Woodstock John Morris

Woodstock John Morris

Woodstock John Morris

This is one thing that I was going to wait awhile before we talked about, but maybe we’ll talk about it now so you can think about it, because you all, we all, have to make some kind of plans for ourselves.

It’s a free concert from now on.

The Woodstock Music and Art Fair has thousands of pieces. Most people’s first thought is of the festival’s famed performers and their music. Drugs, mud and the kindness of strangers often follow.

Woodstock John Morris

Broad picture

On docent tours at Bethel Woods Center for the Arts Museum, we try to give a complete and accurate portrayal of that weekend.  The Museum’s designers knew that they had to put the event in perspective and thus the whole 60s theme that guests encounter before actually getting to Woodstock.

The organizers knew that other festivals that summer had had confrontational issues between the young people attending the festival and local law enforcement’s responsibility to maintain order.  Woodstock Ventures successfully kept the peace by distancing uniformed officers from the Field itself and keeping the throng of attendees well-informed in a calming manner.

Woodstock John Morris

Production Coordinator

John Morris was the Production Coordinator at Woodstock, but his voice (as well as that of Chip Monck) became as important a part of the event and Jimi Hendrix’s Star Spangled Banner.

As disorganized as the Woodstock Ventures may have appeared, the four organizers brought on talented people to carry out their vision. John Morris had already helped set up the short-lived but successful Anderson Theater in New York City before helping to set up the more famous Fillmore East.

He would go on to create and own London’s first major rock concert venue, The Rainbow and produced live concerts for bands including Paul McCartney’s Wings, The Grateful Dead, The Moody Blues, The Jefferson Airplane, Jimi Hendrix, The Doors, and Santana.

Woodstock John Morris

It’s a free concert from now on…”

But back to that August 1969 weekend

With so many performers, the image of Woodstock is often on of continuous music, there was a lot of down time both planned and forced upon (think rain storms)

Stage announcements became absolutely necessary for communication and those who made them had to be clear, truthful, and reassuring.

John Morris was that and his voice remains one of the strongest of my memories of my time at Woodstock. Thank you John.

Woodstock John Morris

1989 interview

John and his Woodstock memories (poor audio quality).

Woodstock John Morris

Nowadays

John continues his lifetime association with the arts with Objects of Art. He and Kim Martindale have created a unique collection of art shows curated to create a unique art experience.

The site explains, “The Objects of Art Shows bring together an extensive collection of historic to contemporary material that includes fashion and jewelry, furniture and books, tribal, folk and American Indian art, works on paper and canvas, and three-dimensional pieces in wood, ceramic and bronze. The range is vast, the selection is discerning, and the result is an exhibition of exceptional objects of art.”

Woodstock John Morris
Please follow and like us:
error0

3 thoughts on “Woodstock John Morris”

  1. I was lucky enough to meet John the night before the 1979 10th Anniversary of Woodstock and was hired on by him to be his assistant. What a time that was. I wish could bump into him again to remember that one together.

  2. I met John at the 1979 Woodstock reunion at Parr meadows. The night before the show and he hired me on as his assistant. What a great time that was and he was really a great fun guy we had a lot of laughs. Such as at one point during the show as the sun was going down and I said to him, John isn’t this the time of day when the lights go on and everyone gets excited for the night part of the show? He says Yes it is you’re right. I say Well who turns them on and he says You Do ! Then he told me to g under the stage and flip evey circut breaker on and the light man will take it from there,. As I was raking them on as many swicthes at the same time as possible for the best effect the stage was being crushed up against by the crowd and I thought it would collapse so I kept flipping them and jumping back about 6 feet with each rake lol. Would love to meet him again.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.