to win the  Grammy Award for Record of the Year.

The worried pessimism continues as we skip into a “Hazy Shade of Winter” with its leaves of brown and the sound of the Salvation band.  Ha!

Simon Garfunkel Bookends

Oh those animals!

Paul Simon, the New York kid, the only living boy in New York, closes with “At the Zoo.” We didn’t know those animals felt that way. Now we do and wonder about the others.

Thom Jureck’s All Music review closed this way:  In just over 29 minutes, Bookends is stunning in its vision of a bewildered America in search of itself.

           Yup.
Simon Garfunkel Bookends