Tag Archives: Music et al

Nina Simone Four Women

Nina Simone Four Women

1966

Nina Simone Four Women

Nina Simone Four Women

Eunice Kathleen Waymon

Nina Simone, born Eunice Kathleen Waymon, aspired to be a concert pianist, not an easy thing for a young black woman, even a very talented young black woman.

With the financial help of her Tyron, North Carolina neighbors and her music teacher, Eunice was able to attend the  Juilliard School of Music in New York. A next step would have been the Curtis Institute of Music in Philadelphia, but her application was rejected. A rejection she felt was simply a racially motivated one.

She started to take private lessons and to help pay for them she began to perform a mixture of jazz and blues. Knowing her family would disapprove, Waymon adopted a stage name: Nina Simone.

Nina Simone Four Women

Civil Rights Choice

With the rebirth of the civil rights movement, Simone, like other black artists, faced a decision: speak out and risk a career or take that risk. After the assassination of Medgar Evers and the terrorist attack on the 16th Street Baptist Church in Birmingham, Alabama that killed four girls and blinded another, Simone’s mind was made up.

“Mississippi Goddam” reflected her anger and decision. She felt that the conciliatory demands, the non-violent approach that Martin Luther King, Jr used were not useful. She adopted he separatist views of a Malcolm X  and the Black Nationalist movement.

Nina Simone Four Women

Wild Is the Wind

The 1966 album, Wild is the Wind (1966), Simone included the song “Four Women.” The album itself reflected the many styles Simone had begun to use by then: jazz, blues, folk, R & B. and pop, but “Four Women” reflected her realization of the choices a black woman in America faced. Continued slavery. The mixed race woman rejected by both races. The prostitute. The militant.

Nina Simone Four Women

Nina Simone Four Women

Four Women

The song, like the women, was rejected as racist by many on both sides.

My skin is black
My arms are long
My hair is woolly
My back is strong
Strong enough to take the pain
inflicted again and again
What do they call me
My name is AUNT SARAH
My name is Aunt Sarah
My skin is tan
My hair is fine
My hips invite you
And my mouth like wine
Whose little girl am I?
Anyone who has money to buy
What do they call me
My name is SWEET THING
My name is Sweet Thing
My skin is yellow
My hair is long
Between two worlds
I do belong
My father was rich and white
He forced my mother late one night
What do they call me
My name is SAFFRONIA
My name is Saffronia
My skin is brown
my manner is tough
I’ll kill the first mother I see
My life has been too rough
I’m awfully bitter these days
because my parents were slaves
What do they call me
My name is PEACHES
Nina Simone Four Women

Expatriate

Simone’s career was not an easy one. Difficult marriages.  Illness. Controversial views. An expatriate.  She died of breast cancer in 2003 at her home in Carry-le-Rouet, France, near Marseille.

Peter Keepnews wrote in his New York Times articleMs. Simone was as famous for her social consciousness as she was for her music. In the 1960’s no musical performer was more closely identified with the civil rights movement. Though she was best known as an interpreter of other people’s music, she eloquently expressed her feelings about racism and black pride in those years in a number of memorable songs she wrote herself.

Nina Simone Four Women

Beatles Love All Our World

Beatles Love All Our World

June 25, 1967

In 1967  what we watched on TV was mainly local other than the evening shows on the major networks. Cable TV was still in its infancy.

Yet the idea that everyone in the world could watch the same live TV program at the same was not new. The main problem was the technology and organization to do so.

Beatles Love All Our World

Aubrey Singer

Technology was no longer a hurdle. Aubrey Singer, a British Broadcasting Corporation producer, took on the organizational issues.

19 countries were lined up to participate but five Soviet bloc countries [Czechoslovakia, Poland, East Germany, the Soviet Union, and Hungary] withdrew just before the broadcast in protest for the Six-Day War.

Those who did participate were:

  • Austrialia
  • Austria
  • Canada
  • Denmark
  • France 
  • Italy
  • Japan
  • Mexico
  • Spain
  • Sweden
  • Tunisia
  • United Kingdom
  • United States
  • West Germany

Each country would contribute its own piece. No politicians. No heads of state. A live broadcast. Interpreters for each country’s contribution.

In the end, the broadcast went to 24 countries and an estimated 400 to 700 million people watch.

Some of the segments included:

  • from Canada, a Marshall McLuhan interview, views of Ghost Lake, a rancher and his cutting horse, and views from Vancouver’s Kitsilano Beach.
  • from the USA, views of the house in Glassboro, NJ whre Lyndon Johnson and Soviet premier Alixi Kosygin met; a discussion about the impact of technology.
  • from Japan, views of the construction of the Tokyo subway system. 
Beatles Love All Our World

Beatles Our World

As selfish as I am, I am mainly concerned with the UK’s contribution: the Beatles. They had been asked to contribute a song.    Paul suggested their recent released “Hello Goodbye” but a new song came instead: “All You Need Is Love”.

