All posts by Woodstock Whisperer

Attended the Woodstock Music and Art Fair in 1969, became an educator for 35 years after graduation from college, and am retired now and often volunteer at Bethel Woods Center for the Arts which is on the site of that 1969 festival.

Princeton Riot Blackboard Jungle

Princeton Riot Blackboard Jungle

Bill Haley & His Comets singing “Rock Around the Clock”

Princeton Riot Blackboard Jungle
L-R: Louis Calhern, Glenn Ford Sidney Poitier in Blackboard Jungle
Princeton Riot Blackboard Jungle

 Communists everywhere

In the 1950s many Americans thought they saw Communists in every nook and cranny. And Americans blamed what they defined as social ills on Communism’s influence.

Civil Rights? Communism.

Folk music? Communism.

Homosexuality? Communism.

The Beat Generation? Communism.

Juvenile delinquency? Communism.

Rock and Roll? Communism.

Princeton Riot Blackboard Jungle

Ed McBain

The novel Blackboard Jungle was published in 1954. Ed McBain, using the pseudonym Evan Hunter,  wrote the book.  The following year Richard Brooks directed the film.

The film reinforced the popular view that teenagers, particularly those who lived in the cities, were out of control. Disrespectful. Lazy. Intemperate.

The movie opened with Bill Haley & the Comets “Rock Around the Clock.” The song was actually the B-side of a single the band had released in May 1954, “Thirteen Women (and Only One Man in Town).” The single didn’t go far on the charts. Not until its now-famous B-side opened the movie.

Princeton Riot Blackboard Jungle

Rock Around the Clock

           On July 9, 1955, “Rock Around the Clock” became the first rock and roll recording to hit the top of Billboard’s Pop charts. The song stayed there for eight weeks.

Princeton Riot Blackboard Jungle

10 Times the Clock

It was on this date, May 17, in 1955 that the so-called Princeton Riot occurred.

According to Princeton dot edu, “On May 17, 1955, the juvenile delinquency drama Blackboard Jungle closed its run at Princeton’s Garden Theater. That night, 10 enterprising students met at a local record shop to purchase copies of the film’s groundbreaking theme song, “Rock Around the Clock.” The plan, as revealed in the next day’s “Prince”: to blare Bill Haley’s hit single at 11 p.m. from “key places” on campus “in hopes of triggering an outburst.

Blackboard Jungle
NYT article
Princeton Riot Blackboard Jungle

Earlier Memphis Ban

That Blackboard Jungle was in the news was not new. On March 28, 1955, Memphis, Tennessee’s censor board had banned the film.

In fact 1955 was a tough year for rock and roll promoters. On May 22,  Bridgeport, Connecticut authorities had cancelled a Fats Domino concert because of the dangers of “Rock and Roll.”  Similar rock and roll concert cancellations due to local officials’ fear of possible violence occurred in Boston, Atlanta, Newark, Asbury Park, New Jersey, and Burbank, California.

And remember that the Ed Sullivan Show had presented only the top half of Elvis Presley’s first appearance.

As for that Princeton riot, the faculty committee suspended four students.

Princeton Riot Blackboard Jungle

Princeton Four

Blackboard Jungle
NYT article
Princeton Riot Blackboard Jungle

Clare Boothe Luce objects

On August 26,  Blackboard Jungle was removed from consideration at the Venice Film Festival because of objections by the U.S. Ambassador to Italy, Clare Boothe Luce, but the movie received four Oscar nominations (won none).

Today considered a landmark film about the 1950s. And though Bill Haley’s song was not the first rock and roll song, it is often credited with making rock and roll popular far beyond its 1950 boundaries.

Princeton Riot Blackboard Jungle

Brian Wilson Pet Sounds

Brian Wilson Pet Sounds

Released May 16, 1966

Brian Wilson Pet Sounds

Fun Fun Fun

For five years Brian Wilson and the Beach Boys had given us fun (fun fun) songs. As an East Coast kid, the sunny surfing imagery intoxicated me: girls in bikinis, the Pacific Ocean, funny cars…and did I mention girls in bikinis.

Little did we realize Brian’s internal turmoil, that he had to endure paternal abuse. The loss of hearing in one ear may have been the physical result, but the psychological impact would be life-long.

We likely also didn’t realize the Brian had left live performances up to the rest of the group. Various fears and a need to create led to his decision to stay in LA.

Brian Wilson Pet Sounds

1965’s tipping point

Bob Dylan had gone electric in 1965. He’d declared that he wasn’t goin’ to work on Maggie’s farm no more. Little did this 15-year-old realize what that change meant. Dylan and the Beatles met and while the Beatles were already electric and in 1965 they went Dylan: writing songs that meant something to them as well as, hopefully, something to us.

That was the Beatles’ Rubber Soul with songs like “Norwegian Wood,” “Girl,” “I’m Looking Through You,” and “In My Life” fans heard something different than “I Want to Hold Your Hand.”