Although the song lists as usual that it was a Lennon-McCartney composition,  John Lennon wrote it.

They started recording the song on June 14th, with Lennon on harpsichord, McCartney on double bass with a bow, George Harrison on violin (for the first time in his life!) and Starr on drums. (Rolling Stone magazine article)

Beatles Love All Our World

…and invited friends

While the ground rules stipulated a completely live performance, the Beatles and invited friends sang to a pre-recorded track for simplification. Those friends? Mick Jagger, Eric Clapton, Marianne Faithfull, Keith Richards, Keith Moon, Graham Nash, Mike McGear, Patti Boyd, and Jan Asher.

The single “All You Need Is Love” was released in the UK on July 7 and in the US on July 17. The song hit #1 in both countries.

Beatles Love All Our World

Not all enthusiasm

While the millions of Beatles fans found the show and the performance wonderful, there were some Brits who felt otherwise.

  • “This country has produced something more meritorious and noteworthy than The Beatles (much as I admire them)”
  • “We did not do ourselves justice”
  • “Have we nothing better to offer? Surely this isn’t the image of what we are like. What a dreadful impression they must have given the rest of the world”
  • “We flaunted The Beatles as the highlight of British culture, no wonder we have lost our image in the eyes of the world”
Beatles Love All Our World

Beach Boys Summer Spectaculars

Beach Boys Summer Spectaculars

June 24 & 25, 1966
Not from June 1966: Beach Boys live, “God Only Knows”
Beach Boys Summer Spectacular Beach Boys Summer Spectacular
Beach Boys Summer Spectaculars

Likely 2 Days

Today’s blog confused me a bit as I thought this “festival” was a one-day event, yet sources suggest it was two days in two different places with nearly the same line-up. I am going to treat it as a two-day event, but with a grain of salt. The second poster with the “KRLA Presents” (as opposed to the first day’s “KFRC Presents”) suggests the two-day two-venue possibility. And I can find no information to distinguish things.

Here we go!

Friday 24 June (San Francisco)

  • Beach Boys
  • The Lovin’ Spoonful
  • Chad & Jeremy
  • Percy Sledge,
  • The Outsiders
  • The Leaves
  • Sir Douglas Quintet
  • Jefferson Airplane,
  • The Byrds
  • The Sunrays
  • Neil Diamond
Saturday 25 June (Los Angeles)

  • Beach Boys
  • The Lovin’ Spoonful
  • Chad & Jeremy
  • Percy Sledge
  • The Outsiders
  • The Leaves
  • Sir Douglas Quintet
  • Love
  • The Byrds
  • Captain Beefheart
Beach Boys Summer Spectaculars

Station-sponsored

First of all, this was not a 1969 festival and perhaps was not even a festival, but it was a rock music event that was held by an FM-rock radio station in San Francisco that featured some groups that were emerging on the new FM-rock scene.

The sponsor of the event, KFRC-FM (and RKO-owned station) had joined the growing number of FM stations that saw rock music as a profitable format. Bill Drake, the RKO General’s national program director, created a system that meant a fewer records, but heavier rotation of the biggest hits, very short jingles, and less DJ talk.

Beach Boys Summer Spectaculars

Seeds of future outdoor festivals

One can see the seeds of the “underground” style and album-oriented selection in Drake’s so-called “Boss Radio” style.

The selection of groups that perform is an interesting mix of styles: the jug band bent of the Lovin’ Spoonful, the soul of Percy Sledge, the San Francisco Jefferson Airplane, the LA folk-rock of the Byrds, some British Invasion with Chad and Jeremy, Cleveland rock with the Outsiders (their big hit, “Time Won’t Let Me,” a bit of Texas/San Francisco mix with the Sir Douglas Quintet,  and of course the surfin’ Beach Boys.

Beach Boys Summer Spectaculars

Hey Joe 

The Leaves are historically interesting as they were the first rock group to release what would in a year become Jimi Hendrix’s signature song, “Hey Joe.”

I am surprised to see Captain Beefheart and his Magic Band (and you should be, too), and Love.

With so many bands (either way), the sets must have been short to accommodate so many groups in what was likely a 3 or 4 hour window.

The ticket prices were $2, $3, $4, and $5 for the first night; $2.75, $3.75, $4.75,  and $5.75 for the second night. The more expensive tickets seem too expensive for 1969. I assume there was no meet-and-greet with the highest priced tickets.

Beach Boys Summer Spectaculars