So did Brian Wilson and he decided he’d up the ante and create something even better. Many say he did, but not right away. Mike Love for one felt Brian Wilson was heading in a nowhere direction. Sales of the album, while good, were not what their previous albums had done. Even the single “Caroline No” was released as a Brian Wilson song, not a Beach Boy song.

Brian Wilson Pet Sounds

Studio Studio Studio

Brian Wilson's Pet Sounds

It took Wilson months to produce Pet Sounds. With his band mates on the road, he used LA’s famous Wrecking Crew to create the sounds he wanted. And they, despite an often meandering search, helped him find and create that sound.

Side one: 

  1. Wouldn’t It Be Nice
  2. You Still Believe In Me
  3. That’s Not Me
  4. Don’t Talk (Put Your Head on My Shoulder
  5. I’m Waiting for the Day’
  6. Let’s Go Away for Awhile
  7. Sloop John B
Side 2:

  1. God Only Knows
  2. I Know There’s an Answer
  3. Here today
  4. I Just Wasn’t Made for These Times
  5. Pet Sounds
  6. Caroline No
Brian Wilson Pet Sounds

Masterpiece

Today the world acknowledges Pet Sounds as a masterpiece [Rolling Stone magazine article]. Just as Rubber Soul had inspired Wilson, Wilson in turn inspired the Beatles whose barking dogs on Sgt Pepper’s echo and acknowledge Pet Sound‘s influence.

Much later, in Barry Miles’ Many Years From Now, Paul McCartney said about Sgt Pepper: We were fed up with being Beatles. We were not boys, we were men… artists rather than performers.”

So too Brian Wilson and we are forever indebted to him for that artistry and inspiration.

Brian Wilson Pet Sounds

Motown Mary Wells

Motown Mary Wells

May 13, 1943 — July 26, 1992

Motown Mary Wells

Beatles Go Viral

Using today’s language, in 1964 the Beatles had gone viral. They had blown up. Trending. Their singles and albums dominated the charts, but that didn’t mean that other great music couldn’t find its way to the top of the charts. That’s exactly what happened on May 16, 1964. “My Guy” by Mary Wells hit the Billboard #1 spot.

Motown Mary Wells

Spinal Meningitis

To say that it had not been an easy climb to the top for Mary Wells would describe almost any artist’s rise to fame, but it was literally true for Wells. As a child she contracted spinal meningitis. Afterwards she was partially paralyzed and lost some hearing and sight.

Her mother was a house cleaner and as a teenager Mary worked with her mother. Mary also sang in her church choir and as others before and since, that early training provided a path toward the music business.

Motown Mary Wells

Tamla Barry Gordy

Her plan was to write music and she approached Tamla Records’ Barry Gordy with a song. She hoped that Jackie Wilson, one of Gordy’s stars, would record it. Gordy asked Wells to sing the song to him and he decided that Wells was the one for the song and signed her to his new label: Motown.

Motown Mary Wells

 

Motown Mary Wells

Bye Bye Baby

It peaked at No 8 on the R&B chart in 1961. She began to work with the young Smokey Robinson and she had three consecutive hits with his  “The One Who Really Loves You” (1962), “You Beat Me to the Punch” (1962) and “Two Lovers” (1962).

Motown Mary Wells

My Guy

In 1964, Wells’ career reached its peak when her song, “My Guy” also written by Robinson, made it to No. 1. It became her signature song.

Unfortunately, Well’s relationship with Motown went poorly around this time. She felt that she wasn’t being fairly compensated for her music and that other Motown artists were benefiting from her profits.

Motown Mary Wells

20th Century Fox

Whatever the case, Wells left Motown and signed with  20th Century Fox. Her career never attained Motown successes. She left 20th century after only a year. Later she signed with Atco and Jubilee.  Though not as well know, All Music described her later work as “solid pop-soul on which her vocal talents remained undiminished.” 

Motown Mary Wells

Cancer of the larynx

Mary Wells contracted cancer of the larynx in 1990. And “Despite her health condition, Wells was always upbeat and courageous. She began taking long trips, including one to New York in which she was the focus of a “Joan Rivers Show.” Her tribute on the show included a warm and generous phone call from Little Richard and a loving video dedication from Stevie Wonder, who, in her honor, sang “My Guy” rewritten as “My Girl.”  [Official site]

According to her New York Times obituary“After the operation, Ms. Wells had chemotherapy. In June 1991, doctors found the cancer was spreading, and she began an experimental drug regimen. She resumed chemotherapy late in 1991.”

In debt and without insurance, she lost her home. Several prominent musicians helped raise money for her or provided funds outright.

Wells died on July 26, 1992 and is buried at Forest Lawn Memorial Park.

Motown Mary Wells
photo by A.J. Marik

“My Guy” had remained #1 for two weeks. Who had the next #1? The Beatles, of course: “Love Me Do.”

Motown Mary Wells